Harmony and Voice Leading 4th Edition
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Edward Aldwell
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Editorial Reviews
About the Author
Carl Schachter has taught music theory and analysis at Mannes College since 1956. He has served as the Chair of the Techniques of Music Division, and he was Dean of the College from 1962 to 1966. In July 1996 he retired as Distinguished Professor of Music at Queens College and the CUNY Graduate School, where he had taught since 1971. Following his retirement from Queens College, he joined the faculty of The Juilliard School. He has lectured and taught in France, England, Italy, Germany, Austria, Spain, Finland, Estonia, Holland, Mexico, and Australia as well as the U.S. and Canada.
Allen Cadwallader is Professor of Music Theory at Oberlin Conservatory of Music, where he teaches counterpoint, tonal harmony, and Schenkerian analysis. He is editor of TRENDS IN SCHENKERIAN RESEARCH, ESSAYS FROM THE THIRD INTERNATIONAL SCHENKER SYMPOSIUM, ESSAYS FROM THE FOURTH INTERNATIONAL SCHENKER SYMPOSIUM, VOL. 1, and coauthor of ANALYSIS OF TONAL MUSIC: A SCHENKERIAN APPROACH (Oxford University Press). He has published articles on Schenkerian theory in JOURNAL OF MUSIC THEORY, MUSIC ANALYSIS, and MUSIC THEORY SPECTRUM, and has given lectures and workshops on Schenker�s work in England, France, Germany, and the United States.
Product details
- Publisher : Cengage Learning; 4th edition (March 11, 2010)
- Language : English
- Hardcover : 736 pages
- ISBN-10 : 0495189758
- ISBN-13 : 978-0495189756
- Item Weight : 3.25 pounds
- Dimensions : 8.25 x 1.25 x 10.25 inches
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Best Sellers Rank:
#1,309,049 in Books (See Top 100 in Books)
- #1,344 in Vocal & Singing
- #1,543 in Music Theory (Books)
- #1,661 in Music (Books)
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Top reviews from the United States
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It is a predatory behavior to purchase digital content and retroactively deem material “non essential”
With this type of business model,I look forward to a future where behavior like this is noted and penalized.
Blake Hinson
Professor of Double Bass, Stony Brook University
New York Philharmonic, assistant principal bass
I imagine this would also be a great text for students of harmony as well. The explanations are clear, and the examples are all "good music", (mostly from before 1900).
I recommend the CD as well, since the examples are performed well on it.
The problem is: it's not available for Kindle, although it would be for this pourpose, and I'm reading it in my iPad, in the Kindle app.
Top reviews from other countries
It is presented, structured and written in a way that I have to read 3 times to understand and still, I can't even remember what I just read.
That shows that I probably haven't clearly understood the principles in order to apply it. Either the author just like to make it look harder to understand than it is actually or I missed a few steps before reading this book.
I do have a teacher that guides me but the book is still too complicated. therefore I have ordered another book + exercises from another author, hopefully things will be explained in a more simple ways because it is not normal to have to read 3 times a text and not even remembering it.







