The "History of Jazz" is a very well written survey of a very extensive subject. I consider myself pretty knowledgeable on the subject of jazz (or at least, certain periods and styles), and even with my reasonably good background, I learned a tremendous amount about the art form that I love. I particularly appreciated the sociological and historical implications that the author provided for various movements, trends and changes.
I would caution any potential readers that this book is pretty dense--chock full of names and dates--and at times, reads like an encyclopedia. So it may be hard to expect to just read it through, start to finish. That is what I did, but it required liberal breaks in between, and took me much longer to get through than it would typically take for a 400 page book.
In the future, I plan on focusing my jazz reading on periods and schools that particularly interest me--like bebop and cool jazz. I am confident that the backdrop this book has provided will prove invaluable for those future forays.
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The History of Jazz Paperback – December 17, 1998
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Ted Gioia
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Ted Gioia
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Print length480 pages
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LanguageEnglish
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PublisherOxford University Press
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Publication dateDecember 17, 1998
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Dimensions9.1 x 1.5 x 6.1 inches
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ISBN-10019512653X
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ISBN-13978-0195126532
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Lexile measure1440L
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Editorial Reviews
Review
"The best book of its kind."--Gary Giddins, author of Visions of Jazz: The First Century (forthcoming from OUP in 1998)
"A remarkable piece of work... encyclopedic, discriminating, provocative, perceptive and eminently readable. ...If you are looking for an introduction to jazz, this is it. If you know and love jazz well, this is your vade mecum. Me, I expect to be reading around in it for the rest of my
life."--Jonathan Yardley, The Washington Post
"Ted Gioia's herculean The History of Jazz...navigates this wild country with immense sophistication, scholarship, and wit. In fact, Gioia's History stands a good chance of becoming the standard guide for general readers and academics."--Village Voice
"An authoritative work of research that doesn't spare the poetic power of words."--James Sullivan, San Francisco Chronicle
"Anyone looking for a balanced, well-written popular history of jazz will certainly find [The History of Jazz] both readable and reliable."--The Wall Street Journal
About the Author
Ted Gioia is a critic, historian, pianist, composer, and record producer living in Palo Alto, California. He is the author of The Imperfect Art, winner of the ASCAP-Deems Taylor Award, and West Coast Jazz.
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Product details
- Publisher : Oxford University Press; 6th ptg. edition (December 17, 1998)
- Language : English
- Paperback : 480 pages
- ISBN-10 : 019512653X
- ISBN-13 : 978-0195126532
- Lexile measure : 1440L
- Item Weight : 1.5 pounds
- Dimensions : 9.1 x 1.5 x 6.1 inches
-
Best Sellers Rank:
#1,402,655 in Books (See Top 100 in Books)
- #1,727 in Jazz Music (Books)
- #4,366 in Music History & Criticism (Books)
- #7,936 in African American Demographic Studies (Books)
- Customer Reviews:
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Customer reviews
4.7 out of 5 stars
4.7 out of 5
69 global ratings
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Top reviews from the United States
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Reviewed in the United States on April 3, 2011
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9 people found this helpful
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Reviewed in the United States on May 10, 2009
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I have read practically every jazz history book that was published in the past 50 years. Some, such as the seminal "Blues People", do a great job of exposing the socio - political aspects of the music and its makers. Others did a thorough job of detailing the events that were connected to the music. Gioia is the first that I know of to give as much attention to the social aspects as well as the musical and chronological aspects. I teach a Jazz and Politics course in the university (PoliSci dept) and Gioia's book helped me in some of the issues I needed to raise. It is still not the ultimate book - this has to written, but it is a big step forward in Jazz writing and a must for every student of the music.
6 people found this helpful
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Reviewed in the United States on April 24, 2000
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I have a reasonable library of jazz books (including The Horn by JC Holmes, American Musicians by Whitney Balliett, Reading Jazz by Gottlieb, etc, etc) but my top five are HEAR ME TALKIN' TO YA by Hentoff and Shapiro; FOUR LIVES IN THE BEBOP BUSINESS by A.B. Spellman; STRAIGHT LIFE by Art and Laurie Pepper; THE STORY OF JAZZ by Marshall Stearns; and AS SERIOUS AS YOUR LIFE by Val Wilmer. What do I want in a jazz book? I want information, authenticity, entertainment; and decent writing. Now I have to move Mr Stearns over to make way for Mr Gioia and his HISTORY OF JAZZ for I believe it deserves to be in that exalted company.
50 people found this helpful
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Reviewed in the United States on December 8, 1999
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Is there any other book that is as true as this book, when recalling the intricate history of jazz? If there is, it has escaped my eyes and i invite the opurtunity to read it. Ted Gioia is not only articulate in his representation of jazz history, but his facts are documented well above reproach. He even includes a suggested listening section at the back of the book. Incredible book! I am using it as an aid in teaching my highschool class the history of jazz. This book is a necessary investment for any jazz afficianado.
17 people found this helpful
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Reviewed in the United States on November 16, 2018
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great
Reviewed in the United States on February 1, 2018
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Great shape no damages
Reviewed in the United States on October 19, 2007
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This book relates the history of jazz, and gives you a background that will help you listen more carefully and with heightened appreciation of this unique American music. Good stories, well detailed, and well worth the time to read it. The only thing better of course is watching jazz musicians play!
2 people found this helpful
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Reviewed in the United States on July 21, 2008
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Gioia's "The History of Jazz" is the best one volume history of jazz I've read. It gives plenty of detail while moving along from era to era. I'd greatly recommend it to anyone wishing to survey the major developments, composers and performers or America's original musical art form.
One person found this helpful
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Top reviews from other countries
Udeen
5.0 out of 5 stars
Nice one, Ted
Reviewed in the United Kingdom on October 2, 2011Verified Purchase
When I mention to acquaintances that I'm interested in jazz music, I often get a reaction that suggests I might as well have said "I enjoy treading in dog-mess". To an extent, I can understand this. There was a time when I was convinced that even the most user-friendly of jazz musicians was just doing it to be awkward. Were these same acquaintances to ask me now how they might find a way in to this strange musical world, I would advise them to start with Ted Gioia's book.
I'm near the end of my second reading of 'The History Of Jazz'. The first time, I was unfamiliar with most of the names. Consequently, some effort was required to get to the end, and the last chapter, 'Freedom And Beyond', didn't interest me at all. Prior to the second reading, I have come to see jazz as a vast patchwork in which all parts are connected, indirectly at least. For an example of what I mean by this, try Thelonious Monk: The Life and Times of an American Original . Reading about the life of Monk, I was introduced to an enormous array of other players and how they fitted into the picture.
Now that I am at least familiar with most of the names and have heard quite a lot of the sounds, a second reading has been pure pleasure. Surely it is impossible to describe the development of a whole musical genre in less than 400 pages? Well, as far as I'm concerned, Gioia has succeeded. Somehow, he has been able to do this without the book seeming like a tired list of names and dates. If he does have pet preferences (and surely he must), I cannot detect them. He describes each branching of the path of the music with the same infectious passion.
Gioia's approach would seem to have a wide appeal. He describes the music in vivid terms. On the subject of the work of pianist Cecil Taylor, he writes:
"... even when this music achieved paroxysms of release, an overriding austerity lingered just below the surface."
At the same time, there's plenty to engage readers who have a depth of musical understanding. This is Gioia's description of Duke Ellington's 'Black Beauty':
"... it opens with an introductory sequence of rich chords, which linger ambiguously over an uncertain harmonic center before finally settling into a wistful melody in the key of B flat, while the jazzier second theme emerges after an uncharacteristic modulation into A flat."
As these passages indicate, Gioia does not attempt to popularise the subject. At the same time, this is not a dry, academic study; it teems with life.
Having read 'The History Of Jazz', I am struck by the high proportion of leading jazz musicians who seemed to live fast and die young. I am tempted to look for convenient explanations of this phenomenon, and this leads me on to another thing I like about this book: Gioia tends to steer clear of such explorations. His writing comes across as substantial and authoritative precisely because he avoids putting too much of himself into his descriptions of the people and the music.
I'm uncomfortable with the use of the definite article. Surely this is a history, not the history. Isn't Mr Gioia being a bit presumptuous? In the sense that I don't think one needs look any further for a general introduction to jazz history, perhaps this is the history.
I'm near the end of my second reading of 'The History Of Jazz'. The first time, I was unfamiliar with most of the names. Consequently, some effort was required to get to the end, and the last chapter, 'Freedom And Beyond', didn't interest me at all. Prior to the second reading, I have come to see jazz as a vast patchwork in which all parts are connected, indirectly at least. For an example of what I mean by this, try Thelonious Monk: The Life and Times of an American Original . Reading about the life of Monk, I was introduced to an enormous array of other players and how they fitted into the picture.
Now that I am at least familiar with most of the names and have heard quite a lot of the sounds, a second reading has been pure pleasure. Surely it is impossible to describe the development of a whole musical genre in less than 400 pages? Well, as far as I'm concerned, Gioia has succeeded. Somehow, he has been able to do this without the book seeming like a tired list of names and dates. If he does have pet preferences (and surely he must), I cannot detect them. He describes each branching of the path of the music with the same infectious passion.
Gioia's approach would seem to have a wide appeal. He describes the music in vivid terms. On the subject of the work of pianist Cecil Taylor, he writes:
"... even when this music achieved paroxysms of release, an overriding austerity lingered just below the surface."
At the same time, there's plenty to engage readers who have a depth of musical understanding. This is Gioia's description of Duke Ellington's 'Black Beauty':
"... it opens with an introductory sequence of rich chords, which linger ambiguously over an uncertain harmonic center before finally settling into a wistful melody in the key of B flat, while the jazzier second theme emerges after an uncharacteristic modulation into A flat."
As these passages indicate, Gioia does not attempt to popularise the subject. At the same time, this is not a dry, academic study; it teems with life.
Having read 'The History Of Jazz', I am struck by the high proportion of leading jazz musicians who seemed to live fast and die young. I am tempted to look for convenient explanations of this phenomenon, and this leads me on to another thing I like about this book: Gioia tends to steer clear of such explorations. His writing comes across as substantial and authoritative precisely because he avoids putting too much of himself into his descriptions of the people and the music.
I'm uncomfortable with the use of the definite article. Surely this is a history, not the history. Isn't Mr Gioia being a bit presumptuous? In the sense that I don't think one needs look any further for a general introduction to jazz history, perhaps this is the history.
12 people found this helpful
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Jon M
5.0 out of 5 stars
Essential - whatever your likes
Reviewed in the United Kingdom on December 2, 2011Verified Purchase
Simply - this is an essential book for all music - and I mean music - fans.
If you like jazz - even if you are an afficianado - Ted Gioia's expert history will enlighten you to the rich history of the art form.
If you don't like jazz the rich tapestry of its characters, development and influence still makes for a riveting story.
Expertly written but retaining a crisp, clear style, this is one of the best books about music ever written.
Highly recommended.
If you like jazz - even if you are an afficianado - Ted Gioia's expert history will enlighten you to the rich history of the art form.
If you don't like jazz the rich tapestry of its characters, development and influence still makes for a riveting story.
Expertly written but retaining a crisp, clear style, this is one of the best books about music ever written.
Highly recommended.
4 people found this helpful
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P. B. Roberts
5.0 out of 5 stars
Good book
Reviewed in the United Kingdom on September 1, 2018Verified Purchase
A comprehensive history of jazz with a good analysis of the subject .
Very detailed
Very detailed
Amazon Customer
5.0 out of 5 stars
interesting run through the history of the greatest musical form of the twentieth century then your search ...
Reviewed in the United Kingdom on May 27, 2017Verified Purchase
If you are looking for a well written, well researched, interesting run through the history of the greatest musical form of the twentieth century then your search is over.
Jen
5.0 out of 5 stars
a good insight to the beginning of such a lovely form ...
Reviewed in the United Kingdom on September 15, 2014Verified Purchase
I am really enjoying reading this book. Very informative, a good insight to the beginning of such a lovely form of music. Jazz
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