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Head Off & Split: Poems Paperback – January 27, 2011
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About the Author
Nikky Finney was born at the rim of the Atlantic Ocean, in South Carolina, in 1957. The daughter of activists and educators, she began writing in the midst of the Civil Rights and Black Arts Movements. With these instrumental eras circling her, Finney's work provides first-person literary accounts to some of the most important events in American history.
In 1985, and at the age of 26, Finney's debut collection of poetry, On Wings Made of Gauze, was published by William Morrow (a division of HaperCollins). Finney's next full-length collection of poetry and portraits, RICE (Sister Vision Press, 1995), was awarded the PEN America-Open Book Award, which was followed by a collection of short stories entitled Heartwood (University Press of Kentucky, 1998). Her next full-length poetry collection, The World Is Round (Inner Light Books, 2003) was awarded the Benjamin Franklin Award sponsored by the Independent Booksellers Association. In 2007, Finney edited the anthology, The Ringing Ear: Black Poets Lean South (University of Georgia Press/Cave Canem), which has become an essential compilation of contemporary African American writers. Her fourth full-length collection of poetry, Head Off & Split, is a National Book Award Winner.
Finney and her work have been featured on Russell Simmons DEF Poetry (HBO series), renowned chef Marcus Samuelsson's feature The Meaning of Food (a PBS production) and National Public Radio. Her work has been praised by Walter Mosley, Nikki Giovanni, Gloria Naylor and the late CBS/60 Minutes news anchor Ed Bradley. Finney has held distinguished posts at Berea College as the Goode Chair in the Humanities and Smith College as the Grace Hazard Conklin Writer-in-Residence.
Finney is currently a Professor of English and Creative Writing at the University Kentucky. She is a founding member of the Affrilachian Poets
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Top Customer Reviews
‘A girl in the crowd, taught not to
shout, shouts, “Oh! She’s so sweet-looking! Oh!
They done messed with the wrong one now.”
You cannot keep messing with a sweet-looking
Black woman knows her way around velvet.’
poems about other black women not to mess with in this book who had their moment of media attention are condoleezza rice and wilma rudolph.
these are poems of the south, stories from louisiana of floods, church bombings in alabama, strom thurmond’s black children in south carolina, a solitary artist in kentucky and the woman who drove across five states to be with her.
these are poems about enduring until one knows what one needs to be known so as not be messed with. in Red Velvet:
‘The Montgomery seamstress waits and waits for
the Cleveland Avenue bus. She climbs aboard,
row five. The fifth row is the first row of the Colored
section. The bus driver, who tried to put her off that day,
had put her off twelve years before. But twelve years
before she was only twenty-eight, still a child to the
heavy work of resistance.’
finney’s velvet is fish. she tells the story of her journey, beginning from the days before she learned the lessons for the day she would buy her own fish whole and grip a knife for the heavy work. her metaphor testifies to the heavy work accomplished to write the way she does.
these are poems about leaving and returning, and standing ground, and about staying when the ground is washed away from underfoot and why leaving isn’t an option. there’s nothing easy about these poems, which is why they should be read.
Though not my favorite book of contemporary poetry from the last five years, Head Off & Split examines such variable aspects of family life and sexuality that it's impossible to undercut its awareness of its writer's identity. Political poems are far from my favorite, and I could well do without the Condoleeza suite, but Nikky Finney knows who she is as a poet and a person, and the book shows it.