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High Dynamic Range Imaging: Acquisition, Display, and Image-Based Lighting 2nd Edition

4.2 4.2 out of 5 stars 21 ratings

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High Dynamic Range Imaging, Second Edition, is an essential resource for anyone working with images, whether it is for computer graphics, film, video, photography, or lighting design. It describes HDRI technology in its entirety and covers a wide-range of topics, from capture devices to tone reproduction and image-based lighting. The techniques described enable students to produce images that have a dynamic range much closer to that found in the real world, leading to an unparalleled visual experience. This revised edition includes new chapters on High Dynamic Range Video Encoding, High Dynamic Range Image Encoding, and High Dynamic Range Display Devices. All existing chapters have been updated to reflect the current state-of-the-art technology. As both an introduction to the field and an authoritative technical reference, this book is essential for anyone working with images, whether in computer graphics, film, video, photography, or lighting design.
  • New material includes chapters on High Dynamic Range Video Encoding, High Dynamic Range Image Encoding, and High Dynammic Range Display Devices
  • Written by the inventors and initial implementors of High Dynamic Range Imaging
  • Covers the basic concepts (including just enough about human vision to explain why HDR images are necessary), image capture, image encoding, file formats, display techniques, tone mapping for lower dynamic range display, and the use of HDR images and calculations in 3D rendering
  • Range and depth of coverage is good for the knowledgeable researcher as well as those who are just starting to learn about High Dynamic Range imaging
  • The prior edition of this book included a DVD-ROM. Files from the DVD-ROM can be accessed at: http://www.erikreinhard.com/hdr_2nd/index.html

Editorial Reviews

Review

"With the mainstream introduction of affordable LED HDTVs and computer monitors, the principles of high dynamic range imaging have gone from an academic research topic to essential knowledge. For anyone involved in software or hardware development for computer games and entertainment video, this second edition of High Dynamic Range Imaging offers everything you need and more. Highly recommended." --Ian Ashdown, President, byHeart Consultants Limited

Review

An essential resource for anyone working with images, whether it is for computer graphics, film, video, photography, or lighting design

Product details

  • Publisher ‏ : ‎ Morgan Kaufmann; 2nd edition (June 8, 2010)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 672 pages
  • ISBN-10 ‏ : ‎ 012374914X
  • ISBN-13 ‏ : ‎ 978-0123749147
  • Item Weight ‏ : ‎ 3.55 pounds
  • Dimensions ‏ : ‎ 7.3 x 1.4 x 9.3 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 21 ratings

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Erik Reinhard
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Customer reviews

4.2 out of 5 stars
21 global ratings

Top reviews from the United States

Reviewed in the United States on January 8, 2013
By far the most comprehensive book covering HDR topics. In my opinion the authors of this book represent a dream team in HDR expertise! I believe this book is a must if you are interested developing HDR applications.
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Reviewed in the United States on March 13, 2011
Amazon Vine Customer Review of Free Product( What's this? )
I read some of the previous reviews from people who say this book is too academic for photographers. After reading this book, I totally disagree with that viewpoint. It depends if you are a professional photographer, or just an amateur. For example if you're a serious musician, you learn about music theory and even some of the basic physics of sound waves. The math is only a small part of this book. Much this book covers fascinating concepts behind HDR and directly applies to photographic techniques. If the equations are scary then just skip that part and find valuable concepts in the next paragraph. For example, flipping to a random page:

"Stumpfel et al. [310] presented a technique for capturing light from the sky up to and including the sun. To image the sky, the authors used a Canon EOS 1Ds digital camera with a Sigma 8-mm fish-eye lens facing upward on the roof of an office building (Figure 11.13[a]). The lens glare caused by the sun was minor, which was verified by photographing a clear sky twice and blocking the sun in one of the images. For nearly the entire field of view, the pixel values in the sky were within a few percentage points of each other in both images."

And it continues with HDR pro photography secrets for very bright sources:

"As expected, the sun was far too bright to record even using the camera's shortest shutter speed of 1/8000s at f/16, a relatively small aperture. The authors thus placed a Kodak Wratten 3.0 neutral density (ND) filter on the back of the lens to uniformly reduce the light incident on the sensor by a factor of 1000. ND filters are often not perfectly neutral, giving images taken though them a significant color cast. The authors calibrated the transmission of the filter by taking HDR images of a scene with and without the filter, and divided the two images to determine the filter's trandmission in the red, green, and blue color channels. All images subsequently taken through the filter were scaled by the inverse of these transmission ratios."

The technique is unwrapped like an onion:

"Having the 3.0 ND filter on the lens made it possible to image the sun at 1/8000s at f/16 without saturating the sensor (see Figure 11.13[a]), but it made the sky and clouds require an undesirably long exposure time of 15s. To solve this problem, the authors used a laptop computer to control the camera so that both the shutter speed and aperture could be varied during each HDR image sequence. Thus, the series began at f/4 with exposures of 1, 1/4, and 1/32s and then switched to f/16 with exposures of 1/16, 1/125, 1/1000, amd 1/8000s. Images from such a sequence are seen in Figure 11.13(b) through 11.13(h). For presunrise and postsunrise images, the f/16 images were omitted and an additional exposure of 4s at f/4 was added to capture the dimmer sky of dawn and dusk."

And this continues for several more pages..

This book IS a valuable resource for pro photographers.

If you are a consumer photographer afraid to turn the dial away from full-auto mode, then this book will be scary for you.
One person found this helpful
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Reviewed in the United States on November 8, 2010
Amazon Vine Customer Review of Free Product( What's this? )
From the other reviews about this book that came about via Amazon's Vine program, you might infer a possible problem when the book is a deeply technical exposition. Frankly, it was over the heads of several reviewers, several of whom admitted as much. So let's see what I can contribute.

The subject of High Dynamic Range imaging exists mostly because of a simple observation. When you look with your eyes at a natural scene, typically outdoors in daytime, the dynamic range of the image can vary up to 5 orders of magnitude in intensity. But when the scene is captured and then displayed, the output page or screen can often only show 2 orders of magnitude. The latter is called Low Dynamic Range imaging. The conventional 24 bit RGB representation, which allocates 8 bits each to red, green and blue, is for LDR. The 8 bits in each colour channel is that 2 orders of magnitude variation.

The book also explains clearly why 24 bit RGB is really effectively 8 bits or 2 orders of magnitude range. You might think naively that we have 24 bits of variation. But the text takes an example image, of an outdoors scene, and does scatterplots of red, green and blue pixel intensities against each other. They are strongly correlated. Which makes sense, when you realise that a pixel that is bright in red is often also bright in green and blue. The practical effect is that the information content in 24 bit pixels is actually much less than 24 bits. Which also explains why a mapping from RGB to other colour spaces that use 1 luminance channel and 2 chromatic channels is often performed. The latter 2 channels have much less information and so can be better compressed.

Anyhow, the top level understanding of this book is to appreciate the discrepancy between the 5 orders of magnitude in an actual scene and the 2 orders in an output image. This impedance mismatch accounts for most of the book's complexity and length. Many of the algorithms strive to somehow capture more of the natural dynamic range and make it visible in the far more restrictive output.

The book seems ideal for a colour scientist or engineer who wants a deep understanding of the optical interactions as well as the physiology of human image perception. It is not meant for someone who needs a quickie tweak of an existing software imaging package. Rather, the book helps explain the science behind those packages, which might be often way more intricate than can be appreciated by the typical users of such packages.

You can see this for yourself by reading many of the other reviews. Most are cursory and utter drivel. Written by people who were clearly out of their depths in terms of understanding maths or science or engineering in the text. Several reviews were just a short paragraph of generalities. Written by people who got their books thru the Amazon Vine program and just needed to post a review to satisfy the Vine requirements. Basically so that they could continue to get more free books from Vine.
20 people found this helpful
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Top reviews from other countries

Louis
5.0 out of 5 stars HDR imaging bible. Recommended by computer vision professor.
Reviewed in Canada on December 10, 2015
My professor recommended it to me before I started my internship with his team.

Reading this book really helped me understand important concepts related to computer vision and HDR imaging. I am not a computer engineering student and didn't know much about HDR photography. The book covered everything I needed to know to work with HDR in a computer vision lab.

Explanations are clear and detailed. They use great pictures to make sure the reader understands.

Thank you for this well made book.
Marko Posavec
4.0 out of 5 stars Great book on HDR
Reviewed in Germany on January 21, 2016
Great book on HDR, it might be a bit expensive but features information that is not available anyware else I searched.
Paul
5.0 out of 5 stars This is not a general book for photographers, but ...
Reviewed in the United Kingdom on January 4, 2016
This is not a general book for photographers, but more so, for someone who wants to understand the math/science behind HDR processing.