Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.99 shipping
+ $5.98 shipping
A Heartbreaking Work of Staggering Genius Paperback – February 13, 2001
|New from||Used from|
Rare Books by Legendary Authors
Discover collectible books by legendary authors on AbeBooks, an Amazon Company. Learn More on AbeBooks.com.
Frequently bought together
Customers who bought this item also bought
Dave Eggers is a terrifically talented writer; don't hold his cleverness against him. What to make of a book called A Heartbreaking Work of Staggering Genius: Based on a True Story? For starters, there's a good bit of staggering genius before you even get to the true story, including a preface, a list of "Rules and Suggestions for Enjoyment of This Book," and a 20-page acknowledgements section complete with special mail-in offer, flow chart of the book's themes, and a lovely pen-and-ink drawing of a stapler (helpfully labeled "Here is a drawing of a stapler:").
But on to the true story. At the age of 22, Eggers became both an orphan and a "single mother" when his parents died within five months of one another of unrelated cancers. In the ensuing sibling division of labor, Dave is appointed unofficial guardian of his 8-year-old brother, Christopher. The two live together in semi-squalor, decaying food and sports equipment scattered about, while Eggers worries obsessively about child-welfare authorities, molesting babysitters, and his own health. His child-rearing strategy swings between making his brother's upbringing manically fun and performing bizarre developmental experiments on him. (Case in point: his idea of suitable bedtime reading is John Hersey's Hiroshima.)
The book is also, perhaps less successfully, about being young and hip and out to conquer the world (in an ironic, media-savvy, Gen-X way, naturally). In the early '90s, Eggers was one of the founders of the very funny Might Magazine, and he spends a fair amount of time here on Might, the hipster culture of San Francisco's South Park, and his own efforts to get on to MTV's Real World. This sort of thing doesn't age very well--but then, Eggers knows that. There's no criticism you can come up with that he hasn't put into A.H.W.O.S.G. already. "The book thereafter is kind of uneven," he tells us regarding the contents after page 109, and while that's true, it's still uneven in a way that is funny and heartfelt and interesting.
All this self-consciousness could have become unbearably arch. It's a testament to Eggers's skill as a writer--and to the heartbreaking particulars of his story--that it doesn't. Currently the editor of the footnote-and-marginalia-intensive journal McSweeney's (the last issue featured an entire story by David Foster Wallace printed tinily on its spine), Eggers comes from the most media-saturated generation in history--so much so that he can't feel an emotion without the sense that it's already been felt for him. What may seem like postmodern noodling is really just Eggers writing about pain in the only honest way available to him. Oddly enough, the effect is one of complete sincerity, and--especially in its concluding pages--this memoir as metafiction is affecting beyond all rational explanation. --Mary Park --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Literary self-consciousness and technical invention mix unexpectedly in this engaging memoir by Eggers, editor of the literary magazine McSweeney's and the creator of a satiric 'zine called Might, who subverts the conventions of the memoir by questioning his memory, motivations and interpretations so thoroughly that the form itself becomes comic. Despite the layers of ironic hesitation, the reader soon discerns that the emotions informing the book are raw and, more importantly, authentic. After presenting a self-effacing set of "Rules and Suggestions for the Enjoyment of this Book" ("Actually, you might want to skip much of the middle, namely pages 209-301") and an extended, hilarious set of acknowledgments (which include an itemized account of his gross and net book advance), Eggers describes his parents' horrific deaths from cancer within a few weeks of each other during his senior year of college, and his decision to move with his eight year-old brother, Toph, from the suburbs of Chicago to Berkeley, near where his sister, Beth, lives. In California, he manages to care for Toph, work at various jobs, found Might, and even take a star turn on MTV's The Real World. While his is an amazing story, Eggers, now 29, mainly focuses on the ethics of the memoir and of his behavior--his desire to be loved because he is an orphan and admired for caring for his brother versus his fear that he is attempting to profit from his terrible experiences and that he is only sharing his pain in an attempt to dilute it. Though the book is marred by its ending--an unsuccessful parody of teenage rage against the cruel world--it will still delight admirers of structural experimentation and Gen-Xers alike. Agent, Elyse Cheney, Sanford Greenberger Assoc.; 7-city author tour. (Feb.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Browse award-winning titles. See more
If you are a seller for this product, would you like to suggest updates through seller support?
Top customer reviews
Upon reading the early pages of the book of the Preface and introduction, readers will have to adjust their lens of understanding to what they are familiar with in terms of reading a memoir. Eggers writes in a stream of conscious type of style that jumps from one thought to the next, but if one keeps a steady focus, all of the details that he provides relate to his circumstance. And he attempts to explain the direction of the book and areas that readers may want to skip or forward to the so-called meat and potato parts of his life by pages 200 to the conclusion. However, it does not hurt to read the entire book from beginning to end, especially the challenging parts of the first few chapters that guides the reader to understanding Eggers’ life after his parents’ passing, he along with his sister Beth and brother Bill became guardians to younger brother “Toph” (Christopher). Aside from the irony of his life, there is plenty of humor, especially in the chapter where is writes with much detail of the time he interviewed for the third season of MTV’s reality show “The Real World,” which he wanted so much to be a part of; one can say in addition, to this memoir the experience would have also been a form of therapy for him. It is instances such as that memorable event in his life and many other references that replays Eggers’ generation before there was Facebook or Twitter or any social media that would emerge in the next decade or two.
A Heartbreaking Work of Staggering Genius is a book of much insightfulness of the life of Dave Eggers that only he can tell. It is a story that can be read more than once because of the unique way that he shares with readers how his life was filled with unpredictability that he was able to successfully navigate despite the cracks and stepping-stones in between.
This is a wonderful memoir:genuine, cleverly written, hilarious at times while shockingly tragic at others.
It's a memoir with true character and a story I will not easily forget.
The ending left a little something to be desired, but this is a memoir, not a work of fiction, so it is what it is.
The people who are saying this is boring clearly picked the wrong book, I think many of them didn't realize that this was a true story and not a fictional tale.
That said, the book was hard to follow at times. If I wasn't paying attention I'd suddenly become aware that the story had drifted from present day to some other memory. The paragraphs stretched on, making it feel like a million anxious thoughts stuffed into one moment. Maybe that was the point. I did get used to the pacing, but the end of the book was the ultimate test of being able to stay with the story-- a bunch of run on ideas all shoved together. I've got to say, I have no idea what the end of the book was supposed to mean.
(1) It is a dazzling performance that plows up memoir and cultural commentary. The author uses perspective, setting, dialogue and irony, loads of irony, to tell of one family's tragedy and fumbling recovery, as well as the state of middle-class suburban life and hopes, and what it was like to be young and otherwise invincible in the "it" city and the "it" decade, doing an "it" thing.
(2) When it was written a decade ago, the memoir form had caught fire; ten years on, it seems as if it is the only genre in which anyone writes anymore. In his introduction Eggers worries that he's joining the crowd, but he needn't worry. His is a unique story still worth telling. He, his older brother and sister, and their much younger little brother lost both parents to cancer within weeks of one another, when the author was still in college. Going from the relative comfort of life in an affluent suburb of Chicago and college life to becoming a parent to the elementary school aged brother is a remarkable balancing act.
(3) In the time that has passed, it has morphed from topical riffing on 1990's zeitgeist to powerful historical statement of that time. It potently preserves the energy and zeitgeist of the San Francisco Bay area, a generation and the classic passages of 20-somethings. It is a very American story.