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High On Arrival Hardcover – September 23, 2009
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But in spite of the turmoil at home, Mackenzie found success onscreen, becoming famous at age fourteen for her role in the iconic film American Graffiti, which landed her a starring role as Julie Cooper on the hit sitcom One Day at a Time alongside Americas sweetheart Valerie Bertinelli. Even though she seemed to have it all, Mackenzie couldnt escape the dark secrets and constant drug use at home and began to use herself. Her professional life suffered and she was written out of the show. For the next two decades she battled her drug addiction, going through rehab several times, and managing to stay clean for ten years, until Labor Day 2008, when she landed back in the tabloids for possession of cocaine and heroin at LAX. What led to her relapse is a shocking, life-long secret that shell reveal in-depth for the first time here, in High on Arrival ..
Riveting, heart-wrenching, yet ultimately uplifting, Mackenzies story is an all-too-real testament to the power of drugsbut its also a story of courage, forgiveness, and true redemption. .
- Print length292 pages
- LanguageEnglish
- PublisherGallery Books
- Publication dateSeptember 23, 2009
- Dimensions6.25 x 1 x 9.5 inches
- ISBN-10143915385X
- ISBN-13978-1439153857
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- Publisher : Gallery Books; First Edition (September 23, 2009)
- Language : English
- Hardcover : 292 pages
- ISBN-10 : 143915385X
- ISBN-13 : 978-1439153857
- Item Weight : 1.05 pounds
- Dimensions : 6.25 x 1 x 9.5 inches
- Best Sellers Rank: #216,578 in Books (See Top 100 in Books)
- #2,052 in Actor & Entertainer Biographies
- #2,489 in Women's Biographies
- #7,064 in Memoirs (Books)
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About the authors

Mackenzie Phillips is the daughter of John Phillips and stepdaughter of Michelle Phillips, both lead singers of the 60s band The Mamas and The Papas. She starred as Julie Cooper Horvath on the sitcom One Day at a Time alongside Valerie Bertinelli.

Hilary Liftin is a collaborator specializing in celebrity memoir. Since 2006 she has worked on fifteen books, ten of which hit the New York Times bestseller list. Hilary has also written three books under her own name. The first, DEAR EXILE, is letters that she exchanged with her co-author, Kate Montgomery, when Kate was in the Peace Corps in Kenya and Hilary was in New York. It was published by Vintage in 1999 and is still in print. CANDY AND ME: A Love Story is Hilary’s memoir told through different kinds of candy. MOVIE STAR BY LIZZIE PEPPER is her first novel.
Before becoming a full-time writer in 2006, Hilary worked in the publishing industry for ten years, holding positions in editorial, marketing, and business development at Houghton Mifflin, Barnes & Noble.com, and the ebook division of Time Warner Books (now Hachette).
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Just as in "Papa John," the only sane people in the Phillips family seem to be Mack's Aunt Rosie and her stepmother Michelle Phillips, both of whom attempt, mostly in vain, to provide some structure and discipline while Mack's biological parents and her other step-parents ignore or abuse her. Mack had the lonely, empty, Hollywood-rich-kid-on-drugs life that Bret Easton Ellis writes about, and had it in the era when drugs weren't considered evil and stars didn't pop in and out of rehab with the frequency they do now. It's pretty amazing that she has managed to (a) survive, (b) do some good acting and musical work, and (c) be any sort of functional parent at all to her own son.
Those who are upset about this book somehow "tarnishing" John Phillips' image obviously never read "Papa John," which was a no-holds-barred tale of substance abuse, evasion of responsibility, and debauchery on a Rolling Stones level - not surprising, given that Keith Richards was one of John's regular drug buddies. It ended with John Phillips seemingly still in the throes of a severe alcohol addiction and dating women young enough to be his daughters, so it is just a short hop skip and a jump to the same guy getting so wasted that he repeatedly has some sort of incest with his daughter, who is also wasted most of the time this is going on, and constantly longing for her distant father. The incest, which got all the press attention, is a fairly small part of the book and just one more brick in the wall of John's general mishandling of his parental responsibilities, actually pretty much ALL his life responsibilities. (John himself had a horrifically dysfunctional childhood as recounted in "Papa John" so his behavior towards his kids is sadly believable.) Despite all of this mess, Mack's feelings towards her father and the rest of her problematic extended family come across as genuinely, sincerely loving, when I would have expected snark or "Mommie Dearest" type angst.
Aside from the family memoir and Mack's reminiscences about working on "One Day", a lot of the book is your standard ex-junkie horror stories about scoring in strange cities, withdrawal, the effect on the family, relapse. Unlike some of the authors of such tales (including her father), Mack seems willing to take responsibility for her actions and mistakes, and you end up rooting for her to come out the winner. A better-than-average tale of Hollywood excess.






