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The Historian Hardcover – June 14, 2005
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If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula--Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century--was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight--one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland--sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read--even the minor characters are distinctive and vividly seen--its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words. --Regina Marler
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch—fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.
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Top customer reviews
And the book is about Dracula, so the heroes of this book had better learn about that hidden secret before it's too late. The Dracula of this book is the Walachian despot, Vlad III, known as the Impaler. But like the Dracula of Bram Stoker's novel, he's a vampire.
The story is told primarily at three points of time: 1972-74, 1954, and 1930. These are the stories of the daughter, her father, and the father's professor. As the book unfolds, we see exactly how these characters are intertwined and how they become destined to play the roles they do.
As a horror fan, I'm of course intrigued by anything relating to Dracula. However, perhaps the greatest appeal of “The Historian” is as a travelogue. The reader gets to experience many interesting sights in Europe, from London and Istanbul, to Budapest and Sofia, along with locations connected with Vlad the Impaler: Poenari Castle (Vlad's castle) and Snagov Monastery (Vlad's tomb). Kostova's descriptions of various libraries and monasteries makes them come alive.
But it's not just a travelogue. There are mysteries to be solved and plot twists and constant danger. The Cold War and the paranoia it created are captured perfectly—the heroes can't just hop on a plane and go wherever they like to stop Dracula's schemes. Indeed, the rivalry between the two regimes play into Dracula's hands.
There seems to be at least one annoying coincidence, or oversight, built into the story. Dracula and his evil society that seeks to protect his secrets has left several clues laying around, even after having five hundred years to eliminate those clues. And it's not like they are unaware of the clues. In fact, they have the curious habit of delivering a certain book into the hands of the heroes, impelling them to start looking into Dracula's secret!
This book has been criticized for being slow, and it does unfold at a leisurely pace. But that is one of the charms of “The Historian”, not a detriment. It's just not for the ADD crowd.
Having said that, I would also say that the action ping-pongs between the three time periods just a little more often than I like. It's a trifle annoying and potentially confusing—but not enough that anyone should not read the book. Still, if “The Historian” is ever made into a movie, I'm sure the producers will cut back on so many scene-shifts.
I love the book, but the ending could have been more dramatic and more horrifying. SPOILER: If the heroine's mother had been turned into a vampire, that makes a much better motivation for faking her death—since a vampire's first victims are her close family members. Yet this is the book's only shortcoming. Even with that ending, “The Historian” leaves the reader with a confirmation of the immortality of Dracula.
Most recent customer reviews
I continue to reread this fun tale, and enjoy it more every time .