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Holy Diver Joe Barresi Remix Edition
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Holy Diver (2022 Joe Barresi Remix)
"Please retry" | Amazon Music Unlimited |
| Price | New from | Used from |
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MP3 Music, May 25, 1983
"Please retry" | $7.99 | — |
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Track Listings
Disc: 1
| 1 | Stand Up and Shout (2022 Joe Barresi Remix) |
| 2 | Holy Diver (2022 Joe Barresi Remix) |
| 3 | Gypsy (2022 Joe Barresi Remix) |
| 4 | Caught in the Middle (2022 Joe Barresi Remix) |
Disc: 2
| 1 | Don't Talk to Strangers (2022 Joe Barresi Remix) |
| 2 | Straight Through the Heart (2022 Joe Barresi Remix) |
| 3 | Invisible (2022 Joe Barresi Remix) |
Disc: 3
| 1 | Rainbow in the Dark (2022 Joe Barresi Remix) |
| 2 | Shame on the Night (2022 Joe Barresi Remix) |
| 3 | Evil Eyes (Wyn Davis Remix) |
Editorial Reviews
Joe Barresi’s new mix of Holy Diver released as a 2-LP set on 180-gram vinyl. It includes the original nine tracks, plus the 1983 B-side version of “Evil Eyes” as a bonus track. Side four is decorated with an etching of the legendary demon Murry that graces the album’s iconic cover. The vinyl is kept in a gatefold sleeve that shows off newly commissioned artwork by longtime Dio artist, Marc Sasso.
Product details
- Package Dimensions : 15.83 x 13.27 x 0.98 inches; 1.3 Pounds
- Manufacturer : Rhino/Warner Records
- Original Release Date : 2022
- Date First Available : May 19, 2022
- Label : Rhino/Warner Records
- ASIN : B0B1QTFPKG
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #7,451 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #719 in Metal
- Customer Reviews:
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Let me elaborate, the drums kick harder, the rhythm section has a thump and boom that hits clear and firm, guitars ring clear and drive the heavy drone of the title song, Dio’s vocals have an ease and power that lifts all that metal up to greatest of heights.
Stream even the original to the remix and you will hear it. The dynamics are actually improved over the original something that current studio styles favor, but this remix removes from the original where lots of the band sound blended together and maxed out the levels more.
Or maybe now I’m remembering my first few listens of the LP against my own memory of this killer record as compared with the original.
All I know is it sounds great, glad to have it, live the new artwork!
Anyway, I am enjoying this remix. I can hear the guitar and bass guitar better than I could with the original. The non fade out versions of tracks comes as a pleasant surprise, as it is great to hear that actual endings were created for every song. I do find this version of "Evil Eyes" to be inferior to the version that made it onto The Last in Line.
Reviewed in the United States on July 22, 2022
Anyway, I am enjoying this remix. I can hear the guitar and bass guitar better than I could with the original. The non fade out versions of tracks comes as a pleasant surprise, as it is great to hear that actual endings were created for every song. I do find this version of "Evil Eyes" to be inferior to the version that made it onto The Last in Line.
Thank you
Reviewed in the United States on July 9, 2022
Top reviews from other countries
Ronnie's voice us a little more prominent and the bottom end was turned down very slightly. The best part of this record is that there are no fade-outs. Alot of songs end with an improvised outro. This is most noticeable on the title track. Alot of songs also start with a count in, which is cool.
The album is double vinyl with a gatefold sleeve. Side four has an etching of Murray.
After listening to the same album for close to forty years, it is refreshing hearing it a little different but still maintaining its integrity.
Reviewed in Canada on October 25, 2022
Ronnie's voice us a little more prominent and the bottom end was turned down very slightly. The best part of this record is that there are no fade-outs. Alot of songs end with an improvised outro. This is most noticeable on the title track. Alot of songs also start with a count in, which is cool.
The album is double vinyl with a gatefold sleeve. Side four has an etching of Murray.
After listening to the same album for close to forty years, it is refreshing hearing it a little different but still maintaining its integrity.
A parte la cover ridisegnata da un bambino celebroleso, il disco vale l'acquisto per tutti quelli che conoscono ed apprezzano le versioni originali del 1983, arricchite, su tutto, dai piatti "più aperti" e dai soli bastardi di Viv Campbell, finalmente resi fruibili per intero in alcuni brani (erano sfumati dal fade out delle versioni originali).
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