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The Heart Goes Last: A Novel Paperback – August 9, 2016
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“Captivating. . . . Thrilling. . . . Margaret Atwood [is] a living legend.” —The New York Times Book Review
“Quintessential Atwood. . . . The writing here is so persuasive, so crisp, that it seeps under your skin.” —The Boston Globe
“An arresting perspective on the confluence of information, freedom, and security in the modern age.” —The New Yorker
“A gripping, psychologically acute portrayal of our own future gone totally wrong, and the eternal constant of flawed humanity.” —Huffington Post
“Dystopia virtuoso Margaret Atwood turns her effortless world-building, deft humor and grim commentary on the depths of human hubris to the prison industrial complex, love and free will.” —The Denver Post
“Rare apocalyptic entertainment. . . . Not only does Atwood sketch out an all-too-possible future but she also looks to the past, tapping into archetypes from fairy tales and myth, giving the novel a resonance beyond satire.” —The Miami Herald
“Another Atwood classic.” —St. Louis Post-Dispatch
“Poignant. . . . Gloriously madcap. . . . You only pause in your laughter when you realise that, in its constituent parts, the world she depicts here is all too horribly plausible.” —The Guardian (London)
“Engrossing.” —The Austin Chronicle
“Wonderful. . . . Explores the idea of a powerful system and its discontents. . . . Atwood’s The Heart Goes Last is a riveting addition to her oeuvre.” —Electric Literature
“Atwood’s creepy but entertaining vision of a possible future.” —The Washington Times
“Fast-paced and funny. . . . True love ultimately endures in The Heart Goes Last, but so do the real terrors present in Atwood novels, all too often manifesting in ours.” —PopMatters
“Eerily prophetic. . . . A heady blend of speculative fiction with noir undertones that is provocative, powerful and will prompt all readers to reassess which parts of their humanity are for sale.” —BookPage
“Ever-inventive, astutely observant, and drolly ironic, Atwood unfurls a riotous plot. . . . This laser-sharp, hilariously campy, and swiftly flowing satire delves deeply into our desires, vices, biases, and contradictions, bringing fresh, incisive comedy to the rising tide of postapocalyptic fiction . . . in which Atwood has long been a clarion voice.” —Booklist (starred review)
About the Author
Margaret Atwood, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid’s Tale, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam. She is the recipient of the Los Angeles Times Innovator’s Award, and lives in Toronto with the writer Graeme Gibson.
Top customer reviews
Still, I found humor and pathos in The Heart Goes Last. And, as usual when reading Atwood, my brain couldn't help but accelerate into the murky stratosphere of the future: when the reckoning comes, for whatever course we've set ourselves on, what will become of us? And what will we mere humans do to survive in a repugnant cosmic stewpot of our own making?
Keep writing, Maggie! You inspire, enlighten, dazzle and comfort all at once.
The company town is not a new concept in America. Migrant worker camps, company coal towns, steel cities all worked on the basic premise that the worker is part of the production package. Atwood takes the poisoning of the American dream that much further. In fact she goes much much further. This chapter is the first real indication that some places have continued: Los Vegas and Holland.
Stan and Charmaine have survived a number of tests and dead ends, and now they are off to the world of the sex worker. This is the dystopia as only Atwwod can write it and I almost sobbed when the chapter ended. She is able to mix in just enough of the world we know to make us take a second look and say, "well maybe this might happen." It is well worth following.