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Henri Cartier-Bresson: À Propos de Paris Paperback – May 1, 1998
Purchase options and add-ons
- Print length168 pages
- LanguageEnglish
- PublisherBulfinch
- Publication dateMay 1, 1998
- Dimensions9.63 x 0.63 x 10.25 inches
- ISBN-100821224964
- ISBN-13978-0821224960
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Editorial Reviews
Amazon.com Review
Cartier-Bresson personally selected the more than 130 black-and-white photographs of Paris for this publication. With photographs taken over a period of 50 years, the work is beautifully and generously printed in duotone. The accompanying essays, both short and unobtrusive, are also familiar and personal. One essayist captures the essence of Cartier-Bresson's camera work: "When life calls, he is always there, to assist, or to admire; to rebel, or to say no to exploiters and imposters, and to all those who demean its value." --Manine Golden
About the Author
Product details
- Publisher : Bulfinch; Reprint edition (May 1, 1998)
- Language : English
- Paperback : 168 pages
- ISBN-10 : 0821224964
- ISBN-13 : 978-0821224960
- Item Weight : 2.2 pounds
- Dimensions : 9.63 x 0.63 x 10.25 inches
- Best Sellers Rank: #1,054,616 in Books (See Top 100 in Books)
- #590 in Photography Collections & Exhibitions (Books)
- #1,213 in General France Travel Guides
- #1,223 in Individual Photographers
- Customer Reviews:
About the author

Henri Cartier-Bresson (August 22, 1908 - August 3, 2004) is perhaps the greatest photographer of the twentieth century. In a career spanning over sixty years, he has used his camera as an impassive and neutral third eye to capture the vagaries of human behaviour and to produce some of the most memorable and compelling photographs ever published.
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Top reviews from the United States
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Time and again I thumb its pages and find something in the photographs that I never before noticed.
This isn't some book full of "pretty" pictures in the conventional sense. One has to look at each picture to understand what inspired HCB to capture it.
I have a few favorites photos from this book, but those that stand out in my mind are of the picnic by the Marne and of the little boy carrying two large bottles of wine.
The Marne photo is so well layed out that, if one didn't know better, it would seem staged. That simply wasn't Cartier-Bresson's way. Although their faces are not seen, I "know" what each of the people look like.
The opposite is true of the little boy. His face is there for all to see and interpret. What is he thinking? Is he happy? Is he proud to be showing off for the little girls in the background?
Many of HCB's photos force us to read his mind and the minds of his subjects. These seemingly impromptu snapshots not only depict what HCB saw, but also depict it geometrically.
To someone like myself who has dabbled in "street photography", HCB epitomizes the genre.
Top reviews from other countries
People like HCB tried to be objective in their approach to reporting the scene with their camera and within this, HCB didn't mind to give it some humorous effect now and than, but only through the principle of "Le moment décisif", meaning as well that no tricks were applied during the shot or afterwards.
This book has just the right size and amount of photos but a little short coverage of the establishment of the book and some information over HCB's life. That doesn't matter if you are actually more and only interested in his amazing photographs and else will set you to search for another book, which will reveal a bit more about his life.
買って良かった
パリの景色がまたいいです







