The History of Jazz 6th ptg. Edition
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winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that
brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved.
Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton ("the world's greatest hot tune writer"), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club,
cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary
sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the
swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the
spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode
the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being "entertainers," wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon
art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called
classics of jazz literature.
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Editorial Reviews
Review
"The best book of its kind."--Gary Giddins, author of Visions of Jazz: The First Century (forthcoming from OUP in 1998)
"A remarkable piece of work... encyclopedic, discriminating, provocative, perceptive and eminently readable. ...If you are looking for an introduction to jazz, this is it. If you know and love jazz well, this is your vade mecum. Me, I expect to be reading around in it for the rest of my
life."--Jonathan Yardley, The Washington Post
"Ted Gioia's herculean The History of Jazz...navigates this wild country with immense sophistication, scholarship, and wit. In fact, Gioia's History stands a good chance of becoming the standard guide for general readers and academics."--Village Voice
"An authoritative work of research that doesn't spare the poetic power of words."--James Sullivan, San Francisco Chronicle
"Anyone looking for a balanced, well-written popular history of jazz will certainly find [The History of Jazz] both readable and reliable."--The Wall Street Journal
About the Author
Ted Gioia is a critic, historian, pianist, composer, and record producer living in Palo Alto, California. He is the author of The Imperfect Art, winner of the ASCAP-Deems Taylor Award, and West Coast Jazz.
Product details
- Publisher : Oxford University Press; 6th ptg. edition (December 17, 1998)
- Language : English
- Paperback : 480 pages
- ISBN-10 : 019512653X
- ISBN-13 : 978-0195126532
- Lexile measure : 1440L
- Item Weight : 1.5 pounds
- Dimensions : 9.1 x 1.5 x 6.1 inches
- Best Sellers Rank: #862,178 in Books (See Top 100 in Books)
- #684 in Jazz Music (Books)
- #2,029 in Music History & Criticism (Books)
- #3,464 in African American Demographic Studies (Books)
- Customer Reviews:
About the author

Ted Gioia is a pianist, critic, scholar, historian and educator. He is author of 11 books, including The History of Jazz, Delta Blues—both honored by the New York Times on their list of 100 notable books of the year. His three books on the social history of music—Work Songs, Healing Songs, and Love Songs—have each been honored with the ASCAP Deems Taylor Award. Gioia holds degrees from Oxford University and Stanford’s Graduate School of Business, and previously served on the faculty of Stanford University. Praised as one of the leading music historians of our day, Gioia is a preeminent guide to songs of the past, present, and future.
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I would caution any potential readers that this book is pretty dense--chock full of names and dates--and at times, reads like an encyclopedia. So it may be hard to expect to just read it through, start to finish. That is what I did, but it required liberal breaks in between, and took me much longer to get through than it would typically take for a 400 page book.
In the future, I plan on focusing my jazz reading on periods and schools that particularly interest me--like bebop and cool jazz. I am confident that the backdrop this book has provided will prove invaluable for those future forays.
Top reviews from other countries
I'm near the end of my second reading of 'The History Of Jazz'. The first time, I was unfamiliar with most of the names. Consequently, some effort was required to get to the end, and the last chapter, 'Freedom And Beyond', didn't interest me at all. Prior to the second reading, I have come to see jazz as a vast patchwork in which all parts are connected, indirectly at least. For an example of what I mean by this, try Thelonious Monk: The Life and Times of an American Original . Reading about the life of Monk, I was introduced to an enormous array of other players and how they fitted into the picture.
Now that I am at least familiar with most of the names and have heard quite a lot of the sounds, a second reading has been pure pleasure. Surely it is impossible to describe the development of a whole musical genre in less than 400 pages? Well, as far as I'm concerned, Gioia has succeeded. Somehow, he has been able to do this without the book seeming like a tired list of names and dates. If he does have pet preferences (and surely he must), I cannot detect them. He describes each branching of the path of the music with the same infectious passion.
Gioia's approach would seem to have a wide appeal. He describes the music in vivid terms. On the subject of the work of pianist Cecil Taylor, he writes:
"... even when this music achieved paroxysms of release, an overriding austerity lingered just below the surface."
At the same time, there's plenty to engage readers who have a depth of musical understanding. This is Gioia's description of Duke Ellington's 'Black Beauty':
"... it opens with an introductory sequence of rich chords, which linger ambiguously over an uncertain harmonic center before finally settling into a wistful melody in the key of B flat, while the jazzier second theme emerges after an uncharacteristic modulation into A flat."
As these passages indicate, Gioia does not attempt to popularise the subject. At the same time, this is not a dry, academic study; it teems with life.
Having read 'The History Of Jazz', I am struck by the high proportion of leading jazz musicians who seemed to live fast and die young. I am tempted to look for convenient explanations of this phenomenon, and this leads me on to another thing I like about this book: Gioia tends to steer clear of such explorations. His writing comes across as substantial and authoritative precisely because he avoids putting too much of himself into his descriptions of the people and the music.
I'm uncomfortable with the use of the definite article. Surely this is a history, not the history. Isn't Mr Gioia being a bit presumptuous? In the sense that I don't think one needs look any further for a general introduction to jazz history, perhaps this is the history.
If you like jazz - even if you are an afficianado - Ted Gioia's expert history will enlighten you to the rich history of the art form.
If you don't like jazz the rich tapestry of its characters, development and influence still makes for a riveting story.
Expertly written but retaining a crisp, clear style, this is one of the best books about music ever written.
Highly recommended.
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