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Home (Oprah's Book Club): A Novel Paperback – September 1, 2009

4.2 4.2 out of 5 stars 3,743 ratings

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WINNER OF THE ORANGE PRIZE 2009
A 2008 NATIONAL BOOK AWARD FINALIST

WINNER OF THE LOS ANGELES TIMES BOOK PRIZE
A New York Times Bestseller
A Washington Post Best Book of the Year
A Los Angeles Times Best Book of the Year
A San Francisco Chronicle Best Book of the Year

Hailed as "incandescent," "magnificent," and "a literary miracle" (Entertainment Weekly), hundreds of thousands of readers were enthralled by Marilynne Robinson's Gilead. Now Robinson returns with a brilliantly imagined retelling of the prodigal son parable, set at the same moment and in the same Iowa town as Gilead. The Reverend Boughton's hell-raising son, Jack, has come home after twenty years away. Artful and devious in his youth, now an alcoholic carrying two decades worth of secrets, he is perpetually at odds with his traditionalist father, though he remains his most beloved child. As Jack tries to make peace with his father, he begins to forge an intense bond with his sister Glory, herself returning home with a broken heart and turbulent past. Home is a luminous and healing book about families, family secrets, and faith from one of America's most beloved and acclaimed authors.

"Layla" by Colleen Hoover for $7.19
From #1 New York Times bestselling author Colleen Hoover comes a novel that explores life after tragedy and the enduring spirit of love. | Learn more

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Editorial Reviews

Review

“Remarkable . . . an even stronger accomplishment than Gilead.” ―Claire Messud, The New York Review of Books

“An exquisite, often ruefully funny meditation on redemption.” ―
Megan O'Grady, Vogue

“An anguished pastoral, a tableau of decency and compassion that is also an angry and devastating indictment of moral cowardice and unrepentant, unacknowledged sin. . . . . Beautiful.” ―
A. O. Scott, The New York Times Book Review

“Rich and resonant . . .
Gilead and Home fit with and around each other perfectly, each complete on its own, yet enriching and enlivening the other. But both are books of such beauty and power.” ―Emily Barton, Los Angeles Times

“Marilynne Robinson is so powerful a writer that she can reshape how we read.” ―
Mark Athitakis, Chicago Sun-Times

Home begins simply, eschewing obvious verbal fineness, and slowly grows in luxury--its last fifty pages are magnificently moving. . . . Powerful.” ―James Wood, The New Yorker

“When Marilynne Robinson writes a new book, it's an event.” ―
Pat MacEnulty, Charlotte Observer

About the Author

Marilynne Robinson is the recipient of a 2012 National Humanities Medal, awarded by President Barack Obama, for "her grace and intelligence in writing." She is the author of Gilead, winner of the 2005 Pulitzer Prize for Fiction and the National Book Critics Circle Award; Home, winner of the Orange Prize and the Los Angeles Times Book Prize; and Lila, winner of the National Book Critics Circle Award. Her first novel, Housekeeping, won the Hemingway Foundation/PEN Award. Robinson's nonfiction books include The Givenness of Things, When I Was a Child I Read Books, Absence of Mind, The Death of Adam, and Mother Country. She lives in Iowa City, Iowa.

Product details

  • Publisher ‏ : ‎ Picador; First Edition (September 1, 2009)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 336 pages
  • ISBN-10 ‏ : ‎ 0312428545
  • ISBN-13 ‏ : ‎ 978-0312428549
  • Item Weight ‏ : ‎ 10.4 ounces
  • Dimensions ‏ : ‎ 5.55 x 0.89 x 8.17 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 3,743 ratings

About the author

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Marilynne Robinson
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Marilynne Robinson is the author of the bestselling novels "Lila," "Home" (winner of the Orange Prize), "Gilead" (winner of the Pulitzer Prize), and "Housekeeping" (winner of the PEN/Hemingway Award).

She has also written four books of nonfiction, "When I Was a Child I Read Books," "Absence of Mind," "Mother Country" and "The Death of Adam." She teaches at the University of Iowa Writers' Workshop.

She has been given honorary degrees from Brown University, the University of the South, Holy Cross, Notre Dame, Amherst, Skidmore, and Oxford University. She was also elected a fellow of Mansfield College, Oxford University.

Customer reviews

4.2 out of 5 stars
3,743 global ratings

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Customers say

Customers praise the writing quality as breathtaking and lyrical. They find the book engaging and special. Readers find the content insightful, spiritual, and challenging. They appreciate the well-developed characters and honest portrayal of real life. However, opinions differ on the pacing - some find it compelling and interesting, while others feel there is little or no plot.

AI-generated from the text of customer reviews

117 customers mention "Writing quality"93 positive24 negative

Customers find the writing quality of the book captivating and readable. They describe the prose as lyrical, thoughtful, and modern literary fiction at its best. Readers appreciate the simplicity and straightforwardness of the writing style.

"...The prose is as breathtaking as in Housekeeping and she doesn’t get as carried away with it as she occasionally did in that first book...." Read more

"...Marilynne Robinson reminds me of a midwestern Faulkner, with her beautiful prose and intertwining lives in small town Iowa...." Read more

"...This is what she produced. It is filled with the lyrical and beautiful language found in Gilead and Housekeeping. It just doesn't say much...." Read more

"...34;Home" is beautifully written, and compellingly plotted, despite the fact that not all that much actually happens -- on the outside, at least...." Read more

93 customers mention "Readability"81 positive12 negative

Customers find the book engaging and enjoyable. They describe it as an interesting read with an elegiac quality. Readers appreciate the well-developed characters and the author's kindness and thoughtfulness.

"...In conclusion, Jack is loveable and worth knowing...." Read more

"...‘Home’ has an elegiac quality to it. There is pervasive sadness inherent in the prose as we realize that some divisions can never be mended...." Read more

"...what she loves or had ever hoped for, and the reasons for it, are beautiful. She is by no means a minor character...." Read more

"...But, still worth a read if you’re a Robinson fan." Read more

53 customers mention "Thought provoking"47 positive6 negative

Customers find the book insightful and emotional. They appreciate its depth and spirituality without proselytizing. The writing is beautiful and thought-provoking, with internal thoughts and relationships explored. Readers mention that the psychology and theology are astute, and the book explores at least one basic theological question.

"...She hits on theological themes, interwoven with the warp and woof of everyday ordinariness...." Read more

"...Full of internal thoughts and relationships, the ending reaches that bittersweet conclusion that the best stories often leave us with...." Read more

"...First, it explores at least one basic theological question...." Read more

"...She expresses profound truths via the thoughts and actions of her characters. Highly recommend!" Read more

40 customers mention "Character development"36 positive4 negative

Customers find the characters interesting and well-developed. They appreciate the honest portrayal of real life and faith. However, some readers found the people hard to follow at times.

"...Her characters are likable, as we can identity in different ways perhaps with each of them...." Read more

"...I found Jack to be largely a likable and three-dimensional character, certainly more well-developed and humane than the two preachers..." Read more

"...Still, the characters are interesting, especially, the poor doomed prodigal son, who is, I think, so unforgivingly received." Read more

"...in its plot but in the beauty of its writing and the depth of its characters and ideas...." Read more

7 customers mention "Comfort"7 positive0 negative

Customers find the book comforting. They describe the relationships as gentle, insightful, and tender. The characters are well-drawn and sympathetic.

"...They are all stories and settings that I felt very comfortable with and could even relate to in several ways...." Read more

"...Her style reminds me of a Horton Foote play, gentle, insightful relationships with quiet explorations of emotions as well as ideas...." Read more

"Once again Marilynne Robinson has written a beautiful, tender and thought-provoking novel...." Read more

"...The characters are well drawn, very real and sympathetic. I am looking forward to the next book in the series.." Read more

6 customers mention "Authenticity"6 positive0 negative

Customers find the characters realistic and sympathetic. They describe the book as true to life and understandable yet surprising.

"...They have been made that real. I care about their lives and want to reach in and do something...." Read more

"...her characters are always wonderful, real and round and (like eliot's) so morally complex the notions of "good" and "bad" are useless; her writing..." Read more

"...I feel like I know them. The story. Bitter sweet and so real. A tribute to acceptance and finding the beauty in that." Read more

"...The characters are well drawn, very real and sympathetic. I am looking forward to the next book in the series.." Read more

4 customers mention "Achievement level"4 positive0 negative

Customers praise the book for its powerful and poignant writing style. They find it an important and significant work that succeeds admirably at several levels. The novel is described as competent in craft and focused on the themes.

"...But compulsive nit-picking aside, "Home" is an important and significant work, and may well bring another major prize for Robinson." Read more

"...This is modern literary fiction at its best, perfectly competent in craft with a razor-honed focus on character nuance over lurid plot drama...." Read more

"I just finished this book and wept. Powerful, lyrical, profound...." Read more

"This is a powerful and poignant novel, beautifully written...." Read more

132 customers mention "Pacing"84 positive48 negative

Customers have different views on the pacing of the book. Some find it compelling and interesting, with a pronounced tension. Others feel there is little or no plot, repetitive scenes, and zero development from start to finish.

"...hits another home run with this down to earth, moving account of familial love and redemption...." Read more

"...In addition, the novel portrays well the diminishing strength of an elderly parent and its differing effects on various members of the younger..." Read more

"...Very disappointing." Read more

"...34;Home" is beautifully written, and compellingly plotted, despite the fact that not all that much actually happens -- on the outside, at least...." Read more

Top reviews from the United States

  • Reviewed in the United States on April 3, 2024
    I have to say I enjoyed and admired this book more than Gilead and enough to make me want to read Gilead again—though I read it only months ago. The prose is as breathtaking as in Housekeeping and she doesn’t get as carried away with it as she occasionally did in that first book. Not having the ready excuse for sermonizing that Gilead provides also keeps her head above water and the clarity and depth of vision for all of the characters is truly extraordinary.

    Unfortunately the narration for the audible version is so nauseatingly artificial & "poetic" that I simply couldn't listen to it, even when I was on a long drive. Very disappointing.
    6 people found this helpful
    Report
  • Reviewed in the United States on April 10, 2016
    Home is truly a story of homecoming. It is a parallel story with the book Gilead, which is written from the autobiographical perspective of Reverend Ames. Home is written in the third person, and centers most fully around these three characters in this order: Glory, Jack, their father (Rev. Robert Boughton). Marilyn Robinson hits another home run with this down to earth, moving account of familial love and redemption. She hits on theological themes, interwoven with the warp and woof of everyday ordinariness. Her characters are likable, as we can identity in different ways perhaps with each of them. The author invites us into the kitchen, the parlor, the dining room, the bedrooms, the garden, the barn and into the intimacy of the Boughton family, allowing us to witness the joys and sorrows and memories of a family which are the essence of life lived and experienced. While largely told from the perspective and experiences of Glory, the story’s focal point centers upon the prodigal Jack. The interactions between the three main characters demonstrate hope, frustration, openness and growing trust, mystery and uncertainty, and ultimately an unglorified yet powerful redemption. The book also deals with black and white racial issues which are an important part of Jack’s life and bely the realities of 1950s America, also reminding us of the same tensions most of us continue to try to understand today. In conclusion, Jack is loveable and worth knowing. Glory is a pearl of great price. Robert Boughton is a humble, dignified man seeking to understand his son as his love cannot release him. I highlight recommend Home by Marilyn Robinson.
    8 people found this helpful
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  • Reviewed in the United States on May 3, 2024
    When initially published, Home was a companion novel to Gilead, now part of a tetralogy. In Gilead we had elderly John Amos writing a novel-length letter to his young son knowing he wouldn't be around much longer. While it started with Amos's life and his family's story, it drifted into recent events regarding his best friend Reverend Robert Boughton on the occasion of Robert's son Jack returning after many years away. This novel centers on Glory, daughter of Robert, who has returned to her childhood home to take care of Robert near the end of his life. Jack returns as we read in the previous novel, and we see events from Glory's point of view. Marilynne Robinson reminds me of a midwestern Faulkner, with her beautiful prose and intertwining lives in small town Iowa. Full of internal thoughts and relationships, the ending reaches that bittersweet conclusion that the best stories often leave us with.
    Highly recommended.
    2 people found this helpful
    Report
  • Reviewed in the United States on December 1, 2010
    I read both Gilead and Housekeeping and thoroughly enjoyed them both. I suspect that Robinson was pushed by her publisher to create another novel to ride on the coat tails of her Pulitzer Prize winning Gilead. This is what she produced. It is filled with the lyrical and beautiful language found in Gilead and Housekeeping. It just doesn't say much. There is little or no plot, and though I often love character driven novels, this was a bit thin. Maybe I just didn't get it. What was all the fuss about touching Jack's things. Just hanging up his jacket was an earth shattering event. Why could there never be a frank discussion between Glory and Jack? I tried to cast the characters with movie stars to try to make it come alive for me. I used Brad Pitt for Jack, but I could not think of an actor for Glory or the Reverend. Glory is definately a tragic figure, but it is a tragedy of her own making. Why did she return to Gilead after her disappointment with romance? Why didn't she give it another try in the big city? Jack is an alcoholic, the father of a child born out of wedlock, and a thief. He took no responsibility for the child. But why must the whole family walk on eggshells around him? He is a character with many tragic flaws. If he returned home to see if he could be forgiven and brought back into the fold, I sure didn't get it. Maybe all this wasp subtlety is beyond my experience. I grew up with an expressive volatile family , and this book just didn't speak to me. This was supposed to occur in the 60's. Yet merely going for a drive in a car was a big event. Racial views even among the clergy were hardly "christian" or up to date. Was Jack supposed to be a better person because of that? Why did he not join his wife where she was living if life in Gilead would have been so impossible. It just didn't make sense to me. The end was a novel twist and gave the book some oomph at last. But if the book was about the end, it came too late and should have been the center of the story. If you have read Gilead but not Housekeeping, read Housekeeping. Skip this one. Its boring.
    9 people found this helpful
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Top reviews from other countries

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  • France
    5.0 out of 5 stars Great book
    Reviewed in Canada on November 1, 2024
    Great read, used for bookclub and very pleased! Made for good conversations
  • Placeholder
    5.0 out of 5 stars Work of beauty
    Reviewed in India on December 7, 2020
    HOME is not just a sad novel. It is sad because it deals with the absence of grace and empathy in human relationship and the bitterness caused by it. There is a JACK in every other person in some way or the other who once bitten is twice shy. JACK could be a portrait of you and me under different situations. The author has brought out the complexity of human behaviour in exquisite prose. The novel is not for the itching mind.
  • Kylie Di Mauro
    1.0 out of 5 stars Deep thoughtful read
    Reviewed in Australia on December 23, 2020
    Deep thoughtful read, but way too slow, long and drawn out for me. Good if you have heaps of time on your hands.
  • Anne
    5.0 out of 5 stars A broken family - love is not enough
    Reviewed in the United Kingdom on December 12, 2015
    This book is set at the same time as "Gilead" and although they can be read as stand alones I felt that my reading experience of this book was enhanced because I knew the other side of the story and I also was aware of the reason why Jack's recent relationship was a problem - knowing these things added to the tension when you read how the family reacted to Jack and how he felt about it.

    Jack Broughton was one of a family of children born to a preacher in the small town of Gilead. he was never an easy child and he found that he just couldn't conform so none of his family ever trusted him. The lack of trust caused Jack to act out and do things that made him less trustworthy and then he felt even more alone. As the story starts this very prodigal son returns home to his ailing family and spinster sister Glory having lived a life of which he is ashamed. Jack's father is delighted to see his son and welcomes him with open arms but as the stpry develops the lack of trust and the inability of these two man to reconcile poisons their relationship and leaves Jack alone again.

    This is a harrowing and sad story in which very little happens. It challenges our ability to understand difference and to give and accept forgiveness. The story is told from Glory's point of view as she struggles to give up her plans for marriage and children having been betrayed by her lover. Glory finds that if she gives up everything of herself she can settle for a life looking after her father and the family home, albeit with regrets. Jack can find no place in his family home but having been rejected by the woman he loves he fears that there may be no place for him anywhere. The book is set at the end of the 1950s and race riots and the struggle for black equality find their way into the home via the radio. Jack has lived in that bigger world and so has Glory but their father rejects a lot of change in favour of what he believes to be right and in doing so he rejects Jack.

    The book is written in a leisurely style but although nothing much seems to happen this is a tight and well observed novel about families, relationships and past hurts. Jack wants to be accepted for who he is despite the mistakes he has made and will probably keep on making but his father can only accept him if he changes and he doesn't think that Jack can or will. Love is not enough to repair the broken bridges in this family.

    I found this book very thoughtful and could see the issues that teh author discusses very clearly. I found it a powerful piece of writing which moved me to tears on more than one occasion. A fitting companion piece to "Gilead".
  • tamako
    4.0 out of 5 stars 父と息子の心は哀しくすれ違う。救いは涙だけ。
    Reviewed in Japan on February 6, 2013
     アメリカ文学の正統である。ホーソンの宗教、フォークナーの社会、ヘミングウエィーの正義、かつて読んだアメリカ文学の古典。宗教はアメリカ建国の契機であり、人種問題はアメリカの歴史そのものだ。作者はそれを遠景に、人間の悲しみと希望を描く。2008年のアメリカがこういう作品を歓迎することに、改めて感心する。
     
     小説の舞台は50年代、保守的な田舎町の聖職者一家。老いた一人暮らしの父の屋敷に、不承ながら戻った主人公の38歳の末娘グロリィ。(この主人公はまるで神がつかわした救いのようだ。)そこへ消息不明だった兄のジャックが20年ぶりに舞い戻る。静まり返った屋敷で、互いを気遣う密やかな3人の暮らしが始まる。

     ジャックは何故戻ったのか。親と子。罪と赦し。聖書の放蕩息子の寓話が語られる。放蕩息子は罪を償えるのか。聖職者である父はそれを赦せるのか。寛容だった父は、今では頑迷な偽善者に見える。むしろ放蕩息子のジャックが悲哀に満ちた殉教者のようだ。老いた父の心ない言葉とそれに耐える息子。
     
     グロリィ自身、婚約者が既婚者と判明し、高校教師の職を捨て、故郷に逃げ帰ってきたのだ。この先自分はどうするのか。兄に同情し、父の老いを悲しみ涙するだけなのか。やがてこの一家の問題が、TV画面に他人事のように映る黒人の公民権運動と無縁ではないことわかる。
     
     小説前半は分かりにくい。しかしそれも、この小説が前作のピューリツア賞受賞作品『Gilead』と連作であることで納得がいく。両者を読んだ時に、作者の構想の大きさと深さが、全貌を現すのかもしれない。しかし、取りあえず、父と息子の哀しい心のすれ違いに、主人公グロリィ同様、涙すればいいだろう。