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The History of Japanese Photography (Museum of Fine Arts, Houston) Hardcover – March, 2003
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Except for the rare international superstar like Araki Nobuyoshi, known for his gamy shots of nude young women, Japanese photography is a closed book to Westerners. Yet it has a distinguished and vital tradition that has enriched every genre, from portraits to landscapes, with a unique blend of lyricism and candor. In The History of Japanese Photography, a wealth of captivating images and essays by seven scholars trace 140 years of stylistic and cultural evolution. In 1857 a local ruler had his portrait taken with a daguerreotype set brought to Nagasaki by a foreign ship. Eleven years later, official photographs of the emperor--never glimpsed in person by his subjectsbecame widely available. Photographers were increasingly called upon to document new Japanese territories, natural disasters, and wars. Visitors hankered after studio shots of geishas and other exotica. Beginning in the 1890s, upper-class amateur photographers contributed a new emphasis on aesthetics. In the 1930s exquisite Pictorialist images of natural beauty gave way to modernist influences from Berlin and Moscow, and thenin wartimeto a conservative emphasis on traditional rural life. Individual expression dominated postwar photography, as seen in such images as Tomatsu Shomeis haunting "Beer bottle after the atomic bomb explosion." Recent work reflects the dislocations of urban consumer society. Beautifully produced, with 356 color illustrations, this groundbreaking volume accompanies an exhibition at the Museum of Fine Arts, Houston (March 2-April 27, 2003) that travels to the Cleveland Museum of Art (May 18-July 27, 2003). Cathy Curtis
. . . . [A]n eye-opening introduction to photographic and Japanese history in more than 200 pictures. . . . -- (Vicki Goldberg, New York Times)
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cover to page 27. The hole caused an indentation.
The way it was packed: Instead of being taped it was glued.It was impossible to reuse the packaging to send it back because
it fell apart.