Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$15.39$15.39
FREE delivery: Monday, Jan 29 on orders over $35.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $8.78
Other Sellers on Amazon
& FREE Shipping
96% positive over last 12 months
+ $3.99 shipping
98% positive over last 12 months
+ $4.69 shipping
95% positive over last 12 months
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the author
OK
Hench: A Novel Hardcover – September 22, 2020
Purchase options and add-ons
“This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling author
The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet.
Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?
As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one.
So, of course, then she gets laid off.
With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.
Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance.
It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.
A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.
- Print length416 pages
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateSeptember 22, 2020
- Dimensions6.25 x 1.25 x 9.25 inches
- ISBN-100062978578
- ISBN-13978-0062978578
Frequently bought together

Similar items that may ship from close to you
“To seek vengeance and power instead of cowering when the world punishes you. That’s what they think evil is, do they not?”Highlighted by 335 Kindle readers
“Fear accompanies the possibility of death. Calm shepherds its certainty.”Highlighted by 302 Kindle readers
I wondered what it must be like to be so mediocre and so confident at the same time.Highlighted by 261 Kindle readers
From the Publisher
|
|
|
|
|---|---|---|
|
|
|
|
Editorial Reviews
Review
"Witty and inventive . . . the pleasure of the novel is the slow rollout of the rules. Creating a universe involves inventing lots of little problems, and the solutions here don’t disappoint." — New York Times
"Hench is an engrossing take on the superheroic. It's smart and imaginative; an exemplary rise-of-darkness story, one I won't soon forget...I honestly can't wait to see what Natalie Zina Walschots does next with the genre." — NPR Books
"Walschots playfully pokes at both office politics and comic book absurdity while offering gripping action and gut-wrenching body horror. The inventive premise, accessible heroine, and biting wit will have readers eager for more from this talented author." — Publishers Weekly (starred review)
"A fiendishly clever novel that fizzes with moxie and malice." — Kirkus Reviews (starred review)
“Walschots delivers a book that’s dark and honest, sharp and raw, full of visceral tenderness and breathtaking insight. Hench belongs in a lineage of superhero prose fiction that includes Robert Mayer’s Superfolks (which it surpasses) and Samit Basu’s Turbulence (which it equals), and is one of the best books I read in 2020. I rarely hope for sequels to books that function beautifully as standalones, but am actively longing for one here.”
— Amal El-Mohtar, Hugo Award–winning writer and coauthor of This Is How You Lose the Time War
“This book is fast, furious, compelling, and angry as hell. It's a beautiful deconstruction of the superhero genre, and I'm only a little annoyed that I didn't think of it first.” — Seanan McGuire, New York Times bestselling author
“Get ready to root for the bad guys.” — Jennifer Estep, New York Times and USA Today bestselling author of the Crown of Shards series
“This Anti(super)hero tale is jam-packed with action and fueled by Anna’s breathless, dizzying, exhilarating rage. Anna faces off with the supernatural, but she feels so very real as she rockets along on her furious and furiously-paced trajectory. Hench is a ride—I loved it.” — Joshilyn Jackson, New York Times bestselling author of Never Have I Ever
“Sharp, unexpected, and hilarious—HENCH takes the classic superhero story and cleverly turns it on its head. Get ready for a delightfully twisted adventure that will make you want to root for the bad guys.” — Peng Shepherd, author of The Book of M
"Smart, witty, and at times bloody, this book will please comic book fans who wish to take a jab at the superhero tropes, as well as readers who enjoy dark humor with a bit of satire tossed into the mix." — Library Journal (starred review)
" In this refreshing, subversive, and darkly humorous debut novel, poet and journalist Walscholts slowly reveals the nuances of her superpower-filled world, keeping readers guessing. Hench reads like a comic without the illustrations and is packed with subplots and rapid-fire wit. With a diverse and inclusive cast of characters, Walschots' original tale performs a brilliant and exciting variation on the superhero trope and is not to be missed." — Booklist (starred review)
"A clever, witty, vigorous, and well-crafted adventure […] by turns hilarious and tragic, alternately rudely juvenile or sophisticated." — Locus Magazine
"Witty and wry, the scenes flash by, evocative of comic books, with tight prose and punchy dialogue, moving the plot toward the inevitable battle between good and evil. But in Hench, which side to root for is decidedly complicated." — Shelf Awareness (starred review)
“An outstanding, original story, and a must read for all fans of super hero stories.” — Michael Mammay, author of the Planetside series
About the Author
Natalie Zina Walschots is a writer and game designer whose work includes LARP scripts, heavy metal music journalism, video game lore, and weirder things classified as “interactive experiences.” Her writing for the interactive adventure The Aluminum Cat won an IndieCade award, and her poetic exploration of the notes engine in Bloodborne was featured in Kotaku and First Person Scholar. She is (unfortunately) the author of two books of poetry: Thumbscrews, which won the Robert Kroetsch Award for Innovative Poetry, and DOOM: Love Poems for Supervillains. Natalie sits on the board of Dames Making Games, a space for queer and gender-marginalized people to create games freely, where she hosts interactive narrative workshops. She plays a lot of D&D, participates in a lot of Nordic LARPs, watches a lot of horror movies, and reads a lot of speculative fiction. She lives in Toronto with her partner and five cats. This is, arguably, too many cats.
Product details
- Publisher : William Morrow (September 22, 2020)
- Language : English
- Hardcover : 416 pages
- ISBN-10 : 0062978578
- ISBN-13 : 978-0062978578
- Item Weight : 1.26 pounds
- Dimensions : 6.25 x 1.25 x 9.25 inches
- Best Sellers Rank: #719,802 in Books (See Top 100 in Books)
- #2,533 in Superhero Science Fiction
- #6,539 in Science Fiction Romance (Books)
- #14,240 in Science Fiction Adventures
- Customer Reviews:
Important information
To report an issue with this product or seller, click here.
About the author

Natalie Zina Walschots is a writer and game designer whose work includes LARP scripts, heavy metal music journalism, video game lore, and weirder things classified as "interactive experiences." Her writing on the interactive adventure The Aluminum Cat won an IndieCade award, and her poetic exploration of the notes engine in Bloodborne was featured in Kotaku and First Person Scholar. She is (unfortunately) the author of two books of poetry: Thumbscrews, which won the Robert Kroetsch Award for Innovative Poetry, and DOOM: Love Poems for Supervillains. Natalie sits on the board of Dames Making Games, a space for queer and gender-marginalized people to create games freely, where she hosts interactive narrative workshops. She plays a lot of D&D, participates in a lot of Nordic LARPs, watches a lot of horror movies and reads a lot of speculative fiction. She lives in Toronto with her partner and five cats. This is, arguably, too many cats.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images

-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
It was the kind of ending that yes, didn't tie up everything (which would require it to end "and then everyone died" or "and then the heat death of the universe happened" for any book to do that). But it was the kind of ending that was satisfying because it closes out that specific story being told and leaves the possibility open for more, which is fun to consider and speculate on. The story was Anna's attempts to take down Supercollider and it told that story, while setting up the possibility of sequels telling new stories.
So I wasn't going to write a review of this book, but I made the mistake of looking at some of the one star reviews and I'm really puzzled. I don't know if people didn't finish the book, only skimmed it, heard about it secondhand, or what because a lot of the elements they complain about not being a thing are very much a thing in the book.
Warning! Spoilers ahead!
On the complaint that Anna was part of a kidnapping plot of the mayor's kid and held the mind control doohickey at him and is therefore a villain and not a good person and/or the story would be better if she was simply an innocent bystander:
First of all, she was a temp hired to do spreadsheets and the villain ordered her to attend an in-person event under false pretenses simply because he wanted a woman there so he could look like a progressive villain. Which was explicitly stated in the book. And, having finished the book less than 12 hours ago, I distinctly remember that the villain shoved the doohickey into her hands as she tried to prevent him from doing so, then she stood there in shock trying to figure out what to do and then the heroes burst in and all hell broke loose. Hardly part of a mastermind plot.
However, that's just petty details. Anna never once paints herself as an innocent bystander. She freely admits to being a hench. The entire point, which was discussed over and over and over, is that **it shouldn't matter if she was an innocent bystander.** Permanent physical disability and a lifetime of pain is not justified for a temp job doing spreadsheets, regardless of who she works for, whether it's a supervillain or a mundane corporation that does villainous things. Her femur was shattered into pieces (google spiral fracture) which required a lot of emergency surgery, metal rods, physical therapy, and a lifetime of pain and physical disability simply because the superhero did not care enough about how much damage his super strength inflicted on the bodies of normal people.
On the complaint that the book ignored all the collateral damage from the villains and therefore the heroes are saving lives:
The book covered this in great detail in multiple chapters. It was explicitly stated that the numbers for collateral damage caused by the villains were far less than those caused by the heroes, regardless of whether the plots succeeded. The book even had a part where the greater supervillain community, save some D-listers desperate to raise their cred, long stopped engaging in mass bloodshed because the cost was too high. And even when the villains caused collateral damage, it was often limited to their henches, whereas the superheroes didn't discriminate. Anna also did not approve of how some villains used henches as cannon fodder, but she still did the numbers.
The book also discussed how Supercollider caused significantly greater injuries and property damage when his sidekick was working with him because, even though his sidekick was essentially The Flash, Supercollider, smashed buildings and spines without caution if his sidekick was even slightly in danger. This was discussed as a problem because it meant Supercollider cared more about the safety of one person with superpowers than the dozens of normal people who couldn't survive his backhand or a building collapsing on them (BTW, many of those people were innocent bystanders so no sympathy for them, I guess?).
The book also talked about how Quantum Entanglement actually wasn't one of those superheroes. She went out of her way to NOT harm bystanders, showing that causing so much death and destruction was a choice the superheroes made because they didn't feel the consequences of their actions.
On the complaint that Anna is a bad person because she never felt remorse:
I mean, that's straight up incorrect. She spent a lot of time feeling remorse. That was an enormous part of her struggle as a character.
On the complaint that Anna didn't have PTSD:
Again, incorrect. She had it in spades. She had panic attacks and nightmares from the start. I guess people must have also missed the part where, after the superhero kidnapped her, imprisoned her, tortured her, and was having her lobotomized, she had PTSD flashbacks when encountering specific smells or going for a walk.
On the complaint that people chose to be villains:
In the third act, the book revealed and discussed how this wasn't necessarily the case. The organization that oversaw the selecting and training of superheroes (the Draft) also trained supervillains, many of those they trained (which were usually taken as young children) did not get to choose their path. At best, the Draft was actively engaged in creating supervillains.
On the complaint that Quantum Entanglement never felt remorse for selling out for petty reasons:
I mean, she did. But she was also trapped in a relationship with an abuser (Supercollider) for years, being part of the coverups of his crimes, literally used her powers to make it look like he could fly so the Draft could market him as a better hero, so it was less about selling out for petty reasons than it was refusing to be part of criminal acts, for which she was punished by being framed for murder. It was literally in the book.
On the complaint that Anna was a shitty friend:
She readily admitted it and tried to make amends, but decided to respect June's wishes to distance herself from Anna. Which, by the way, happened after their reconciliation. June said the reason she couldn't be friends anymore wasn't because Anna was a shitty friend, but because she couldn't bear the emotional toll of the possibility of again watching Anna get dragged away by the superhero's goons to be tortured.
On the complaint that Anna was never arrested for the incident with the mayor's kid:
The police declined to press charges, given the scope of her injuries, but also because they and Supercollider, who was with the police in her hospital room (dressed as a police officer with them) wanted her to say it was the villain who injured her so they could cover it up. That was a huge part of the book: the corruption in the police, the Draft, and the superhero community covering up the crimes of superheroes.
Here's the thing about this book: it's not clean and tidy. It does not paint a world of Superman and Lex Luthor, where Lex is always up to something nefarious and Superman always foils him and no one gets hurt. The book is more like the real world, where almost everyone has driven over the speed limit or taken a post-it from work, or took an extra five minutes on their break, or worked for an employer who uses forced labor practices. No one is an innocent bystander and no one deserves to have their lives crushed because titans with too much power don't care where they step.
More, I love moral ambiguity, and you really get a lot of that in Hench.
Anna works as a hench, or think of her as technical support/office grunt for supervillains (you also learn about “meat”. Think: hired muscle.). Anna’s sort of a data genius, which ends up being the core of the book later on. Anyway, Anna works as a hench for a supervillain. Things go awry and she ends up getting seriously injured. In her recuperation process, she starts studying these streams of data, which is the pin around which the whole book turns.
I hesitate to say more. Discovery is half the fun.
Anna, however, works for the bad guy, which means some of the things she does are questionable and may or may not make you a bit squeamish. That being said, while you go into this book knowing from page one that Anna works for the “bad guy”, the so called “good guys” don’t look that good for long. In fact, the way the author created this equal playing field across the spectrum for all of her characters was nothing short of spectacular.
While Anna has this dark, sarcastic sense of humor that really jived with me on a personal level (I instantly clicked with her), I spent as much time reading this book laughing at her sarcasm as I did thinking deeper thoughts about good and evil, and the so-called cost of both. I was quite amazed by how Walschots managed to provoke so many deeper thoughts and analysis from me, while making me laugh at the same time.
Anna, as I mentioned, is a character I loved, and while this is a book about superheroes and supervillains, this is ultimately the story of a woman who is stuck between the two and becomes a power in her own right. As a hench, she is behind the scenes, one of the people who are basically hired to make a supervillain look important. However, as the book advances, she turns out to be more than what she seems, and her personal evolution truly is something to behold.
Hench is a book that works on several levels. First, it’s a fun superhero vs. supervillain romp, and if you want to read it for that, then I advise you to go for it, because it really is good. However, I really enjoyed the deeper themes here. What is a superhero, and what is a supervillain, and who determines who fits where, and why?
Walschots is a fantastic author, who has a knack for really nailing a character’s voice. There is absolutely no one else but Anna who can speak, act, and think like Anna, and I loved how unique that made her. She made the entire book shine, whether she was laying on the couch recovering from surgery, or working in an office setting, or making really tough decisions and backing up her supervillain. She’s just who she is, and I love books who have characters unique enough to own the story they are set in.
What I loved about this book was how the author managed to humanize all these characters who are, by definition, somewhat beyond humanity. Suddenly, under Walschots deft hand, they are just people doing what people do. The office workers required to back these supers up, the muscle that fights for them, the people who fill these jobs are just humans. They worry about rent, they worry about bills, they go to temp agencies to try to find jobs so they can make ends meet. The superheroes/supervillains do not look so glamorous after reading Hench. They seem, if anything, like CEOs of companies more than anything else.
The ending of the book was fantastic, as was everything else. Unexpected and a (sort of) win for the people I was hoping would come out ahead. However, my one disappointment was that the book ended. I was having so much fun with Anna and her crew, I didn’t want to leave them.
Hench was an unexpected delight. It was funny and thought provoking, and sort of flipped the script on supers in a way I truly enjoyed. More, I loved Anna. I mean, I truly loved this character. She just made the entire book, which was already good, positively glow.
Hench was a book I did not expect to like, but it ended up being one of the highlights of my reading year so far. I cannot recommend this one highly enough.
Top reviews from other countries
I'm enjoying every aspect it. The writing is humorous and relatable, as are the characters. I find myself smiling and laughing out loud.
I will be very sad when I finish reading this. I need the author to come out with 100 more books right now so I can dive into all of them with absolute abandon.
And the lgbt bits make my queer little heart so happy.
My only less than positive note is that the edges of the paper the pages are printed on is very rough and uneven which can make it difficult for me to turn the page easily.
Overall, all I can say is I love you, Natalie Zina Walschots.
Read it!
So you can imagine when the world's apex hero Supercollider attackers her employer and injures her, ending her employment, her medical bills and frustrations pile up.
Anna uses her skills to pull together the 'injury report' which highlights to dollars and 'lifehours' how much these heroes cost society more than the crimes the supervillains commit.
This helps her find new employment with the Uber-supervillain 'Leviathan' who thanks to his resources, her own impressive skills, and hatred of Supercollider finds a more effective way to end a hero's journey, slowly and painfully.
There are all the trappings of the genre, the fights, the hi-teck gadgets and cars, and the faceless muscle nicknamed in this story as 'the meat', and of course the supporting Henches. Not henchmen as thankfully gender parity seems to an accepted principle after all when one of her fellow henches states "Anna we're the bad guys" Anna replies "That doesn't mean we're inconsiderate dicks".
Anna's growth as a character and the prices she pays for that growth, the cast of supporting characters and their individual traits and stories puts this well above a lot of the narratives that feature spandex in the descriptions. Also any Author who includes a Farscape quote by the protagonist knows the way to get my attention.
A great read that I hope will make anyone who reads it a bit kinder to any temps they work with, now excuse me I am off to play Evil Genius on the computer.









