Hiroshima Mon Amour (The Criterion Collection)
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Customers Who Bought This Item Also Bought
- Audio Commentary by film historian Peter Cowie
- 1961 Cinepanorama interview with Alain Resnais
- Archival interview footage of Emmanuelle Riva
- Excerpts from Duras' annotations to the screenplay
- Music and effects track
- New essay by Kent Jones
Top Customer Reviews
This is a story about beginnings and endings about rebirth following tragedy. Moreover this is a story about memory. Fifteen years after the atomic bomb was dropped on Hiroshima a film crew arrives to make a film about peace. The actress in this film meets and has an intense affair with a Japanese man she meets in a bar on the night before she is to return to France.
In a startling series of flashbacks we learn of her love for a German soldier that left her ostracized in her native Nevers, France. The story, which all takes place in a twenty four hour period is striking because of its emotional impact. The atomic bomb destroyed Hiroshima and the WWII romance destroyed the womans life. Now is the time to grow and to be reborn. Rebirth takes place through a confrontation with our memories of the past. A facing of the things that made us what we are. This is the sense the viewer takes from this film.
The Criterion DVD has an excellent transfer of the print which is presented in its original monural sound. The extras on the disc deserve a look. There is an excellent commentary by film historian Peter Cowie that helps to explain the marriage of film and literature between Resnais and Duras while offering some anecdotal technical information. Also included are vintage interviews with Alain Resnais and star Emmanuelle Reve. A 2003 interview with Reve is a highlight of the disc and should not be missed. The annotated selections of the script are also worth a brief look.
Anyone interested in the history of film should do themselves a favor and view this important film classic.
There is a symbolic part in the movie of an arm enfolded over a body, all encrusted in frost. Soon, the frost turns to beads of water, which in turn is the sweat of two bodies together. Old passions reawoken, an intimate meeting of two cultures, and that depicts the love story between a French actress playing a nurse in a film on peace and a Japanese architect. Both, it turns out, are happily married, yet there's something wanting in the woman, and it all goes back to her traumatic past during the war, in her hometown of Nevers in Central France, Southeastish from Orleans, and situated on the Loire River. After a night in bed, the couple spend the remainder of the next day together. For the man, it's a desperate attempt to hold onto her, as she has to leave tomorrow for Paris. For the woman, it's an internal turmoil involving her past and her growing attraction to the man, to whom she confides in.
But it's interesting to see the POV's of both. For the architect, Hiroshima became a part of history indelibly imbedded in the Japanese psyche. For the actress, Hiroshima meant "the end of war, the real end...[I was] stunned that they had dared, stunned that they succeeded, then the beginning of a new fear, followed by indifference, and also the fear of indifference.Read more ›
His film is puzzling, but, at the same time, a compromise, a promise, a pledge to human society... It is too daring by its conventional moral standards, distinguished in the way it was done, written, made and executed...
"Hiroshima, Mon Amour" is about the fortitude of man, with its mental and physical power... Alain Resnais and his writer-collaborator Marguerite Duras combined a love story with an anti-bomb story... They carry out the horror of Hiroshima and the sorrow of a lost first love...
Hiroshima is a tragedy that shocks us, while the story of love in Nevers makes us cry...
The story of Nevers does not trivialize the story of Hiroshima... We gasp at the tragedy of Hiroshima as we weep over the tragedy at Nevers... We contemplate a cosmic and a personal problem at the same time.
"Hiroshima, Mon Amour" is a new kind of film... It has great technical ability, illustrating hypothesis plus fact...
There is a close-up of Emmanuelle Riva , who has just glanced at Eiji Okada, asleep... Suddenly there is a brief flash-cut of the body of a wounded young man lying in approximately the same position in another place...
Resnais' camera moves like a stream from the present to the past and back to the present... It cuts back to Riva's face, and then back to Okada asleep, and in that split second the technique of the subliminal flash cut, used to describe a character's state of mind, is born...
This cut is the key to the film, for it is the man whom she calls 'Hiroshima' who reminds her of her lover at Nevers...
It is the tragedy of his race that reminds her of the small tragedy of her life...Read more ›
Most Recent Customer Reviews
Might have been sexy cool foreign in 1965, but I couldn't stand it. Tedious, pandering, tries too hard and doesn't age well. Read morePublished 26 days ago by Wick Beavers Photographer
Very interesting and provocative! Amazing story and risqué for 1950's!Published 2 months ago by Ashley 1010
For somebody without extensive knowledge of French film (especially from this period) I still took a lot away from this. Read morePublished 2 months ago by Amazon Customer
Still a powerful and riveting film after all these years. Highest recommendation!Published 3 months ago by Scott Munson
Classic film from the Nouvelle Vague. Dissatisfied with the ending, but then again, I often am with French films. Read morePublished 3 months ago by Andrea
As much as I wanted to like this movie (being a fan of the French New Wave), I found it - for the most part - pretty boring. Read morePublished 4 months ago by snoopies622
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