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Hemlock Grove: A Novel (Fsg Originals) Paperback – April 16, 2013
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An exhilarating reinvention of the gothic novel, inspired by the iconic characters of our greatest myths and nightmares. Hemlock Grove is now a hit television series on Netflix.
The body of a young girl is found mangled and murdered in the woods of Hemlock Grove, Pennsylvania, in the shadow of the abandoned Godfrey Steel mill. A manhunt ensues―though the authorities aren't sure if it's a man they should be looking for.
Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family―their personal fortune and the local economy having moved on from Pittsburgh steel―where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he's a werewolf. Or perhaps it's Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia.
At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right―and Brian McGreevy the talent and ambition to enthrall us for years to come.
- Print length336 pages
- LanguageEnglish
- PublisherFSG Originals
- Publication dateApril 16, 2013
- Dimensions5.14 x 0.95 x 7.49 inches
- ISBN-100374534462
- ISBN-13978-0374534462
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Review
“It takes a rare stroke of genius to reconfigure the gothic novel within the postindustrial barrens of steel country, and another entirely to upstage this conceit with a mythic and ambitious story of adolescence and alienation. Like a collaboration between Edgar Allan Poe and J. D. Salinger, this is a real emerging talent.” ―Philipp Meyer, author of American Rust
“A wonderfully creative and twisted reinvention of classic monster archetypes, wrapped up in a mysterious thriller. I loved it. Brian McGreevy is a welcome new voice in horror literature, but be warned: it's not for the faint of heart, or stomach.” ―Eli Roth, director of Hostel
“This is . . . horror with a respect for its literary antecedents.” ―Yvonne Zipp, The Washington Post
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Product details
- Publisher : FSG Originals; Media tie-in, Movie Tie-In edition (April 16, 2013)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0374534462
- ISBN-13 : 978-0374534462
- Item Weight : 8.3 ounces
- Dimensions : 5.14 x 0.95 x 7.49 inches
- Best Sellers Rank: #880,346 in Books (See Top 100 in Books)
- #30,572 in Paranormal & Urban Fantasy (Books)
- #42,845 in Suspense Thrillers
- #43,771 in Literary Fiction (Books)
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There is this tumblr account I follow (mostly because I enjoy the perks of being publicly ironic) called: Problems Of A Book Nerd. Each day (or sometimes twice a day if I'm really lucky) Cecilia (the girl who runs it) posts little ecards with nerd quips on them. For example today's (#378) was "Claiming to be scared of the dark so having a nightlight doesn't seem odd which you then proceed to read next to for hours after you were supposed to come to bed."
Anyways, a while ago (you'll understand how long when I show you it's number) she posted a quip that I considered to be the cream of the crop. Do not pass go, do not collect $200, this puppy was on the money. So I saved it to my desktop, in hopes that one day I'd be lucky enough to use it for this exact purpose.
This is what it said:
#83 - When I say "I wish they would turn this book into a movie" what I really mean is "I wish they would turn this book into a 17-hour-long spectacle that includes every single solitary detail and doesn't deviate at all from the storyline and has perfect casting."
Now, most of you (at one time or another) have had the "book to movie" conversation with me, and learned that (while I'd be impressed if they didn't) I have no big issue with movies taking liberties with adaptated work. Why? Because I am scary good at separating reality and expectations. I know that the movie will never live up to the book, so I just don't expect it to. Instead...I enjoy it for what it is. Someone else's interpretation of a book I really enjoyed. Like a visual book club if you will. So when I decided it was imperative that I purchase a copy of Brian McGreevy's "Hemlock Grove" (after watching it's Netflix adaptation - which I loved with the passion of a thousand caged succubi) I wasn't expecting the exact same story. A phrase here. A reference there. Tada...a collaboration is made. Instead...I got as close to a #83 as I have ever seen. Which I have to admit is pretty freaking awesome.
"An exhilarating reinvention of the gothic novel, inspired by the iconic characters of our greatest myths and nightmares.
The body of a young girl is found mangled and murdered in the woods of Hemlock Grove, Pennsylvania, in the shadow of the abandoned Godfrey Steel mill. A manhunt ensues--though the authorities aren't sure if it's a man they should be looking for.
Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family--their personal fortune and the local economy having moved on from Pittsburgh steel--where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he's a werewolf. Or perhaps it's Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia.
At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right--and Brian McGreevy the talent and ambition to enthrall us for years to come."
For those of you that have had to opportunity to watch the TV version of Hemlock Grove, you are (at this point) probably accustomed to it's odd cadence. For everyone else...let me explain.
Unlike traditional novels (especially those dealing with supernatural/paranormal elements) HG is not easy to read. It is written in "conscience thought." What does that mean? Well...let me think. Ok, imagine for a second that there is a man sitting at a table. On that table are roughly 5 thousand fortunes (because obviously this dude has a weird obsession with Chinese food.) The man, he loves these fortunes, doesn't want to throw them away. So he comes up with an idea. He will write a book, and use the fortune cookies as his guide. Punctuation will not deter him. Fragments, and vague references will cower in his glory...because this is his calling. To unite forward thought with the grotesque beauty of Gothic realism. That is the writing base for Hemlock Grove. Stunted but informative.
For example:
"When asked for a statement by the paper he had declared, in his view, a state of emergency. But does raising a child have any other name? There is a fly in the ointment peculiar to the study of the mind and it is that the subject is also it's instrument, like a microscope under a microscope. He looked out at the dendritic network of branches cast by the streetlight in shadow puppet on her blinds."
Straying way outside of the lines, McGreevy adds poetic justice to not only the world he builds for his characters to tromp clumsily through, but also the characters themselves. Judged/spoiled/forgotten/mistreated/sacrificial/and evil incarnate only tip the ice berg when delving into such a uniquely tortured cast.
Peter (the werewolf) struggles with perception. Roman (the umpir) with loneliness and expectation. Shelley, acceptance. Each has a distinct place in the story, and each deliver in a way that can be considered either stunning or beautiful, depending on your point of view.
I will be the first to admit that this book (much like the show) is not for everyone. As a matter of fact, it's not for most. The writing style alone with bother at least 80% of you. Another 5% will be irritated by the blatant disregard for traditional "supernatural" rules. (aka what a vampire/werewolf is "supposed" to do according to every other book on the planet.) For the last 15% you will be swept away in a fantastic (original) Gothic tale, that breaks barriers and sets new standards. Something I am VERY happy to have realized early on.
And (as a side note) for those of you who are deciding whether or not to purchase this book for a little "show clarity"...good luck with that. The show follows the book (with the exception of a few small things and a couple of pages of illustrative detail) if the show confused you, the book will not help you.
Overall...it's not what I expected, but exactly what I wanted. Two thumbs up for off-beat books!
Happy Reading my fellow Kindle-ites and remember: sometimes it's good to step outside of your comfort zone.
GODFREY---God Free----These are powerful, rich people, free of God, who are not portrayed as Christian.
SHELLY---The Godfrey daughter, brought back from the dead by a mad scientist. Named after MARY SHELLY, who wrote the book this character is based upon--FRANKENSTEIN
LETHA--Another Godfrey. LETHE (pronounced the same) is the river in the underworld, that you drink out of to forget your earthly life. Letha is an innocent, who believes in angels, as a way to forget herself from the horrible truth. She has drank the waters of forgetfulness, and entered into the hell of the Godfrey world.
NORMAN--The Godfrey psychiatrist. Of course, a psychiatrist is always looking for the "NORM". He's called NORM in the book as well. His life is anything but within THE NORM.
DR. CHASSEUR--This is the woman who chases down werewolves. So she's a CHASER. This one's obvious, even tho its pronounced differently in the show. (Shas-shur)
Dr. PRYCE--the mad scientist. Probably a reference to VINCENT PRICE, who always played these roles.
DESTINY---She's the gypsy fortune telling witch. She reads people's DESTINY. Pretty much in your face.
SHERIFF SWORN---Sworn is past tense of "To swear", which people do when forced to tell the truth in court. Of course, Sworn is the basis of the horrible lie that is told, at the end of the book, about Shelly. His twin daughters have similar names, which also reflect their similarity.
The three main characters, ROMAN (the Upir, ie Slavic vampire), his mother OLIVIA, and PETER the gypsy werewolf, are a little more involved, when it comes to the symbolism of their names. The names definitely reference each other, tho. ROMAN is, like the Roman empire, divided between being a force for good, and conquering the world around him. He's also a bit of a Romantic, (Read: romantic movement) in that he's wild, untamed, and into the processes of primitive human nature. His name is echoed in Peter's last name, ROMANCEK. In the book, we discover that Peter's distant relative, was Olivia's son. So Roman and Romancek, are connected, just a their names are connected visually. Finally, this leaves us with OLIVIA. In Roman times, the roman culture depended on the Olive for oil, for lamps, for cooking, cleaning, practically everything. OLIVIA (named after the OLIVE) is also a source of everything for her son, ROMAN. Obviously if you are using this much symbolism in the character names, some will by nessecaty need to be a little more obtuse. No doubt the rich symbolism of the names, is used to point readers towards other symbolic elements of the book.
For the most part, if you enjoy supernatural thrillers like TRUE BLOOD series, you will enjoy this book as well. Several people made comments about the complicated vocabulary of McGreevy. This book, unlike novels like TWILIGHT, wasn't written for teenagers. So he didn't need to limit his language, to be easy to read for the average 15 year old. Also, several of the characters have doctoral level educations, ie Chasseur, Norman Godfrey, Dr. Pryce. Shelley is shown to be a super genius in the book as well, reading college level books and magazine articles, even tho she's 13-14 years old. I haven't seen people who would not be expected to use elevated, highly intelligent language, talking like a college English professor. Everyday colloquial English is spoken by the sheriff, Peter, Lynda, the sheriff's daughters, etc. So the language of the book, is consistent with the world that the book inhabits. This is definitely a fun book to read, at least until the end, which is tragic by all means.
Top reviews from other countries
Don't listen to the bad reviews on this book as yes, it is written very differently to many other books, but that is NOT a bad thing, in fact , complete opposite. I love the original writing style, intelligent use of words and language - it's very refreshing, trust me.
To conclude, highly reccomend to lovers of gothic literature and people who are open to a new style of writing.
Oh and don't expect to have all the answers served to you on a silver platter because it leaves a lot of the guessing to the reader and after finishing it, it was on my mind for days. Has it's own unique genre. Very original. Powerful reading - there really is no other book like this.
To my surprise, the first season has a real focus on fidelity, and ensuring it brings Brian’s novel to life. The changes are extremely minute, to the point where it’s a little pointless reading the book if you’ve watched the show already. Nevertheless, it’s a solid little horror book that’s worth checking out.
They are trying to jump on the Vampire Diaries/True Blood - insert any supernatural style teen series here - with this. Which is a shame, because there are some good actors wasted on a bad story.
The problem with the book is that it's all just bad, because it doesn't have the actors to carry it.
Just not a great read at all.



