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Home (Oprah's Book Club): A Novel Paperback – September 1, 2009
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WINNER OF THE ORANGE PRIZE 2009
A 2008 NATIONAL BOOK AWARD FINALIST
WINNER OF THE LOS ANGELES TIMES BOOK PRIZE
A New York Times Bestseller
A Washington Post Best Book of the Year
A Los Angeles Times Best Book of the Year
A San Francisco Chronicle Best Book of the Year
Hailed as "incandescent," "magnificent," and "a literary miracle" (Entertainment Weekly), hundreds of thousands of readers were enthralled by Marilynne Robinson's Gilead. Now Robinson returns with a brilliantly imagined retelling of the prodigal son parable, set at the same moment and in the same Iowa town as Gilead. The Reverend Boughton's hell-raising son, Jack, has come home after twenty years away. Artful and devious in his youth, now an alcoholic carrying two decades worth of secrets, he is perpetually at odds with his traditionalist father, though he remains his most beloved child. As Jack tries to make peace with his father, he begins to forge an intense bond with his sister Glory, herself returning home with a broken heart and turbulent past. Home is a luminous and healing book about families, family secrets, and faith from one of America's most beloved and acclaimed authors.
- Print length336 pages
- LanguageEnglish
- PublisherPicador
- Publication dateSeptember 1, 2009
- Dimensions5.55 x 0.89 x 8.17 inches
- ISBN-100312428545
- ISBN-13978-0312428549
From #1 New York Times bestselling author Colleen Hoover comes a novel that explores life after tragedy and the enduring spirit of love. | Learn more
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Editorial Reviews
Review
“Remarkable . . . an even stronger accomplishment than Gilead.” ―Claire Messud, The New York Review of Books
“An exquisite, often ruefully funny meditation on redemption.” ―Megan O'Grady, Vogue
“An anguished pastoral, a tableau of decency and compassion that is also an angry and devastating indictment of moral cowardice and unrepentant, unacknowledged sin. . . . . Beautiful.” ―A. O. Scott, The New York Times Book Review
“Rich and resonant . . . Gilead and Home fit with and around each other perfectly, each complete on its own, yet enriching and enlivening the other. But both are books of such beauty and power.” ―Emily Barton, Los Angeles Times
“Marilynne Robinson is so powerful a writer that she can reshape how we read.” ―Mark Athitakis, Chicago Sun-Times
“Home begins simply, eschewing obvious verbal fineness, and slowly grows in luxury--its last fifty pages are magnificently moving. . . . Powerful.” ―James Wood, The New Yorker
“When Marilynne Robinson writes a new book, it's an event.” ―Pat MacEnulty, Charlotte Observer
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Home
A NovelBy Marilynne RobinsonPicador
Copyright © 2009 Marilynne RobinsonAll right reserved.
ISBN: 9780312428549
"Home to stay, Glory! Yes!" her father said, and her heart sank. He attempted a twinkle of joy at this thought, but his eyes were damp with commiseration. "To stay for a while this time!" he amended, and took her bag from her, first shifting his cane to his weaker hand. Dear God, she thought, dear God in heaven. So began and ended all her prayers these days, which were really cries of amazement. How could her father be so frail? And how could he be so recklessly intent on satisfying his notions of gentlemanliness, hanging his cane on the railing of the stairs so he could, dear God, carry her bag up to her room? But he did it, and then he stood by the door, collecting himself."This is the nicest room. According to Mrs. Blank." He indicated the windows. "Cross ventilation. I don’t know. They all seem nice to me." He laughed. "Well, it’s a good house." The house embodied for him the general blessedness of his life, which was manifest, really indisputable. And which he never failed to acknowledge, especially when it stood over against particular sorrow. Even more frequently after their mother died he spoke of the house as if it were an old wife, beautiful for every comfort it had offered, every grace, through all the long years. It was a beauty that would not be apparent to every eye. It was too tall for the neighborhood, with a flat face and a flattened roof and peaked brows over the windows. "Italianate," her father said, but that was a guess, or a rationalization. In any case, it managed to look both austere and pretentious despite the porch her father had had built on the front of it to accommodate the local taste for socializing in the hot summer evenings, and which had become overgrown by an immense bramble of trumpet vines. It was a good house, her father said, meaning that it had a gracious heart however awkward its appearance. And now the gardens and the shrubbery were disheveled, as he must have known, though he rarely ventured beyond the porch.Not that they had been especially presentable even while the house was in its prime. Hide-and-seek had seen to that, and croquet and badminton and baseball. "Such times you had!" her father said, as if the present slight desolation were confetti and candy wrappers left after the passing of some glorious parade. And there was the oak tree in front of the house, much older than the neighborhood or the town, which made rubble of the pavement at its foot and flung its imponderable branches out over the road and across the yard, branches whose girths were greater than the trunk of any ordinary tree. There was a torsion in its body that made it look like a giant dervish to them. Their father said if they could see as God can, in geological time, they would see it leap out of the ground and turn in the sun and spread its arms and bask in the joys of being an oak tree in Iowa. There had once been four swings suspended from those branches, announcing to the world the fruitfulness of their household. The oak tree flourished still, and of course there had been and there were the apple and cherry and apricot trees, the lilacs and trumpet vines and the day lilies. A few of her mother’s irises managed to bloom. At Easter she and her sisters could still bring in armfuls of flowers, and their father’s eyes would glitter with tears and he would say, "Ah yes, yes," as if they had brought some memento, these flowers only a pleasant reminder of flowers.Why should this staunch and upright house seem to her so abandoned? So heartbroken? The eye of the beholder, she thought. Still, seven of her father’s children came home as often as they could manage to, and telephoned, and sent notes and gifts and crates of grapefruit. Their own children, from the time they could grasp a crayon and scrawl, were taught to remember Grandpa, then Great-grandpa. Parishioners and their children and grandchildren looked in on her father with a faithfulness that would have taxed his strength if the new minister had not hinted at the problem. And there was Ames, her father’s alter ego, in whom he had confided so long and so utterly that he was a second father to them all, not least in the fact of knowing more about them than was entirely consistent with their comfort. Sometimes they made their father promise not to tell anyone, by which he knew they meant Reverend Ames, since he was far too discreet to repeat any confidence, except in the confessional of Ames’s stark bachelor kitchen, where, they suspected, such considerations were forgotten. And what was their father not to tell? How they informed on Jack, telling him what Jack had said, what Jack had done or seemed inclined to do."I have to know," their father said. "For his sake." So they told on their poor scoundrel brother, who knew it, and was irritated and darkly amused, and who kept them informed or misinformed and inspired urgent suspicions among them which they felt they had to pass on, whatever their misgivings, to spare their father having to deal with the sheriff again. They were not the kind of children to carry tales. They observed a strict code against it among themselves, in fact, and they made an exception of Jack only because they were afraid to do otherwise. "Will they put him in jail?" they asked one another miserably when the mayor’s son found his hunting rifle in their barn. If they had only known, they could have returned it and spared their father surprise and humiliation. At least with a little warning he could have composed himself, persuaded himself to feel something less provocative than pure alarm.But no, they did not put him in jail. Jack, standing beside his father, made yet another apology and agreed to sweep the steps of the city hall every morning for a week. And he did leave the house early every morning. Leaves and maple wings accumulated at city hall until the week was over and the mayor swept them up. No. His father would always intercede for him. The fact that his father was his father usually made intercession unnecessary. And that boy could apologize as fluently as any of the rest of the Boughtons could say the Apostles’ Creed.A decade of betrayals, minor and major, was made worse by awareness on every side that they were all constantly alert to transgression and its near occasion, and made worse still by the fact that Jack never repaid them in kind, though this may only have been because their own mischief was too minor to interest him. To say they shared a bad conscience about Jack to this day would be to overstate the matter a little. No doubt he had his own reasons for staying away all these years, refusing all contact with them. Assuming, please God, he was alive. It was easy to imagine in retrospect that Jack might have tired of it all, even though they knew he made a somber game of it. Sometimes he had seemed to wish he could simply trust a brother, a sister. They remembered that from time to time he had been almost candid, had spoken almost earnestly. Then he would laugh, but that might have been embarrassment.They were attentive to their father all those years later, in part because they were mindful of his sorrow. And they were very kind to one another, and jovial, and fond of recalling good times and looking through old photographs so that their father would laugh and say, "Yes, yes, you were quite a handful." All this might have been truer because of bad conscience, or, if not that, of a grief that felt like guilt. Her good, kind, and jovial siblings were good, kind, and jovial consciously and visibly. Even as children they had been good in fact, but also in order to be seen as good. There was something disturbingly like hypocrisy about it all, though it was meant only to compensate for Jack, who was so conspicuously not good as to cast a shadow over their household. They were as happy as their father could wish, even happier. Such gaiety! And their father laughed at it all, danced with them to the Victrola, sang with them around the piano. Such a wonderful family they were! And Jack, if he was there at all, looked on and smiled and took no part in any of it.Now, as adults, they were so careful to gather for holidays that Glory had not seen the house empty and quiet in years, since she was a girl. Even when the others had all gone off to school her mother was there, and her father was still vigorous enough to make a little noise in the house with coming and going, singing, grumbling. "I don’t know why he has to slam that door!" her mother would say, when he was off to tend to some pastoral business or to play checkers with Ames. He almost skipped down the steps. The matter of Jack and the girl and her baby stunned him, winded him, but he was still fairly robust, full of purpose. Then, after his frailty finally overwhelmed him, and after their mother died, there was still the throng of family, the bantering and bickering child cousins who distracted and disrupted adult conversation often enough to ward off inquiry into the specifics of her own situation. Still teaching, still engaged to be married, yes, long engagements are best. Twice the fiancé had actually come home with her, had shaken hands all around and smiled under their tactful scrutiny. He had been in their house. He could stay only briefly, but he had met her father, who claimed to like him well enough, and this had eased suspicions a little. Theirs and hers. Now here she was alone with poor old Papa, sad old Papa, upon whose shoulder much of Presbyterian Gilead above the age of twenty had at some time wept. No need to say anything, and no hope of concealing anything either.The town seemed different to her, now that she had returned there to live. She was thoroughly used to Gilead as the subject and scene of nostalgic memory. How all the brothers and sisters exceptJack had loved to come home, and how ready they always were to leave again. How dear the old place and the old stories were to them, and how far abroad they had scattered. The past was a very fine thing, in its place. But her returning now, to stay, as her father said, had turned memory portentous. To have it overrun its bounds this way and become present and possibly future, too—they all knew this was a thing to be regretted. She rankled at the thought of their commiseration.Most families had long since torn down their outbuildings and sold off their pastures. Smaller houses in later styles had sprung up between them in sufficient numbers to make the old houses look increasingly out of place. The houses of Gilead had once stood on small farmsteads with garden patches and berry patches and henhouses, with woodsheds, rabbit hutches, and barns for the cow or two, the horse or two. These were simply the things life required. It was the automobile that changed that, her father said. People didn’t have to provide for themselves the way they once did. It was a loss—there was nothing like chicken droppings to make flowers thrive.Boughtons, who kept everything, had kept their land, their empty barn, their useless woodshed, their unpruned orchard and horseless pasture. There on the immutable terrain of their childhood her brothers and sisters could and did remember those years in great detail, their own memories, but more often the pooled memory they saw no special need to portion out among them. They looked at photographs and went over the old times and laughed, and their father was well pleased.Boughton property lay behind the house in a broad strip that spanned two blocks, now that the town had grown and spread enough to have blocks. For years a neighbor—they still called him Mr. Trotsky because Luke, home from college, had called him that—planted alfalfa on half of it, and her father sometimes tried to find words for his irritation about this. "If he would just ask me," he said. She was too young at the time to understand the alfalfa putsch, and she was in college when she began to see what R the old stories meant, that they were really the stirring and smoldering of old fires that had burned furiously elsewhere. It pleased her to think that Gilead was part of the world she read about, and she wished she had known Mr. Trotsky and his wife, but old as they were, they had abandoned Gilead to its folly in a fit of indignation about which no one knew the particulars, just at the end of her sophomore year.The land that was the battlefield would have been unused if the neighbor had not farmed it, and alfalfa was good for the soil, and the joke and perhaps the fact was that the neighbor, who seemed otherwise unemployed and who railed against the cash nexus, donated his crop to a rural cousin, who in exchange donated to him a certain amount of money. In any case, her father could never finally persuade himself that objection was called for. The neighbor was also an agnostic and probably spoiling for an ethical argument. Her father seemed to feel he could not risk losing another one of those, after the embarrassing episode when he tried to prevent the town from putting a road through his land, on no better grounds than that his father would have opposed it, and his grandfather. He had realized this during a long night when his belief in the rightness of his position dissipated like mist, under no real scrutiny. There was simply the moment, a little after 10:00 p.m., when the realization came, and then the seven hours until dawn. His case looked no better by daylight, so he wrote a letter to the mayor, simple and dignified, making no allusion to the phrase "grasping hypocrite," which he had thought he heard the mayor mutter after him as he walked away from a conversation he had considered pleasant enough. He told all of them about this at the dinner table and used it more than once as a sermon illustration, since he did devoutly believe that when the Lord gave him moral instruction it was not for his use only.Each spring the agnostic neighbor sat his borrowed tractor with the straight back and high shoulders of a man ready to be challenged. Unsociable as he was, he called out heartily to passersby like a man with nothing to hide, intending, perhaps, to make the Reverend Boughton know, and know the town at large knew, too, that he was engaged in trespass. This is the very act against which Christians leveraged the fate of their own souls, since they were, if they listened to their own prayers, obliged to forgive those who trespassed against them.Her father lived in a visible state of irritation until the crop was in, but he was willing to concede the point. He knew the neighbor was holding him up to public embarrassment year after year, seed time and harvest, not only to keep fresh the memory of his ill-considered opposition to the road, but also to be avenged in some small degree for the whole, in his agnostic view unbroken, history of religious hypocrisy.Once, five of the six younger Boughtons—Jack was elsewhere— played a joyless and determined game of fox and geese in the tender crop of alfalfa, the beautiful alfalfa, so green it was almost blue, so succulent that a mist stood on its tiny leaves even in the middle of the day. They were not conscious of the craving for retaliation until Dan ran out into the field to retrieve a baseball, and Teddy ran after him, and Hope and Gracie and Glory after them. Somebody shouted fox and geese, and they all ran around to make the great circle, and then to make the diameters, breathless, the clover breaking so sweetly under their feet that they repented of the harm they were doing even as they persisted in it. They slid and fell in the vegetable mire and stained their knees and their hands, until the satisfactions of revenge were outweighed in their hearts by the knowledge that they were deeply in trouble. They played on until they were called to supper. When they trooped into the kitchen in a reek of child sweat and bruised alfalfa, their mother made a sharp sound in her throat and called, "Robert, look what we have here." The slight satisfaction in their father’s face confirmed what they dreaded, that he saw the opportunity to demonstrate Christian humility in such an unambiguous form that the neighbor could feel it only as rebuke.He said, "Of course you will have to apologize." He looked almost stern, only a little amused, only a little gratified. "You had better get it over with," he said. As they knew, an apology freely offered would have much more effect than one that might seem coerced by the offended party, and since the neighbor was a short-tempered man, the balance of relative righteousness could easily tip against them. So the five of them walked by way of the roads to the other side of the block. Somewhere along the way Jack caught up and walked along with them, as if penance must always include him.They knocked at the door of the small brown house and the wife opened it. She seemed happy enough to see them, and not at all surprised. She asked them in, mentioning with a kind of regret the smell of cooking cabbage. The house was sparsely furnished and crowded with books, magazines, and pamphlets, the arrangements having a provisional feeling though the couple had lived there for years. There were pictures pinned to the walls of bearded, unsmiling men and women with rumpled hair and rimless glasses.Teddy said, "We’re here to apologize."She nodded. "You trampled the field. I know that. He knows, too. I’ll tell him you have come." She spoke up the stairs, perhaps in a foreign language, listened for a minute to nothing audible, and came back to them. "To destroy is a great shame," she said."To destroy for no reason." Teddy said, "That is our field. I mean, my father does own it.""Poor child!" she said. "You know no better than this, to speak of owning land when no use is made of it. Owning land just to keep it from others. That is all you learn from your father the priest! Mine, mine, mine! While he earns his money from the ignorance of the people!" She waved a slender arm and a small fist. "Telling his foolish lies again and again while everywhere the poor suffer!"They had never heard anyone speak this way before, certainly not to them or about them. She stared at them to drive her point home. There was convincing rage and righteousness in her eyes, watery blue as they were, and Jack laughed."Oh yes," she said, "I know who you are. The boy thief, the boy drunkard! While your father tells the people how to live! He deserves you!" Then, "Why so quiet? You have never heard the truth before?"Daniel, the oldest of them, said, "You shouldn’t talk that way. If you were a man, I’d probably have to hit you.""Hah! Yes, you good Christians, you come into my house to threaten violence! I will report you to the sheriff. There is a little justice, even in America!" She waved her fist again.Jack laughed. He said, "It’s all right. Let’s go home." And she said, "Yes, listen to your brother. He knows about the sheriff!"So they trooped out the door, which was slammed after them, and filed home in the evening light absorbing what they had heard. They agreed that the woman was crazy and her husband, too. Still, vengefulness stirred in them, and there was talk of breaking windows, letting air out of tires. Digging a pit so large and well concealed that the neighbor and his tractor would both fall in. And there would be spiders at the bottom, and snakes. And when he yelled for help they would lower a ladder with the rungs sawed through so that they would break under his weight. Ah, the terrible glee among the younger ones, while the older ones absorbed the fact that they had heard their family insulted and had done nothing about it.They walked into their own kitchen, and there were their mother and father, waiting to hear their report. They told them that they didn’t speak to the man, but the woman had yelled at them and had called their father a priest."Well," their mother said, "I hope you were polite."They shrugged and looked at each other. Gracie said, "We just sort of stood there."Jack said, "She was really mean. She even said you deserved me."Her father’s eyes stung. He said, "Did she say that? Well now, that was kind of her. I will be sure to thank her. I hope I do deserve you, Jack. All of you, of course." That tireless tenderness of his, and Jack’s unreadable quiet in the face of it.Mr. Trotsky planted potatoes and squash the next year, corn the year after that. A nephew of the rural cousin came to help him with his crop, and in time was given the use of the field and built a small house on one corner of it and brought a wife there, and they had children. More beds of marigolds, another flapping clothesline, another roof pitched under heaven to shelter human hope and frailty. The Boughtons tacitly ceded all claim. Excerpted from Home by Marilynne Robinson
Copyright © 2008 by Marilynne Robinson
Published in September 2008 by Farrar, Straus and Giroux, LLC.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.
Continues...
Excerpted from Home by Marilynne Robinson Copyright © 2009 by Marilynne Robinson. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Picador; First Edition (September 1, 2009)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0312428545
- ISBN-13 : 978-0312428549
- Item Weight : 10.4 ounces
- Dimensions : 5.55 x 0.89 x 8.17 inches
- Best Sellers Rank: #1,149,354 in Books (See Top 100 in Books)
- #10,984 in Contemporary Literature & Fiction
- #13,788 in Family Life Fiction (Books)
- #47,183 in Literary Fiction (Books)
- Customer Reviews:
About the author

Marilynne Robinson is the author of the bestselling novels "Lila," "Home" (winner of the Orange Prize), "Gilead" (winner of the Pulitzer Prize), and "Housekeeping" (winner of the PEN/Hemingway Award).
She has also written four books of nonfiction, "When I Was a Child I Read Books," "Absence of Mind," "Mother Country" and "The Death of Adam." She teaches at the University of Iowa Writers' Workshop.
She has been given honorary degrees from Brown University, the University of the South, Holy Cross, Notre Dame, Amherst, Skidmore, and Oxford University. She was also elected a fellow of Mansfield College, Oxford University.
Customer reviews
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To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers praise the writing quality as breathtaking and lyrical. They find the book engaging and special. Readers find the content insightful, spiritual, and challenging. They appreciate the well-developed characters and honest portrayal of real life. However, opinions differ on the pacing - some find it compelling and interesting, while others feel there is little or no plot.
AI-generated from the text of customer reviews
Customers find the writing quality of the book captivating and readable. They describe the prose as lyrical, thoughtful, and modern literary fiction at its best. Readers appreciate the simplicity and straightforwardness of the writing style.
"...The prose is as breathtaking as in Housekeeping and she doesn’t get as carried away with it as she occasionally did in that first book...." Read more
"...Marilynne Robinson reminds me of a midwestern Faulkner, with her beautiful prose and intertwining lives in small town Iowa...." Read more
"...This is what she produced. It is filled with the lyrical and beautiful language found in Gilead and Housekeeping. It just doesn't say much...." Read more
"...34;Home" is beautifully written, and compellingly plotted, despite the fact that not all that much actually happens -- on the outside, at least...." Read more
Customers find the book engaging and enjoyable. They describe it as an interesting read with an elegiac quality. Readers appreciate the well-developed characters and the author's kindness and thoughtfulness.
"...In conclusion, Jack is loveable and worth knowing...." Read more
"...‘Home’ has an elegiac quality to it. There is pervasive sadness inherent in the prose as we realize that some divisions can never be mended...." Read more
"...what she loves or had ever hoped for, and the reasons for it, are beautiful. She is by no means a minor character...." Read more
"...But, still worth a read if you’re a Robinson fan." Read more
Customers find the book insightful and emotional. They appreciate its depth and spirituality without proselytizing. The writing is beautiful and thought-provoking, with internal thoughts and relationships explored. Readers mention that the psychology and theology are astute, and the book explores at least one basic theological question.
"...She hits on theological themes, interwoven with the warp and woof of everyday ordinariness...." Read more
"...Full of internal thoughts and relationships, the ending reaches that bittersweet conclusion that the best stories often leave us with...." Read more
"...First, it explores at least one basic theological question...." Read more
"...She expresses profound truths via the thoughts and actions of her characters. Highly recommend!" Read more
Customers find the characters interesting and well-developed. They appreciate the honest portrayal of real life and faith. However, some readers found the people hard to follow at times.
"...Her characters are likable, as we can identity in different ways perhaps with each of them...." Read more
"...I found Jack to be largely a likable and three-dimensional character, certainly more well-developed and humane than the two preachers..." Read more
"...Still, the characters are interesting, especially, the poor doomed prodigal son, who is, I think, so unforgivingly received." Read more
"...in its plot but in the beauty of its writing and the depth of its characters and ideas...." Read more
Customers find the book comforting. They describe the relationships as gentle, insightful, and tender. The characters are well-drawn and sympathetic.
"...They are all stories and settings that I felt very comfortable with and could even relate to in several ways...." Read more
"...Her style reminds me of a Horton Foote play, gentle, insightful relationships with quiet explorations of emotions as well as ideas...." Read more
"Once again Marilynne Robinson has written a beautiful, tender and thought-provoking novel...." Read more
"...The characters are well drawn, very real and sympathetic. I am looking forward to the next book in the series.." Read more
Customers find the characters realistic and sympathetic. They describe the book as true to life and understandable yet surprising.
"...They have been made that real. I care about their lives and want to reach in and do something...." Read more
"...her characters are always wonderful, real and round and (like eliot's) so morally complex the notions of "good" and "bad" are useless; her writing..." Read more
"...I feel like I know them. The story. Bitter sweet and so real. A tribute to acceptance and finding the beauty in that." Read more
"...The characters are well drawn, very real and sympathetic. I am looking forward to the next book in the series.." Read more
Customers praise the book for its powerful and poignant writing style. They find it an important and significant work that succeeds admirably at several levels. The novel is described as competent in craft and focused on the themes.
"...But compulsive nit-picking aside, "Home" is an important and significant work, and may well bring another major prize for Robinson." Read more
"...This is modern literary fiction at its best, perfectly competent in craft with a razor-honed focus on character nuance over lurid plot drama...." Read more
"I just finished this book and wept. Powerful, lyrical, profound...." Read more
"This is a powerful and poignant novel, beautifully written...." Read more
Customers have different views on the pacing of the book. Some find it compelling and interesting, with a pronounced tension. Others feel there is little or no plot, repetitive scenes, and zero development from start to finish.
"...hits another home run with this down to earth, moving account of familial love and redemption...." Read more
"...In addition, the novel portrays well the diminishing strength of an elderly parent and its differing effects on various members of the younger..." Read more
"...Very disappointing." Read more
"...34;Home" is beautifully written, and compellingly plotted, despite the fact that not all that much actually happens -- on the outside, at least...." Read more
Top reviews from the United States
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- Reviewed in the United States on April 3, 2024I have to say I enjoyed and admired this book more than Gilead and enough to make me want to read Gilead again—though I read it only months ago. The prose is as breathtaking as in Housekeeping and she doesn’t get as carried away with it as she occasionally did in that first book. Not having the ready excuse for sermonizing that Gilead provides also keeps her head above water and the clarity and depth of vision for all of the characters is truly extraordinary.
Unfortunately the narration for the audible version is so nauseatingly artificial & "poetic" that I simply couldn't listen to it, even when I was on a long drive. Very disappointing.
- Reviewed in the United States on April 10, 2016Home is truly a story of homecoming. It is a parallel story with the book Gilead, which is written from the autobiographical perspective of Reverend Ames. Home is written in the third person, and centers most fully around these three characters in this order: Glory, Jack, their father (Rev. Robert Boughton). Marilyn Robinson hits another home run with this down to earth, moving account of familial love and redemption. She hits on theological themes, interwoven with the warp and woof of everyday ordinariness. Her characters are likable, as we can identity in different ways perhaps with each of them. The author invites us into the kitchen, the parlor, the dining room, the bedrooms, the garden, the barn and into the intimacy of the Boughton family, allowing us to witness the joys and sorrows and memories of a family which are the essence of life lived and experienced. While largely told from the perspective and experiences of Glory, the story’s focal point centers upon the prodigal Jack. The interactions between the three main characters demonstrate hope, frustration, openness and growing trust, mystery and uncertainty, and ultimately an unglorified yet powerful redemption. The book also deals with black and white racial issues which are an important part of Jack’s life and bely the realities of 1950s America, also reminding us of the same tensions most of us continue to try to understand today. In conclusion, Jack is loveable and worth knowing. Glory is a pearl of great price. Robert Boughton is a humble, dignified man seeking to understand his son as his love cannot release him. I highlight recommend Home by Marilyn Robinson.
- Reviewed in the United States on May 3, 2024When initially published, Home was a companion novel to Gilead, now part of a tetralogy. In Gilead we had elderly John Amos writing a novel-length letter to his young son knowing he wouldn't be around much longer. While it started with Amos's life and his family's story, it drifted into recent events regarding his best friend Reverend Robert Boughton on the occasion of Robert's son Jack returning after many years away. This novel centers on Glory, daughter of Robert, who has returned to her childhood home to take care of Robert near the end of his life. Jack returns as we read in the previous novel, and we see events from Glory's point of view. Marilynne Robinson reminds me of a midwestern Faulkner, with her beautiful prose and intertwining lives in small town Iowa. Full of internal thoughts and relationships, the ending reaches that bittersweet conclusion that the best stories often leave us with.
Highly recommended.
- Reviewed in the United States on December 1, 2010I read both Gilead and Housekeeping and thoroughly enjoyed them both. I suspect that Robinson was pushed by her publisher to create another novel to ride on the coat tails of her Pulitzer Prize winning Gilead. This is what she produced. It is filled with the lyrical and beautiful language found in Gilead and Housekeeping. It just doesn't say much. There is little or no plot, and though I often love character driven novels, this was a bit thin. Maybe I just didn't get it. What was all the fuss about touching Jack's things. Just hanging up his jacket was an earth shattering event. Why could there never be a frank discussion between Glory and Jack? I tried to cast the characters with movie stars to try to make it come alive for me. I used Brad Pitt for Jack, but I could not think of an actor for Glory or the Reverend. Glory is definately a tragic figure, but it is a tragedy of her own making. Why did she return to Gilead after her disappointment with romance? Why didn't she give it another try in the big city? Jack is an alcoholic, the father of a child born out of wedlock, and a thief. He took no responsibility for the child. But why must the whole family walk on eggshells around him? He is a character with many tragic flaws. If he returned home to see if he could be forgiven and brought back into the fold, I sure didn't get it. Maybe all this wasp subtlety is beyond my experience. I grew up with an expressive volatile family , and this book just didn't speak to me. This was supposed to occur in the 60's. Yet merely going for a drive in a car was a big event. Racial views even among the clergy were hardly "christian" or up to date. Was Jack supposed to be a better person because of that? Why did he not join his wife where she was living if life in Gilead would have been so impossible. It just didn't make sense to me. The end was a novel twist and gave the book some oomph at last. But if the book was about the end, it came too late and should have been the center of the story. If you have read Gilead but not Housekeeping, read Housekeeping. Skip this one. Its boring.
Top reviews from other countries
FranceReviewed in Canada on November 1, 20245.0 out of 5 stars Great book
Great read, used for bookclub and very pleased! Made for good conversations
PlaceholderReviewed in India on December 7, 20205.0 out of 5 stars Work of beauty
HOME is not just a sad novel. It is sad because it deals with the absence of grace and empathy in human relationship and the bitterness caused by it. There is a JACK in every other person in some way or the other who once bitten is twice shy. JACK could be a portrait of you and me under different situations. The author has brought out the complexity of human behaviour in exquisite prose. The novel is not for the itching mind.
Kylie Di MauroReviewed in Australia on December 23, 20201.0 out of 5 stars Deep thoughtful read
Deep thoughtful read, but way too slow, long and drawn out for me. Good if you have heaps of time on your hands.
AnneReviewed in the United Kingdom on December 12, 20155.0 out of 5 stars A broken family - love is not enough
This book is set at the same time as "Gilead" and although they can be read as stand alones I felt that my reading experience of this book was enhanced because I knew the other side of the story and I also was aware of the reason why Jack's recent relationship was a problem - knowing these things added to the tension when you read how the family reacted to Jack and how he felt about it.
Jack Broughton was one of a family of children born to a preacher in the small town of Gilead. he was never an easy child and he found that he just couldn't conform so none of his family ever trusted him. The lack of trust caused Jack to act out and do things that made him less trustworthy and then he felt even more alone. As the story starts this very prodigal son returns home to his ailing family and spinster sister Glory having lived a life of which he is ashamed. Jack's father is delighted to see his son and welcomes him with open arms but as the stpry develops the lack of trust and the inability of these two man to reconcile poisons their relationship and leaves Jack alone again.
This is a harrowing and sad story in which very little happens. It challenges our ability to understand difference and to give and accept forgiveness. The story is told from Glory's point of view as she struggles to give up her plans for marriage and children having been betrayed by her lover. Glory finds that if she gives up everything of herself she can settle for a life looking after her father and the family home, albeit with regrets. Jack can find no place in his family home but having been rejected by the woman he loves he fears that there may be no place for him anywhere. The book is set at the end of the 1950s and race riots and the struggle for black equality find their way into the home via the radio. Jack has lived in that bigger world and so has Glory but their father rejects a lot of change in favour of what he believes to be right and in doing so he rejects Jack.
The book is written in a leisurely style but although nothing much seems to happen this is a tight and well observed novel about families, relationships and past hurts. Jack wants to be accepted for who he is despite the mistakes he has made and will probably keep on making but his father can only accept him if he changes and he doesn't think that Jack can or will. Love is not enough to repair the broken bridges in this family.
I found this book very thoughtful and could see the issues that teh author discusses very clearly. I found it a powerful piece of writing which moved me to tears on more than one occasion. A fitting companion piece to "Gilead".
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tamakoReviewed in Japan on February 6, 20134.0 out of 5 stars 父と息子の心は哀しくすれ違う。救いは涙だけ。
アメリカ文学の正統である。ホーソンの宗教、フォークナーの社会、ヘミングウエィーの正義、かつて読んだアメリカ文学の古典。宗教はアメリカ建国の契機であり、人種問題はアメリカの歴史そのものだ。作者はそれを遠景に、人間の悲しみと希望を描く。2008年のアメリカがこういう作品を歓迎することに、改めて感心する。
小説の舞台は50年代、保守的な田舎町の聖職者一家。老いた一人暮らしの父の屋敷に、不承ながら戻った主人公の38歳の末娘グロリィ。(この主人公はまるで神がつかわした救いのようだ。)そこへ消息不明だった兄のジャックが20年ぶりに舞い戻る。静まり返った屋敷で、互いを気遣う密やかな3人の暮らしが始まる。
ジャックは何故戻ったのか。親と子。罪と赦し。聖書の放蕩息子の寓話が語られる。放蕩息子は罪を償えるのか。聖職者である父はそれを赦せるのか。寛容だった父は、今では頑迷な偽善者に見える。むしろ放蕩息子のジャックが悲哀に満ちた殉教者のようだ。老いた父の心ない言葉とそれに耐える息子。
グロリィ自身、婚約者が既婚者と判明し、高校教師の職を捨て、故郷に逃げ帰ってきたのだ。この先自分はどうするのか。兄に同情し、父の老いを悲しみ涙するだけなのか。やがてこの一家の問題が、TV画面に他人事のように映る黒人の公民権運動と無縁ではないことわかる。
小説前半は分かりにくい。しかしそれも、この小説が前作のピューリツア賞受賞作品『Gilead』と連作であることで納得がいく。両者を読んだ時に、作者の構想の大きさと深さが、全貌を現すのかもしれない。しかし、取りあえず、父と息子の哀しい心のすれ違いに、主人公グロリィ同様、涙すればいいだろう。







