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Hold Me Tight Paperback – May 26, 2020

4.7 4.7 out of 5 stars 9 ratings

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In five poetic sequences, Jason Schneiderman’s Hold Me Tight considers life in a new age of anxiety as technology and violence inform new forms of selfhood and apocalypse seems always around the corner. Starting with a long poem about his own struggle to find peace, the collection is searingly grounded in the personal, anchored to Schneiderman’s own life. The collection moves to a sequence of parables about wolves, which obliquely consider intractable political conflicts and the emotional fallout of relationships that are structured around predators and prey. The next sequences focus on technology and art, looking at how technologies extend the possibilities of the human body, which alters what it means to be human. A long set of poems about Chris Burden explore the artist’s movement from the personal, self-inflicted violence of his early work to the larger questions of political violence that inform his later work. In the final sequence, Schneiderman imagines a series of “last things”—in which finality gives meaning to the people and things in question. In the end, Schneiderman’s project invokes a kind of old fashioned humanism, embracing the ruptures in our contemporary ways of living and thinking.


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Editorial Reviews

Review

"Jason Schneiderman’s poems are rife with a dark and gorgeous intelligence. If I compare them to a razor in an apple, please understand that I mean both the razor and the apple." —Michael Cunningham, winner of the Pulitzer Prize


"Jason Schneiderman’s Hold Me Tight is a tour de force of risk and vulnerability. The images that populate this book—from wolves to submarines—show how every story we’ve ever been told (every fairy tale heard, every movie watched) becomes an internalized part of our reality. And that reality is made all the more real when we can talk about it. These poems read like a wrought conversation the speaker only wishes he could have: “I needed / that story once; I’m telling it to you now, / because I know I may need it again.” And the discursive mode here always leads us to a place of surprise, a place where Schneiderman can declare, “This is the one thing / I have never told anyone. I still believe in the circle. / I may be the last, but I believe.” What a tenderly beautiful book!" —Jericho Brown, author of The Tradition


"Although the fairy tale-inspired poems in one of this book’s sequences, 'The Book of Wolves,' are not without their charms, and the 'Chris Burden Suite' is memorable for its interrogation of the nature of art and its presentation of Chris Burden’s art (the suite is also an elegy for the artist, who died in 2015), the real heart of Schneiderman’s book is 'The Book of Lasts,' a series of poems that imagines the endling, or last surviving member, of a variety of different people and items: the last book, widow, mirror, baby, etc. This is a playful, sometimes heartbreaking, sometimes funny, series of poems that are conceptually inventive. And while I admired and enjoyed a number of other poems, especially 'In Memoriam, Fanny Imlay (1794-1816),' and 'Voxel' (word-hoarders! please read this poem!), this concluding series was one I returned to a number of times in the past few months." —Mark Wagenaar, Plume

Review

"Jason Schneiderman’s poems are rife with a dark and gorgeous intelligence. If I compare them to a razor in an apple, please understand that I mean both the razor and the apple."
—Michael Cunningham, winner of the Pulitzer Prize

"Jason Schneiderman’s Hold Me Tight is a tour de force of risk and vulnerability. The images that populate this book—from wolves to submarines—show how every story we’ve ever been told (every fairy tale heard, every movie watched) becomes an internalized part of our reality. And that reality is made all the more real when we can talk about it. These poems read like a wrought conversation the speaker only wishes he could have: “I needed / that story once; I’m telling it to you now, / because I know I may need it again.” And the discursive mode here always leads us to a place of surprise, a place where Schneiderman can declare, “This is the one thing / I have never told anyone. I still believe in the circle. / I may be the last, but I believe.” What a tenderly beautiful book!"
—Jericho Brown, author of The Tradition

Featured in OutSmart's "National Poetry Month 2020 Reading List"

Featured in Baltimore OUTloud

Reviewed by Mark Wagenaar in Plume

Product details

  • Publisher ‏ : ‎ Red Hen Press (May 26, 2020)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 80 pages
  • ISBN-10 ‏ : ‎ 1597098299
  • ISBN-13 ‏ : ‎ 978-1597098298
  • Item Weight ‏ : ‎ 4.2 ounces
  • Dimensions ‏ : ‎ 6 x 0.25 x 9 inches
  • Customer Reviews:
    4.7 4.7 out of 5 stars 9 ratings

Customer reviews

4.7 out of 5 stars
4.7 out of 5
9 global ratings

Top reviews from the United States

Reviewed in the United States on August 11, 2021
This collection showcases Schneiderman’s keen eye for human frailty and flaw. His poems are sharp and succinctly insightful and super smart, but he avoids condescension, and part of this is due to the dry sense of humor that runs through the book — but never veers into something flatly jokey or lacking empathy. In fact, this is a deeply empathetic book, where the poet is never absent or excused from critique, and critique is tempered by a deep and overriding compassion for all persons on this earth, “knowing that the last black / hole is coming, and on the other side / will be time and space, and on the other side / will be time and space, and on the other / side will be time and space, / but without us.”

Favorite poems include: “Anger,” “Parable of the Wolves (ii),” “Rapture,” “Writing About _____ in The Age of Google,” “The Last Widow,” and “The Last War.”
Reviewed in the United States on May 15, 2022
Jason Schneiderman’s poems are full of anguish and frustration. Some of his poems capture the spirit of anger so well that I almost want to shake him. I didn’t care for some of the poems that were more metaphorical, like the Red Riding Hood poems, which also suffered from some sense of generalization.

But Schneiderman is a most underrated talent, and I hope he keeps doing what he does: using the English language to be himself.
Reviewed in the United States on November 2, 2021
These poems mix the search for what is humanly sustaining like hope, or love with the equally human ability to engage in open eyed self inquiry. I read the book in an hour, but the stance, wit and humanity of this poet will stay with me for a lifetime.
Reviewed in the United States on December 30, 2021
Startling. I have never read a poem like "Anger." A truly original writer.
Reviewed in the United States on April 17, 2021
Schneiderman's intelligence and insight on myriad subjects—from history, fairy tales, and pop cultural to poetry, politics and autobiography—move from one surprising, even shocking, moment of risk to the next. Though the poems feel so easy to read—like skiing down a bunny hill—it's more like walking in a mine field.
Reviewed in the United States on June 16, 2020
This collection of poems is tight and driving, and has an energy that is at once urgent, casual, and unexpected. The structure guides us through different worlds I needed to know more about. I love this book so much!
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