- Paperback: 512 pages
- Publisher: W. W. Norton & Company; Reprint edition (April 18, 2011)
- Language: English
- ISBN-10: 0393339742
- ISBN-13: 978-0393339741
- Product Dimensions: 5.5 x 1.3 x 8.3 inches
- Shipping Weight: 14.4 ounces (View shipping rates and policies)
- Average Customer Review: 102 customer reviews
- Amazon Best Sellers Rank: #8,475 in Books (See Top 100 in Books)
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The History of White People Paperback – April 18, 2011
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From Publishers Weekly
Who are white people and where did they come from? Elementary questions with elusive, contradictory, and complicated answers set historian Painter's inquiry into motion. From notions of whiteness in Greek literature to the changing nature of white identity in direct response to Malcolm X and his black power successors, Painter's wide-ranging response is a who's who of racial thinkers and a synoptic guide to their work. Her commodious history of an idea accommodates Caesar; Saint Patrick, history's most famous British slave of the early medieval period; Madame de Staël; and Emerson, the philosopher king of American white race theory. Painter (Sojourner Truth) reviews the diverse cast in their intellectual milieus, linking them to one another across time and language barriers. Conceptions of beauty (ideals of white beauty [became] firmly embedded in the science of race), social science research, and persistent North/South stereotypes prove relevant to defining whiteness. What we can see, the author observes, depends heavily on what our culture has trained us to look for. For the variable, changing, and often capricious definition of whiteness, Painter offers a kaleidoscopic lens. (Mar.)
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*Starred Review* Painter is the author of Sojourner Truth: A Life, A Symbol (1996) and several other scholarly works on the history of slavery and race relations in America, most recently Creating Black Americans (2006). Her latest selection examines the history of “whiteness” as a racial category and rhetorical weapon: who is considered to be “white,” who is not, what such distinctions mean, and how notions of whiteness have morphed over time in response to shifting demographics, aesthetic tastes, and political exigencies. After a brief look at how the ancients conceptualized the differences between European peoples, Painter focuses primarily on the eighteenth and nineteenth centuries. There, the artistic idealization of beautiful white slaves from the Caucasus combined with German Romantic racial theories and lots of spurious science to construct an ideology of white superiority which, picked up by Ralph Waldo Emerson and other race-obsessed American intellectuals, quickly became an essential component of the nation’s uniquely racialized discourse about who could be considered an American. Presenting vivid psychological portraits of Emerson and dozens of other figures variously famous and obscure, and carefully mapping the links between them, Painter’s narrative succeeds as an engaging and sophisticated intellectual history, as well as an eloquent reminder of the fluidity (and perhaps futility) of racial categories. --Brendan Driscoll
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Top customer reviews
The "encyclopedic" part will bother some readers. There are chapters and chapters here about pre-modern and early-modern anthropologists most of us have never heard of, and since their ideas are all crap it's not always easy to slog through the author's careful explanation of exactly what kind of crap. I got through it, but I think the thing to do is to give yourself permission to skip a bit and get the main points. Over the length of the book, the sad history of idiotic writing about race just piles higher and higher and makes the silliness of the concept clearer and clearer.