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"Have You Seen . . . ?": A Personal Introduction to 1,000 Films Hardcover – Deckle Edge, October 14, 2008

3.8 out of 5 stars 32 customer reviews

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Editorial Reviews

Amazon.com Review

Amazon Best of the Month, October 2008: Having already written (and twice revised) the greatest bathroom book of all time, The New Biographical Dictionary of Film, David Thomson has refreshed his encyclopedic and idiosyncratic understanding of movie history to confect another giant slab of candy for anyone who loves movies or just likes to watch a great mind at work. "Have You Seen...?": A Personal Introduction to 1,000 Films is no cobbled collection of old reviews: written fresh from start to finish, Thomson's page-long profiles often ignore plot to focus instead on the people behind the film or the slippery, personal question of what the movie is actually like to watch. And writing about a thousand films pushes him beyond his favorites into more interesting territory: flaws and failures are often his best subjects. You'll want to discover movies you've never heard of before, and rediscover others you thought you knew well. --Tom Nissley

From Publishers Weekly

Film critic Thomson (The New Biographical Dictionary of Film) gives cinephiles and film novices alike a comprehensive yet personal list of 1,000 must-see films. Arranged alphabetically—a chronological index is included—Thomson's tome opens with a slapstick American comedy (1948's Abbott and Costello Meet Frankenstein) and closes with a social critique from talented Italian director, Antonioni (Zabriskie Point from 1970). For Thomson, films are products of both their time and our own, and the act of watching (and re-watching) reminds us that film is a medium where the past perpetually enhances the present. It can't be a coincidence that the oldest entry (1895's L'Arrosseur Arrossé) and the newest (2007's No Country for Old Men) are both twists on the revenge epic helmed by innovative brothers (the Lumières and the Coens, respectively). As Thomson points out, Story is as long and twisty as a hose. It goes on forever. (Oct. 15)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Product Details

  • Hardcover: 1024 pages
  • Publisher: Knopf; 1 edition (October 14, 2008)
  • Language: English
  • ISBN-10: 0307264610
  • ISBN-13: 978-0307264619
  • Product Dimensions: 7.1 x 2 x 10.2 inches
  • Shipping Weight: 3.4 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #1,344,872 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Hardcover
This series of thumbnail summaries of many many movies is erudite, funny, well-written and infuriating. Like Pauline Kael and Anthony Lane, Thomson is an intrusive critic; we're usually more aware of his own presence than those of the movies he evokes. And his presence is that of the worst sort of Englishman in Southern California, a virus that has infected theSanta Monica region since English directors, actors and technicians (and decades later, music industry folk) began flocking to these shores in the 1900's. They get rich and fat off our pop culture, love the weather, yet feel free to criticize us from their perspective as insider/outsiders who truly have Yanks' measure as no-one else does. Public school class snobbery drips off of these loyal social democrats more than any fox-hunting hyphenate I've ever met; they spend their entire life, when they're not getting drunk, playing hide-the-ball for the fact that they are involved, one way or another, in making mindless entertainment for midwestern american teenages for the benefit of american banks by heaping scorn on the institutions that fatten them.

Thomson is a gruesome offender here -- no matter how much he likes a movie, he's always somehow better than it. Individually, his reviews are terrific, but his flaw-spotting becomes noticable after a while, because it always comes down to the immaturity and infantalism of American audiences that the even the most gifted film-makers are in thrall to, even Kubrick, Altman, the Coppola of The Godfather.
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Format: Paperback
I love books about film.

Specifically, I love books which have separate entries for hundreds or thousands of films. That way I can watch the film before rolling my wheely-chair over to the movies section of my bookshelf and look it up in my extensive library. When a new one of these books comes out, like "Have You Seen...", I'm all over it.

The weird thing is, unlike almost every other one of my books, David Thomson is not listing great movies, or moves which define a decade, or movies you must see before you die. David Thomson is, as the subtitle says, just giving you a personal "introduction" to 1000 films. Some of them he loves. More of them, it seems, he hates. So, the first you thing you need to know is that this is NOT a "great movies" book.

The second thing you need to know I alluded to in the previous paragraph: the author is very negative, in a way that feels snobbish. Maybe he's not actually snobbish, but it certainly feels that way. Thomson is much more similar to Armond White than he is to Roger Ebert. He doesn't project a love of film as much as he projects an air of solipsistic iconoclasm. He's right, and the rest of the world is misguided at best, criminal or stupid at worst. In short, be prepared for a lot of sentences like "Everything about Doctor Zhivago reeks of middlebrow compromise."

But controvery often makes for good reading, so I can still offer this book a mild recommendation. There's no denying he writes well, and he will certainly turn you on to some films you haven't seen and maybe make you reevaluate some that you have. I just wish he didn't sound so arrogant and confrontational in some of his write-ups.

Also, a final note: this book is fairly expensive, but there are no pictures or graphics. It's just text. Don't buy it if you're looking for a coffee table book.
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Format: Hardcover Verified Purchase
I just received this book and so have only spent a couple of hours with it. The book is very engaging, and stirs interest in seeing films that you might have never ever watched, much less heard of. He is good about telling why he likes or dislikes the films, and in some cases suggests that you don't even watch the whole film, but certain scenes, or portions that are not to be missed.
Overall a great reference.
He has most of the reviews from films from the 30's to the 50's. This is intentional on his part, but does a very nice job of covering many decades of movies and he even has a couple of films from 2008.
There is a chronological index in the back of the book, but strangely enough, the book has no Table of Contents, or alphabetical listing of the reviews. I think that the inclusion of an alphabetical listing, and maybe an additional listing by director would have made things more interesting, and the book easier to use as a reference.
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Format: Hardcover
I always used to recommend David Thomson's The New Biographical Dictionary of Film as the most important book on movies for anyone to have. Now I have to recommend two books--the Biographical Dictionary and this one, "Have You Seen . . . ?" A Personal Introduction to 1,000 Films.

Like Thomson's Biographical Dictionary, "Have You Seen . . . ?" is as valuable to simply read and learn about movies from as it is as a reference book. I don't know of anyone who knows as much about the art and history of movies as David Thomson. (Another book by Thomson you should read is Suspects but that's for another time.)

These one thousand films certainly aren't all on Thomson's "Best of" list. On The Sound of Music: "[P]roducer-director Robert Wise and screenwriter Ernest Lehman . . . had killed West Side Story a few years earlier, which was a more serious crime than making The Sound of Music, because the latter had always been brain-dead."

Thomson's interest and knowledge is deepest concerning the 1930s through the 1970s. That's an amazing amount of knowledge, but he's spent his whole life studying film in the way lovers of 1960s "film culture" did--by watching good and/or interesting (not always the same thing) films over and over again.

Thomson is American now, but he grew up in England and he has the perspective of the outsider to shape his view of this country and its movies. On The Truman Show as a 1990s phenomenon:

"No other American film was clearer that the greatest threat to our existence was . . . above all our decision to be cheerful, amiable, and pleasant. . . . It was as if someone at last had realized that the most . . . frightening thing about America was not the menace, . . . but the bonhomie, the salesman oil . . .
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