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He Died with His Eyes Open: A Novel Paperback – March 12, 1987
| Derek Raymond (Author) Find all the books, read about the author, and more. See search results for this author |
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In the three police procedurals that comprise the Factory Series, Derek Raymond has created a narrator who threatens to become a cult figure while preserving his anonymity. A loner and cynic, undervalued and underpaid, our hero is a nameless detective sergeant in the Department of Unexplained Deaths, a catch-all unit that investigates low-life crimes and is shunned by the blokes in the Serious Crimes Division of the Metropolitan Police.
But our narrator, working out of the Factory, named by the villains because it has a bad reputation for doing suspects over in the interrogation rooms, is fired by a real feeling for justice. He believes that an alcoholic, found obscenely battered to death in a seedy, down-and-out part of London, deserves as much official attention as, say, a dead politician. This “nobody” becomes a somebody—a kindred spirit who left behind a strange legacy. Our cop becomes obsessed by the case. But even he could not have imagined how vicious, evil, and perversely attractive his opponent will turn out to be.
- Print length240 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateMarch 12, 1987
- Dimensions5.5 x 0.6 x 8.5 inches
- ISBN-100345342895
- ISBN-13978-0345342898
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Product details
- Publisher : Ballantine Books (March 12, 1987)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0345342895
- ISBN-13 : 978-0345342898
- Item Weight : 0.01 ounces
- Dimensions : 5.5 x 0.6 x 8.5 inches
- Best Sellers Rank: #314,884 in Books (See Top 100 in Books)
- #15,985 in Suspense Thrillers
- #25,777 in Mysteries (Books)
- #60,551 in Genre Literature & Fiction
- Customer Reviews:
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I have an unhealthy addiction to these gritty, South London Crime books. I have not read any previous books by Mr. Raymond (to my knowledge) but this is another of the genre. The crimes described are violent and explicitly described. The investigators are as amoral as the criminal that they are chasing.
The main investigator (unnamed) is the narator of the story. He is with the thankless group within the Metropolitan Police known as the Department of Unexplained Deaths. It rarely gets written up in the paper (except, perhaps in the News of the World or some other of the tabloids) and the members of the department rarely get promoted. They are the lowest of the low. That possibly is one of the reasons why the members of the department are so like the criminals that they pursue. As is usual with me, I enjoyed this book very much and feel that I need to claim to be embarrassed by my enjoyment, so I will say that to cast the illusion that I am somewhat civilised.
I think that one of the things that I like about this type of book is the street slang. This book, in that manner, befuddled me. I was not familiar with a lot of the vocabulary of the characters in the book and had to keep my copy of Puxley's (a dictionary of British Slang) by my side as I read it. I feel that perhaps that the street language that I am familiar with might be a bit more modern than this book, which was published In 1984. Even though this was a South London crime story, I did not find a single mention of "filth" or "pork-chop" in the book. In place of those words, the book normally used the word "copper". That is a word that is even old by American standards (I would guess around the 1940's).
It is a good book, by my measure and I invite you to read it unless you have a weak constitution.
The blend of story, plot, action, style, character, and ideas [in the form of psychopathologies] is almost perfectly achieved in this first book in the Factory series.
The book is not overly violent, but like much crime fiction there is some and that some is quite graphic.
Set in Thatcherite Britain, the novel follows an unnamed detective working for the Dept. of Unexplained Deaths (they follow up on deaths of the marginalized and down and out) as he attempts to close a case involving one of the Londoners living on the fringes of society.
The detective is driven but articulate and thoughtful, and they offer the reader a depth of identity not normally achieved in the police procedural.
Recommended for fans of Noir; mystery; procedural, and Crime…especially those who enjoy a slightly more thoughtful take on their crime.
Rating 4 out of 5 stars
I am British and came of age in Thatcher's Britain and I was quite disposed to be entertained by this book. I found it to be unworthy of the praise that has been lavished on it. The dialogue is unconvincing to me, a sorry pastiche of cockney banter, quite unnatural and stilted. I suspect that those who aren't that familiar with how Londoner's and more generally, Brits, speak might think that it was accurate. There are many unconvincing references to rock song lyrics, television programs etc that smack of poor research, laziness and simply being out of touch.
Beyond that, the victim of the crime evokes very little sympathy from me. He is supposed to be "clever" and essentially looks down his nose and all and sundry. Once again, I found the attempts to critique elements of British society to be weak and poorly conceived. I see nothing original, ground breaking or indeed deeply truthful about the book. It got me thinking of Emile Zola's "La Bete Humaine", written a century prior, that dealt with many similar themes in a much more gripping and convincing manner.
Life is short - find a better book to read.
accidentally discovered him on the Net.
The only warning here is: once you start reading, you can't stop.
Also, I gave his I WAS DORA SUAREZ five stars. The book is so strong
it just might make a few people vomit.
Would love to get The Hidden Files, only it seems tough to locate here in the
U.S.
Lastly, you might be bummed out to know Raymond died back in l994. At
least we have the books.
Powerful stuff indeed.
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Big however : the dialogue between the characters is dreadful, unbelievable. I really wondered if it was just due to (poor) translation from a foreign text….
In the end, the clunky dialogue just drove me to give up at half-way through.
And then a great crime tale as well.
Why is this author not better known?
Good.








