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Hokusai: Beyond the Great Wave (British Museum, 3) Hardcover – October 10, 2017
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A major publication on Hokusai’s remarkable late work, incorporating fresh scholarship on the sublime paintings and prints the artist created in the last thirty years of his life
An acknowledged master during his lifetime, Hokusai created sublime works during the last thirty years of his life, right up to his death at the age of ninety. Exhibitions since the 1980s have presented his long career as a chronological sequence. This publication, which will coincide with an exhibition at the British Museum, takes a fresh approach based on innovative scholarship: thematic groupings of late works are related to the major spiritual and artistic quests of Hokusai’s life.Hokusai’s personal beliefs are contemplated here through analyses of major brush paintings, drawings, woodblock prints, and illustrated books. The publication gives due attention to the contribution of Hokusai’s daughter Eijo (Oi), also an accomplished artist. Hokusai continually explored the mutability and minutiae of natural phenomena in his art. His late subjects and styles were based on a mastery of eclectic Japanese, Chinese, and European techniques and an encyclopedic knowledge of nature, myth, and history.
Hokusai: Beyond the Great Wave draws on the finest collections of his work in Japan and around the world, making this the most important publication for years on Hokusai and a uniquely valuable overview of the artist’s late career. 286 illustrations
- Print length352 pages
- LanguageEnglish
- PublisherThames & Hudson
- Publication dateOctober 10, 2017
- Dimensions10.2 x 1.4 x 11.4 inches
- ISBN-100500094063
- ISBN-13978-0500094068
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- Publisher : Thames & Hudson; First Edition (October 10, 2017)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0500094063
- ISBN-13 : 978-0500094068
- Item Weight : 5.21 pounds
- Dimensions : 10.2 x 1.4 x 11.4 inches
- Best Sellers Rank: #861,415 in Books (See Top 100 in Books)
- #3,457 in Individual Artists (Books)
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The great 1830s landscape series upon which his fame rests are well represented here. They include the 36 Views of Mount Fuji, the Famous Bridges, and the Tour of Waterfalls. The Large Flowers and Small Flowers series are also here, less known than the landscapes but no less wonderful. And works of Hokusai’s daughter Oei (alternately “Oi”) are represented as well, possibly due to the splash heard round the Hokusai
world from Katherine Govier’s novel, The Printmaker’s Daughter.
Something else worth knowing - this book was published by the Trustees of the British Museum as a companion piece to the 2017 Hokusai exhibition presented in Britain and Japan that year. Included are essays by five Hokusai scholars, among them editor Timothy Clark. Anyone who takes the time to read these essays carefully and study the photographed catalog art should come away with a superb understanding of the artist and his art.
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This exhibition catalogue chronicles the life and time of Katsushika Hokusai (1760-1849) and his artistic output in the last three decades of his life. From 1800 and particularly after the arrival of his groundbreaking masterpieces, 36 views of Mount Fuji (1830-1834). Which also includes the famous, Under the great wave of Kanagawa. Hence, the British Museum Exhibition (2017) was named, Beyond the great wave.
Hokusai fought abject poverty and ill luck throughout his life. He changed his name a number of times, changed his abode 93 times and yet, when he died at the age of 88 (90 by the Japanese standard) he had left behind over 30,000 artworks!
So, one book is not enough even to give an overview of a certain part in the life of such a prolific artist. It must be kept in mind when one opens the book. For this reason alone this book is both highly satisfactory and a little disappointing (actually, you will want more when you have finished)!
Five essays discuss the different phases of Hokusai's artistic output in his later years, followed by plates which were selected for the exhibition. Each plate has a brief explanation and relevant information tagged with it. They're written expertly which makes it a joy to read them. Prints were chosen carefully and printed with utmost care. They all appear in big sizes, some cases in double spread. Full Page details were provided for a few paintings to demonstrate the intricate brushwork involved. 286 illustrations including about 225 illustrations originally chosen for the exhibition. Rarely one comes across such a book where printed words are as important as the illustrations.
Can't recommend highly enough. I would have given it 10 stars, if I could.
Reviewed in India on May 8, 2022
This exhibition catalogue chronicles the life and time of Katsushika Hokusai (1760-1849) and his artistic output in the last three decades of his life. From 1800 and particularly after the arrival of his groundbreaking masterpieces, 36 views of Mount Fuji (1830-1834). Which also includes the famous, Under the great wave of Kanagawa. Hence, the British Museum Exhibition (2017) was named, Beyond the great wave.
Hokusai fought abject poverty and ill luck throughout his life. He changed his name a number of times, changed his abode 93 times and yet, when he died at the age of 88 (90 by the Japanese standard) he had left behind over 30,000 artworks!
So, one book is not enough even to give an overview of a certain part in the life of such a prolific artist. It must be kept in mind when one opens the book. For this reason alone this book is both highly satisfactory and a little disappointing (actually, you will want more when you have finished)!
Five essays discuss the different phases of Hokusai's artistic output in his later years, followed by plates which were selected for the exhibition. Each plate has a brief explanation and relevant information tagged with it. They're written expertly which makes it a joy to read them. Prints were chosen carefully and printed with utmost care. They all appear in big sizes, some cases in double spread. Full Page details were provided for a few paintings to demonstrate the intricate brushwork involved. 286 illustrations including about 225 illustrations originally chosen for the exhibition. Rarely one comes across such a book where printed words are as important as the illustrations.
Can't recommend highly enough. I would have given it 10 stars, if I could.
Take a look for example at his depiction of a strong wind, stripping leaves from the bending trees, blowing away the guy's hat and the tissues flying high in the air. The whole picture is in motion, full of momentum, but at the same time the scene is counteracted by the motionless and timeless Mount Fuji in the background. Pure perfection. Not to mention his waterfalls. Once you've seen them, you'll never forget them: they get imprinted in your memory forever. But when turning to ink painting, he shows a completely different character: his birds, flowers and women are sophisticated and meticulous, as if done by a different artist. I mean, how many faces does he really have?
I've also learned that Hokusai painted most of his famous works in his old age. Many artists go crazy when getting older, but he actually reached the peak of creativity towards the end of his life ('and when he died he went straight to heaven'). Is wisdom really gained by old age? In his case, at least, it is. He is the embodiment of the unifying force of art, his warriors being as good as Kuniyoshi's, his ladies as beautiful as Utamaro's, and his landscapes surpassing Hiroshige's. Anyway, the book is awesome, the paper is thick and glossy and the text is concise. The only thing I miss is his erotic masterpiece, 'the dream of the fisherman's wife', but I guess his oeuvre is so huge that one book cannot contain all of it. Five stars, in every respect...








