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The Heart Goes Last: A Novel Paperback – August 9, 2016

3.8 3.8 out of 5 stars 9,168 ratings

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From the bestselling author of The Handmaid's Tale and The Testamentsin the gated community of Consilience, residents who sign a contract will get a job and a lovely house for six months of the year...if they serve as inmates in the Positron prison system for the alternate months.

“Captivating...thrilling.” —The New York Times Book Review

Stan and Charmaine, a young urban couple, have been hit by job loss and bankruptcy in the midst of nationwide economic collapse. Forced to live in their third-hand Honda, where they are vulnerable to roving gangs, they think the gated community of Consilience may be the answer to their prayers. At first, this seems worth it: they will have a roof over their heads and food on the table. But when a series of troubling events unfolds, Positron begins to look less like a prayer answered and more like a chilling prophecy fulfilled. 

The Heart Goes Last is a vivid, urgent vision of development and decay, freedom and surveillance, struggle and hope—and the timeless workings of the human heart.

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Editorial Reviews

Review

“Captivating. . . . Thrilling. . . . Margaret Atwood [is] a living legend.” —The New York Times Book Review

“Quintessential Atwood. . . . The writing here is so persuasive, so crisp, that it seeps under your skin.” —
The Boston Globe

“An arresting perspective on the confluence of information, freedom, and security in the modern age.” —
The New Yorker
 
“A gripping, psychologically acute portrayal of our own future gone totally wrong, and the eternal constant of flawed humanity.” —
Huffington Post

“Dystopia virtuoso Margaret Atwood turns her effortless world-building, deft humor and grim commentary on the depths of human hubris to the prison industrial complex, love and free will.” —
The Denver Post

“Rare apocalyptic entertainment. . . . Not only does Atwood sketch out an all-too-possible future but she also looks to the past, tapping into archetypes from fairy tales and myth, giving the novel a resonance beyond satire.” —
The Miami Herald

“Another Atwood classic.” —
St. Louis Post-Dispatch

“Poignant. . . . Gloriously madcap. . . . You only pause in your laughter when you realise that, in its constituent parts, the world she depicts here is all too horribly plausible.” —
The Guardian (London)

 “Engrossing.” —
The Austin Chronicle

“Wonderful. . . . Explores the idea of a powerful system and its discontents. . . . Atwood’s
The Heart Goes Last is a riveting addition to her oeuvre.” —Electric Literature

“Atwood’s creepy but entertaining vision of a possible future.” —
The Washington Times

“Fast-paced and funny. . . . True love ultimately endures in
The Heart Goes Last, but so do the real terrors present in Atwood novels, all too often manifesting in ours.” —PopMatters
 
“Eerily prophetic. . . . A heady blend of speculative fiction with noir undertones that is provocative, powerful and will prompt all readers to reassess which parts of their humanity are for sale.” —
BookPage

“Ever-inventive, astutely observant, and drolly ironic, Atwood unfurls a riotous plot. . . . This laser-sharp, hilariously campy, and swiftly flowing satire delves deeply into our desires, vices, biases, and contradictions, bringing fresh, incisive comedy to the rising tide of postapocalyptic fiction . . . in which Atwood has long been a clarion voice.” —
Booklist (starred review)

About the Author

Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat’s Eye, The Robber Bride, Alias Grace, The Blind Assassin, and the MaddAddam trilogy. Her 1985 classic, The Handmaid’s Tale, was followed in 2019 by a sequel, The Testaments, which was a global number one bestseller and won the Booker Prize. In 2020 she published Dearly, her first collection of poetry for a decade.
 
Atwood has won numerous awards including the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade, the PEN USA Lifetime Achievement Award and the Dayton Literary Peace Prize. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

Product details

  • Publisher ‏ : ‎ Anchor; Reprint edition (August 9, 2016)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 400 pages
  • ISBN-10 ‏ : ‎ 1101912367
  • ISBN-13 ‏ : ‎ 978-1101912362
  • Item Weight ‏ : ‎ 10.2 ounces
  • Dimensions ‏ : ‎ 5.21 x 0.82 x 7.99 inches
  • Customer Reviews:
    3.8 3.8 out of 5 stars 9,168 ratings

About the author

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Margaret Atwood
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Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, went back into the bestseller charts with the election of Donald Trump, when the Handmaids became a symbol of resistance against the disempowerment of women, and with the 2017 release of the award-winning Channel 4 TV series. ‘Her sequel, The Testaments, was published in 2019. It was an instant international bestseller and won the Booker Prize.’

Atwood has won numerous awards including the Booker Prize, the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade and the PEN USA Lifetime Achievement Award. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

Photo credit: Liam Sharp

Customer reviews

3.8 out of 5 stars
9,168 global ratings

Customers say

Customers find the book worth reading and enthralling. They praise the writing quality as well-written and precise. Opinions are mixed on the story quality, humor, and character development. Some find the premise interesting and brilliant, while others say the plot advanced very little.

AI-generated from the text of customer reviews

141 customers mention "Readability"109 positive32 negative

Customers find the book worth reading, enthralling, and fast-paced. They describe the book as smart, funny, and kinky. Readers also mention the idea for the book is super original and the book starts off strong.

"...Great read even if a little uncomfortable at times." Read more

"...This isn't necessarily a bad thing. It's certainly a highly readable book—a pageturner of sorts...." Read more

"...overwhelmed by clean sheets, their immaculate house, and satisfactory occupations...." Read more

"...It starts off fabulously and then seems to end too quickly with an unsatisfying and rapid resolution...." Read more

61 customers mention "Writing quality"44 positive17 negative

Customers find the writing quality of the book well-written, easy to read, and precise. They also say the narrative throughout is well-crafted and makes for a pleasant read.

"...She’s an excellent writer and this is humorous/chilling social commentary, but I didn’t connect with it as well as I have some of her other..." Read more

"...lot of biting wit, some spot on social/cultural satire, and prose that is always precise, smooth, and that at times delivers lines that strike right..." Read more

"...I found the writing precise but with too many lengthy descriptions of the viewpoint characters’ thought processes, which include their often..." Read more

"...Initially the text seems unrealistic, to the point I found myself mentally mocking it and picking it apart...." Read more

11 customers mention "Start"11 positive0 negative

Customers find the book's start excellent, promising, and believable. They also say it gets them in from the start and is insightful.

"Not her best book by a long shot. It starts off fabulously and then seems to end too quickly with an unsatisfying and rapid resolution...." Read more

"This book started out with a good premise and I was immediately sucked in by the characters. However, somewhere along in the last third, it lost me...." Read more

"...I am thoroughly enjoying it too. Very insightful, dead-on, and ridiculous at the same time...." Read more

"Ughhhh, I love Atwood and this book started out soooo well...." Read more

203 customers mention "Story quality"124 positive79 negative

Customers have mixed opinions about the story quality. Some mention it's interesting, brilliant, and bizarre. Others say the plot advances very little and the ending feels rushed.

"...It also serves as a cautionary tale of “be careful what you wish for.”..." Read more

"...I found the writing precise but with too many lengthy descriptions of the viewpoint characters’ thought processes, which include their often..." Read more

"...intelligent or even fully human characters, there remain lots of moments of darkly wry or deeply black humor, sharp efficient detail, or thoughtful..." Read more

"...It has an especially timely dystopian vision that feels all too real in today's economy and political climate...." Read more

100 customers mention "Humor"67 positive33 negative

Customers have mixed opinions about the humor in the book. Some mention it's satirical, entertaining, and refreshing. However, others say it'd be too ridiculous to be fun and quickly degenerates into slapstick comedy.

"...She’s an excellent writer and this is humorous/chilling social commentary, but I didn’t connect with it as well as I have some of her other..." Read more

"...plot and these characters would have been thanks to Atwood’s classic satirical insight, playfully dark humor, and always smooth and often sharp prose." Read more

"...The events unfold in a very fast and non exciting way. If it was meant as black comedy I did not find d it neither black nor comic...." Read more

"...felt overly sentimental and saccharine - and in a novel that is beautifully absurd, the ending managed to make me roll my eyes...." Read more

49 customers mention "Character development"15 positive34 negative

Customers have mixed opinions about the character development of the book. Some mention it's excellent, while others say the protagonists remain one-dimensional. They also say the book needs two more interesting protagonists.

"...mid-section where the characters are acting like robots and no one is very likable, and finally to the last portion which is an overwhelmingly..." Read more

"...That said, this latest book left me a bit cold. Characters didn't strike a chord, despite their poignant dire circumstances, and I found myself..." Read more

"...needed a little bit more detail and dialogues, but the main characters are fully explored...." Read more

"...PS: Charmaine might be the most annoying female character I came across in fiction books so far...." Read more

36 customers mention "Pacing"20 positive16 negative

Customers have mixed opinions about the pacing of the book. Some mention it's fast and gripping, while others say the plot takes a long stretch of slow for the last half of the story.

"...They're both dystopian, sure, but where Handmaid's Tale is bleak, serious, brilliant literary fiction, The Heart Goes Last is smutty, campy and..." Read more

"...Fully developed characters are both hard to like and difficult not to relate to. It's like seeing a shadow monster that you want to hug...." Read more

"...Keep writing, Maggie! You inspire, enlighten, dazzle and comfort all at once." Read more

"...However the second half is kind of disappointing. The events unfold in a very fast and non exciting way...." Read more

26 customers mention "Writer quality"9 positive17 negative

Customers have mixed opinions about the writer's quality. Some mention she's imaginative, original, and brilliant, while others say it's not her best work. They also say quality control has gone down with Amazon's growth.

"...Overall a good read but not a good representative of Atwood's intricate storytelling...." Read more

"...I will read ANYTHING by Margaret Atwood, she's brilliant. I'm so sorry to say that this one disappointed me. It just isn't up to her usual genius...." Read more

"...I read it anyway but was so disappointed in Amazon. Quality control as really gone south with Amazon's growth. (not just with books)" Read more

"...r. It did not have the cleverness of her previous novels such as MaddAdam series...." Read more

Good work!
5 out of 5 stars
Good work!
When you're looking for a novel that you just can not put down, go to Atwood. This is an intriguing story of a you-help-us-we'll-help-you that, while openly acknowledged as a compromise in the beginning, is too much to resist for a couple who have fallen into despair. It doesn't quite have the "This really could happen" immediacy of The Handmaid's Tale, but it's an important read nevertheless. Well done!
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Top reviews from the United States

Reviewed in the United States on March 25, 2016
“Then he’s unconscious. Then he stops breathing. The heart goes last.”

A wacked, absurd, comical novel that becomes obvious satire as the novel continues. As I read this book, I initially took it very seriously, trying to connect with the characters, understand motives, etc. However, by the end with the sexbots, possibilibots, Elvises and Marilyns it became obvious that the book is entirely satirical and meant to be comical. It also serves as a cautionary tale of “be careful what you wish for.” Having someone who loves you only because she has had the laser treatment may not be so fulfilling and rewarding in the end. Perhaps loving someone so completely is easier if you think you’ve had a brain surgery to make you do so.

I was so excited to embark on this novel after reading the premise: a couple destitute in this futuristic world decides to sign up for “Consilience,” a social experiment, where you spend alternate months in a prison and in a home with stable jobs within the confines of Positron. Their relationship becomes strange and a whole lot of sex ensues, none of which is really sexy. Their freedoms have been lost by joining this program and they have seemingly signed their own personalities away as well. They become different, much more superficial in their needs and wants. It’s almost as if having decisions made for them is appreciated, especially on Charmaine’s part.

In sum, I enjoyed the initial unravelling of the exciting premise. This segued to the drudgery of the mid-section where the characters are acting like robots and no one is very likable, and finally to the last portion which is an overwhelmingly satirical picture of the future where no one is happy having an ordinary relationship or partner, but instead seeks out a paid or modified companion.

I’m a big fan of Margaret Atwood. This is the 7th novel of hers that I’ve read and maybe my 6th or 7th favorite of them all. She’s an excellent writer and this is humorous/chilling social commentary, but I didn’t connect with it as well as I have some of her other novels.

For discussion questions, please see book-chatter.com.
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Reviewed in the United States on January 22, 2024
Atwood’s twist on reality uncovers stark truth about the choices we make - or do we? Great read even if a little uncomfortable at times.
Reviewed in the United States on September 5, 2016
I consider Margaret Atwood to be a literary treasure. The Handmaid’s Tale. Alias Grace. The Blind Assassin. The Maddaddam Trilogy. Any author would be thrilled to have written a single work evincing such craft and depth. Atwood churns them out on a regular basis. That context is important here, because her most recent work, The Heart Goes Last, is in my mind definitely a “lesser” Atwood and is in several ways a disappointing work. But that’s “lesser” and “disappointing” in relation to Atwood’s other output, which means despite that overall judgment, there’s still a lot of biting wit, some spot on social/cultural satire, and prose that is always precise, smooth, and that at times delivers lines that strike right you right between the eyes.

Early on it appears we’re in somewhat typical Atwood territory, a sort of near-future dystopia. Financial collapse has wreaked its havoc on the world and the US and Charmaine and Stan are dumpster diving and living out of their car, having lost their jobs at Ruby Slippers Retirement Homes and Clinics and Dimple Robotics respectively. Despite their lives being turned upside down and seemingly headed even further in the wrong direction, they still seem sweetly naïve in their love for each other and their continued attempts to climb out of their hole.

Their final such attempt comes in the form of the Positron Project, a new social/economic creation for postmodern times. Or as their TV commercial puts it:
Remember what your world used to be like? Before the dependable world we used to know was disrupted? At the Positron Project in the town of Consilience, it can be like that again. We offer not only full employment but also protection from the danger elements that afflict so many . . . Accentuate the positive!

Desperate, Charmaine and Stan sign up for an orientation weekend. After the creepy commercial and even creepier in-person presentations, the reader is pretty sure it’s a bad, bad idea, even before Stan’s street-rough scam artist petty crook brother shows up to warn them off joining, darkly implying people don’t ever come out. Stan and Charmain do join, of course. And it turns out to be even worse than Stan’s brother or the reader could have guessed. Even worse than what seems to be the ostensible premise of the Project: a private prison/civilian town where the two halves of the town rotate through being prisoners or guards/workers on a monthly basis — “If every citizen were either a guard or a prisoner, the result would be full employment . . . [And] think of the savings, with every dwelling serving two sets of residents!”

Sam enters with a skeptical eye, while Charmaine buys more fully into the concept, happily settling into the routine. The reader, who has seen this sort of thing before, sides more with Sam, though I’m guessing few can guess where Atwood spins off. Before she does so, though, we get a sharp send up of modern trends in classic Atwood mode: the movement toward privatizing prisons, the retro movement (Consilience is perpetually the 50s because “this was the decade in which the most people had self-identified as being happy.”), the ravages of unfettered and unregulated capitalism.

And then, to be honest, things started to feel like they were coming off the rails a bit. The novel spirals outward into AIs, sex farce, Elvis impersonators, pneumatic sex, blackmail, murder, sexbots, brain surgery, Blue Men jokes, conspiracies within conspiracies and more and the characters — perhaps the most shallow and broad characters in an Atwood work that I can recall — just can’t bear the burden of the plot. It doesn’t take long for the novel to bog down therefore, feeling overlong by a good 20-30 percent I’d say. And some hard-hitting and more thoughtful bit fly fast and furious at the very end, almost as if Atwood herself had realized that what had come before was a bit too light and hadn’t really earned the novel’s length or heft.

That said, this is Atwood. And so even as the novel felt padded and plodding, even as one wished for more intelligent or even fully human characters, there remain lots of moments of darkly wry or deeply black humor, sharp efficient detail, or thoughtful examination of culture, society, and human nature. Here, for instance, are a few such examples:

• On new and improved chickens: “A new process will soon be introduced at Poultry; headless chickens nourished through tubes, which has been shown to decrease anxiety and increase meat growth efficiencies; in addition to which it eliminates cruelty to animals.”

• On sexbots: “’I don’t think they’ll ever replace the living and breathing,’ says Gary.
“’They said that about e-books,’ said Kevin. ‘You can’t stop progress.’”

• On interior decorating: “They go out into the hallway, turn a corner, then another corner. More framed pictures of fruits: a mango, a kumquat. The fruit, he notes, is getting more exotic.”

• On one character’s facial expression/characterization: “’Of course,’ says Aurora with a half-smile like a perfect symmetrical slice of lemon.”

• On nostalgia: “The past is so much safer, because whatever’s in it has already happened. It can’t be changed, so, in a way, there’s nothing to dread.”

Had The Heart Goes Last been a novella-length work, it could have been quite strong, even with some issues with character. Cut off a hundred pages or so out of its 300+, and it would have been an enjoyably light Atwood with regular flashes of depth and darkly satiric comedy. As it stands though, it’s a good start that seems to spin out of control, going on too long about the sexual hijinks of characters that are too shallow and broad, though it’s made more palatable than most books based on this plot and these characters would have been thanks to Atwood’s classic satirical insight, playfully dark humor, and always smooth and often sharp prose.
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Reviewed in the United States on October 28, 2016
Not her best book by a long shot. It starts off fabulously and then seems to end too quickly with an unsatisfying and rapid resolution. that being said, Margaret Atwood is one of the greatest authors alive today and it's well worth reading regardless of flaws. It has an especially timely dystopian vision that feels all too real in today's economy and political climate. Her books are all based on research into products/inventions/technology currently being developed, which she takes to logical and horrible extremes, which gives her books a truly creepy verisimilitude....I love her work and eagerly await each book, this one was no exception.
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Top reviews from other countries

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Barbara Barbosa
5.0 out of 5 stars Alucinante
Reviewed in Brazil on May 15, 2023
Arco narrativo muito bem elaborado.
O que mais me chama a atenção é a velocidade e cadência do livro. Em diversas partes, o suspense te faz ler extremamente rápido pra saber o que virá na sequência e logo em seguida, vem um capítulo menos acelerado. Percebi que isso acontece também de acordo com a mente ansiosa (e o grau de ansiedade) de cada personagem. Muito muito bem escrito!
Ainda não finalizei a leitura, estou nos capítulos finais, mas já quis escrever a avaliação porque esse livro me prendeu muito mais do que eu imaginei.
Saphoman
4.0 out of 5 stars Très bien
Reviewed in France on March 23, 2023
Très beau livre
One person found this helpful
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Wayne
5.0 out of 5 stars Creatively twisted
Reviewed in Canada on July 10, 2019
It usually takes me a chapter or two to get into a book, this one only took me half a page to reach the point of no return. Great scenario about the social disorders which could result from economic collapse. As is always the case with Atwood, the plot was complex, current, and well thought out.
2 people found this helpful
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Snapdragon
4.0 out of 5 stars Vintage Atwood
Reviewed in Australia on January 14, 2022
This is a typically Atwoodian romp in a dystopian future in which mean anarchy roams the streets where the jobless sleep fearfully in their cars and drug addicts die under bridges. Enter the Positron experiment. Pair a jail with renovated abandoned houses, put walls around it, let carefully chosen people live half the time in the houses with nice jobs and half the time in the refurbished jail with nice jobs growing chickens and cows and rabbits and fruit and veg. Play fifties music and movies, kill any malcontents and turn their bodies into fertiliser once you’ve harvested useful organs and you’ve got yourself a healthy contented crime free society. Make extra money on the side manufacturing robots for sexual pleasure, go one further by inventing a process where people are zapped, but imprint sexually and romantically on the first object with eyes they see when they wake up (pity if it’s a teddy bear) and Bob’s your uncle. But wait… some things can go wrong and there’s a lot of palaver about free choice and so on. It’s a hugely enjoyable ride and Atwood has enormous fun with it, serving up a cast of entertaining characters. Four and a half stars.
Paloma Vivancos
4.0 out of 5 stars Me ha gustado
Reviewed in Spain on January 31, 2017
Margaret Atwood tiene siempre la habilidad de situarnos en un mundo futuro pero cercano. Puede pasar mañana. Si miras alrededor casi lo ves venir. En esta novela a añadido además un toque de humor y de intriga. Espero que la traducción al español sea buena.