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Heavier Than Heaven: A Biography of Kurt Cobain Paperback – August 21, 2002
| Charles R. Cross (Author) Find all the books, read about the author, and more. See search results for this author |
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- Print length432 pages
- LanguageEnglish
- PublisherHyperion
- Publication dateAugust 21, 2002
- Grade level8 and up
- Reading age18 years and up
- Dimensions5.19 x 8 inches
- ISBN-109780786884025
- ISBN-13978-0786884025
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Editorial Reviews
Review
"Thorough, definitive."―The New York Times
"Heavier Than Heaven sets a high, new standard."―Rolling Stone
"As engrossing as a good novel. A remarkable portrait."―Entertainment Weekly
"Definitive...Cross untangles the soul of a man."―USA Today
"Charles R. Cross' definitive biography of Cobain traces his life story via more than 400 interviews, and intimate access to the Nirvana frontman's private journals and lyrics."―Entertainment Weekly, Your Complete Kurt Cobain Reading Guide
About the Author
Product details
- ASIN : 0786884029
- Publisher : Hyperion; Later Printing Used edition (August 21, 2002)
- Language : English
- Paperback : 432 pages
- ISBN-10 : 9780786884025
- ISBN-13 : 978-0786884025
- Reading age : 18 years and up
- Grade level : 8 and up
- Item Weight : 13 ounces
- Dimensions : 5.19 x 8 inches
- Best Sellers Rank: #1,058,826 in Books (See Top 100 in Books)
- #2,483 in Rock Band Biographies
- #3,386 in Rock Music (Books)
- #76,809 in Humor & Entertainment (Books)
- Customer Reviews:
About the author

Charles R. Cross graduated from the University of Washington in Seattle with a degree in creative writing. At the UW, he served as editor of the Daily in 1979, and caused a major ruckus when he left the front page of the newspaper blank. The only type was a small line that read “The White Issue,” in deference to the Beatles’ White Album.
After college, Cross served as editor of The Rocket, the Northwest’s music and entertainment magazine, from 1986 through 2000. The Rocket was hailed as “the best regional music magazine in the nation” by the L.A. Reader, and it was the first publication ever to run a story on Nirvana. Cross wrote stories on such seminal Northwest bands as The Wailers, Jimi Hendrix, Nirvana, Pearl Jam, Soundgarden, Alice in Chains, and hundreds, if not thousands, of lesser-known bands. In addition to The Rocket, Cross’s writing has appeared in hundreds of magazines, including Rolling Stone, Esquire, Playboy, Spin, Guitar World, Q, Uncut, and Creem. He has also written for many newspapers and alternative weeklies, including the London Times, the Los Angeles Times, the Seattle Times, and the Seattle Post-Intelligencer. He has lectured and read at universities and colleges around the world, and has frequently been interviewed for film, radio, and television documentaries, including VH1’s "Behind the Music."
Cross is the author of seven books, including 2005’s Room Full of Mirrors: A Biography of Jimi Hendrix (published by Hyperion in the U.S., and Hodder in the U.K.). His 2001 release, Heavier Than Heaven: The Biography of Kurt Cobain (Hyperion/Hodder), was a New York Times bestseller and was called “one of the most moving and revealing books ever written about a rock star” by the Los Angeles Times. In 2002, Heavier Than Heaven won the ASCAP Timothy White Award for outstanding biography. Cross’s other books include the national bestseller Cobain Unseen (Little Brown), Backstreets: Springsteen, the Man and His Music (Harmony, 1989); Led Zeppelin: Heaven and Hell (Harmony, 1992); and Nevermind: The Classic Album (Schirmer, 1998).
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It is the story of a man who felt constantly rejected and abandoned ever since an early age, whose only dream was to become a rock star to escape from his problem-filled life. Once out of high school, there was only one job he could find in the entire town; a janitorial position at his old high school! It seemed that this kind of fate kept occurring over and over again throughout the course of his life.
After several years performing in his band with no success, he was homeless and already more than casual heroin user. He suffered from an extremely painful stomach ailment that started at the age of ten, only a few years after his parents had divorced. Until the day he died doctors had no idea what it was, but many believed that its origin was stress-related, especially because Kurt said the only time it came around was during very stress-filled situations. Because doctors didn't know what it was, and didn't realize how much pain he was in on a weekly basis, he self-medicated himself with heroin. He recalled the idea as stupid, but he said it was the only thing in the world that could rid him of the pain. He said that sometimes his mysterious stomach ailment could keep him bedridden for days on end, and it only got worse with fame. Not only because he had the money to become a full-blown addict, but because he had to meet and fulfill the pressures and expectations of fame.
When Nevermind was released in 1991, their biggest album and the album that would put the nail in the coffin of '80s hair bands and open the door for the grunge era, he was living in his car. Even when the "Smells Like Teen Spirit" video skyrocketed to #1 in a matter of weeks, he was still homeless, an addict, and scraping for every penny he could get.
But the song got so much attention on MTV and radio stations worldwide that within 6 weeks Kurt and the rest of Nirvana went from homeless to virtual millionaires! The problem was that Kurt had not prepared for this kind of attention, who could?! Eventually Kurt was a deer in headlights, he really didn't know what he wanted. Fame and fortune look great when you're poor, but once you have it most people find that it just adds more pressure and stress.
Truman Capote once said, "There are more tears shed over answered prayers than unanswered ones."
Kurt's life is an excellent example. He would complain to his friends and to the media that Nirvana's songs were getting way too much airplay and attention, but then again he religiously wrote MTV and radio stations to complain that they didn't get enough airplay. He was livid that his privacy was being invaded by the media and his fans, yet he would rarely ever deny the media an interview or a fan an autograph.
He was so confused because his whole life had revolved around his ultimate ambition to become the greatest rock star ever, only to find out that once he had obtained it, his problems didn't go away. Writing music was a distraction mechanism for him; he used it to get away from his problems so he wouldn't have to deal with them or even think of them, even if for just a few minutes. His life in the music industry made him unable to feel comfortable as a human being, because he perceived his life as being the ultimate contradiction. All he wanted to do was make music from his heart that could help people just like him, only to discover that the industry would not allow him to do this. He couldn't stand how the industry could be so grimy and shady, and realized that once someone's in it, it becomes a part of you no matter how hard you try. Some people will go to any means for money and don't care what they have to do, some are able to simply turn their heads and ignore the hideousness, but Kurt couldn't. It absorbed him and put a ton of weight on his heart. The more his career progressed, the more of a fake he felt he had become.
The ultimate evidence of this being the case was not too far into his short-lived career when Kurt realized that all anyone wanted to hear at concerts was "Smells Like Teen Spirit". After awhile, he noticed that the first few rows of his shows went from hardcore punk rockers to jocks and cheerleaders. He once told a journalist that he did not want them to listen to his music, that not only did he insist they NOT purchase his albums, but that he had SPECIFICALLY made the albums because of people like them.
It wasn't too long after when Kurt refused to play the song live ever again.
It was one of his biggest moments of clarity for him once he had finally "succeeded". He realized that the band to many was considered more pop than rock, and he wanted to play to HIS people. The jocks, cheerleaders, and popular kids in school had always made him feel like an outcast, and now here they were worshiping him. It just didn't sit with him well, he was so sensitive, and more importantly he was too honest with himself; he couldn't pretend. He had to stay true to HIMSELF- and as long as the hypocrisy and never-ending dark sides of the entertainment industry continued to exist, he couldn't.
For anyone that is a hardcore Nirvana/Kurt Cobain fan, you might not learn too much, but it is still an amazing read.
For those of you who don't know everything there is to know about Kurt, look no further: this is the book for you.
R.I.P. Kurt Cobain
1967-1994
The first chapter presents a thorough glimpse of Cobain's early life as you learn of the family dynamic he grew up in. I am a family counselor so these important developmental years are particularly interesting to me. The subsequent chapters continue with Kurt's teen years and you see his downward spiral from a jubilant child to a withdrawn pothead. Much of what would be his adult personality begins here. Kurt's psychological pattern of someone who is abandoned by his family and the behavior that would follow is laid out succinctly by Cross. Kurt's pattern of family life was intimacy, conflict, banishment and then isolation. This information is both tragic and insightful.
While Kurt's life wasn't easy, he would exaggerate his experiences for no other reason than it made a good story; this showed the writer and performer in Kurt. Cross, through his investigations, discovers the truth behind Kurt's stories. His first concert, how he got his first guitar, and the infamous Young Street Bridge story where Kurt said he lived for a time. Novoselic said no one could have lived under that bridge, especially someone who was as big a whiner as Kurt.
Cross continues with the early days of the band before they were Nirvana and describes the shows in great detail. Through these days you understand Kurt's suicidal, tormented spirit as Cross shows him to be a mixture of self-destruction and self-preservation.
Cross said Kurt learned early on that punk rock, which was billed as a liberating genre of music, came with its own social guidelines which were often more constricting than the ideals they were supposedly rebelling against. "There was a dress code" for the anti-dress code scene. Never have I heard a truer definition of the punk/alternative sub-culture of the early 90s. Kurt wanted people to think he didn't care about being famous but really he did which means he was a part of the very corporate system that he loathed. The truth is, he wanted to be famous so he did what it took even if it meant selling out to his demographic. Yet another example of Kurt's irony. As rebelious as Jim Morrison but as much a showman as Steve Tyler.
After Kurt meets Courtney, the books is pretty much a wash as the obvious occurs and what went on with the Cobain's was by this time all over the news. However, we learn much more than what was in the tabloids since Cross' level of interviewing goes very deep. With all that was going on, you wonder how they ever made more albums after Nevermind but they did and I enjoyed the stories behind these.
Cross said he wanted to write the book without judgement, which I appreciate, but he also does not minimize the train wreck of a life Kurt led. I have read other works about Nirvana and they are touted almost as gods. Cross' book is more objectively level-headed and presents the facts, opinions, and mysteries very well.
Top reviews from other countries
Kurt Cobain is one of my favourite musicians. Maybe for the music he made or maybe for the legend he left behind but he is my generations icon. This is a fantastic book which I am pleased to have read. From Kurts humble beginnings (which proved testing times for him personally and in his family) to his shocking suicide, the story just pulled my heart strings to a point I have never felt before. After finishing reading it many months ago, certain words and remarks from the book stick with me, especially the poignant ones which gives me a lump in my throat to this day. Charles R Cross has wrote this exceptionally well and each chapter has been crafted with great care. I was expecting some scathing remarks about Kurt, his family and friends but the author creates a very real telling of the events that Jurt went through. (Being the huge Kurt fan I am, I have watched, read, seen and researched as much as I could on him, so I feel confident with my statement)
There are certain things in this book that once you read them will go straight over your head such as the drug usuage and the way Courtney Love was racking her brains trying to find where Kurt had gone in his last few days. its when you put the book down and you just try to understand it more about the feelings and the torture of not knowing what has happened to Kurt. I guess you could say being in their shoes. It is a horrific thought to have to go through such pain but with the way the author described the scenes of anguish (and the joys) you truly feel as if you were the one it was happening to. I hope that you read this book and enjoy it as I have, but much more importantly, you understand that this was a troubled mind and talent that exploded with such force, he changed the world. Anyone who says he did not is a bare faced liar.
If he was here today, I really wonder what he would make of music today. Would he still be relevant? Would music be different or would NIrvana still be together? I feel that they probably would not and Dave Grohl may never have formed the Foo's. Im just happy I was alive when Nirvana and Kurt were around. It is the music of my youth and Heavier than Heaven takes me back to that time each time I read it.
Reviewed in the United Kingdom 🇬🇧 on May 31, 2019











