My review contains spoilers about this non-fiction title. BEWARE.
I read this book for two reasons: The first is because I'm always drawn to mafia-related tales, especially true ones, and secondly, since Martin Scorsese is turning it into a Netflix film with Robert De Niro, Joe Pesci, and Al Pacino all starring in the three main roles.
The story of Frank Sheeran is an interesting, dark, and sometimes brutal thing. This man killed everything from Nazis to gangsters, and in large quantities. The book starts with a riveting chapter that sets Frank up the night before Jimmy Hoffa is killed. It had me thinking that Frank knew who did it, but had nothing to do with the actual murder, and boy was I wrong.
The book cuts away from Hoffa's murder, and takes us into Frank's childhood, and then into his 411 days of combat service during World War II. The days Frank learned how to carry out the order to murder without hesitation, and the days where Frank learned how to outlive everyone around him. I found Frank's tour of duty to be some of the most thought-provoking stuff, but I can understand why it was hard for him to discuss, especially since he was in combat for longer than the majority of humans ever in war.
There's a lot of Teamsters Union talk, and while some of it would boil down to violence, it was mostly just a bunch of names being thrown around, and elections of local unions being discussed. These parts of the book are probably the least interesting, but Frank Sheeran loved The Teamsters, and was a proud member. It was probably the thing he was most proud of in his entire life.
Hoffa's trials against Bobby Kennedy take up a large portion of the book, but Frank didn't have much of a perspective other than repeating some of Jimmy Hoffa's quotes from that time. It's a shame we'll never get to read a new book with interviews from Jimmy on this subject. His rivalry with Bobby Kennedy was an epic American tale in itself.
Things started to get truly griping around the time Jimmy Hoffa went to "school", as Frank Sheeran referred to prison. Hoffa's hatred for being inside, and how he lost his grip on The Teamsters, which eventually led to him losing his grip on reality setup the climax, as Frank finally returned to his story from the start of the book. Frank made it to Detroit the day Jimmy Hoffa was killed...
I think I was pulling for Frank more before I knew about him being in on Jimmy Hoffa's death, despite knowing he'd killed dozens of other people. Something about killing the man he claims to have respected so much, and been such close friends with, makes it hard to relate to the man. You always hear things about the mafia sending your closest friend to whack you, and in Frank's version of the Hoffa hit, that's how it went down.
Frank mentioned Giants' Stadium, which was a place you'd always hear rumored to be Hoffa's burial ground when you grew up a Giants fan. He squashed that rumor, like a few others over the years, but the details of Jimmy Hoffa's last moments were a lot less extravagant. There's stuff to be taken away from those moments, but "I Heard You Paint Houses" really left an impression on me concerning Russell Buffalino.
You hear a lot of old gangster names thrown around over the years, but I don't think I've ever had a conversation with a person that involved them dropping Russell Buffalino's name. According to the book, he was the closest living representation of Vito Corleone from "The Godfather", and Russell had final say on "The Godfather" film's script all the way back in the 70's. Another tidbit from this book about Godfather, Al Martino, who plays Johnny Fontane in the film, was actually the basis for the character, and not Frank Sinatra. Not only that, but Francis Ford Coppola didn't want Al Martino for the role, but Russell Buffalino made some calls, and it was so.
Frank Sheeran went out by starving himself to death in a nursing home. Robert De Niro is going to be playing him in the movie, and while I hear there's going to be a lot of de-aging going on, I honestly think this flick would've worked better as a Marty/Leo team-up, but what do I know?
Charles Brandt goes on to talk about how his book was well received, and most of Frank's tales were proven true, despite common beliefs before the book was published in the early 2000's (I.E.: Crazy Joey Gallo hit). Apparently, he even became friends with the actual "Donnie Brasco", and they have worked together on other stuff.
If you're interested in the true crimes of the American Mafia than "I Heard You Paint Houses" is the exact book you need to add to your reading list. Frank Sheeran interacted with everyone who was anyone during the beginning of the end of "This Thing of Ours", and all as an outsider, so it's a rare perspective.
VERDICT: READ
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I Heard You Paint Houses: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa Kindle Edition
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Charles Brandt
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Charles Brandt
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LanguageEnglish
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PublisherSteerforth
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Publication dateJune 24, 2016
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Editorial Reviews
Review
'The Irishman' named Best Film By National Board Of Review and New York Film Critics Circle
“Sheeran’s confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery.” — Michael Baden M.D., former Chief Medical Examiner of the City of New York
“I’m fully convinced – now – that Sheeran was in fact the man who did the deed. And I’m impressed, too, by the book’s readability and by its factual accuracy in all areas on which I’m qualified to pass judgment. Charles Brandt has solved the Hoffa mystery.” —Professor Arthur Sloane, author of Hoffa
“Sometimes you can believe everything you read.” — William “Big Billy” D’Elia, successor to Russell Bufalino as godfather of the Bufalino crime family
“My source in the Bufalino family . . . read I Heard You Paint Houses. All the Bufalino guys read it. This old-time Bufalino guy told me he was shocked. He couldn’t believe Sheeran confessed all that stuff to [Brandt]. It’s all true.” — New York Police Department organized crime homicide detective Joseph Coffey
“If the made men Brandt rubbed up against during his five years with Sheeran suspected what Sheeran was confessing to him on tape, they’d both have been promptly whacked.” — Joe Pistone, retired FBI deep undercover agent and the author of Donnie Brasco
I Heard You Paint Houses “gives new meaning to the term ‘guilty pleasure.’ It promises to clear up the mystery of Hoffa’s demise, and appears to do so. Sheeran not only admits he was in on the hit, he says it was he who actually pulled the trigger — and not just on Hoffa but on dozens of other victims, including many, he alleges, dispatched on Hoffa’s orders. This last seems likely to spur a reappraisal of Hoffa’s career. . . . Sheeran is Old School, and his tale is admirably free of self-pity and self-aggrandizement. Without getting all Oprah about it, he admits he was an alcoholic and a lousy father. His business was killing people, and . . . he did it with little muss, fuss or introspection.’’ — Bryan Burrough, author of Public Enemies, in The New York Times Book Review
“One of Sheeran’s virtues was his gift as a storyteller; one of his flaws was his tendency to murder, in mobster jargon, ‘to paint houses.’ . . . Although he professed his loyalty to Hoffa – he said on one occasion, ‘I’ll be a Hoffa man ‘til they pat my face with a shovel and steal my cufflinks’ − Sheeran acknowledged that he was the one who killed the Teamsters boss. . . . On July 30, 1975, Hoffa disappeared. Sheeran explains how he did it, in prose reminiscent of the best gangster films.” — Associated Press
“I Heard You Paint Houses is the best Mafia book I ever read, and believe me, I read them all. It’s so authentic.” — Steven Van Zandt, featured actor, “Silvio Dante,” in The Sopranos and musician in Bruce Springsteen’s E Street Band
“Told with such economy and chilling force as to make The Sopranos suddenly seem overwrought and theatrical.” —New York Daily News
“Is Sheeran believable? Very . . . and ‘I Heard You Paint Houses’ is a very enjoyable book.” —Trial Magazine
“A page-turning account of one man’s descent into the mob.” —Delaware News Journal
“A terrific read.” —Kansas City Star
“Sheeran’s confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery.” — Michael Baden M.D., former Chief Medical Examiner of the City of New York
“I’m fully convinced – now – that Sheeran was in fact the man who did the deed. And I’m impressed, too, by the book’s readability and by its factual accuracy in all areas on which I’m qualified to pass judgment. Charles Brandt has solved the Hoffa mystery.” —Professor Arthur Sloane, author of Hoffa
“Sometimes you can believe everything you read.” — William “Big Billy” D’Elia, successor to Russell Bufalino as godfather of the Bufalino crime family
“My source in the Bufalino family . . . read I Heard You Paint Houses. All the Bufalino guys read it. This old-time Bufalino guy told me he was shocked. He couldn’t believe Sheeran confessed all that stuff to [Brandt]. It’s all true.” — New York Police Department organized crime homicide detective Joseph Coffey
“If the made men Brandt rubbed up against during his five years with Sheeran suspected what Sheeran was confessing to him on tape, they’d both have been promptly whacked.” — Joe Pistone, retired FBI deep undercover agent and the author of Donnie Brasco
I Heard You Paint Houses “gives new meaning to the term ‘guilty pleasure.’ It promises to clear up the mystery of Hoffa’s demise, and appears to do so. Sheeran not only admits he was in on the hit, he says it was he who actually pulled the trigger — and not just on Hoffa but on dozens of other victims, including many, he alleges, dispatched on Hoffa’s orders. This last seems likely to spur a reappraisal of Hoffa’s career. . . . Sheeran is Old School, and his tale is admirably free of self-pity and self-aggrandizement. Without getting all Oprah about it, he admits he was an alcoholic and a lousy father. His business was killing people, and . . . he did it with little muss, fuss or introspection.’’ — Bryan Burrough, author of Public Enemies, in The New York Times Book Review
“One of Sheeran’s virtues was his gift as a storyteller; one of his flaws was his tendency to murder, in mobster jargon, ‘to paint houses.’ . . . Although he professed his loyalty to Hoffa – he said on one occasion, ‘I’ll be a Hoffa man ‘til they pat my face with a shovel and steal my cufflinks’ − Sheeran acknowledged that he was the one who killed the Teamsters boss. . . . On July 30, 1975, Hoffa disappeared. Sheeran explains how he did it, in prose reminiscent of the best gangster films.” — Associated Press
“I Heard You Paint Houses is the best Mafia book I ever read, and believe me, I read them all. It’s so authentic.” — Steven Van Zandt, featured actor, “Silvio Dante,” in The Sopranos and musician in Bruce Springsteen’s E Street Band
“Told with such economy and chilling force as to make The Sopranos suddenly seem overwrought and theatrical.” —New York Daily News
“Is Sheeran believable? Very . . . and ‘I Heard You Paint Houses’ is a very enjoyable book.” —Trial Magazine
“A page-turning account of one man’s descent into the mob.” —Delaware News Journal
“A terrific read.” —Kansas City Star
About the Author
Born and raised in New York City, Charles Brandt is a former junior high school English teacher, welfare investigator in East Harlem, homicide prosecutor, and Chief Deputy Attorney General of the State of Delaware. As a prosecutor, he handled more than 50 homicide proceedings, four of which sent men to death row. In private practice since 1976, Brandt was a criminal defense attorney specializing in homicide for a decade, and has been president of the Delaware Trial Lawyers Association and the Delaware Chapter of the American Board of Trial Advocates. He has been named by his peers to both Best Lawyers in America and Best Lawyers in Delaware. He is a frequent speaker on cross-examination and interrogation techniques for reluctant witnesses. Brandt is the author of a novel based on major cases he solved through interrogation, The Right to Remain Silent. He is also the co-author of Joe Pistone's Donnie Brasco: Unfinished Business and of Lin DeVecchio's We're Going to Win This Thing: The Shocking Frame-Up of a Mafia Crime Buster.
--This text refers to the mass_market edition.
From the Inside Flap
"I heard you paint houses" are the first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures. When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself. Sheeran's important and fascinating story includes new information on other famous murders, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that is destined to become a true crime classic.
--This text refers to an alternate kindle_edition edition.
Excerpt. © Reprinted by permission. All rights reserved.
“They Wouldn’t Dare”
I asked my boss, Russell “McGee” Bufalino, to let me call Jimmy at his
cottage by the lake. I was on a peace mission. All I was trying to do at
that particular time was keep this thing from happening to Jimmy.
I reached out for Jimmy on Sunday afternoon, July 27, 1975. Jimmy
was gone by Wednesday, July 30. Sadly, as we say, gone to Australia —
down under. I will miss my friend until the day I join him.
I was at my own apartment in Philly using my own phone when I
made the long-distance call to Jimmy’s cottage at Lake Orion near
Detroit. If I had been in on the thing on Sunday I would have used a pay
phone, not my own phone. You don’t survive as long as I did by making
calls about importantmatters fromyour own phone. I wasn’tmade with
a finger. My father used the real thing to get my mother pregnant.
While I was in my kitchen standing by my rotary wall phone getting
ready to dial the number I knew by heart, I gave some consideration
to just how I was going to approach Jimmy. I learned during my years
of union negotiations that it always was best to review things in your
mind first before you opened your mouth. And besides that, this call
was not going to be an easy one.
When he got out of jail on a presidential pardon by Nixon in 1971,
and he began fighting to reclaim the presidency of the Teamsters,
Jimmy became very hard to talk to. Sometimes you see that with guys
when they first get out. Jimmy became reckless with his tongue — on
the radio, in the papers, on television. Every time he opened his
mouth he said something about how he was going to expose the
mob and get the mob out of the union. He even said he was going to
keep the mob from using the pension fund. I can’t imagine certain
people liked hearing that their golden goose would be killed if he got
back in. All this coming from Jimmy was hypocritical to say the least,
considering Jimmy was the one who brought the so-called mob into
the union and the pension fund in the first place. Jimmy brought me
into the union through Russell. With very good reason I was concerned
for my friend more than a little bit.
I started getting concerned about nine months before this telephone
call that Russell was letting me make. Jimmy had flown out to
Philly to be the featured speaker at Frank Sheeran Appreciation Night
at the Latin Casino. There were 3,000 of my good friends and family,
including the mayor, the district attorney, guys I fought in the war
with, the singer Jerry Vale and the Golddigger Dancers with legs that
didn’t quit, and certain other guests the FBI would call La Cosa
Nostra. Jimmy presented me with a gold watch encircled with diamonds.
Jimmy looked at the guests on the dais and said, “I never realized
you were that strong.” That was a special comment because
Jimmy Hoffa was one of the two greatest men I ever met.
Before they brought the dinner of prime rib, and when we were getting
our pictures taken, some little nobody that Jimmy was in jail
with asked Jimmy for ten grand for a business venture. Jimmy reached
in his pocket and gave him $2,500. That was Jimmy — a soft touch.
Naturally, Russell Bufalino was there. He was the other one of the
two greatest men that I ever met. Jerry Vale sang Russ’s favorite song,
“Spanish Eyes,” for him. Russell was boss of the Bufalino family of
upstate Pennsylvania, and large parts of New York, New Jersey, and
Florida. Being headquartered outside New York City, Russell wasn’t in
the inner circle of New York’s five families, but all the families came to
him for advice on everything. If there was any important matter that
needed taking care of, they gave the job to Russell. He was respected
throughout the country. When Albert Anastasia got shot in the
barber’s chair in New York, they made Russell the acting head of that
family until they could straighten everything out. There’s no way to
getmore respect than Russell got. He was very strong. The public never
heard of him, but the families and the feds knew how strong he was.
Russell presented me with a gold ring that he had made up special
for just three people — himself, his underboss, and me. It had a big
three-dollar gold piece on top surrounded by diamonds. Russ was big
in the jewelry-fencing and cat-burglar world. He was a silent partner
in a number of jewelry stores on Jeweler’s Row in New York City.
The gold watch Jimmy gave me is still on my wrist, and the gold
ring Russell gave me is still on my finger here at the assisted-living
home. On my other hand I’ve got a ring with each of my daughters’
birthstones.
Jimmy and Russell were verymuch alike. They were solidmuscle from
head to toe. They were both short, even for those days. Russ was about
5'8". Jimmy was down around 5'5". In those days I used to be 6'4", and
I had to bend down to them for private talks. They were very smart
from head to toe. They had mental toughness and physical toughness.
But in one important way they were different. Russ was very low-key
and quiet, soft-spoken even when he got mad. Jimmy exploded every
day just to keep his temper in shape, and he loved publicity.
The night before my testimonial dinner, Russ and I had a sit-down
with Jimmy. We sat at a table at Broadway Eddie’s, and Russell
Bufalino told Jimmy Hoffa flat-out he should stop running for union
president. He told him certain people were very happy with Frank
Fitzsimmons, who replaced Jimmy when he went to jail. Nobody at the
table said so, but we all knew these certain people were very happy with
the big and easy loans they could get out of the Teamsters Pension
Fund under the weak-minded Fitz. They got loans under Jimmy when
he was in, and Jimmy got his points under the table, but the loans were
always on Jimmy’s terms. Fitz bent over for these certain people. All
Fitz cared about was drinking and golfing. I don’t have to tell you how
much juice comes out of a billion-dollar pension fund.
Russell said, “What are you running for? You don’t need the
money.”
Jimmy said, “It’s not about the money. I’m not letting Fitz have the
union.”
After the sit-down, when I was getting ready to take Jimmy back to
theWarwick Hotel, Russ took me aside and said: “Talk to your friend.
Tell him what it is.” In our way of speaking, even though it doesn’t
sound like much, that was as good as a death threat.
At the Warwick Hotel I told Jimmy if he didn’t change his mind
about taking back the union he had better keep some bodies around
him for protection.
“I’m not going that route or they’ll go after my family.”
“Still in all, you don’t want to be out on the street by yourself.”
“Nobody scares Hoffa. I’m going after Fitz, and I’m going to win
this election.”
“You know what this means,” I said. “Russ himself told me to tell
you what it is.”
“They wouldn’t dare,” Jimmy Hoffa growled, his eyes glaring at mine.
All Jimmy did the rest of the night and at breakfast the next
morning was talk a lot of distorted talk. Looking back it could have
been nervous talk, but I never knew Jimmy to show fear. Although one
of the items on the agenda that Russell had spoken to Jimmy about at
the table at Broadway Eddie’s the night before my testimonial dinner
was more than enough to make the bravest man show fear.
And there I was in my kitchen in Philadelphia nine months after
Frank Sheeran Appreciation Night with the phone in my hand and
Jimmy on the other end of the line at his cottage in Lake Orion, and
me hoping this time Jimmy would reconsider taking back the union
while he still had the time.
“My friend and I are driving out for the wedding,” I said.
“I figured you and your friend would attend the wedding,” Jimmy
said.
Jimmy knew “my friend” was Russell and that you didn’t use his
name over the phone. The wedding was Bill Bufalino’s daughter’s
wedding in Detroit. Bill was no relation to Russell, but Russell gave
him permission to say they were cousins. It helped Bill’s career. He
was the Teamsters lawyer in Detroit.
Bill Bufalino had a mansion in Grosse Pointe that had a waterfall in
the basement. There was a little bridge you walked over that separated
one side of the basement from the other. The men had their own side
so they could talk. The women stayed on their side of the waterfall.
Evidently, these were not women who paid attention to the words
when they heard Helen Reddy sing her popular song of the day, “I Am
Woman, Hear Me Roar.”
“I guess you’re not going to the wedding,” I said.
“Jo doesn’t want people staring,” he said. Jimmy didn’t have to
explain. There was talk about an FBI wiretap that was coming out.
Certain parties were on the tape talking about extramarital relations
his wife, Josephine, allegedly had years ago with Tony Cimini, a soldier
in the Detroit outfit.
“Ah, nobody believed that bull, Jimmy. I figured you wouldn’t go
because of this other thing.”
“Fuck them. They think they can scare Hoffa.”
“There’s widespread concern that things are getting out of hand.”
“I got ways to protect myself. I got records put away.”
“Please, Jimmy, even my friend is concerned.”
“How’s your friend doing?” Jimmy laughed. “I’m glad he got that
problem handled last week.”
Jimmy was referring to an extortion trial Russ had just beat in
Buffalo. “Our friend’s doing real good,” I said. “He’s the one gave me
the go-ahead to call you.”
These respected men were both my friends, and they were both
good friends to each other. Russell introduced me to Jimmy in the
first place back in the fifties. At the time I had three daughters to
support.
I had lost my job driving a meat truck for Food Fair, when they
caught me trying to be a partner in their business. I was stealing sides
of beef and chickens and selling them to restaurants. So I started
taking day jobs out of the Teamsters union hall, driving trucks for
companies when their regular driver was out sick or something. I also
taught ballroom dancing, and on Friday and Saturday nights I was a
bouncer at the Nixon Ballroom, a black nightclub.
On the side I handled certain matters for Russ, never for money, but
as a show of respect. I wasn’t a hitman for hire. Some cowboy. You ran
a little errand. You did a favor. You got a little favor back if you ever
needed it.
I had seen On The Waterfront in the movies, and I thought I was at
least as bad as that Marlon Brando. I said to Russ that I wanted to get
into union work. We were at a bar in South Philly. He had arranged
for a call from Jimmy Hoffa in Detroit and put me on the line with
him. The first words Jimmy ever spoke to me were, “I heard you paint
houses.” The paint is the blood that supposedly gets on the wall or
the floor when you shoot somebody. I told Jimmy, “I do my own carpentry
work, too.” That refers to making coffins and means you get
rid of the bodies yourself.
After that conversation Jimmy put me to work for the International,
making more money than I had made on all those other jobs put
together, including the stealing. I got extramoney for expenses. On the
side I handled certain matters for Jimmy the way I did for Russell. --This text refers to an alternate kindle_edition edition.
I asked my boss, Russell “McGee” Bufalino, to let me call Jimmy at his
cottage by the lake. I was on a peace mission. All I was trying to do at
that particular time was keep this thing from happening to Jimmy.
I reached out for Jimmy on Sunday afternoon, July 27, 1975. Jimmy
was gone by Wednesday, July 30. Sadly, as we say, gone to Australia —
down under. I will miss my friend until the day I join him.
I was at my own apartment in Philly using my own phone when I
made the long-distance call to Jimmy’s cottage at Lake Orion near
Detroit. If I had been in on the thing on Sunday I would have used a pay
phone, not my own phone. You don’t survive as long as I did by making
calls about importantmatters fromyour own phone. I wasn’tmade with
a finger. My father used the real thing to get my mother pregnant.
While I was in my kitchen standing by my rotary wall phone getting
ready to dial the number I knew by heart, I gave some consideration
to just how I was going to approach Jimmy. I learned during my years
of union negotiations that it always was best to review things in your
mind first before you opened your mouth. And besides that, this call
was not going to be an easy one.
When he got out of jail on a presidential pardon by Nixon in 1971,
and he began fighting to reclaim the presidency of the Teamsters,
Jimmy became very hard to talk to. Sometimes you see that with guys
when they first get out. Jimmy became reckless with his tongue — on
the radio, in the papers, on television. Every time he opened his
mouth he said something about how he was going to expose the
mob and get the mob out of the union. He even said he was going to
keep the mob from using the pension fund. I can’t imagine certain
people liked hearing that their golden goose would be killed if he got
back in. All this coming from Jimmy was hypocritical to say the least,
considering Jimmy was the one who brought the so-called mob into
the union and the pension fund in the first place. Jimmy brought me
into the union through Russell. With very good reason I was concerned
for my friend more than a little bit.
I started getting concerned about nine months before this telephone
call that Russell was letting me make. Jimmy had flown out to
Philly to be the featured speaker at Frank Sheeran Appreciation Night
at the Latin Casino. There were 3,000 of my good friends and family,
including the mayor, the district attorney, guys I fought in the war
with, the singer Jerry Vale and the Golddigger Dancers with legs that
didn’t quit, and certain other guests the FBI would call La Cosa
Nostra. Jimmy presented me with a gold watch encircled with diamonds.
Jimmy looked at the guests on the dais and said, “I never realized
you were that strong.” That was a special comment because
Jimmy Hoffa was one of the two greatest men I ever met.
Before they brought the dinner of prime rib, and when we were getting
our pictures taken, some little nobody that Jimmy was in jail
with asked Jimmy for ten grand for a business venture. Jimmy reached
in his pocket and gave him $2,500. That was Jimmy — a soft touch.
Naturally, Russell Bufalino was there. He was the other one of the
two greatest men that I ever met. Jerry Vale sang Russ’s favorite song,
“Spanish Eyes,” for him. Russell was boss of the Bufalino family of
upstate Pennsylvania, and large parts of New York, New Jersey, and
Florida. Being headquartered outside New York City, Russell wasn’t in
the inner circle of New York’s five families, but all the families came to
him for advice on everything. If there was any important matter that
needed taking care of, they gave the job to Russell. He was respected
throughout the country. When Albert Anastasia got shot in the
barber’s chair in New York, they made Russell the acting head of that
family until they could straighten everything out. There’s no way to
getmore respect than Russell got. He was very strong. The public never
heard of him, but the families and the feds knew how strong he was.
Russell presented me with a gold ring that he had made up special
for just three people — himself, his underboss, and me. It had a big
three-dollar gold piece on top surrounded by diamonds. Russ was big
in the jewelry-fencing and cat-burglar world. He was a silent partner
in a number of jewelry stores on Jeweler’s Row in New York City.
The gold watch Jimmy gave me is still on my wrist, and the gold
ring Russell gave me is still on my finger here at the assisted-living
home. On my other hand I’ve got a ring with each of my daughters’
birthstones.
Jimmy and Russell were verymuch alike. They were solidmuscle from
head to toe. They were both short, even for those days. Russ was about
5'8". Jimmy was down around 5'5". In those days I used to be 6'4", and
I had to bend down to them for private talks. They were very smart
from head to toe. They had mental toughness and physical toughness.
But in one important way they were different. Russ was very low-key
and quiet, soft-spoken even when he got mad. Jimmy exploded every
day just to keep his temper in shape, and he loved publicity.
The night before my testimonial dinner, Russ and I had a sit-down
with Jimmy. We sat at a table at Broadway Eddie’s, and Russell
Bufalino told Jimmy Hoffa flat-out he should stop running for union
president. He told him certain people were very happy with Frank
Fitzsimmons, who replaced Jimmy when he went to jail. Nobody at the
table said so, but we all knew these certain people were very happy with
the big and easy loans they could get out of the Teamsters Pension
Fund under the weak-minded Fitz. They got loans under Jimmy when
he was in, and Jimmy got his points under the table, but the loans were
always on Jimmy’s terms. Fitz bent over for these certain people. All
Fitz cared about was drinking and golfing. I don’t have to tell you how
much juice comes out of a billion-dollar pension fund.
Russell said, “What are you running for? You don’t need the
money.”
Jimmy said, “It’s not about the money. I’m not letting Fitz have the
union.”
After the sit-down, when I was getting ready to take Jimmy back to
theWarwick Hotel, Russ took me aside and said: “Talk to your friend.
Tell him what it is.” In our way of speaking, even though it doesn’t
sound like much, that was as good as a death threat.
At the Warwick Hotel I told Jimmy if he didn’t change his mind
about taking back the union he had better keep some bodies around
him for protection.
“I’m not going that route or they’ll go after my family.”
“Still in all, you don’t want to be out on the street by yourself.”
“Nobody scares Hoffa. I’m going after Fitz, and I’m going to win
this election.”
“You know what this means,” I said. “Russ himself told me to tell
you what it is.”
“They wouldn’t dare,” Jimmy Hoffa growled, his eyes glaring at mine.
All Jimmy did the rest of the night and at breakfast the next
morning was talk a lot of distorted talk. Looking back it could have
been nervous talk, but I never knew Jimmy to show fear. Although one
of the items on the agenda that Russell had spoken to Jimmy about at
the table at Broadway Eddie’s the night before my testimonial dinner
was more than enough to make the bravest man show fear.
And there I was in my kitchen in Philadelphia nine months after
Frank Sheeran Appreciation Night with the phone in my hand and
Jimmy on the other end of the line at his cottage in Lake Orion, and
me hoping this time Jimmy would reconsider taking back the union
while he still had the time.
“My friend and I are driving out for the wedding,” I said.
“I figured you and your friend would attend the wedding,” Jimmy
said.
Jimmy knew “my friend” was Russell and that you didn’t use his
name over the phone. The wedding was Bill Bufalino’s daughter’s
wedding in Detroit. Bill was no relation to Russell, but Russell gave
him permission to say they were cousins. It helped Bill’s career. He
was the Teamsters lawyer in Detroit.
Bill Bufalino had a mansion in Grosse Pointe that had a waterfall in
the basement. There was a little bridge you walked over that separated
one side of the basement from the other. The men had their own side
so they could talk. The women stayed on their side of the waterfall.
Evidently, these were not women who paid attention to the words
when they heard Helen Reddy sing her popular song of the day, “I Am
Woman, Hear Me Roar.”
“I guess you’re not going to the wedding,” I said.
“Jo doesn’t want people staring,” he said. Jimmy didn’t have to
explain. There was talk about an FBI wiretap that was coming out.
Certain parties were on the tape talking about extramarital relations
his wife, Josephine, allegedly had years ago with Tony Cimini, a soldier
in the Detroit outfit.
“Ah, nobody believed that bull, Jimmy. I figured you wouldn’t go
because of this other thing.”
“Fuck them. They think they can scare Hoffa.”
“There’s widespread concern that things are getting out of hand.”
“I got ways to protect myself. I got records put away.”
“Please, Jimmy, even my friend is concerned.”
“How’s your friend doing?” Jimmy laughed. “I’m glad he got that
problem handled last week.”
Jimmy was referring to an extortion trial Russ had just beat in
Buffalo. “Our friend’s doing real good,” I said. “He’s the one gave me
the go-ahead to call you.”
These respected men were both my friends, and they were both
good friends to each other. Russell introduced me to Jimmy in the
first place back in the fifties. At the time I had three daughters to
support.
I had lost my job driving a meat truck for Food Fair, when they
caught me trying to be a partner in their business. I was stealing sides
of beef and chickens and selling them to restaurants. So I started
taking day jobs out of the Teamsters union hall, driving trucks for
companies when their regular driver was out sick or something. I also
taught ballroom dancing, and on Friday and Saturday nights I was a
bouncer at the Nixon Ballroom, a black nightclub.
On the side I handled certain matters for Russ, never for money, but
as a show of respect. I wasn’t a hitman for hire. Some cowboy. You ran
a little errand. You did a favor. You got a little favor back if you ever
needed it.
I had seen On The Waterfront in the movies, and I thought I was at
least as bad as that Marlon Brando. I said to Russ that I wanted to get
into union work. We were at a bar in South Philly. He had arranged
for a call from Jimmy Hoffa in Detroit and put me on the line with
him. The first words Jimmy ever spoke to me were, “I heard you paint
houses.” The paint is the blood that supposedly gets on the wall or
the floor when you shoot somebody. I told Jimmy, “I do my own carpentry
work, too.” That refers to making coffins and means you get
rid of the bodies yourself.
After that conversation Jimmy put me to work for the International,
making more money than I had made on all those other jobs put
together, including the stealing. I got extramoney for expenses. On the
side I handled certain matters for Jimmy the way I did for Russell. --This text refers to an alternate kindle_edition edition.
From the Back Cover
"I heard you paint houses" are the first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures. When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself. Sheeran's important and fascinating story includes new information on other famous murders, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that is destined to become a true crime classic.
--This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B01GMSYSOW
- Publisher : Steerforth; Updated edition (June 24, 2016)
- Publication date : June 24, 2016
- Language : English
- File size : 21536 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 400 pages
- Lending : Not Enabled
-
Best Sellers Rank:
#76,280 in Kindle Store (See Top 100 in Kindle Store)
- #44 in Biographies of Organized Crime
- #106 in Organized Crime True Accounts
- #201 in 20th Century History of the U.S.
- Customer Reviews:
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4.7 out of 5
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Reviewed in the United States on August 31, 2018
I read this book for two reasons: The first is because I'm always drawn to mafia-related tales, especially true ones, and secondly, since Martin Scorsese is turning it into a Netflix film with Robert De Niro, Joe Pesci, and Al Pacino all starring in the three main roles.
The story of Frank Sheeran is an interesting, dark, and sometimes brutal thing. This man killed everything from Nazis to gangsters, and in large quantities. The book starts with a riveting chapter that sets Frank up the night before Jimmy Hoffa is killed. It had me thinking that Frank knew who did it, but had nothing to do with the actual murder, and boy was I wrong.
The book cuts away from Hoffa's murder, and takes us into Frank's childhood, and then into his 411 days of combat service during World War II. The days Frank learned how to carry out the order to murder without hesitation, and the days where Frank learned how to outlive everyone around him. I found Frank's tour of duty to be some of the most thought-provoking stuff, but I can understand why it was hard for him to discuss, especially since he was in combat for longer than the majority of humans ever in war.
There's a lot of Teamsters Union talk, and while some of it would boil down to violence, it was mostly just a bunch of names being thrown around, and elections of local unions being discussed. These parts of the book are probably the least interesting, but Frank Sheeran loved The Teamsters, and was a proud member. It was probably the thing he was most proud of in his entire life.
Hoffa's trials against Bobby Kennedy take up a large portion of the book, but Frank didn't have much of a perspective other than repeating some of Jimmy Hoffa's quotes from that time. It's a shame we'll never get to read a new book with interviews from Jimmy on this subject. His rivalry with Bobby Kennedy was an epic American tale in itself.
Things started to get truly griping around the time Jimmy Hoffa went to "school", as Frank Sheeran referred to prison. Hoffa's hatred for being inside, and how he lost his grip on The Teamsters, which eventually led to him losing his grip on reality setup the climax, as Frank finally returned to his story from the start of the book. Frank made it to Detroit the day Jimmy Hoffa was killed...
I think I was pulling for Frank more before I knew about him being in on Jimmy Hoffa's death, despite knowing he'd killed dozens of other people. Something about killing the man he claims to have respected so much, and been such close friends with, makes it hard to relate to the man. You always hear things about the mafia sending your closest friend to whack you, and in Frank's version of the Hoffa hit, that's how it went down.
Frank mentioned Giants' Stadium, which was a place you'd always hear rumored to be Hoffa's burial ground when you grew up a Giants fan. He squashed that rumor, like a few others over the years, but the details of Jimmy Hoffa's last moments were a lot less extravagant. There's stuff to be taken away from those moments, but "I Heard You Paint Houses" really left an impression on me concerning Russell Buffalino.
You hear a lot of old gangster names thrown around over the years, but I don't think I've ever had a conversation with a person that involved them dropping Russell Buffalino's name. According to the book, he was the closest living representation of Vito Corleone from "The Godfather", and Russell had final say on "The Godfather" film's script all the way back in the 70's. Another tidbit from this book about Godfather, Al Martino, who plays Johnny Fontane in the film, was actually the basis for the character, and not Frank Sinatra. Not only that, but Francis Ford Coppola didn't want Al Martino for the role, but Russell Buffalino made some calls, and it was so.
Frank Sheeran went out by starving himself to death in a nursing home. Robert De Niro is going to be playing him in the movie, and while I hear there's going to be a lot of de-aging going on, I honestly think this flick would've worked better as a Marty/Leo team-up, but what do I know?
Charles Brandt goes on to talk about how his book was well received, and most of Frank's tales were proven true, despite common beliefs before the book was published in the early 2000's (I.E.: Crazy Joey Gallo hit). Apparently, he even became friends with the actual "Donnie Brasco", and they have worked together on other stuff.
If you're interested in the true crimes of the American Mafia than "I Heard You Paint Houses" is the exact book you need to add to your reading list. Frank Sheeran interacted with everyone who was anyone during the beginning of the end of "This Thing of Ours", and all as an outsider, so it's a rare perspective.
VERDICT: READ
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5.0 out of 5 stars
Frank Sheeran's life of killing everything he touches...
By Jeff Schiller on August 31, 2018
My review contains spoilers about this non-fiction title. BEWARE.By Jeff Schiller on August 31, 2018
I read this book for two reasons: The first is because I'm always drawn to mafia-related tales, especially true ones, and secondly, since Martin Scorsese is turning it into a Netflix film with Robert De Niro, Joe Pesci, and Al Pacino all starring in the three main roles.
The story of Frank Sheeran is an interesting, dark, and sometimes brutal thing. This man killed everything from Nazis to gangsters, and in large quantities. The book starts with a riveting chapter that sets Frank up the night before Jimmy Hoffa is killed. It had me thinking that Frank knew who did it, but had nothing to do with the actual murder, and boy was I wrong.
The book cuts away from Hoffa's murder, and takes us into Frank's childhood, and then into his 411 days of combat service during World War II. The days Frank learned how to carry out the order to murder without hesitation, and the days where Frank learned how to outlive everyone around him. I found Frank's tour of duty to be some of the most thought-provoking stuff, but I can understand why it was hard for him to discuss, especially since he was in combat for longer than the majority of humans ever in war.
There's a lot of Teamsters Union talk, and while some of it would boil down to violence, it was mostly just a bunch of names being thrown around, and elections of local unions being discussed. These parts of the book are probably the least interesting, but Frank Sheeran loved The Teamsters, and was a proud member. It was probably the thing he was most proud of in his entire life.
Hoffa's trials against Bobby Kennedy take up a large portion of the book, but Frank didn't have much of a perspective other than repeating some of Jimmy Hoffa's quotes from that time. It's a shame we'll never get to read a new book with interviews from Jimmy on this subject. His rivalry with Bobby Kennedy was an epic American tale in itself.
Things started to get truly griping around the time Jimmy Hoffa went to "school", as Frank Sheeran referred to prison. Hoffa's hatred for being inside, and how he lost his grip on The Teamsters, which eventually led to him losing his grip on reality setup the climax, as Frank finally returned to his story from the start of the book. Frank made it to Detroit the day Jimmy Hoffa was killed...
I think I was pulling for Frank more before I knew about him being in on Jimmy Hoffa's death, despite knowing he'd killed dozens of other people. Something about killing the man he claims to have respected so much, and been such close friends with, makes it hard to relate to the man. You always hear things about the mafia sending your closest friend to whack you, and in Frank's version of the Hoffa hit, that's how it went down.
Frank mentioned Giants' Stadium, which was a place you'd always hear rumored to be Hoffa's burial ground when you grew up a Giants fan. He squashed that rumor, like a few others over the years, but the details of Jimmy Hoffa's last moments were a lot less extravagant. There's stuff to be taken away from those moments, but "I Heard You Paint Houses" really left an impression on me concerning Russell Buffalino.
You hear a lot of old gangster names thrown around over the years, but I don't think I've ever had a conversation with a person that involved them dropping Russell Buffalino's name. According to the book, he was the closest living representation of Vito Corleone from "The Godfather", and Russell had final say on "The Godfather" film's script all the way back in the 70's. Another tidbit from this book about Godfather, Al Martino, who plays Johnny Fontane in the film, was actually the basis for the character, and not Frank Sinatra. Not only that, but Francis Ford Coppola didn't want Al Martino for the role, but Russell Buffalino made some calls, and it was so.
Frank Sheeran went out by starving himself to death in a nursing home. Robert De Niro is going to be playing him in the movie, and while I hear there's going to be a lot of de-aging going on, I honestly think this flick would've worked better as a Marty/Leo team-up, but what do I know?
Charles Brandt goes on to talk about how his book was well received, and most of Frank's tales were proven true, despite common beliefs before the book was published in the early 2000's (I.E.: Crazy Joey Gallo hit). Apparently, he even became friends with the actual "Donnie Brasco", and they have worked together on other stuff.
If you're interested in the true crimes of the American Mafia than "I Heard You Paint Houses" is the exact book you need to add to your reading list. Frank Sheeran interacted with everyone who was anyone during the beginning of the end of "This Thing of Ours", and all as an outsider, so it's a rare perspective.
VERDICT: READ
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102 people found this helpful
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Reviewed in the United States on September 6, 2019
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A ripping yarn, as they say, and if only it were true I'd have given 5 stars. But Sheeran's "confessions"--about killing Jimmy Hoffa, Crazy Joe Gallo, and others, and playing a role in the Bay of Pigs invasion, JFk's assassination, and more--are all provably, laughably false. Ask any mafia expert and they'll tell you so. So, even thought this is a good read, it pretends to be something that it's not.
55 people found this helpful
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Reviewed in the United States on May 9, 2018
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Thank you, Mr. brandt, for solving the Hoffa disappearance. In 1975 I was a twenty-six year old man living just a little over a mile from the death house. Little did I know that as I wondered for the next forty years if there would ever be a death-bed confession that would solve the mystery. There was, and it did. One more thing off my bucket list, as I get closer and closer to kicking my own. Great book, great read. If this is an area of interest to you, I have only two words: Buy it. I give it five stars, only because I'm not allowed to give it six.
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Reviewed in the United States on December 20, 2014
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Excellent book - I recommend it for some readers and with some qualifications. Two key interests a reader should have to enjoy this book immensely are appreciation of history and a curiosity for criminal stories and organized crime. Amazingly, there's a great deal of US history here beyond Jimmy Hoffa. The central question is: did Sheeran (the main character) lie to the author? Or is it all true? There's no middle ground. If Sheeran lied on some aspects, then we should not trust any other aspects. To believe Sheeran is to believe: (i) Sheeran killed Hoffa; (ii) the mob assassinated JFK; (iii) the mob threw the 1960 election to JFK by vote fraud in Illinois; (iv) JFK's motive in Bay of Pigs was payback to organized crime to recoup lost assets in Cuba; (v) Joe Kennedy maintained his mob ties his entire life and implied to crime figures that he could "control" his sons JFK and Bobby; (vi) Jimmy Hoffa ordered many violent illegal activities including murder; (vii) the mob made cash bribes to John Mitchell - Nixon's attorney general; (viii) Mitchell actually accepted one such bribe at the front door of his own home. Can all of this really be true? It would be SHOCKING! So I have trouble believing it. One further draw for "I Heard You Paint Houses" is that the main character is such a sociopath. In almost all books, the reader wants to identify with the main character. I sense that the author TRIES to get the reader to identify with Sheeran. Perhaps the author himself bonded with Sheeran. That's bizarre - Sheeran was evil incarnate with a functional and handsome exterior.
139 people found this helpful
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Reviewed in the United States on December 1, 2019
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I struggle with how to rate this book. On the one hand, it is truly engaging and immersive. I wanted to read this before "The Irishman", the new movie came out. Once I started, it only took a few weekday nights to finish it, often disappointed I could barely keep my eyes open to finish a few more pages. Brandt's access to Frank Sheeran, the Irish mobster taken in by Russell Buffalino, a key Mafioso, who claims to have killed Jimmy Hoffa among other things, provides a semblance of credibility and believability to what is written. To someone without the deep historical knowledge and familiar with the full historical record, case files, witnesses, etc., the reality is that the most important thing about this book is whether it is accurate or not. Ultimately, this is what left me torn about how to rate "I Heard You Paint Houses". I subsequently read several pieces in credible outlets like the NY Review of Books by those far more familiar with the Hoffa case and there were enough questions about the veracity of Sheeran's account and motivations that left me a bit unsure.
Did I devour this book? Yes. Was it riveting? Yes. Did I believe the story when I read it? Yes. However, after reading other experts I was left with enough lingering doubts. If this were a novel, it would have been five stars. As a biography of someone with such explosive claims, the best I could do was 3 stars.
Did I devour this book? Yes. Was it riveting? Yes. Did I believe the story when I read it? Yes. However, after reading other experts I was left with enough lingering doubts. If this were a novel, it would have been five stars. As a biography of someone with such explosive claims, the best I could do was 3 stars.
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Reviewed in the United States on November 22, 2019
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I am 85. It would take me 10 years to read the book.
I wanted the DVD of the Irishmen.
I wanted the DVD of the Irishmen.
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P. WILLIAMS
3.0 out of 5 stars
A bit dated and repetitive.
Reviewed in the United Kingdom on November 5, 2018Verified Purchase
I was disappointed with this book which I found to be too repetitive and slow. I understand the necessity for including information about The Teamsters and other union work in which Hoffa was involved but again, for me at least there was just too much of it. Sheeran came across as a good soldier where he learned his 'trade' but was not a good family man. I think he was the right man to despatch Hoffa, being a close friend and didn't seem particularly put out by it - business as usual seems to have been the name of the game and of course he could NOT say no either. Hoffa was no shrinking violet by any means but he is depicted here as an 'okay sort of a guy' which from my knowledge of him from other books and docu's he wasn't. He had a hatred of the Kennedy Political dynasty, saving his most poisonous invective for Bobby Kennedy who as Attorney General made it his 'life-work' to bring Hoffa down, so he couldn't have been ALL bad? I honestly cannot see that there is enough interest for a film to be made about Sheeran who if he hadn't topped Hoffa would just be 'another hoodlum'.
15 people found this helpful
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Amazon Customer
2.0 out of 5 stars
In depth about the union, hardly anything about his crimes.
Reviewed in the United Kingdom on January 7, 2019Verified Purchase
Boring. I couldn't finish reading it. Didn't go into depth about the crimes and hits he did but page after page of boring union details.
If your interested in what was happening in the unions back then you'll like it, but if you want crime stories don't bother.
If your interested in what was happening in the unions back then you'll like it, but if you want crime stories don't bother.
18 people found this helpful
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A. Customer
4.0 out of 5 stars
I heard you paint houses. Not just the story of 'The Irishman' but also Jimmy Hoffa.
Reviewed in the United Kingdom on December 20, 2019Verified Purchase
"I heard you paint houses" is the first thing that Jimmy Hoffa says to Frank (the Irishman) Sheeran after being introduced by Russell (McGee) Bufalino, the boss of a mafia family in Pennsylvania,New York state,New Jersey and Florida (rather than one of the more notorious 5 families in New York City) and this is the essence of the book. Although it is sort of a 'death bed confession' from Frank Sheeran about his life to Brandt, it becomes more tied in to Hoffa's disappearance and activities with regards to the Teamsters union and their links to organised crime (Russell Bufalino) in the US at that time.
Frank Sheeran's story is very interesting. He was brought up through a very tough period during the Depression, became an infantry rifleman in the Second World War with the 45th Infantry Division, where he saw 411 days of active combat before coming back to the US and working in logistics (trucking & deliveries) running a few scams here and there to earn some extra money when he has a chance meeting with Russell Bufalino one day when his truck breaks down. One thing leads to another resulting in Sheeran murdering another gangster which in turn results in Bufalino introducing Sheeran (who was also a member of the Teamsters) to Hoffa (the Teamsters union president). Sheeran then effectively becomes Hoffa's friend/bodyguard and hit man (although it is organised crime that is pulling the strings in most cases) before Hoffa's eventual disappearance.
I have not seen the new Irishman film directed by Scorsese starring Pacino, De Niro and Pesci but I can see why this subject matter has been chosen as a film. Organised crime, politics,murder and conspiracies are all linked together in this book and, I assume, in the film too.
The book itself is very interesting and I'm sure that those who are wholly consumed with the disappearance of Hoffa will probably be able to pick holes in it but for readers who are intrigued generally about organised crime/mafia in the US and its links to politics and labour racketeering this will be an adequate read. I do not think it is as good a book as Wiseguy and Donnie Brasco (which are, in my opinion, 2 of the best organised crime/mafia books I have read to date) but it is not bad.
Sometimes though, I got the feeling that Brandt was trying to pad the book out with Hoffa's court dialogue and union regulations and also trying to show that he has solved Hoffa's disappearance and discrediting other stories (as the 40 pages in the epilogue and afterword show) which will probably appeal more to the minority of readers that are interested in this rather than the majority who are interested in Sheeran's and Bufalino's mob activities (although the argument can be made that they are all linked). There is also a sources section at the back of the book should anyone be interested in further reading on this subject.
This book will probably appeal to those who enjoyed the film but I would be cautious in recommending it without seeing the film first. This book is good in most parts but not great.
Frank Sheeran's story is very interesting. He was brought up through a very tough period during the Depression, became an infantry rifleman in the Second World War with the 45th Infantry Division, where he saw 411 days of active combat before coming back to the US and working in logistics (trucking & deliveries) running a few scams here and there to earn some extra money when he has a chance meeting with Russell Bufalino one day when his truck breaks down. One thing leads to another resulting in Sheeran murdering another gangster which in turn results in Bufalino introducing Sheeran (who was also a member of the Teamsters) to Hoffa (the Teamsters union president). Sheeran then effectively becomes Hoffa's friend/bodyguard and hit man (although it is organised crime that is pulling the strings in most cases) before Hoffa's eventual disappearance.
I have not seen the new Irishman film directed by Scorsese starring Pacino, De Niro and Pesci but I can see why this subject matter has been chosen as a film. Organised crime, politics,murder and conspiracies are all linked together in this book and, I assume, in the film too.
The book itself is very interesting and I'm sure that those who are wholly consumed with the disappearance of Hoffa will probably be able to pick holes in it but for readers who are intrigued generally about organised crime/mafia in the US and its links to politics and labour racketeering this will be an adequate read. I do not think it is as good a book as Wiseguy and Donnie Brasco (which are, in my opinion, 2 of the best organised crime/mafia books I have read to date) but it is not bad.
Sometimes though, I got the feeling that Brandt was trying to pad the book out with Hoffa's court dialogue and union regulations and also trying to show that he has solved Hoffa's disappearance and discrediting other stories (as the 40 pages in the epilogue and afterword show) which will probably appeal more to the minority of readers that are interested in this rather than the majority who are interested in Sheeran's and Bufalino's mob activities (although the argument can be made that they are all linked). There is also a sources section at the back of the book should anyone be interested in further reading on this subject.
This book will probably appeal to those who enjoyed the film but I would be cautious in recommending it without seeing the film first. This book is good in most parts but not great.
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biffy66
5.0 out of 5 stars
Gripping.
Reviewed in the United Kingdom on October 29, 2017Verified Purchase
I don't really read true crime,apart from the classic In Cold Blood, but I saw that Scorcese is doing the film with probably the finest character actors around especially in this genre. Pacino,Pesci,etc. So I got it - it's a fascinating snapshot of the time and an uncomfortable read to boot but this is about the darker sides of life so it was not unexpected. Grim,gritty and haunting. But ultimately,compulsive reading.
12 people found this helpful
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SB
5.0 out of 5 stars
Good People
Reviewed in the United Kingdom on January 4, 2018Verified Purchase
I knew nothing of this story or of the mob / teamsters before I picked this book. It’s an absolutely excellent book, it’s really well written, it tells the story and sets the scene of the key people involved superbly. It’s full of facts and real occurrences but remains fascinating and interesting throughout. If you’ve any interest in gangs or organised crime you will love it. Given what an intense and ruthless man he must have been to have known or dealt with in his prime i actually developed a soft spot for Frank Sheeran. Get this book. You’ll enjoy it. It’s Good People.
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