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CCA C10 Pro in-Ear Hearphone, 4BA+1DD HiFi Stereo in-Ear Earphone High Resolution Earbud Headphone, Five Driver in-Ear Earphones with C Pin Detachable Cable (with Mic, Purple)

3.6 out of 5 stars 16 ratings

$48.99
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With Mic
C10pro Silver

Enhance your purchase

Brand CVJ
Color C10pro Silver
Form Factor In Ear
Connectivity Technology Wired
Special Feature Microphone, sports-and-exercise, Noise-Canceling

About this item

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  • Upgraded 4BA+1DD Hybrid Earphones&Magnetic Dynamic Unit. As an upgraded version of CCA C10, the Pro features self-customized balanced armatures which includes two 30095 drivers for high frequency, two 50060 drivers for mid frequency. With this configuration, the sound is transient, dynamic and bright in all respects. While maintaining the previous performance, the high frequency of this model is extended to beyond 40kHz. It also adopts the second generation Tesla double magnetic dynamic unit
  • Exquisite Craft. The faceplate is made of 304 stainless steel while the cavity is made from imported resin. The two different material not only presents an elegant look and shimmer but also be practical and durable. The detachable gold-plated 2 pin cable offers fully upgradability and the limit slot protection design greatly avoids the pin from breaking and prolongs the service life of the interface
  • PCB Frequency Dividing Board. The PCB board is added to give full play of all the drivers, displaying a smooth, sensible, detailed music experience. The CCA C10 Pro overall has dynamic low frequency and bright resolution. It fully reflects the cohesion of balanced armatures
  • Ergonomic Design&Noise Canceling . The cavity is made based on large data of cochlea. It’s scientifically molded to fit the ear like an customized earbuds. Even with vigorous exercise, it will still securely fit in the ear. Comfortable for long time wearing as well. Because of the special design, it can effectively isolate the noise to offer a better experience while enjoying the music
  • What You Will Get? All products are authentic and genuine. Please rest assured that we will stand behind our product with 1 year warranty and if you have any questions or concerns, please contact our 24 hours easy-to-reach customer service

Buy it with

  • CCA C10 Pro in-Ear Hearphone, 4BA+1DD HiFi Stereo in-Ear Earphone High Resolution Earbud Headphone, Five Driver in-Ear Earpho
  • +
  • Linsoul Tripowin Zonie 16 Core Silver Plated Cable SPC Earphone Cable for BL03 TRN V90 V80 AS10 ZS10 ZS6 ES4 ZST ZSR iems (2p
  • +
  • [6 Pairs] Earphone Tips New Bee 12pcs Premium Replacement Earbud Tips Blocking Out Ambient Noise Memory Foam Earbuds Inner 4.
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CCA C10 Pro in-Ear Hearphone, 4BA+1DD HiFi Stereo in-Ear Earphone High Resolution Earbud Headphone, Five Driver in-Ear Earphones with C Pin Detachable Cable (with Mic, Purple)


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Product Description

Supreme Quality
New materials combination of stainless faceplate and resin cavity make this model extremely eye-catching. The various color also offer more potential for different occasions. You won't ignore it when you first look at it.

Upgraded Cable
The cable is high quality detachable OFC braided cable .The standard 90-degree black rubber 3.5 mm TRS jack and simple black rubber Y-splitter are customary CCA. it looks and feels premium. The angled, gold-plated, IEM pin connections are 0.75 mm. It's durable and longlasting

Comfortable to Wear
Like other series of CCA, the CCA C10 PRO continues with comfortable wearing experience while good looking appereace. An earphone of function and beauty. It's designed based on ergonomics, you can enjoy the secure and comfortable fit even after long time wearing.

Driver Configurations
-2*30095 high frequency
-2*50060 mid frequency
-1*10mm double magnetic dynamic

Specs
Model Number: CCA C10 Pro
Driver: 4BA+1DD
Impedance: 24ohm
Sensitivity: 109dB
Length:125cm
Plug Type: 3.5mm Plug

Customer reviews

3.6 out of 5 stars
3.6 out of 5
16 global ratings

Top reviews from the United States

Reviewed in the United States 🇺🇸 on January 11, 2021
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Reviewed in the United States 🇺🇸 on January 8, 2021
Size: No MicColor: CS8 BlackVerified Purchase
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Reviewed in the United States 🇺🇸 on February 27, 2021
Size: No MicColor: CS8 BlueVerified PurchaseEarly Reviewer Rewards(What's this?)
Reviewed in the United States 🇺🇸 on October 10, 2021
Size: No MicColor: CS8 BlueVerified Purchase
Reviewed in the United States 🇺🇸 on November 16, 2020
Size: No MicColor: CS8 BlackVerified Purchase
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4.0 out of 5 stars Clean and bright
By The Dood on November 16, 2020
CVJ's earphones released so far have not followed the popular V-shaped profile, instead displaying a more neutral sound signature. The hybrids CSA (1DD + 1BA) and CSN (1DD + 5BA) both displayed a refreshingly open presentation with the CSA being well balanced and full-bodied and the CSN being neutral with a refined cool tonality.

The latest model is the CS8. This is also a hybrid design (1DD + 3BA). The dynamic driver has a 10mm diaphragm and dual magnets and covers the low frequencies. A 50060 balanced armature is used for the midrange with the upper region handled by two 30095 BA units. There are no BAs placed within the nozzle.

The CS8 comes presented similarly to the previous models in a black wooden box with a crackle finish and silver accents. There is a CVJ logo on the front and product details on the underside. Inside you will find:

* CS8 IEMs pre-fitted with tips (Size M)
* 2 pin 4-core single crystal copper cable
* Two further sets of silicone eartips (S, L)
* Faux suede storage pouch
* Velcro cable tie
* Documentation

The IEMs themselves have a smoked transparent resin body through which the components can be seen and there is a circular vent for the DD near the base of the nozzle. The faceplate is black with a silver border surrounding the grained metal effect and there is a white CVJ logo in the centre. The 2-pin sockets are recessed. The cable is black and tightly braided. There is a straight metal 3.5mm plug with a CVJ logo and a metal Y-split and no chin slider. The build is solid and nicely finished and the presentation is good at the price.

First Impressions
I found the sound of the CS8 to be source sensitive. It was tested initially with an Xduoo X20 DAP, but this sounded too bright. I also tried a Hifi Walker H2 with a similar result. A Sony NWZ - A15 produced the best balance with a bit more warmth and this was used for evaluation. A comfortable fit was obtained with the pre-fitted tips and isolation was good. Sensitivity was fine with adequate volume achieved with all sources, amplification not being required. After a lengthy burn-in and short audition I replaced the stock cable with a Hifi Hear 16 core silver plated cable.

Like its predecessors, the CSA and CSN, the CS8 displayed a largely neutral/bright profile and was reserved in the bass. It shared some of the detail and refinement of the CSN with the midrange becoming brighter as the frequency increased. This trend continued into the treble which was also brighter than neutral but well detailed. The soundstage displayed excellent width and an average depth.

Bass
The profile of the bass was generally flat with no evidence of bleed into the midrange. It was somewhat lighter than neutral with reduced sub-bass.

In Isao Tomita's electronic version of Ravel's "Pavane" the bass was slightly subdued but was clean. Recorded ambience was well portrayed with the bass drum's reverb nicely reproduced although a little more depth would have been welcome here. This tended to bring the mids and treble forward resulting in a somewhat bass-light presentation.

"Whisper from the Mirror" by Keiko Matsui features a powerful bass with keyboards and bass drum. Once more the CS8 favoured the mids and treble and although the bass was articulate and well defined, it lacked a little weight and power and this took away some of the impact. KZ's ZSX, for example, revealed more here in the low frequencies and achieved a more entertaining balance.

The powerful bass drums in the climaxes of Ravel's "Alborada del Gracioso" performed by the Minnesota Orchestra under Eiji Oue also appeared a little low in the mix and their impact was lessened, resulting in a less exciting performance. The dynamic contrasts in this piece are essential in conveying the composer's intention and the CS8 fell just a little short.

Mids
The mids were bright and forward. The tonality became brighter towards the treble boundary and detail was prominent with occasional harshness on certain material.

With a mid-focused profile, it was unsurprising to find vocals well reproduced. Rosanne Cash's performance of "This has happened before" was enjoyable. Her vocals were placed centrally with the reverb clearly audible and with perfect diction and the accompanying guitars and Dobro on each side were clear and detailed. Clarity was especially notable on this track. This was ideal material for the CS8.

The light, delicate and graceful orchestration of Mozart's "Eine Kleine Nachtmusik" also suited the CS8 very well. In the performance by the Vienna Philharmonic under Karl Bohm, the bright and clean delivery highlighted the intricate counterpoint and rhythmic interplay producing an entertaining result. However, the overall balance remained a little brighter than neutral throughout the piece with the cellos and basses lacking a bit of warmth.

The timbre of the cello in Richard Souther's "The Long Riders" was nicely portrayed with just a little more focus on the higher notes, emphasising the "rosin" effect. The complex sequenced accompaniments surrounding the solo instrument were clearly depicted and the bass foundation in this track possessed adequate depth.

Treble
The treble was bright and clean but did occasionally exhibit some sibilance with an emphasis in the lower treble. The timbre of string instruments was a bit sharper than ideal and brass sometimes sounded a little thin. The upper treble was smoother with good extension and some welcome sparkle.

"Beautiful Attractor" from "In Neptune's Wake" by Robert Carty showcases a solo synth playing a meandering melody over a backdrop of keyboard washes and electronic effects. The CS8 revealed plenty of detail here with the stereo imaging and movement being particularly effective. Layering in this piece was also very good.

The high notes in the climax of Barber's Adagio for Strings were clear and crisp with just a hint of shrillness at high volume. The separation of the different string sections was well handled and it  was also easy to discern the details of the counterpoint in the beautiful recording by Leonard Bernstein and the NYPO.

Sly Dunbar's superb percussion work in "Man Free" from "Dread Beat an' Blood" by Linton Kwesi Johnson displayed plenty of attack. The timbre on the cymbals was generally good with only a slight splashy quality at times. The urgency of the rhythm section was nicely preserved.

Soundstage
The CS8's staging showed good width but depth and height were a little less expansive. Layering and separation were generally good but the perspective tended to flatten in complex pieces and at higher volumes. However, simpler productions sounded fine with good definition and a sense of space. For example, string quartets fared better than large orchestral works. 

Conclusion
With a neutral mid-focused profile, the CS8 acquits itself well at the price. However it faces fierce competition from other hybrids at a similar price such as KZ ZSX, CCA C10 Pro and the new KBEAR Lark, amongst others, most of which offer perhaps a more dynamic listen. The C10 Pro is V-shaped with a bright forward sound and a fast deep bass and the ZSX is mildly V-shaped with deep bass and an expansive staging and the Lark is well balanced, dynamic and powerful.

The CS8 continues the CVJ "house sound" and represents good value if you are looking for a measured presentation and a neutral, well-balanced to bright profile. However, it will not appeal to bassheads and it does benefit from a warmer source.

CVJ must be praised for sticking to their guns and supplying a valid alternative to the swathe of V-shaped IEMs on the market.
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