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Has Been
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William Shatner Has Been
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MP3 Music, January 1, 2004
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Editorial Reviews
Product Description
From pop-culture icon William Shatner comes Has Been, an album unlike anything you've ever heard before. Produced and arranged by Ben Folds and featuring numerous notable guest appearances, Has Been is the result of the collision of two great creative forces - a surprisingly pop-driven, lyrically potent collection of songs to enlighten and entertain. Included in the set of originals is William Shatner's version of the Pulp hit, "Common People."
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After his rendition of "Lucy in the Sky with Diamonds" on the infamous Golden Throats album (though it first appeared on the Transformed Man LP), one could argue that the world needed a new William Shatner album about as much as it needed a big-screen remake of TJ Hooker. But Shatner's back all the same with an intriguing, introspective collection of mostly spoken-word tracks that are all the more compelling when it becomes clear that Has Been is, in fact, no joke. Ben Folds played on and produced the record, creating rich, melodic, and varied pop musical backgrounds to Shatner's world-weary, boozy-suave yet thoroughly impassioned delivery. Joe Jackson, Aimee Mann, Henry Rollins, Brad Paisley, and Adrian Belew also stop by to lend their divergent talents. Highlights include the Rollins/Shatner rant "I Can't Get Behind That" and the Folds/Mann/Shatner collaboration "That's Me Trying", which tells the painful story of an attempted family reconciliation. Shatner mixes a healthy amount of self-awareness with a just a dollop of self-mockery and then combines it all with plenty of raw vulnerability to create an effect that is surprisingly touching, highly entertaining, and unlike any music you've ever heard. --John Moe
Amazon.com Exclusive Footage
William Shatner was recently caught on tape by paparazzi responding to reports that some people hadnt yet heard his new album. See him read Amazon.com customer reviews of Has Been as he makes his case: high bandwidth, low bandwidth.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.62 x 4.92 x 0.33 inches; 3.84 Ounces
- Manufacturer : Shout! Factory
- Item model number : 2190926
- Original Release Date : 2004
- Run time : 39 minutes
- Date First Available : January 31, 2007
- Label : Shout! Factory
- ASIN : B0002RUPH4
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #42,430 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,668 in Broadway & Vocalists (CDs & Vinyl)
- #3,388 in Vocal Pop (CDs & Vinyl)
- #20,926 in Rock (CDs & Vinyl)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Really honest and great music. It may not be for you, but I applaud that this album was ever even produced in the first place.
I dig the rock & roll drive-bys and jazz lounge riffs and even that whiff of country music when Brad Paisley comes in. Yes, HAS BEEN trespasses on the kitschy, but that's part of the fun. You get drawn in. There are songs here which will get your toe tapping. Several will make you smile. And some are surprisingly affecting and emotional. How do you reconcile artistic merit with a novelty act? What you do is you get Ben Folds to steer the ship, to produce and to arrange the tracks. You also coax bonafide musicians like Aimee Mann, Joe Johnson, and Brad Paisley to work on the album, to provide vocals. So that right there automatically garners you a measure of respect. Then you tell Shatner to quit channeling "Mr. Tambourine Man."
I got love for Bill Shatner, so maybe I'm biased, and, okay, you can extract the "maybe" bit. He has one of the most distinctive voices in the biz and he knows how to make it work for him, even when he's being hammy. His playfulness and self-aware irony are on full display in several numbers. The title track exhibits elements of the Rawhide theme and, I think, Herb Alpert's "The Lonely Bull," and there's very much this tongue-in-cheek Spaghetti Western feel to it. It features Shatner getting his digs in at his retractors. Bill and Joe Johnson hike up the bravado as they gloriously cover Pulp's "Common People." In "I Can't Get Behind That," Bill engages Henry Rollins in an epic rant about things that cheeses them both royally. "Familiar Love," an ode to the comforts drawn from a longterm relationship, channels Bill's randy side, the song's catchiness riding on the honey-smooth hook ("My lady belongs here, and so do I...").
Regret is a theme which crops up more than once, as are wistfulness and melancholy and all other emotions sifting thru you as you float thru those twilight years. "That's Me Trying" - penned by Nick Hornby - certainly touches on all of that, as well as the doleful, sort of haunting "It Hasn't Happened yet." "That's Me Trying," with Ben Folds and Aimee Mann singing backup vocals, is redolent with regret. It tells of a deadbeat dad's long neglect of his daughter (now in her forties), and this is his way of reaching out, extending an olive branch, suggesting Cold Mountain as a book they could read separately so that they could have something to talk about should they have a reunion. This song has staying power with me. "It Hasn't Happened Yet" is a subdued Bill Shatner addressing his fears and shortcomings and failures. Country singer Brad Paisley wrote "Real" specifically for Bill Shatner. Listening to the lyrics - which explore the unreal expectations we place on actors who play bigger-than-life roles - one can't help but feel that this song resonates deeply with Shatner.
And then there's "Together" - Bill's collaboration with Lemon Jelly - which just sounds wicked good. In counting the ways in which William Shatner stays relevant, HAS BEEN is, like, number eighty nine. But check it out, anyway. You may find yourself baffled as to why you're listening to the entire CD again for the umpteenth time. It's just that some (if not most) of the tracks are captivating in their catchiness and their sheer oddity. Heck, now, I may even purchase a Priceline ticket.
If there is any justice in the bubbling multiverse, there must be an alternate reality where "Common People" is nominated for Grammy Song of the Year. And if the Grammy folks were really cool and edgy (which we all know they aren't) they would slot Ben Folds, Shatner, and Joe Jackson to open the show. (By the way, if you like this album, see Shatner's interview in a recent NYT Magazine.)
Top reviews from other countries
I found out about Captain Kirk's second life and talent just through this album. Didn't know he used to make bizarre and theatrical covers of famous pop/rock songs already in the 70s.
This one is a great return and must be given a try even only for the fantastic cover of Common People (performed with Joe Jackson), even better than the original one.
Listening to his performances is impressive because it looks like you're watching him acting on stage. It's rare to have such a presence even without showing one's face and body. And it's also kind of surreal and self ironic, I guess
Opening with a cover of Pulp's `Common People', a song Shatner attacks with some vigour and a sense of humour, this is a very reflective, and I feel, personal album. Apart from the opener all the tracks are penned by Shatner, and find him musing on life, loves and opportunities lost. Shatner narrates rather than sings, but is helped along by a set of talented musicians and a classy gospel style choir. The album is a fairly slow tempo, apart from the raucous opener, but manages to use the humour to avoid wallowing in over sentimentality, and deliver a set of tracks with a real emotional punch. I am still a little undecided as to whether this is a serious attempt from Shatner, or if he is having a laugh at himself in some clever self parody. Whichever, it is a great piece of music and repays repeated listening.
Shatners wording, phrasing and lack of singing talent only go to show that a great showman will beat a great singer every time.
This new CD made with the help of Ben Folds, is an album by a man who knows his limitations and exploits them. How can a man talk his way through "Common people" by Pulp? For anyone else it would be impossible but Shatner has indeed found a way.
The collaborations are well matched too, the highlight being "I can't get behind that" featuring Henry Rollins, a man not known for his quiet moments. Both he, and Shatner shout their worldy grievances at each other and at one point they question how a man can get paid for talking his way through a music cd.
Knowing but not arrogant, funny but not truly comedy, this cd is more listenable than his first but no less enjoyable as a true William Shatner experience.
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