Other Sellers on Amazon
& FREE Shipping
89% positive over last 12 months
& FREE Shipping
100% positive over last 12 months
FREE Shipping
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the author
OK
Hollywood Traitors: Blacklisted Screenwriters - Agents of Stalin, Allies of Hitler Hardcover – January 5, 2015
Purchase options and add-ons
“Coming from one who has not only studied the postwar period in Hollywood but actually lived in it, Hollywood Traitors offers a rare perspective that is sure to prompt discussion and re-examination of the time when Stalin drew higher praise in some U.S. motion pictures than he did in Russian films.”—John Gizzi, White House correspondent and chief political colunist, Newsmax
“A real-life thriller about the movies, exploding the fifty-year myth that the Hollywood were innocent victims of a witch hunt. Must read for students of Cold War history.”—M. Stanton Evans, author of Blacklisted by History: The Untold Story of Senator Joe McCarthy and His Fight against America’s Enemies
There is a myth about the Hollywood Blacklist. The “Hollywood Ten” were dragged before the House Un-American Activities Committee (HUAC) and grilled on their associations with Communism, hid behind their Fifth Amendment rights, and refused to name names of Hollywood Communists. They were completely shut out from the filmmaking industry by Congress and considered the heroes of the hour by many in Hollywood. But it’s time to set the record straight.
In Hollywood Traitors: Blacklisted Screenwriters—Agents of Stalin, Allies of Hitler, Allan Ryskind reveals how the alleged “victims” of the Hollywood Blacklist were actually ideological thugs: enthusiastic Stalinists committed to bringing about a socialist utopia in America—even by violent revolution.
Ryskind, a long-time editor of Ronald Reagan’s favorite publication, Human Events, tells the true story of how these screenwriters prostituted their talent in the service of anti-American, pro-Communist propaganda.
Ryskind pens the riveting report from an insider’s perspective. His father, Morrie Ryskind, was a screenwriter in Hollywood and was joined by Ronald Reagan, John Wayne, Walt Disney, and others at the forefront of the anti-Communist movement in Hollywood—even at the expense of their careers and reputations.
In Hollywood Traitors you will learn:
- How the Hollywood Communists took their orders straight from the Party headquarters in New York, which in turn took them directly from Stalin’s Comintern, responsible for promoting international revolution
- How Communists attempted to take over Hollywood trade unions to control the American film industry
- Many major films clearly toed the Soviet line, including Casablanca, Arise my Love, Paris Falling, and Mission to Moscow.
- Print length538 pages
- LanguageEnglish
- PublisherRegnery History
- Publication dateJanuary 5, 2015
- Dimensions6 x 1.6 x 9 inches
- ISBN-101621572064
- ISBN-13978-1621572060
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now
Frequently bought together

Customers who viewed this item also viewed
Hollywood Party: How Communism Seduced the American Film Industry in the 1930s and 1940sKenneth Lloyd BillingsleyHardcover
Editorial Reviews
Review
--Ann Coulter, author of ten New York Times bestsellers, including Treason: Liberal Treachery from the Cold War to the War on Terrorism
"Allan Ryskind opens up a forgotten part of postwar history, Hollywood, and the Cold War--and we discover that most of what Americans thought about that period wasn't true. Whether it is the Hollywood Ten, the Blacklist, or just how influential Soviet penetration of the U.S. entertainment industry was during and after World War II, Ryskind spells it out with complete documentation. The influence of this period on such noted Americans as Ronald Reagan and actor Robert Taylor is also explained. Coming from one who has not only studied the postwar period in Hollywood but actually lived in it, Hollywood Traitors offers a rare perspective that is sure to prompt discussion and re-examination of the time when Stalin drew higher praise in some U.S. motion pictures than he did in Russian films."
--John Gizzi, White House correspondent and chief political columnist, Newsmax
"A real-life thriller about the movies, exploding the fifty-year myth that the Hollywood Ten were innocent victims of a witch hunt. Ryskind shows that they, as well as numerous other screenwriters, were in fact hard-core Stalinists bent on subverting U.S. society and culture. Must reading for students of Cold War history."
--M. Stanton Evans, author of Blacklisted by History: The Untold Story of Senator Joe McCarthy and His Fight against America's Enemies
From the Inside Flap
According to the legend, noble Hollywood figurescreative screenwriters, brilliant directors, and beloved actorswere dragged before the dreaded House Un-American Activities Committee (HUAC) and grilled on their personal beliefs and associations, in flagrant violation of the First Amendment. Only by taking the Fifth” could they escape turning informant against their innocent friends and colleagues. The brave and conscientious Hollywood Ten” were the heroes of the hour. They refused to name names” of Communists in Hollywood (most of whom were simply slightly misguided liberals, according to the legend) and were jailed for contempt of Congress. And then, in what was a terrible loss for the cinematic art, they were completely shut out of working in Hollywood.
Now, however, you can learn the real story from an authoritative source: longtime Human Events editor Allan Ryskind, who, as the son of Marx Brothers screenwriter Morrie Ryskind, grew up in Hollywood and knew many of the key players in this real-life Hollywood drama.
In Hollywood Traitors: Blacklisted ScreenwritersAgents of Stalin, Allies of Hitler, Ryskind reveals how the alleged victims” of the Hollywood blacklist were actually ideological thugs: enthusiastic Stalinists committed to bringing about a socialist utopia in Americaby violent revolution, if necessary. These screenwriters prostituted their talent in the service of Communist propaganda, which included pro-Nazi propaganda during the Hitler-Stalin Pact.
From the Back Cover
According to the legend, noble Hollywood figures--creative screenwriters, brilliant directors, and beloved actors--were dragged before the dreaded House Un-American Activities Committee (HUAC) and grilled on their personal beliefs and associations, in flagrant violation of the First Amendment. Only by "taking the Fifth" could they escape turning informant against their innocent friends and colleagues. The brave and conscientious "Hollywood Ten" were the heroes of the hour. They refused to "name names" of Communists in Hollywood (most of whom were simply slightly misguided liberals, according to the legend) and were jailed for contempt of Congress. And then, in what was a terrible loss for the cinematic art, they were completely shut out of working in Hollywood.
Now, however, you can learn the real story from an authoritative source: longtime Human Events editor Allan Ryskind, who, as the son of Marx Brothers screenwriter Morrie Ryskind, grew up in Hollywood and knew many of the key players in this real-life Hollywood drama.
In Hollywood Traitors: Blacklisted Screenwriters--Agents of Stalin, Allies of Hitler, Ryskind reveals how the alleged "victims" of the Hollywood blacklist were actually ideological thugs: enthusiastic Stalinists committed to bringing about a socialist utopia in America--by violent revolution, if necessary. These screenwriters prostituted their talent in the service of Communist propaganda, which included pro-Nazi propaganda during the Hitler-Stalin Pact.
About the Author
Mr. Ryskind, who covered Capitol Hill during much of the Clinton presidency, has been a reporter and editor with Human Events since 1959. He currently serves as editor-at-large for the online publication. He is also the author of a well-regarded biography of Hubert Humphrey, the Democratic challenger that narrowly lost the presidency to Richard Nixon in 1968.
Mr. Ryskind resides in the D.C. metro area with his family.
Product details
- Publisher : Regnery History; 1St Edition (January 5, 2015)
- Language : English
- Hardcover : 538 pages
- ISBN-10 : 1621572064
- ISBN-13 : 978-1621572060
- Item Weight : 1.76 pounds
- Dimensions : 6 x 1.6 x 9 inches
- Best Sellers Rank: #1,512,346 in Books (See Top 100 in Books)
- #825 in Fascism (Books)
- #2,112 in Communism & Socialism (Books)
- #2,433 in Internet & Telecommunications
- Customer Reviews:
Important information
To report an issue with this product or seller, click here.
About the author

Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Risking does an excellent job detailing the battles within the unions for control by the subversive elements who took their orders straight from Moscow, and the attempts to cripple the American was production during the near two year period of the Stalin-Hitler pact. During this period the Party formed numerous anti-war fronts to disarm America and to hinder supplying England. Once Hitler double-crossed Stalin in June, 1941, The American Communists quickly became super-American patriots-on the surface at least- and the most hawkish you can imagine, demanding an immediate second front in Europe to bail out their beloved Soviet Union. They quickly ceased their anti-British agitation and became strongly pro-Roosevelt. This lasted until 1945 when the inevitable victory against the Axis was sealed. Under marching orders from Stalin, they initiated the Cold War. And while numerousAmerican Communists abandoned the party after the August, 1939 pact, the majority simply went along. And these are the individuals we often see honored. Please read this book to learn about this period. While it focuses on the Hollywood scene, it will teach you much about the general nature of the Communist threat, which was a real threat, not the "anti-Communist hysteria" one usually hears about.
There is one other book - The Red Hunter - by William F. Buckley that also challenges that portrayal of loyal American citizens being suppressed by HUAC hearings.
In HOLLYWOOD TRAITORS, Mr. Ryskind gives the complete details of the specific actions taken by the accused "Hollywood Ten" that caused them to be tried and convicted. Any evaluation of that period of time needs a full evaluation of every aspect of the political makeup of the accused individuals and the time in which these events happened.
1. The US Government did not create the Blacklist but it was created by the Movie Industry executives who realized that the actions of the accused would cause a financial backlash against the entire industry.
2. The Cold war was starting to rage - the Iron Curtain, Russia Expansionism in Eastern Europe, The Chinese Communist takeover, The Berlin Airlift, and as a young person living in that era, I can attest to the general angst of the time. There was a tremendous belief that the Allies did nothing in the 1930's to stop Hitler as he annexed the Rhineland, Austria, Sudatenland, etc and that this was happening again by Stalinist Russia thoughout the world. Obviously this was a national policy as well - containing Communism that was further implemented militarily and politically over the next 43 years from 1947 to 1990 with the collapse of Communism in Europe Thus anyone accused of supporting Stalinist thinking would be a pariah, and the Hollywood Ten were confirmed Stalinists.
The book explains the other side of the events conducted by the Hollywood Ten and why the Blacklist was created.
My only issue with the book was that it could have been better edited in that it repeats various points again and again.
A good book to read in order to get a more comprehensive understanding as to what really happened in Hollywood at that tiem
Who believed active communists ought to be welcomed, ex-Reds condemned and those who helped ex-Reds gain employment be denounced as liberal collaborators?
Did the HUAC have the right to pry into the activities of agents of a foreign power and our opponent in the Cold War?
Who hoped someone would shoot Elia Kazan before he could accept his honorary Oscar?
Is there a difference between the GOP and the Communist party?
Which Academy Award winner was accused of being a goose-stepping, belly-crawling stool pigeon?
Who advised, Try to get five minutes of the Communist doctrine into every script?
Did America support racism in the 1940s and was she supporting fascism everywhere?
Why were so very many actors and writers pacifist until 22 June 1941 and why did they overnight become pro-war?
Which actor believes Castro a genius? Does he have anything in common with Shirley MacLaine, Kevin Costner, Danny Glover and Steven Spielderg?
Why was Robert Taylor’s name removed from the Robert Taylor Building and by whom?
Ryskind addresses all of this and more in his personal and easy-to-follow look back on Hollywood in the early years of the Cold War.
Top reviews from other countries
However, in this case the chapter notes appear to consist primarily of personal opinion and anecdote paraded as facts.
Clearly a right-wing polemic with little of real substance to support its contentions, apart from personal animus and the author's father's own personal experiences.
However, the seller has been most courteous and accommodating in taking back the copy free of charge, and reimbursing me for the full amount, including postage.
The seller has been excellent. The book, rather less so.



