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![Herzog by [Saul Bellow]](https://m.media-amazon.com/images/I/41THYWZ5+PL._SY346_.jpg)
Herzog Kindle Edition
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- ISBN-13978-0142437292
- PublisherOdyssey Editions
- Publication dateMarch 29, 2013
- LanguageEnglish
- File size636 KB
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Editorial Reviews
About the Author
Review
The book is a feast of language, situations, characters, ironies, and a controlled moral intelligence that transcends the fact that we are spectators at a hard luck story. Bellow s rapport with his central character seems to me novel writing in the grand style of a Tolstoi subjective, complete, heroic....Eventually Moses Herzog becomes as natural an American phenomenon as the faces carved on Mount Rushmore. --Chicago Tribune
Herzog has the range, depth, intensity, verbal brilliance, and imaginative fullness the mind and heart which we may expect only of a novel that is unmistakably destined to last. --Newsweek --This text refers to an alternate kindle_edition edition.
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Amazon.com Review
Review
Herzog has the range, depth, intensity, verbal brilliance, and imaginative fullness the mind and heart which we may expect only of a novel that is unmistakably destined to last. --Newsweek
The book is a feast of language, situations, characters, ironies, and a controlled moral intelligence that transcends the fact that we are spectators at a hard luck story. Bellow s rapport with his central character seems to me novel writing in the grand style of a Tolstoi subjective, complete, heroic....Eventually Moses Herzog becomes as natural an American phenomenon as the faces carved on Mount Rushmore. --Chicago Tribune --This text refers to the mp3_cd edition.
Product details
- ASIN : B00C3NSRWU
- Publisher : Odyssey Editions (March 29, 2013)
- Publication date : March 29, 2013
- Language : English
- File size : 636 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 374 pages
- Page numbers source ISBN : 0141184876
- Best Sellers Rank: #175,052 in Kindle Store (See Top 100 in Kindle Store)
- #172 in Classic American Fiction
- #324 in Psychological Literary Fiction
- #404 in Classic American Literature
- Customer Reviews:
About the author

Saul Bellow won the Pulitzer Prize for his novel HUMBOLDT'S GIFT in 1975, and in 1976 was awarded the Nobel Prize for Literature 'for the human understanding and subtle analysis of contemporary culture that are combined in his work.' He is the only novelist to receive three National Book Awards, for THE ADVENTURES OF AUGIE MARCH, HERZOG, and MR. SAMMLER'S PLANET
Photo by Keith Botsford [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.
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Within this context, I'd say that HERZOG is also a five-star book, except that it's much much better. This is because in each of these categories--entertainment, structure, insight, and beauty--HERZOG is truly superb. It's off the charts.
The narrative line of HERZOG is simple. Essentially, this presents the thoughts and experiences of Moses Herzog over a few days as he travels from New York to Martha's Vineyard, back to New York, then to Chicago and ultimately to the Berkshires.
But as Herzog travels (and writes his zany letters), Bellow provides a spectrum of many characters who are both fully realized and who offer some choice to Herzog, which is somehow a reflection of, or parallel to, his own problems. The amazing thing about this is that these choices always come out of character. No one in HERZOG is simply a thin veil worn by Bellow to preach or to fill out a point in the argument.
Can the universe be considered benevolent? Or is reality crazy, cruel, and mercenary? These are the questions that torment Herzog on his journey. Certainly, there are plenty of high-minded professorial letters, with Herzog heckling Nietzsche and so on. But many of these letters are simply educated fun and it's the people that Herzog knows who really carry and explore the argument. It's absolutely brilliant stuff.
At the same time, Bellow organizes many of these characters in "V". At one corner is Moses Herzog, a self-absorbed academic who, in his own mind, is benevolent albeit befuddled. At another is Madeline, his ex-wife, in whom craziness and selfishness mix in a single dark brew. Then, Bellow arranges his characters on this "V" so that differences gradually narrow and ultimately disappear in Herzog's brother Willie, who helps Herzog at his nadir.
Near the end of this novel, Herzog plays a game with his little daughter June: try to distinguish between the world's shortest tall man and its tallest short man, its hairiest bald man and its baldest hairy man. Ultimately, this is also what Bellow does with his characters, showing that benevolence and pragmatism can finally exist in a single decent and sane person.
The flawless structure of this novel, however, is only part of its brilliance. Here's my favorite bit of Bellow's prose. It's funny, probably a professorial reference to Whitman, and straight out of Herzog's character: "...what it means to be a man. In a city. In a century. In transition. In a mass. Transformed by science. Under organized power. Subject to tremendous controls. In a condition caused by mechanization. After the late failure of radical hopes. In a society that was no community and devalued the person. Owing to the multiplied power of numbers which made the self negligible. Which spent military billions against foreign enemies but would not pay for order at home..."
READ THIS GREAT BOOK
Cons - it's rambling. I tried reading it a few times before I finally got through it. I kept waiting for something to start happening. I had to get past that expectation. Stuff does happen, but it's buried under an exceptional amount of discursion. Much of what happens is just in Moses Herzog's head.
Pros - Rambling could also be considered, more charitably, as non-linear. Moses overthinks things, but this is something many people, if not all, can relate to. There is some good description. You get a certain feel for what life is like from the eyes of a particular individual. That is something I especially like from a book.
In sum - I'm glad I read it, for the most part, but I wouldn't say it left me wanting more. My guess is that a lot of people can't get past the first chapter or two but that those that do really click with it. So the rating of the book is skewed that way. (Though maybe this is true for all books.)
I hesitated to write this review in light of the rave reviews the book received both from "experts" and from readers. But i recently finished the book "Stoner" by John Williams. That book is based on a rather similar "hero", but Williams does not try to outsmart other writers and impress his readers with his vast knowledge of literature. He writes simply and believably about his "hero". The contrast between the wonderful book "Stoner" and Bellow's "Herzog" finally convinced me that reading Herzog is a waste of time. Read "Stoner" instead.
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Occasionally other people intrude. He spends a night with his latest girlfriend, Ramona. He rather creepily stalks his ex-wife Madeleine and her partner at her home one night, watching them through the window. He takes his daughter to the zoo carrying an antique pistol, loaded, wrapped in a blanket of czarist roubles, is involved in a minor car crash and finds himself in the police station charged with possession of an unlicensed weapon. In amongst this he travels around New York, Chicago and his country pile in the Berkshires.
For the reader there is little doubt that Herzog is a little unhinged. How else to explain his resentment at the anger displayed by Madeleine when she collects their daughter from the police station? How else to explain the capricious wanderings by train, plane and automobile? How else to explain the compulsive scribblings?
Some of Herzog’s musings reveal a streak of misogyny. It is not possible to say definitively that this reflected Bellow’s own attitudes, but some of the circumstances in the book reflect Bellow’s own at the time. His musings in particular on his treatment by Madeleine suggest it is she, not him, who is the crazy one; he twists her every action so it appears to him a part of a typical feminine conspiracy effected over a long period of time which somehow included marrying him and having his child just out of spite. In his later novel, Humboldt’s Gift, the protagonist Charlie Citrine finds himself strung along by Madeleine’s alter ego, Renata, who ends up dumping Citrine in favour of an undertaker. Ramona on the other hand ostensibly represents a different side of women, more nurturing, forgiving. But she, too, is able to dump lost causes, and it is possible to see Ramona and Renata, and therefore also Madeleine, as the same woman, just seen from different angles.
Returning to this novel after forty years – my college dissertation addressed the works of Bellow – I was struck by how much it is a novel of its time. Published in 1964, it represents a time before the collapse of the post-second world war boom; the big battles of the Civil Rights struggles of the sixties were yet to come, and the counterculture was still in the wings. It is instructive to read it to acquire a sense of what in those days were common modes of discourse, even in the context of liberal art, on a variety of subjects. More prosaically, it is shocking to find Herzog being questioned in the police station, following his road accident, with an untreated head wound. Surely, it occurred to me, a cop nowadays would ensure somebody involved in such an incident would first receive medical attention to ensure there is no concussion? Different times, different priorities, apparently.
Malcolm Bradbury, in the Introduction, suggests that this is Bellow’s best novel, but I don’t agree: Humboldt’s Gift I would say is better executed, has a more interesting worldview, and is also more amusing. Herzog has its moments, and is certainly a fine piece of literature, but four decades on I was less captivated by rereading this than I was when I reread Humboldt’s Gift a couple of years ago. But all that means is that it’s worth trying both to see if it’s me or Malcolm you agree with.

Less a novel of ideas than a novel about a man who is in love with ideas, this is one of Bellow's most celebrated works, with a typically verbose and pensive protagonist. Moses Herzog is a shambling intellectual, a university lecturer without a permanent position; a man who gives the impression of poverty, despite being a property-owner who is able to book air journeys at short notice; who bemoans his romantic failures whilst recounting his numerous sexual liaisons; who muses constantly on ethics while, one might argue, behaving unethically.
When I first read this book many years ago, Herzog seemed like a confused old man; now that I'm somewhat older than him, that impression remains. It seems, to some extent, to be a self-portrait by the author - he was the same age as his leading character at the time the novel was written, and the narration veers seamlessly between third- and first-person.
Bellow's style is remarkable - discursive and learned but fluent and entertaining, and replete with beautiful, startlingly original turns of phrase ("The hot tear was often in his magnanimous ruddy-brown eye."; "My whole life beating against its boundaries, and the force of balked longings coming back as stinging poison.")
"Herzog" is a joy to read, but the self-indulgent protagonist is hard to love, even as one empathises with his frustrations.

Personally I felt little connection with Herzog, partly because I am not a Jew, more because I am not an American and most because I don't understand the references that are scattered throughout the book.
However, his character did eventually appeal and I even felt myself strangely identifying with him at times. I also appreciated Bellow's style of narration with the switches between first and third person and the movement from past to present tense.
Yes, I'm pleased that I read it.