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Heaven's Gate (The Criterion Collection) [Blu-ray]
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| Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
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Blu-ray
December 3, 2013 "Please retry" | — | 1 | $25.62 | $25.47 |
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| Genre | Westerns |
| Format | Dolby, DTS Surround Sound, Widescreen, Subtitled, NTSC, Blu-ray |
| Contributor | Christopher Walken, Isabelle Huppert, Michael Cimino, Kris Kristofferson, John Hurt |
| Language | English |
| Runtime | 3 hours and 36 minutes |
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Product Description
A visionary critique of American expansionism, Heaven’s Gate, directed by Oscar winner Michael Cimino (The Deer Hunter), is among Hollywood’s most ambitious and unorthodox epics. Kris Kristofferson (Lone Star) brings his weathered sensuality to the role of a Harvard graduate who has relocated all the way to Wyoming as a federal marshal; there, he learns of a government-sanctioned plot by rich cattle barons to kill the area’s European settlers for their land. The resulting skirmish is based on the real-life bloody Johnson County War of 1892. Also starring Isabelle Huppert (White Material) and Christopher Walken (The Deer Hunter), Heaven’s Gate is a savage and ravishingly shot demystification of western movie lore. This is the full director’s cut, letting viewers today see Cimino’s potent original vision.
Product details
- Aspect Ratio : 2.40:1
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.6 x 5.3 x 6.7 inches; 4 ounces
- Item model number : 715515101110
- Director : Michael Cimino
- Media Format : Dolby, DTS Surround Sound, Widescreen, Subtitled, NTSC, Blu-ray
- Run time : 3 hours and 36 minutes
- Release date : November 20, 2012
- Actors : Kris Kristofferson, Isabelle Huppert, Christopher Walken, John Hurt
- Subtitles: : English
- Studio : Criterion Collection
- ASIN : B008Y5OWMK
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #10,445 in Movies & TV (See Top 100 in Movies & TV)
- #104 in Westerns (Movies & TV)
- Customer Reviews:
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Lastly I say that I am sad for Cimino and for the several others. It killed or slowed Kristofferson's acting career, even though his performance was very good. It ended Cimino's career to a great extent. The most tragic may be the 24 year old prodigy, David Mansfield, who wrote the mesmerizing score and other pieces, most notably the Heaven's Gate Waltz. He had been touring with Bob Dylan for 5 years. He submitted pieces for the film to use until it could get the real score. They had hired John Williams, who had done Star Wars 3 years prior. He decided to do a Boston Pops show instead. So they chose Mansfield. If the film had been given time to get edited as it is now, the film would have been much more popular, and Mansfield may have easily walked off the Oscar for best score. It gets in your head and stays. I compare it to Lawrence of Arabia in that regard. BTW, Mansfield is the "kid" that plays the violin and skates! Such talent! It is impossible to know how any of their careers would have gone if the movie was given a chance to be finished before it premiered.
Christopher Walken survived well and has thrived. His performance is brilliant. His scene the bedroom with Isabelle Hubbert is just perfect. His tragic character, Nate Champion, who is really a good man turned bad. His ongoing angst in the presence of Hubbert is one of the saddest depiction of unrequited love, ever. He would easily been nominated for best supporting actor. Jeff Bridges who plays kind of a drunk buffoon, does it perfectly and is great here.
I am surprised this is seen as some big political statement. There are no heroes or victims here. The immigrants were in a tough situation and we don't know why they chose or got placed there. But, they are not innocent by any means. They ARE stealing cattle. They trade cattle for sex, they get drunk and bet on cock fights rather than buy food for their families. And the cattlemen justify murder rather than a better solution. Both are despicable. But the immigrants did not have to be murdered that is why the good guys are on their side. So, I don't see it as a political statement at all.
Mix that all together with some of the greatest scenery in Hollywood history it does truly become a masterpiece.
A Masterpiece - not appreciated with its initial release - but - the director's cut is second to none.
More realistic than most fast guy draw westerns - which is why it probably did not fare well commercially.
Let's start with the money. It's true that Cimino shot the budget to pieces on this film. In the director's defense I suspect that he would argue that it's all up there on the screen. But this type of spending will generate animosity on the part of both studio executives and film critics. It's happened before, notably when Brando was roasted for "One-Eyed Jacks." So to some extent the film was being willed to fail. People were incensed that Cimino spent United Artists into a hole and was quite unapologetic about it.
Now let's look at the politics. "Heaven's Gate" came out during Ronald Reagan's first term in office. The political Right was ascendant and the message of "Heaven's Gate" was not the message that they wanted to hear. They were more in tune with the message of Owen Wister's novel The Virginian, namely that property was sacred and a rich man's cow was worth more than a poor man's life. I suspect that with the Occupy Movement and the talk about "the 99%" more people would be in tune with the film's depiction of The Rich as heartless, self-serving bastards than they would have been in 1980.
Lastly, let's look at the film itself. One reviewer compared the film to "The Leopard," "1900" and "Once Upon a Time in America." this was quite telling. None of these film was a smash with the American movie-going public when they premiered. And the Leone's film suffered a fate similar to Cimino's in that it was edited into incoherency by a studio desperate to salvage something from the ruins. The moral seems to be that American audiences don't like to sit through really long films. Now, is it true that in the heyday of Hollywood, M.G.M. could have done the same story with Robert Taylor and Robert Walker and brought it in at under two hours? Absolutely. But it wouldn't have been the same film. And that's my final point. Cimino was the storyteller and he had to tell the story his way. When the film first came out, I remember a critic of repute (it may have been Pauline Kael or Judith Crist) remarking that while it was easy to see what could have been cut from the film, the difficult part was deciding what should remain. (I assume that she was seeing the uncut version.) I would respond that Cimino needed to take all that time depicting James Averill's graduation day at Harvard because Averill would later remark that it was the best day of his life. It was necessary to film the aging Joseph Cotten delivering his exhortation to the graduating class because they clearly regarded it as hot air, and had no intention of living up to its demands. It was necessay to film John Hurt's clownish, preening response because Hurt was the kind of guy who would wind up out in Wyoming, killing immigrants who had the temerity to rustle cattle from their betters. I simply can not see the wisdom of denying Cimino his way of telling the story which, incidentally, was identical to the method he used in "The Deer Hunter"--a film for which he was praised to the skies and declared to be a new director of genius.
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Aunque hay que decir que Cimino tampoco es inocente, La Puerta del Cielo es una película compleja que por momentos puede llegar a parecer confusa y cansativa hasta para el cinéfilo más recalcitrante.
La edición de Criterion Collection entrega la versión final aprobada por el director antes de su fallecimiento en 2016, por lo tanto, solo queda sentarse y ahogar la melancolía junto con la obra incomprendida de Michael Cimino.
But, despite all that I've always felt that Heavens Gate is a masterful film on a massive scale. It's honestly one of the most beautiful movies to look at from a production, set decoration and especially cinematography standpoint. And with this new Criterion bluray, the cinematography looks even better with the sepia filter taken off allowing the full color of the vast American landscape to really shine through without trying to give it that "old fashioned " look they were trying for originally.
La tension es entre blancos que ocupan tierra i ganado i recientes inmigrantes europeos que vienen sin nada, y que apenas hablan ingles.
Muy buena interpretación de la francesa Isabelle Huppert al lado de los sin tierra.
Kris Kristopherson, con titulo de Harvard, como alcalde acaba apoyando a los nuevos inmigrantes, aunque represente "traicionar" a los de su casta i algunos amigos
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