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A History of the World in 10 1/2 Chapters Paperback – November 27, 1990
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It's a hilariously revisionist account of Noah's ark, narrated by a passenger who doesn't appear in Genesis. It's a sneak preview of heaven. It encompasses the stories of a cruise ship hijacked by terrorists and of woodworms tried for blasphemy in sixteenth-century France. It explores the relationship of fact to fabulation and the antagonism between history and love. In short, A History of the World in 10½ Chapters is a grandly ambitious and inventive work of fiction, in the traditions of Joyce and Calvino, from the author of the widely acclaimed Flaubert's Parrot.
- Print length320 pages
- LanguageEnglish
- PublisherVintage
- Publication dateNovember 27, 1990
- Dimensions5.23 x 0.74 x 7.95 inches
- ISBN-100679731377
- ISBN-13978-0679731375
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Editorial Reviews
From Publishers Weekly
Copyright 1990 Reed Business Information, Inc.
Review
"Playful, witty and entertaining." —Joyce Carol Oates, The New York Times Book Review
"Frequently brilliant, funny, thoughtful, iconoclastic and a delight to read." —Salman Rushdie, Observer
"At his best, Barnes is a dazzler." —Los Angeles Times
“It’s a book to keep the reader on his toes.” —The New York Review of Books
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Product details
- Publisher : Vintage; Reprint edition (November 27, 1990)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0679731377
- ISBN-13 : 978-0679731375
- Item Weight : 9.4 ounces
- Dimensions : 5.23 x 0.74 x 7.95 inches
- Best Sellers Rank: #218,530 in Books (See Top 100 in Books)
- #1,992 in Contemporary Literature & Fiction
- #4,734 in Short Stories (Books)
- #12,469 in Literary Fiction (Books)
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About the author

Julian Barnes is the author of nine novels, including Metroland, Flaubert's Parrot, A History of the World in 10 ½ Chapters, England, England and Arthur and George, and two collections of short stories, Cross Channel and The Lemon Table.
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Julian Barnes has written a work of fiction, that is not really history in the strictest sense of the word. It is more an examination of Worldviews. The book is divided up into eleven sections, with the meditation on love being the half chapter in the title. The book opens with the perspective of a woodworm that slipped onto Noah's ark and gives the story from the animal's perspective. This story is quite humorous really. The second story is about a group of history tourists being hijacked by Arabs while on a cruise. This story is much more intense and sad than the first story. It is a radical shift in tone and feel of the book. The book does this over and over. There is the story of a nuclear attack that really is not. There is the story of 900 Jews on the St. Louis during the time of Hitler and the final solution. There is a reflection on the meaning of love that is not at all sappy and is perhaps the best part of the book. There a several other stories, all of which are good, but one. The one that I did not like at all was the one about Heaven. Heaven was almost Hell in Barnes' perspective. This ending weakened the whole book.
Obviously this is not a whole history of the world (some of the reviewers seem surprised by this, failing to grasp the self-deprecating irony of the project), but a collection of interwoven reflections from a variety of perspectives (human and animal alike). The change of narrative voice is perhaps the most interesting thing about this book, as the reader constantly encounters a new perspective and, at times, has a hard time distinguishing "fact" from "fiction." This is, of course, Barnes's very point. The author's own narrative voice finally comes to us in the half chapter between 8 and 9 where he reveals (or seems to, anyway,) his own view of history: "History isn't what happened. History is just what historians tell us. There was a pattern, a plan, a movement, expansion, the march of democracy; it is a tapestry, a flow of events, a complex narrative, connected, explicable. One good story leads to another."
Barnes IS in love with his own prose and loves to play with the reader to prove his own erudition, but never entirely without a point. I have several favorites among the chapters, particularly the first and last. In both, the identity of the narrator is crucial to the overall structure of the book. Both address "the oldest story in the world." Both are mildly to wildly comic in degree and both address head-on why we go on, why we remain dedicated to the struggles of this life (and, perhaps, the next.) From proto-Biblical narrative, to art criticism, to pseudo-history, to parable we're led on to the secret of it all. I thought it was just a jim-dandy read.
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The book does have an uneven quality and I can imagine that every reader will find here something to love and something to hate. To my mind, the most engaging part was the chapter on the Raft of the Medusa. I am conversant with the sources that Barnes has drawn on for this, but he has transformed them in such a way that, somewhere between art history and humanist speculation, the writing has the power to move in a profound way. I would buy the book for this chapter alone.








