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Hench: A Novel Hardcover – September 22, 2020

4.5 4.5 out of 5 stars 1,916 ratings

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From the Publisher

Seanan McGuire, Hench

Peng Shepherd, Hench

Kirkus Reviews, Hench

Joshilyn Jackson, Hench

Editorial Reviews

Review

"Witty and inventive . . . the pleasure of the novel is the slow rollout of the rules. Creating a universe involves inventing lots of little problems, and the solutions here don’t disappoint." — New York Times

"Hench is an engrossing take on the superheroic. It's smart and imaginative; an exemplary rise-of-darkness story, one I won't soon forget...I honestly can't wait to see what Natalie Zina Walschots does next with the genre." — NPR Books

"Walschots playfully pokes at both office politics and comic book absurdity while offering gripping action and gut-wrenching body horror. The inventive premise, accessible heroine, and biting wit will have readers eager for more from this talented author." — Publishers Weekly (starred review)

"A fiendishly clever novel that fizzes with moxie and malice." Kirkus Reviews (starred review)

“Walschots delivers a book that’s dark and honest, sharp and raw, full of visceral tenderness and breathtaking insight. Hench belongs in a lineage of superhero prose fiction that includes Robert Mayer’s Superfolks (which it surpasses) and Samit Basu’s Turbulence (which it equals), and is one of the best books I read in 2020. I rarely hope for sequels to books that function beautifully as standalones, but am actively longing for one here.”

Amal El-Mohtar, Hugo Award–winning writer and coauthor of This Is How You Lose the Time War

“This book is fast, furious, compelling, and angry as hell. It's a beautiful deconstruction of the superhero genre, and I'm only a little annoyed that I didn't think of it first.” — Seanan McGuire, New York Times bestselling author

“Get ready to root for the bad guys.” — Jennifer Estep, New York Times and USA Today bestselling author of the Crown of Shards series

“This Anti(super)hero tale is jam-packed with action and fueled by Anna’s breathless, dizzying, exhilarating rage. Anna faces off with the supernatural, but she feels so very real as she rockets along on her furious and furiously-paced trajectory. Hench is a ride—I loved it.” — Joshilyn Jackson, New York Times bestselling author of Never Have I Ever

“Sharp, unexpected, and hilarious—HENCH takes the classic superhero story and cleverly turns it on its head. Get ready for a delightfully twisted adventure that will make you want to root for the bad guys.” Peng Shepherd, author of The Book of M

"Smart, witty, and at times bloody, this book will please comic book fans who wish to take a jab at the superhero tropes, as well as readers who enjoy dark humor with a bit of satire tossed into the mix." — Library Journal (starred review)

" In this refreshing, subversive, and darkly humorous debut novel, poet and journalist Walscholts slowly reveals the nuances of her superpower-filled world, keeping readers guessing. Hench reads like a comic without the illustrations and is packed with subplots and rapid-fire wit. With a diverse and inclusive cast of characters, Walschots' original tale performs a brilliant and exciting variation on the superhero trope and is not to be missed." Booklist (starred review)

"A clever, witty, vigorous, and well-crafted adventure […] by turns hilarious and tragic, alternately rudely juvenile or sophisticated." — Locus Magazine

"Witty and wry, the scenes flash by, evocative of comic books, with tight prose and punchy dialogue, moving the plot toward the inevitable battle between good and evil. But in Hench, which side to root for is decidedly complicated." — Shelf Awareness (starred review)

“An outstanding, original story, and a must read for all fans of super hero stories.”Michael Mammay, author of the Planetside series

About the Author

Natalie Zina Walschots is a writer and game designer whose work includes LARP scripts, heavy metal music journalism, video game lore, and weirder things classified as “interactive experiences.” Her writing for the interactive adventure The Aluminum Cat won an IndieCade award, and her poetic exploration of the notes engine in Bloodborne was featured in Kotaku and First Person Scholar. She is (unfortunately) the author of two books of poetry: Thumbscrews, which won the Robert Kroetsch Award for Innovative Poetry, and DOOM: Love Poems for Supervillains. Natalie sits on the board of Dames Making Games, a space for queer and gender-marginalized people to create games freely, where she hosts interactive narrative workshops. She plays a lot of D&D, participates in a lot of Nordic LARPs, watches a lot of horror movies, and reads a lot of speculative fiction. She lives in Toronto with her partner and five cats. This is, arguably, too many cats.

Product details

  • Publisher ‏ : ‎ William Morrow (September 22, 2020)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 416 pages
  • ISBN-10 ‏ : ‎ 0062978578
  • ISBN-13 ‏ : ‎ 978-0062978578
  • Item Weight ‏ : ‎ 1.26 pounds
  • Dimensions ‏ : ‎ 6.25 x 1.25 x 9.25 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 1,916 ratings

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Natalie Zina Walschots is a writer and game designer whose work includes LARP scripts, heavy metal music journalism, video game lore, and weirder things classified as "interactive experiences." Her writing on the interactive adventure The Aluminum Cat won an IndieCade award, and her poetic exploration of the notes engine in Bloodborne was featured in Kotaku and First Person Scholar. She is (unfortunately) the author of two books of poetry: Thumbscrews, which won the Robert Kroetsch Award for Innovative Poetry, and DOOM: Love Poems for Supervillains. Natalie sits on the board of Dames Making Games, a space for queer and gender-marginalized people to create games freely, where she hosts interactive narrative workshops. She plays a lot of D&D, participates in a lot of Nordic LARPs, watches a lot of horror movies and reads a lot of speculative fiction. She lives in Toronto with her partner and five cats. This is, arguably, too many cats.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
1,916 global ratings
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Neat Concept, Poorly Executed
2 Stars
Neat Concept, Poorly Executed
I wanted to like this. I expected to like this based on the description, but it fell short in so many ways.Cons firstPlot:*The plot is based on a huge flaw: the narrator does a cost analysis for the damage that superheroes cost society (in lives and property damage, etc). But she doesn't do a cost-BENEFIT analysis. She fails to mention how much supervillains cost society? Would there be a need for superheroes if supervillains didn't use their powers to accumulate wealth and exploit the weak like the old mafia bosses?(I think there is an episode of Jessica Jones that explores this in a more honest way, partly because the aggrieved characters are civilians that are collateral damage.)The author could not explore the cost-Benefit truthfully because the plot would fall apart.*Plot feels forced in sections. It reads like a detective who finds evidence to support his theory instead of letting the evidence point to the truth.*Plot points introduced then left hanging.Dialogue:*Dialogue feels forced in sections.Prose:Sentences clunky and poorly structured. (There were a few good sentences here and there.) But overall there were a lot of amateur mistakes. I had to reread whole paragraphs, reread sentences multiple times. The poor writing kept pulling me out of the story.(For context, I read 70-90 books a year. Reading comprehension usually only becomes an issue when the writing is clunky.)Characterization:*Characterization was inconsistent.*Protagonist read like a Mary Sue character.*Two dimensional characters with diversity tacked on like a bow.*Author discards the black best friend character halfway through the book because she's inconvenient to the plot.*characters are just there to prop up protagonist.Pros:Occasionally good metaphors/analogies.Narrator voice had some fun quirks.I appreciated the female rage.SPOILERS:Author spends a bunch of time telling us how Anna's upgrades include infrared and ultraviolet vision. With this new ability she can see Leviathan's shoulder eye spots. But when Leviathan is presumed dead, Anna spends pages wondering why she doesn't believe he's dead. With infrared / ultraviolet vision she should have recognized that it wasn't him right away. It felt like the author dragged it out because she needed the word count.*You can't tell us a character is super smart and then have her behave in a way that is unintelligent.*At the end of the novel, Leviathan cries out in pain when he sees Supercollider's mangled body. But his grief is never explored. Leviathan was suddenly interesting and the author did nothing with it. She just dropped it. It felt lazy.Overall, a disappointing read.
Neat Concept, Poorly Executed
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Reviewed in the United States on August 19, 2022
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Reviewed in the United States on January 25, 2021
Reviewed in the United States on April 5, 2021
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Top reviews from other countries

Zara Zimmer
5.0 out of 5 stars A really fun time
Reviewed in Canada on March 27, 2022
One person found this helpful
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Amazon Customer
5.0 out of 5 stars Excellent book, great viewpoint
Reviewed in the United Kingdom on August 24, 2023
Rene Berlin
3.0 out of 5 stars Stories about superheroes and villains?
Reviewed in Germany on December 16, 2020
One person found this helpful
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Barnesm
5.0 out of 5 stars I have a HENCH you'll love this
Reviewed in Australia on April 9, 2021
Kelly Nickerson
4.0 out of 5 stars Fun Read
Reviewed in Canada on February 22, 2021
3 people found this helpful
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