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Her Body and Other Parties: Stories Paperback – October 3, 2017
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Finalist for the National Book Award for Fiction
“[These stories] vibrate with originality, queerness, sensuality and the strange.”―Roxane Gay
“In these formally brilliant and emotionally charged tales, Machado gives literal shape to women’s memories and hunger and desire. I couldn’t put it down.”―Karen Russell
In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.
A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella “Especially Heinous,” Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naïvely assumed had shown it all, generating a phantasmagoric police procedural full of doppelgängers, ghosts, and girls with bells for eyes.
Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.
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“Her Body and Other Parties, by Carmen Maria Machado, is a love letter to an obstinate genre that won’t be gentrified. It’s a wild thing, this book, covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi, and borrowing from science fiction, queer theory and horror. . . . Not since Karen Russell’s St. Lucy’s Home for Girls Raised by Wolves, in 2006, has a debut collection of short stories from a relatively unknown author garnered such attention, or deserved it more.”―Parul Sehgal, The New York Times
“Carmen Maria Machado has managed to have readers, critics and everyone in-between sitting on the edge of their seats for the chance to read her debut story collection. . . . Part science fiction, part fantasy and all fun, Machado’s stories deal with the sometimes unbelievable reality of being a woman in a way you won’t see coming; in a way that is entirely her own.”―NBC "Today Show"
“[Machado’s] use of a vivid experimental lens to show women struggling for agency is startling.”―The New Yorker
“An abrupt, original, and wild collection of stories, full of outlandish myths that somehow catch at familiar, unspoken truths about being women in the world that more straightforward or realist writing wouldn’t.”―NPR.org
“[Her Body and Other Parties] is that hallowed thing: an example of almost preposterous talent that also encapsulates something vital but previously diffuse about the moment. . . . Machado is a master of such pointed formal play, of queering genre and the supposed laws of reality to present alternative possibilities. . . . Machado reveals just how original, subversive, proud and joyful it can be to write from deep in the gut, even―especially―if the gut has been bruised.”―Los Angeles Times
“[Her Body and Other Parties is] written in prose so textured that you want to rub her phrases between your fingertips. . . . A muscular strain of feminism runs through this book, whose contemplation of the female body is bound up in sex, power, pleasure, pain, and the fitful struggle against self-loathing. Rarely is a writer as skilled as Machado at evoking corporeality: the myriad sensations of inhabiting flesh and bone, with all its messiness and ecstasies. . . . [Machado] blend[s] disparate, jostling elements to achieve a ferocious alchemy.”―The Boston Globe
“The book abounds with fantastical premises that ring true because the intensity of sexual desire, the mutability of the body, and the realities of gender inequality make them so. . . . These stories stand as exquisitely rendered, poignant hauntings.”―San Francisco Chronicle
“Cross-pollenating fairy tales, horror movies, TV shows, and a terrific sense of humor, [Machado’s] work reminds me at different times of such wildly divergent figures as David Lynch, Jane Campion, Maggie Nelson, and Grace Paley; which is a way of saying, Machado sounds like nobody but herself. . . . [An] imaginative and enjoyable collection, which charts dark territory with enormous
style, wit, and storytelling panache.”―John Powers, NPR “Fresh Air”
“Her Body and Other Parties is an astonishing debut, dark and glittering, like a night, or a knife. The stories in this book unroll like millipedes, smooth shells of lyric giving way to sharp joints and flailing, alien limbs.”―Bookforum
“Machado’s stories . . . have reverberated among readers with the prophetic force of a soothsayer’s divinations.”―Vulture
“Imaginative, unsettling, haunting stories.”―BuzzFeed
“With supernatural flair, an engaging pop culture awareness . . . and an intimate, unrelenting style that grabs you by the throat and sinks its perfectly-polished nails in, Machado explores 'femaleness' in a way that makes women who evaporate or telepathically hear the thoughts of porn stars feel eerily, impossibly, like long-lost friends.”―Harper’s Bazaar
“In her twistedly original and thrilling debut short story collection, Her Body and Other Parties, Carmen Maria Machado blends both the terrifying and the horrible into a psychologically realistic and darkly comic mixture. . . . Simultaneously hot and chilling, these stories leave the reader enthralled and shaken.”―Chicago Tribune
“Thrilling and page-turning, smart and fearless, and very likely the best book of the year.”―Jezebel
“Machado brushes past taboo to treat women’s sexuality with frankness and lyricism. . . . These daring stories are deeply feminist, but never dogmatically so, slipping into the murky places where we begin to fear our desires and desire what we fear.”―Slate
“Between its covers, we find ourselves inside a gorgeously warped reflection of the world in which we actually live. It’s recognizable as our own, but everything is a little more lurid, a little more queer, a little more violent, a little more magical than what we’re used to.”―Nylon
“It’s rare to discover an author who can catalyze a reader’s laughter and fear in mere pages, but Machado succeeds again and again, placing herself alongside names like Angela Carter, Kelly Link, Helen Oyeyemi and Karen Russell when it comes to genre-bending fiction with a dark bent. . . . This gloriously engaging and utterly queer collection is necessary reading.”―Paste
“With her first book Machado has already emerged a master of several beloved genres. . . . Her work could be placed in conversation with a host of fiction writers who inscribe the walls of such stories with fairy-tale magic―Angela Carter, Kelly Link, Alexandra Kleeman, Aimee Bender, and Lesley Nneka Arimah come to mind. But there are stories here too that possess a courageous and indelible originality.”―The Village Voice
“With Machado, everything feels razed and built anew. . . . [Her Body and Other Parties] feels determined to live well beyond annual prize-giving cycles, to become that classic misfit survivor that readers and writers keep returning to.”―Star Tribune (Minneapolis)
“Machado’s writing is full of repressed physical energy and the raw juice of annihilating female fury. The body is the subject, the culprit, the innocent. Standard accessories like ribbons become frightful. She does unimaginable things with a prom dress. But these stories are also funny―which really made me uneasy―because I could hear in my laugh that same squawk a tiny dog makes in moments of duress.”―Louise Erdrich, The Millions
“Her success comes not just from the strength of her voice, but from the idea that by recentering classic genre stories on the women who haunt their edges, and diving deep into their subconscious, territory still ripe for exploration will open up.”―Vox
“The stories in this book are of the finest quality: sexy and threatening, strange and playful.”―Literary Hub
“Her Body and Other Parties is a masterful assemblage of tales that is at once luminous and dingy, sexy and terrifying, queer and mundane. These wondrous stories remind readers not only that the lives of women are full of paradoxes and contradictions, but that fiction as an endeavor is especially powerful when it takes as its task the examination of these ambiguities.”―The Rumpus
“Machado’s first collection of short fiction is finally here for all to enjoy and marvel at. . . . Surreal and subversive, this debut standsout no matter the company.”―W Magazine
“A refreshing―and provocative―read.”―The Nation
“She writes with a sincerity I didn’t realize I was missing until I found it in these pages; it’s rare to encounter an articulation of feminist themes that isn’t self-conscious of them. . . . Machado’s work, like her characters, is accessible and nuanced, textured without being overwrought.”―Lauren Kane, The Paris Review Staff Picks
“Carmen Maria Machado is an Angela Carter for 2017: Both of them have a distinctively gothic, bloody, dark fairy tale sensibility, but unlike Carter, Machado is overtly queer, feminist, and body-positive. What’s most striking about Machado’s [Her Body and Other Parties] . . . is how insistently her women are embodied, and how clearly their oppression manifests itself on their bodies.”―Vox
“Machado’s debut is the most blisteringly brilliant story collection of the fall.”―Book Riot
“All good story collections are in some sense unified by a style or theme that binds the book together, but few cohere with as much force and energy as this book. . . . Her Body and Other Parties is an artful powerhouse and a writing textbook rolled into one. It is fearsome and fearless. It is a book that won’t be forgotten.”―Los Angeles Review of Books
“Her work is brazenly unapologetic, or perhaps unapologetically brazen. Her fearlessness, combined with some spellbinding writing, delivers stories that are at once discomfiting and revelatory.”―Washington Independent Review of Books
“Artfully structured stories. . . . [Her Body and Other Parties is] a vibrant collection that presents women in their vulnerabilities and strengths in relationships with men, in relationships with other women, and in reflection upon their own bodies as they sort through the social conventions that have long stifled their full expression of self.”―Seattle Review of Books
“Her Body and Other Parties is as strong, and strange, a short story collection as any you’ll read this year. From story to story, often from paragraph to paragraph, Machado mixes and matches genres―a fairy tale here and a post-apocalyptic vision there, a little science fiction sprinkled with a little body horror―reconfiguring old tropes and helping us to see what is at stake in them.”―Commonweal
“Machado’s writing is embodied and sensuous.”―Tor.com
“Her Body and Other Parties may be Carmen Maria Machado’s first book, but it’s one that puts her squarely front of mind as one of the most talented writers today. There are no rules in the stories she puts forth; instead, it’s all about buckling up and enjoying theride―and boy, is it an enjoyable ride.”―PopSugar
“The prose is inventive and unrestrained, with the deliberate precision of a spider that probably, usually, kills her mates. . . . Each story is its own, gripping universe, but perhaps even more impressive: Machado exudes a palpable sense of defiance on the page, slipping out of the trappings of what separates 'literary fiction' from erotica; 'serious' work from fantasy; love from lust. Her women often exist not as women with insatiable sexual appetites for the man or woman opposite them, but for sex itself―an idea so simple, yet radical in our present culture.”―Girlboss
“Each [story] is clever, provocative and refreshingly new.”―MPR News
“This book feels like meeting Angela Carter for a wild night of drinking and dancing. The experimentation with form is simply astonishing, and there is a directness in the treatment of sexuality and identity that is both refreshing and deeply affecting. I assume that I’ll reread this book every year for the rest of my life.”―Rakesh Satyal, The Millions
“Her Body and Other Parties is compelling, gloriously weird, and, though some of the narrators are occasionally deeply frightened, the stories collected are nothing less than fearless. Genre and gender bending, erudite and steamy, Machado’s stories manage to defy expectation and be compulsively readable.”―New York Journal of Books
“Machado melds folklore and fabulist images with the raw realities of love, sex, queerness and alienation, forging a poetic sensibility that's full and alive with possibilities in a way that narrower realism could never match. . . . Machado pulls everything together with bravura. . . . [Her Body and Other Parties] demonstrates that literature, when forthright and brave, can simultaneously dig deep within the self and reframe the greater world.”―Shelf Awareness
“Machado is a revolution. She is at once a funny, dark, terrifying, uplifting anti-Lovecraft who observes in the everyday oppressions of heteropatriarchy and late capitalism what is truly horrifying, nonetheless finding release in the dark’s nooks and crannies. . . . Her Body and Other Parties is fiery, mischievous, and elusive. Like the worlds Machado glimpses: brutal and yet life-affirming.”―World Literature Today
“Machado understands and commands the body so well it proliferates the text, and the reader is left with gasps and sighs. . . . [Her Body and Other Parties] is poetic and powerful, a profound call to action.”―The Brooklyn Rail
“A surreal powerhouse of a book.”―Vol. 1 Brooklyn
“Machado bends much more than genre in these brilliant stories―she’s bending the very fabric of storytelling, working with new models of textuality, orality, and corporeality.”―Ploughshares
“Reminiscent of the work of Shirley Jackson, Angela Carter, Kelly Link, and Mariana Enriquez, Machado remixes strands of myth, horror, and pop culture and gives us something uniquely her own. Her Body and Other Parties is as much a thrilling reading experience as it is a powerful and important exploration of women’s lives.”―Lambda Literary
“A rich work of literary horror. . . . An instant classic.”―The Riveter
“The world of Carmen Maria Machado is bright and bizarre, full of magic and haunted places.”―Hazlitt
“Stunning. . . . What Maachado is doing here couldn’t really be done within the bounds of conventional SF or fantasy, but it couldn’t be done without it either―and that’s part of what makes Her Body and Other Parties as important as it is exciting.”―Locus
“This collection is brilliant, stunning and strange―a wholly evocative read.”―The Fold
“These are stories that listen more than they speak. . . . Machado, refusing victimhood, turns her relatively hidden position into a strength. She uses it as a form of protest, like her invisible girls in ‘Real Women Have Bodies’, to say that, although the world keeps coming up with new and interesting ways to convince us that some women are worth less, worth nothing, she knows better.”―The White Review
“Within that crisp writing style are humor and sorrow and a seamless mashup of genres: from horror and fantasy to domestic
drama. . . . The world of Machado’s heroines starts out just a bit divergent from the one we recognize, revealing twists and
contortions that still seem bizarre but real.”―Pasatiempo
“An original, stylistically cohesive, steadfastly queer book of stories.”―San Antonio Current
“The best surrealist fiction resides somewhere between the eerie and the actual, and that’s exactly where Carmen Maria Machado feels most at home. . . . A stunning debut.”―Los Angeles Magazine
“The collection unpacks queerness, the female body, feminism, and the fantastic with a surrealism that will leave you
“Her Body and Other Parties is a one-of-a-kind collection ― a potent blend of atavistic spookiness and hallucinatory modernity, told with verve, witchiness, and wit. This is the kind of book that will leave you haunted, and thrilled, by the possibilities of contemporary fiction.”―Dallas Morning News
“Machado blends a heady mix of fairy tales, erotica and magic realism that toys with the readers’ expectations and lingers in the imagination afterwards.”―San Diego City Beat
“A blend of horror, erotica and fairytale that makes for an original, stylistically cohesive, steadfastly queer book of stories.”―Orlando Weekly
“These are weird, sexy, scary tales that thrum at the electrifying junction of fear and desire.”―Indiana Review
“These stories are at once apocalyptic, timeless and brutally timely. . . . They are merciless in their prescience, hearken to the gothic and pre-gothic origins of magic, and are rooted in the brutality of womanhood. . . . Do not miss this bitingly clever, astonishing work.”―Book Reporter
“This could be a book that changes how you look at the world, but that’s not necessarily Machado’s goal. Really, it’s for the ones who already look at the world with mistrust. For them, these stories say: I believe you.”―Fiction Unbound
“Electrifying. . . . Machado moves from the surreal to the real and back again with incredible ease. This spellbinding collection marks the arrival of an impressive new writer.”―BookPage
“Delightfully visceral, these stories invite the reader to witness and experience the various traumas and pleasures that women live in their day-to-day lives as they are translated into a generic cornucopia of horror, fabulism, surrealism, and more.”―American Microreviews & Interviews
“Weird, sexy, funny and imaginative.”―PureWow
“Genre and gender bending, erudite and steamy, Machado’s stories manage to defy expectation and be compulsively readable. . . . They launch the reader into a realm rarely seen in fiction, and the journey, at times discomfiting, is always exhilarating.”―The Military Spouse Book Review
“Machado’s debut collection brings together eight stories that showcase her fluency in the bizarre, magical, and sharply frightening depths of the imagination. . . . The fierceness and abundance of sex and desire in these stories, the way emotion is inextricably connected with the concerns of the body, makes even the most outlandish imaginings strangely familiar. Machado writes with furious grace. She plays with form and expectation in ways that are both funny and elegant but never obscure. . . . An exceptional and pungently inventive first book.”―Kirkus Reviews, starred review
“Machado creates eerie, inventive worlds shimmering with supernatural swerves in this engrossing debut collection. . . . Machado builds entire interior lives through sparse and minor details, turning even litanies of refrigerator contents and free-association on the coming of autumn into memorable meditations on identity and female disempowerment. . . . Machado’s slightly slanted world echoes our own in ways that will entertain, challenge, and move readers.”―Publishers Weekly, starred review
“The writing is always lyrical, the narration refreshingly direct, and the sex abundant, and although the supernatural elements are not overt, every story is terrifying. These weird tales present a slightly askew version of the world as we know it and force us, no matter our gender, to reconsider our current life choices and relationships.”―Booklist, starred review
“This brilliant debut compilation showcases a fresh literary voice. Machado’s originality and emotional acumen make her a match for Karen Russell or Kelly Link. Highly recommended.”―Library Journal, starred review
About the Author
- Publisher : Graywolf Press; 1st Edition (October 3, 2017)
- Language : English
- Paperback : 248 pages
- ISBN-10 : 155597788X
- ISBN-13 : 978-1555977887
- Item Weight : 12 ounces
- Dimensions : 5.5 x 0.65 x 8.25 inches
- Best Sellers Rank: #8,355 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Reviewed in the United States on June 12, 2021
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This anthology isn't so much a collection of stories as it is a collection of experiences. Carmen Maria Machado writes beautifully; her voice is so incredibly unique, and no matter the content of the tale, she transports you right into the scene - for better or for worse. I'll do my best to give you my thoughts on each story, but at the end of the day, this is the sort of collection that I highly recommend you simply pick up for yourself.
→ The Husband Stitch ★★★★★ ←
The anthology opens with a peculiar retelling of a classic horror legend: the woman with the ribbon around her throat, if you're familiar. The narrator carries us through her life: through meeting her significant other, wedding him, giving birth, the woes and beauties of motherhood, and more.
She explores the paradox of being a woman who is proud of embracing her sexuality, while still, at times, noting the shame that society places upon her for it. She portrays the struggle of motherhood, and trying to do one's best despite all of the many obstacles that may cross a mother's path. Most of all, she explores feminism, and the fact that a woman, no matter how much she loves her partner or her child(ren), remains her own property at the end of the day. When a woman allows another human being to claim "ownership" of her, she loses herself.
"Why do you want to hide it from me?"
"I'm not hiding it. It just isn't yours."
→ Inventory ★★★★☆ ←
While the first story is metaphorical, the second story is literally an "inventory", or a history, of the narrator's sexual partners and relationships. This entry to the collection is incredibly explicit, but woven into the stories, we learn of a world coming to a halt, and an apocalyptic reality setting into place thanks to an unstoppable disease. Machado builds up a lovely but inescapable sense of impending dread.
→ Mothers ★★★☆☆ ←
The third entry begins with our narrator being handed a baby created by herself and her former female lover, and frankly, beyond this point, the rest of the story is a combination of beautiful, poetic narrative, and absolute chaos in the form of one of the most genuinely unreliable narrators I've ever read. If you enjoy unreliable narration and being left to piece things together for yourself, this will be right up your alley, but it was just a little too blurry and grey of an ending for my taste. One thing I will give Machado the utmost credit for in this story, though, is the incredible way she writes an abusive relationship. There were so many lines that were brutally familiar, but so cathartic, because they felt so raw and genuinely.
"There was no way for me to tell her that we are so close, we are so close, please don't do this now, we are so close."
→ Especially Heinous ★★☆☆☆ ←
This was my least favorite entry in the collection, though that doesn't mean it was bad. This one details an alternate universe of Law & Order: SVU in which there are ghosts of dead prostitutes with bells for eyes, doppelgangers dead-set on ruining lives, affairs, lost memories, and a character falling somewhere between mentally unwell and possessed. It follows several "seasons", with each "episode"'s synopsis ranging from a sentence to a paragraph. It was actually an incredibly unique idea, and I loved the metaphors being presented, but it overstayed its welcome and I found myself drudging through the last several pages.
→ Real Women Have Bodies ★★★★☆ ←
Out of all of the stories, this was the toughest for me to rate, because I felt like it could be interpreted so many different ways, and I found myself second-guessing what it meant to me. Our narrator, a dress shop employee, lives in a world where women keep disappearing. They don't vanish into thin air; instead, they simply wake up one day to find their bodies fading, until they become translucent, and then are gone for good. At first, I believed it to be a commentary on society's expectations of women in general, but at one point, the story explains that women are fading younger and younger, and suddenly, I was reading a story about a world in which women lose their value as they lose their youth, and their worth is "lost" earlier with each passing generation. Sounds familiar, doesn't it?
"Soon, I'll be nothing more, too. None of us will make it to the end."
→ Eight Bites ★★★★★ ←
As someone who has struggled with disordered eating, I have vowed to always be honest in my reviews, but to be especially candid when it comes to ED rep, because it so easily goes awry. Let me preface this first, though, by saying that I have never seen a representation of an eating disorder that is as raw, and authentic, and flawless as what I read in this short story. I felt like I was gasping for air at times. The story follows a woman who, after years of struggling with her weight, decides to have gastric surgery to assist her weight loss. She comes from a line of women who are "too large", and even reminisces on her mother's disordered habits from her youth, though she doesn't seem to grasp how her self-loathing has alienated her own overweight daughter, too. What follows her surgery is brutal, and familiar, and heartbreaking, and so cathartic.
""You are unwanted," I say."
→ Difficult At Parties ★★★★☆ ←
Machado rounds out the ending of the book with a story about a woman who has suffered sexual assault and is trying to find her place in the world again with her new traumas. She wades through the police search for her attacker, as well as desperate attempts to become intimate with her lover once more, and ends up seeking comfort in adult films. This is a bizarre, tough read, but it's important, and like every other story in this collection, it painted a scene that served as a reminder of just how brutal life can be for women in this world.
→ final thoughts & rating ★★★★☆ ←
If I average everything up, I only actually gave this collection 3.88/5 stars, but overall, it felt like a 4- or even 4.5-star read. It is unapologetically feminist, queer, candid, and authentic. It is brutal at times, cathartic at others, and most of all, it is important. Be aware that it comes with nearly every trigger warning I can think of, but do yourself a favor and pick up a copy.
I'm going to break down each short story with my thoughts, opinions, and individual star rating!
➽ THE HUSBAND STITCH - ★★★★★
This is my second time reading this, and it is just as powerful and hard hitting as it was the first time around. And I implore each and every one of you who is reading this review to do yourself a favor and read this short story. This story is very feminist and very sexually explicit, but so damn important. It's about the life of a woman, who gives everything to men and never is allowed to keep anything for herself. It's about life's expectations on women, and how society shapes the choices we do and do not have. It's about how, no matter what, giving everything will never be good enough as a woman. It's about enjoying and exploring your sexuality, yet trying to cope with the shame. It's about never fully being able to become the person you are, but becoming the person your husband and/or family require you to be. It's about having children, who will just repeat the same vicious and unfair cycle. This is my favorite short story of all time and it deserves all the stars that Goodreads and every other book rating site has to offer.
➽ INVENTORY - ★★★★
This is essentially an inventory list of all the sexual encounters this particular woman has had during her thirty years while her world escalates into chaos. I loved looking at this sexual exploration, journey, and acceptance. And it evoked such raw emotion from me. I just didn’t think it was as hard hitting as some of the others in the collection.
Also, if you enjoyed this short story, please check out The Book of the Unnamed Midwife by Meg Elison! I honestly can’t recommend it enough, and both stories have a similar theme, feeling, and hauntingness to them.
➽ MOTHERS - ★★★
This is a very metaphorical story that starts out with a woman being given a baby by her female lover that they created unbeknownst to the narrator. And I use the word narrator very loosely, because this story is very unreliable. You will constantly be unsure of what is real and what is not, but you slowly get to see a story unfold. I also wholeheartedly believe that this story is very open for interpretation, and what I got from it could be, and probably is, something very different from what you were able to take from it. And that in and of itself is beyond words beautiful.
➽ ESPECIALLY HEINOUS - ★★
This is a retelling of each season and episode of Law & Order: SVU that dips into the realm of the paranormal, but because I have never seen that show (I know, I know) I don’t think I got that much enjoyment out of this one. I still thought it was so very smartly written, and it has that haunting feeling that I know associate with Carmen Maria Machado, but I just wasn’t as in love with this as I feel others will be.
➽ REAL WOMEN HAVE BODIES - ★★★★★
This story felt like a punch to the gut over and over and over. Words can be so powerful, and Carmen Maria Machado has perfected the craft of writing, I swear. Women in this world fade slowly and eventually become invisible. We get to see a dress shop, that puts youth and beautiful before all else, and a few of the workers are grasping to those values. Growing older, and feeling less valuable because of it, is a concept that many people in this world can’t deal with, without having to turn invisible. And I’m not going to lie to you and say that when I read that one of the characters of this book was twenty-nine that I didn’t try to suppress that visceral feeling that I don’t even have words for, but I wish so badly that I didn’t feel.
➽ EIGHT BITES - ★★★★★
First and foremost, this short story would be so very trigging for anyone who has battled any form of eating disorder before, so please use caution before reading this one. Food and body obsession is so very real, and people will go their entire lives never knowing peace with themselves because of it. This is a story about a woman who has struggled her entire life and has finally decided to get bariatric surgery. This story also heavily talks about how we pass these terrible feelings and values down to our daughters and other generations, over and over.
➽ THE RESIDENT - ★★★
Like most of the stories in this collection, this story felt really personal to read. Like, autobiographical personal. This is about a woman who goes up to the mountains, where she also spent some of her youth as a Girl Scout, to work on her novel among other artists. We slowly get to see the writer slowly comes undone by her past and her present, but also embraces and comes to terms with who she is and how she is. It’s a beautiful mixture that I think most humans will really resonate with.
➽ DIFFICULT AT PARTIES - ★★★★
This was probably the most raw feeling story for me, and it really left me feeling empty. This is about a woman dealing, coping, and trying to heal with the aftermath of a sexual assault. Between others trying to help her, to hoping her assailant is found, and trying to find some sort of peace within herself, she is using pornography as a healing mechanism. Again, this is going to really be hard for a lot of people to read, but it’s also going to hit home for so many readers that need stories like this.
I really loved this collection, and I gave Her Body and Other Parties 4 stars overall, because out of a possible 40 stars (5 stars possible for each of the 8 stories) this collection accumulated 31 stars (77%). Please pick this up, this is such an important book for everyone to read, and I can’t recommend it enough.
Top reviews from other countries
It’s a new(-ish) year, and what better thing than to treat yourself to a spanking new hardback. The book is beautiful, the title is amazing―I will come back to that in a minute―and when I read the sample story on the publisher’s website, I was hooked. As a reader and an author, I have always been fascinated by horror, and how it can be used as a metaphor for real stuff that goes on in your life. The definition of horror has always been contested. Some people don’t think a story counts as real horror unless there is carnage and blood and general mayhem, where scantily-clad maidens dance around death to the tune of ‘Pardon me boys’. Yawn. Horror to me is so much more than cheap porn. Horror is all around you, only sometimes you are too busy to notice it. I agree with the author when she says bad horror can be ‘regressive’, good horror ‘subversive’; drawing on our inner fears, it can be used as contemporary analysis.
Now back to the title: this reminds me of a story somebody told me a number of years ago. She said she and another girl were tricked into attending a fancy dress party, where the lights were low; very low, in fact, okay, it was total darkness apart from the glow coming from the streetlight outside. The other girl was being chatted up by a guy dressed as a caveman. I know, you couldn’t make this stuff up. Meanwhile, she was given a glass of white wine from a wine box. Having drunk this, shortly afterwards she had stomach pains and felt nauseous. Asking where the loo was, she was told that it was busy in there. She immediately took herself outside and vomited. Having rid herself of the toxins―clearly a cocktail of cheap plonk and date-rape drug―the cold night air hit her, sobered her up and she went home. The moral of this story? Think about it.
These are stories within stories; tales to be read aloud, selected in no particular order, and quoted from; translated into multiple languages, to be analysed, and returned to.
Favourite story? The Resident
Favourite line? ‘Only then did I see the crystal outline of my past and future, conceive of what was above me (innumerable stars, incalculable space) and what was below me (miles of mindless dirt and stone.) From The Resident
We have a horror sprinkled love story about a ribbon, diary entries of sexual encounters in the midst of a pandemic, a story told in episode summaries from a 9 season TV series and more. This really was like nothing I've read before 💚
Similarly to most short story collections some entries were stronger than others, there are 7 in total. Its fabulist, creepy, fantastical and has an air of Angela Carter which always makes me happy.
Worth a read, but maybe buy it secondhand
book, that I belong too. Some of the stories was alright, but others I just did not get at all.
Even the first story was straight forward, but the ending seemed daft. It was more like reading
a sci-fi, book.