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The Handmaid's Tale Paperback – March 16, 1998
| Margaret Atwood (Author) Find all the books, read about the author, and more. See search results for this author |
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Look for The Testaments, the bestselling, award-winning the sequel to The Handmaid’s Tale
In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid’s Tale is a modern classic.
Includes an introduction by Margaret Atwood
- Print length311 pages
- LanguageEnglish
- PublisherKnopf Doubleday Publishing Group
- Publication dateMarch 16, 1998
- Reading age14 - 18 years
- Dimensions5.16 x 0.69 x 7.99 inches
- ISBN-10038549081X
- ISBN-13978-0385490818
- Lexile measure750L
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Editorial Reviews
Review
"The Handmaid's Tale deserves the highest praise." —San Francisco Chronicle
"Atwood takes many trends which exist today and stretches them to their logical and chilling conclusions . . . An excellent novel about the directions our lives are taking . . . Read it while it's still allowed." —Houston Chronicle
"Splendid." —Newsweek
From the Inside Flap
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now....
Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.
From the Back Cover
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now....
Funny, unexpected, horrifying, and altogether convincing, "The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.
About the Author
Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.
Excerpt. © Reprinted by permission. All rights reserved.
In the spring of 1984 I began to write a novel that was not initially called The Handmaid’s Tale. I wrote in long hand, mostly on yellow legal notepads, then transcribed my almost illegible scrawlings using a huge German-keyboard manual typewriter that I’d rented.
The keyboard was German because I was living in West Berlin, which was still encircled by the Berlin Wall: the Soviet empire was still strongly in place and was not to crumble for another five years. Every Sunday the East German air force made sonic booms to remind us of how close they were. During my visits to several countries behind the Iron Curtain—Czechoslovakia, East Germany—I experienced the wariness, the feeling of being spied on, the silences, the changes of subject, the oblique ways in which people might convey information, and these had an influence on what I was writing. So did the repurposed buildings. This used to belong to . . . But then they disappeared. I heard such stories many times.
Having been born in 1939 and come to consciousness during World War II, I knew that established orders could vanish overnight. Change could also be as fast as lightning. It can’t happen here could not be depended on: anything could happen anywhere, given the circumstances.
By 1984, I’d been avoiding my novel for a year or two. It seemed to me a risky venture. I’d read extensively in science fiction, speculative fiction, utopias and dystopias ever since my high school years in the 1950s, but I’d never written such a book. Was I up to it? The form was strewn with pitfalls, among them a tendency to sermonize, a veering into allegory, and a lack of plausibility. If I was to create an imaginary garden, I wanted the toads in it to be real. One of my rules was that I would not put any events into the book that had not already happened in what James Joyce called the “nightmare” of history, nor any technology not already available. No imaginary gizmos, no imaginary laws, no imaginary atrocities. God is in the details, they say. So is the devil.
Back in 1984, the main premise seemed—even to me—fairly outrageous. Would I be able to persuade readers that the United States of America had suffered a coup that had transformed an erstwhile liberal democracy into a literal-minded theocratic dictatorship? In the book, the Constitution and Congress are no longer: the Republic of Gilead is built on a foundation of the seventeenth-century Puritan roots that have always lain beneath the modern-day America we thought we knew.
The immediate location of the book is Cambridge, Massachusetts, home of Harvard University, now a leading liberal educational institution but once a Puritan theological seminary. The Secret Service of Gilead is located in the Widener Library, where I had spent many hours in the stacks, researching my New England ancestors as well as the Salem witchcraft trials. Would some people be affronted by the use of the Harvard wall as a display area for the bodies of the executed? (They were.)
In the novel, the population is shrinking due to a toxic environment, and the ability to have viable babies is at a premium. (In today’s real world, studies in China are now showing a sharp fertility decline in Chinese men.) Under totalitarianisms—or indeed in any sharply hierarchical society—the ruling class monopolizes valuable things, so the elite of the regime arrange to have fertile females assigned to them as Handmaids. The biblical precedent is the story of Jacob and his two wives, Rachel and Leah, and their two handmaids. One man, four women, twelve sons—but the handmaids could not claim the sons. They belonged to the respective wives.
And so the tale unfolds.
Product details
- Publisher : Knopf Doubleday Publishing Group; 1st Anchor Books edition (March 16, 1998)
- Language : English
- Paperback : 311 pages
- ISBN-10 : 038549081X
- ISBN-13 : 978-0385490818
- Reading age : 14 - 18 years
- Lexile measure : 750L
- Item Weight : 8.4 ounces
- Dimensions : 5.16 x 0.69 x 7.99 inches
- Best Sellers Rank: #2,241 in Books (See Top 100 in Books)
- #3 in Political Fiction (Books)
- #5 in Dystopian Fiction
- #132 in Literary Fiction (Books)
- Customer Reviews:
About the author

Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, went back into the bestseller charts with the election of Donald Trump, when the Handmaids became a symbol of resistance against the disempowerment of women, and with the 2017 release of the award-winning Channel 4 TV series. ‘Her sequel, The Testaments, was published in 2019. It was an instant international bestseller and won the Booker Prize.’
Atwood has won numerous awards including the Booker Prize, the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade and the PEN USA Lifetime Achievement Award. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.
Photo credit: Liam Sharp
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June, now known as Offred, is forced to obey laws and rules to ensure her survival. The world is seen through her eyes and her motivations evolve as she discovers more about the faults in Gilead. Commanders can be persuaded and some of the world before Gilead is still there, the world she knows and longs for. She even comes to find that her daughter is still alive. Thanks to Mayday, she now also knows there are others like her fighting to be free and destroy Gilead and its creators.
Many concepts were discussed in class that can be seen throughout the book. The ones that primarily make an appearance in The Handmaid’s Tale are liberal feminism, misogyny, privilege, oppression, and rape culture. Liberal feminism is displayed throughout the book in many areas, but it is most evident when June is taken to a place called Jezebel’s. The idea of liberal feminism according to course material is when feminists will use the state of a current system to create a beneficial situation for themselves and other women. The women working at Jezebel's had created a system for them to work and make their own money through prostitution. They were also able to wear clothing for their line of work that had otherwise been made illegal by The Republic of Gilead. This was huge because under Gilead women were treated as property, and were given color-coded uniforms, and tasks that they had to do without any benefit to them. Handmaids even went by names such as Offred or Ofwarren indicating they belonged to a certain Commander.
I really enjoyed this book!
You would think that something written thirty years ago would seem dated. But that wasn't the case for me. If anything, I think there are so many things imagined in the book which have become more possible today instead of less. In a sense, this is a cautionary tale that a large art of the population ignored or misunderstood.
More than ever, we should be reading this and sharing it with the young women in our lives. And discussing it with them, so they see more of the depth than my 22-year-old self did.
Margaret Atwood imagined a world where a totalitarian power went into action against foreign zealots and their own people's "wanton" behavior. This power was meant to make the world better, but it also created a world of highly distinct "haves" and "have nots."
She says, “Better never means better for everyone... It always means worse, for some.” It might be just me (although I suspect not) but this sure sounds like what we often hear today on the news and in conversations.
Reading this at the end of 2016 after a brutal election cycle, the following quote from Atwood seems both wise and horrible. Have we not been hearing about people who feel invisible?
“We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories"
Atwood's Republic of Gilead gives people one-dimensional functions. Correction - she gives women one-dimensional functions. They are Wives, Marthas, Handmaids, Aunts, or Unwomen (and a few more which would be spoilers). Unwomen are rebels, likely to be banished to the toxic waste dumps of the colonies. Everyone else plays a part in the singular female focus - procreation. As I read, I wondered what category I'd fall into should I have the bad luck to land in Gilead. The women there have no layers of life or experience. They are expected only to fulfill their narrow role.
Why is procreation such a focus? Because of falling birth rates among white people. This book doesn't discuss race except one small spot near the end. It's as if there is only one race in Gilead. And the only people in that race with any power are men.
The main character, Offred (literally of Fred named after the Commander she serves) is the perfect blend of weak and strong. She tells us of her past and says, “When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.” But her life is not beautiful. And Atwood straddles the line of past and present, sending back and forth in a way that keeps you wanting more. Just as Offred wants more. Just as we all want more for ourselves and the generations of women coming after us.
If you read this book long ago, pick it up again. If you haven't yet read it, move it up to the top of your TBR. Buy it for friends. Buy for your sons and daughters. Use it to teach and to learn what kind of world we could be if we stop valuing the diversity of all people.
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If I had to use one word to describe this book it would be "terrifying". I simply loved it!














