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The Hatred [Blu-ray]
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| Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
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| Genre | Horror |
| Format | NTSC, Subtitled, Widescreen |
| Contributor | Gabrielle Bourne, Sarah Davenport, Darby Walker, Bayley Corman, Michael G. Kehoe, Andrew Divoff |
| Language | English |
| Runtime | 1 hour and 34 minutes |
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Product Description
Four young women travel to their college professor's new country home for a weekend getaway, only to discover that the house has a malevolent past.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 Ounces
- Audio Description: : English
- Director : Michael G. Kehoe
- Media Format : NTSC, Subtitled, Widescreen
- Run time : 1 hour and 34 minutes
- Release date : September 12, 2017
- Actors : Sarah Davenport, Andrew Divoff, Darby Walker, Gabrielle Bourne, Bayley Corman
- Subtitles: : Spanish
- Studio : Lionsgate
- ASIN : B073LWR87R
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #142,052 in Movies & TV (See Top 100 in Movies & TV)
- #4,338 in Horror (Movies & TV)
- Customer Reviews:
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When Regan (Sarah Davenport), Samantha (Bayley Corman), Betaine (Alisha Wainwright) and Layan (Gabrielle Bourne) stay the weekend at a countryside house while babysitting the owner’s girl Irene (Shae Smolik), they come to find the house has a dark history.
The house has a basement full of Nazi paraphernalia and a long-undisturbed room that once belonged to a teenage girl (Alice) who was murdered in the 60s by her ex-patriated Nazi father. Irene thinks that Alice is responsible when strange things begin to happen to the other girls. The background story of the cursed Nazi house is complemented with small roles by Andrew Divoff and Tim DeZarn.
It takes this movie a long time to take us… not very far. The girls begin their weekend, they find clues linking the house to its Nazi past, and ghostly things start appearing. An out of focus figure in the background, something moving under the bedsheets, whispers from the ether, aaaaaand cue the screaming CGI lady ghost.
The scare tactics and special effects are weak. It’s very PG-13 and rather budget-limited… but it’s also vision-limited—i.e., in inexperienced director. The movie has one decent part, and it’s from the trailer. It’s the “look under the bed” scene. Sadly, it’s squandered by a CGI-filtered demon-wench crab-walking on the bed.
I’m not sure how this got an R-rating, it’s clearly (in my opinion, at least) a PG-13 movie. There are no swears, no nudity, intense scares, gore or disturbing imagery or content outside of a drowning scene. The horror itself is really rather soft. So yeah, this is mediocre PG-13 horror at best. I’d recommend it to teenage girls who watch very little horror and scare very easily.
The table-setting was serine as four college (women) students are asked to babysit the child of their college professor for a weekend in the same house mentioned above. All is good until the history and unchained hauntings of this possessed house are discovered and then unleashed upon the women. The past returns in spirit then springboards a terror that wreaks demonic havoc upon the new inhabitants.
All in all the viewer is given a little at a time like a dripping faucet as the intensity continues to build. The presence of this evil drives the story and characters forward to its climatic and powerful ending. As I see it this is set up for a sequel and I pray that I am right. Great directing, lighting and sound effects. The acting was convincing, especially the little girl who played Irene.
I recommend this film because it had a different feel to it that set it apart from the typical horror genre.
The monsters were great. The last 20 minutes were good, but the plot was weak and so was the build up for the majority of the movie, and I had to multi-task to keep the movie playing all the way to the end.
For starters, it's beautifully shot. The opening scene nailed it. A menacing character paired with the vastness of a beautiful landscape set an eerie, foreboding tone. Needless to say, it piqued my curiosity. Oh yeah, and there's a story. Spoiler alert (the only one I promise) --there's a Nazi curse.
On another note, the majority of the cast is female, and the characters have purpose; they're not reduced to airheads, characters with limited dialogue, or background objects, which is a nice change. The many fresh faces definitely add to believability factor. This director gets it!
The Hatred made something old, new again. It isn't a jump-scare after jump-scare type of film; it's an eerie thriller with elements of horror, and when they present themselves, they're impactful. Several scenes stick with you, the under-the-bed scene being one of them. I highly recommend The Hatred to fans of eerie cinema, classic thrillers and horrors, the paranormal/supernatural, or horror films in general. It's a fun watch.

