Feels like every chapter carries the same message, just using different examples. In this book you'll learn that 1) the hillbilly is a complex stereotype because every one of his characteristics can be represented both positively and negatively (carefree vs. lazy, adventurous vs. outcasted, etc.) and 2) the popular perception of the hillbilly changed over the twentieth century from dangerous murderer to harmless fool. You'll learn these two central concepts over and over no matter whether you're looking at books, movies, tv shows, comic strips, or what have you.
However, this book excels in providing real, multi-faceted evidence to support its claims, unlike some informational books that harp on the same two studies. No, in this book you will be overwhelmed with high-quality, trustworthy evidence from both scholarly sources and original historic documents. You will never have any doubt in your mind as to the veracity of the author's claims, even if you do get sick of hearing him claim them.
Since this book primarily deals with how the rest of America perceived mountain culture, if you want to actually learn about mountain culture, then this book isn't for you. But, if you're a serious scholar of the people of Appalachia and you want to know how mainstream American culture responded to the concept of "mountain culture" throughout the decades, then this book will satisfy your uniquely specific craving better than any other.
Hillbilly: A Cultural History of an American Icon
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Anthony Harkins
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Anthony Harkins
(Author)
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ISBN-13:
978-0195189506
ISBN-10:
0195189507
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Editorial Reviews
Review
"Anthony Harkins has written a fine book about how misconceptions were perpetuatedhe gives us insight into the ways the hillbilly icon has served the 'mainstream' belief system and the reasons the hillbilly icon had and has such power."--Herb E. Smith, Journal of Appalachian Studies
"Beautifully written and well illustrated, this volume builds upon a generation of research on regional images and the politics of culture in the Appalachian South. By setting that literature in the larger context of American cultural history, Harkins not only contributes to a broader understanding
of the struggle to define and control national identity; he also points the way to a more critical assessment of the roles of class, gender, and race in regional identity as well."--The Journal of American History
"In the pantheon of American regional icons, none slouches more prominently than the hillbilly....an accessible and thought-provoking analysis of an American icon and its place within the American consciousness."--Arkansas Historical Quarterly
"[A] sophisticated mélange of image and reality regarding southern white culture..."--History of Education Quarterly
"Harkin's research is truly impressive, and his writing could not be clearer....[A] significant, highly accessible book of considerable value to scholars and advanced students."--History
"Tony Harkins has gone deeper, understood a wider range of pop-culture materials, and analyzed more insightfully the twentieth-century image of the American 'hillbilly' than any other scholar in this or the previous century. My hat's not only off to him. It's way up in the air!"--Jerry Williamson,
author of Hillbillyland
"This is an impressively researched and meticulously documented study of one of the pervasive terms in American popular culture, 'hillbilly,' a concept that has both reflected and shaped public views of southern white working people. Students in my field of research, Southern Folk Music, will
obviously profit from this beautifully written work, but anyone intrigued by the ways in which stereotypes have clouded our perceptions will want to read this book."--Bill C. Malone, author of Country Music, U.S.A.
"Harkins' Hillbilly is an intriguing and wide-ranging study of a strangely enduring American type, one both loved and despised but still nationally (if not internationally) recognized. From Snuffy Smith and Li'l Abner to The Real McCoys and the Clampett clan, Harkins discusses how the hillbilly
image itself has remained relatively unchanged, while its meaning has evolved in response to broader social, economic, and cultural transformations in American society."--Erika Doss, University of Colorado
"Distilling truths and untruths about a great American archetype, Hillbilly is insightful and respectful without draining out all the fun. Anthony Harkins writes entertaining yet sophisticated analysis, free of ten-dollar words and other academic moonshine."--Scott A. Sandage, Carnegie Mellon
University
About the Author
Anthony Harkins is an Assistant Professor in History at Western Kentucky University.
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Product details
- Publisher : Oxford University Press (September 8, 2005)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0195189507
- ISBN-13 : 978-0195189506
- Lexile measure : 1810L
- Item Weight : 1.04 pounds
- Dimensions : 9 x 1.1 x 6 inches
-
Best Sellers Rank:
#399,864 in Books (See Top 100 in Books)
- #2,030 in United States History (Books)
- #2,192 in Popular Culture in Social Sciences
- #6,257 in Ethnic Studies (Books)
- Customer Reviews:
Customer reviews
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20 global ratings
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Reviewed in the United States on January 2, 2016
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Reviewed in the United States on March 3, 2019
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This book provides a clear understanding of how, in 20th century America, the decedents of the Scots-Irish immigrants who settled in Appalachia became looked down upon through no fault of their own. And who, in fact, were socially the opposite of the portrayal. An excellent read that dispels the myths about southern culture.
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Reviewed in the United States on May 20, 2010
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Professor Harkins does an excellent job in the book, looking at how the "hillbilly" concept came about, from colonial writings to modern movies. He shows that the definition of mountaineer culture has changed as its relationship to mainstream culture has changed. The culture found in Appalachia and the Ozarks) has evolved based upon poverty in the region, outside influences (the Civil War being a big one) and even pop culture icons. Could it be the Hillbilly is a self-fulfilling definition? Certainly in the days of feuding the hill folk seem to revel in the image. If you have the patience really sit down and read this well-researched book you can come to your own conclusions.
Besides, any book that has pictures of both Buster Keaton and Ernest T. Bass is worth looking at!
Besides, any book that has pictures of both Buster Keaton and Ernest T. Bass is worth looking at!
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Reviewed in the United States on December 10, 2018
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Provocative. Enlightening
Reviewed in the United States on April 22, 2014
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I've had this book on my to-read list for a long time, but didn't feel like delving into a thick academic book. This book is good catalog if hillybillies appearing in popular culture, however when Harkins draws his big, overall, "what this all means" conclusions, they feel sloppy and poorly thought out. Hard numbers to back up his assertions are pitifully few, and which character does or does not count as a hillbilly seems to depend entirely on the point Harkins needs to make. Still, there's lots of good information and history here.
Reviewed in the United States on September 19, 2014
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Definitely worth the read. A clear and concise trace of hillbilly. Powerful
Reviewed in the United States on November 6, 2013
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I had to buy this book for a report assigned in my Appalachian Culture class. I found the book to be informative and entertaining. I would not have read the book if not for the assignment, but I'm glad to have read it.
Reviewed in the United States on July 1, 2005
Harkins is a professor at Western Kentucky University, and his academic background is reflected in the writing of this book. It's pretty analytical, throwing tons of facts and research tidbits at the reader, occasionally drawing conclusions or extrapolating from data or hypothesizing. It's not the driest of academic texts though; i wasn't rolling my eyes at any overusage of "trendy" academic semantic BS (by which i mean, he doesn't say things like "in order to appreciate the resonance of the cultural icon, we must unpack the meaning intrinsic to the tropes of hillbilly semiotics" or whatever-the-heck). Chapter by chapter, he traces the development and metamorphosis of the concept of "hillbillies" and all the various meanings of the word, from noble mountaineers to gun-shooting moonshiners to inbred rapist morons to string-band radio stars. The text is full of dozens of illustrations, vintage photography, advertisement reproductions, and cartoons which illustrate his various points. It's not a quick read or a mindless read, but rather, it's fascinating, well-researched, and if you like sociology and cultural studies and various looks at rural cultures, I recommend it.
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Sarah Hennessey
4.0 out of 5 stars
Hillbilly: A Cultural History of an American Icon
Reviewed in the United Kingdom on February 17, 2013Verified Purchase
I am happy with the quality of this book. I really needed it and I am happy that it came on time and it was not defaced in any way.











