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Harvesting Color: How to Find Plants and Make Natural Dyes Paperback – May 2, 2011
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Selection of the Crafters’ Choice Book Club
Beautiful natural dyes from plants found in the wild or grown in your own backyard.As more and more crafters are discovering, dyeing your own fabric can yield gorgeous colors. Now master dyer Rebecca Burgess identifies 36 plants that will yield beautiful natural shades and shows how easy it is to make the dyes. Pokeweed creates a vibrant magenta, while a range of soft lavender shades is created from elderberries; indigo yields a bright blue, and coyote brush creates stunning sunny yellows.
Gathering Color explains where to find these plants in the wild (and for those that can be grown in your backyard, how to nurture them) and the best time and way to harvest them; maps show the range of each plant in the United States and Canada. For the dyeing itself, Burgess describes the simple equipment needed and provides a master dye recipe. The book is organized seasonally; as an added bonus, each section contains a knitting project using wools colored with dyes from plants harvested during that time of the year. With breathtaking color photographs by Paige Green throughout, Gathering Color is an essential guide to this growing field, for crafters and DIYers; for ecologists and botanists; and for artists, textile designers, and art students.
- Print length192 pages
- LanguageEnglish
- PublisherArtisan
- Publication dateMay 2, 2011
- Dimensions8 x 0.65 x 10.05 inches
- ISBN-101579654258
- ISBN-13978-1579654252
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- Publisher : Artisan; 6.5.2011 edition (May 2, 2011)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 1579654258
- ISBN-13 : 978-1579654252
- Item Weight : 1.51 pounds
- Dimensions : 8 x 0.65 x 10.05 inches
- Best Sellers Rank: #443,661 in Books (See Top 100 in Books)
- #56 in Fabric Dying
- #200 in Nature Crafts
- #451 in Fiber Arts & Textiles
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The book is divided into two parts: Part One includes a brief historical discussion of gatherers and dyers, describes necessary materials and tools for natural dyeing, and sets out a "master dye bath" and other general recipes for dyeing. In this part, the author cautions that national and state parks have strict no-harvest rules. However, she notes that national forests allow harvesting for personal use, that water and open-space districts will often grant harvesting permits, and that other sources for harvesting plants exist. The author also explains that she has included no recipes for tin, chrome, or copper-powder mordants (mordants bind the dye and fabric tightly), because widespread discarding of the metallic leftover dye water could quickly lead to unhealthy concentrations of these toxic metals in local soil. Clearly, the author is highly dedicated to the cause of environmental preservation, but her informative text is gentle in tone, and neither preaches nor communicates any "eco-politically correct" sense of superiority.
Part Two, which makes up the bulk of the book, describes the individual dye plants, and is organized by the four harvesting seasons. Each plant has its own mini-section, which includes (1) a U.S. map colored in to show where the plant grows, (2) the Latin name, (3) a brief general description of the plant's history and characteristics, (4) specific instructions on finding the plant, (5) instructions on harvesting it, (6) a dye recipe tailored to the plant, (7) a clear photograph of the living plant, and (8) a photograph of a skein of yarn dyed with the plant. The beautiful full-color photographs should enable most people to recognize the plants in the wild, and to be reasonably sure of what colors to expect in the dyed yarn.
The complete list of plants is: Summer (hollyhock, ironweed, Mexican cliffrose, big basin sagebrush, zinnia, desert rhubarb, rabbitbrush, rosea, coyote brush, Japanese indigo, elderberry, goldenrod, tickseed sunflower); Fall (pokeweed, black walnut, trembling aspen, staghorn sumac, mountain mahogany, white sage, curly dock, sorrel); Winter (toyon, coffee berry, madder root, prickly pear cactus, cochineal insects, tansy); Spring (cota, sticky monkey flower, horsetail, fennel, California sagebrush, French broom).
Although I have only a casual interest in actually dyeing my own yarn, this is a book that I'm delighted to own, and to have on my knitting reference shelf. I rate it at 5 stars.
I have to say the pictures are wonderful, the layout is simple, it's well written and everything is explained very well. There are even a few craft projects in here to give you some inspiration on what to do with all that yarn and cotton and everything else you're going to be dyeing.
My only complaint is that it mostly focuses on plants found in the South-west, in California, New Mexico, Arizona, and Nevada. Plants like sagebrush, tumbleweeds, and prickly pear cactus. As I live in the Mid-west, in Ohio, most of the plants in the book don't grow in my area unless you cultivate them, which is not a big deal for some of them, but others really won't do well without a greenhouse. On the other hand, there are plants that you can find everywhere you look up here, like Poke berries, Ironweed, and Goldenrod.
I would still recommend it to anyone interested in getting into herbal dyes, though, since most of the plants can still be planted and grown here.
I really love how the author doesn’t get self-righteous about things in a way that can be both off-putting and exclude entire swaths of people from being able to enjoy this beautiful activity. For example, she gives great tips about wildflowers for dyeing that are often mowed-down on the sides of roadways, so pay attention and harvest before they’re mowed. Or don’t have a 1/2 acre dye garden? You can pick up a marked-down, wilted bouquet of some flowers from a florist and make gorgeous dye with those!
Being a native plant enthusiast, I bought the book after reading many recommendations on short posts about dyeing with different natives (bidens, coreopsis, pokeberries) and was not disappointed! It does make me wish that I lived in the arid west and had the sagebrush steppe plants to work with- ha! But there’s such a nice variety of plants and now I have a fun dye activity to do with friends out west when I visit!
Seriously- if you can only start with one book on natural dyeing, this is the one!
Edited to add: For those who complain about her only using alum as a mordant, and wanting the “saddened” colors that iron will give, she does include examples of iron ore-mordanted fiber on page 33 (photos) and then explains how and why you could do an iron after-bath on page 35. Frankly, there are two reasons I’m glad she doesn’t dwell on this. 1) Most natural dyeing resources focus a ton on “sad” earthy colors so my gosh- can people who love bright colors not have one book that focuses on achieving them? And 2) so many books on the topic get TOO complicated (mordant in this, then add some of that, but oh- nope- if you want this other effect then NEVER add that and instead do THIS and be sure it’s under the light of the full Capricorn moon to get this exact shade). It’s too much. What happens all too often with books that get too deep into every little variant is that beginners give up. But that said, there are plenty of reference books that will give you every single chemical detail and if that’s your jam- then get one of those. One book can’t do it all and in trying to do it all, would do a lot of it badly. Give me a book that does what it’s trying to do well and in a way that helps build confidence and curiosity to branch out and experiment any day!
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Love it! I also recommend visiting her websites for more info and inspiration
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