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Homicide: A Year on the Killing Streets Paperback – August 22, 2006
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David Simon
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Print length672 pages
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LanguageEnglish
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Publication dateAugust 22, 2006
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Dimensions5.58 x 1.17 x 8.32 inches
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ISBN-100805080759
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ISBN-13978-0805080759
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Editorial Reviews
Review
“Simon does an extraordinary job of getting under the skin and into the minds of the police officers.” ―The New York Times Book Review
“We seem to have an insatiable appetite for police stories . . . David Simon's entry is far and away the best, the most readable, reliable and relentless of them all.” ―The Washington Post Book World
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
Tuesday, January 19
Pulling one hand from the warmth of a pocket, Jay Landsman squats down to grab the dead man’s chin, pushing the head to one side until the wound becomes visible as a small, ovate hole, oozing red and white.
“Here’s your problem,“ he said. “He’s got a slow leak.”
“A leak?” says Pellegrini, picking up on it.
“A slow one.”
“You can fix those.”
“Sure you can,“ Landsman agrees. “They got these home repair kits now...”
“Like with tires.”
“Just like with tires,“ Landsman says. “Comes with a patch and everything else you need. Now a bigger wound, like from a thirty-eight, you’re gonna have to get a new head. This one you could fix.”
Landsman looks up, his face the very picture of earnest concern.
Sweet Jesus, thinks Tom Pellegrini, nothing like working murders with a mental case. One in the morning, heart of the ghetto, half a dozen uniforms watching their breath freeze over another dead man—what better time and place for some vintage Landsman, delivered in perfect deadpan until even the shift commander is laughing hard in the blue strobe of the emergency lights. Not that a Western District midnight shift is the world’s toughest audience; you don’t ride a radio car for any length of time in Sector 1 or 2 without cultivating a diseased sense of humor.
“Anyone know this guy?” asks Landsman. “Anyone get to talk to him?”
“Fuck no,“ says a uniform. “He was ten-seven when we got here.”
Ten-seven. The police communication code for “out of service” artlessly applied to a human life. Beautiful. Pellegrini smiles, content in the knowledge that nothing in this world can come between a cop and his attitude.
“Anyone go through his pockets?” asks Landsman.
“Not yet.”
“Where the fuck are his pockets?”
“He’s wearing pants underneath the sweatsuit.”
Pellegrini watches Landsman straddle the body, one foot on either side of the dead man’s waist, and begin tugging violently at the sweatpants. The awkward effort jerks the body a few inches across the sidewalk, leaving a thin film of matted blood and brain matter where the head wound scrapes the pavement. Landsman forces a meaty hand inside a front pocket.
“Watch for needles,“ says a uniform.
“Hey,“ says Landsman. “Anyone in this crowd gets AIDS, no one’s gonna believe it came from a fucking needle.”
The sergeant pulls his hand from the dead man’s right front pocket, causing perhaps a dollar in change to fall to the sidewalk.
“No wallet in front. I’m gonna wait and let the ME roll him. Somebody’s called the ME, right?”
“Should be on the way,“ says a second uniform, taking notes for the top sheet of an incident report. “How many times is he hit?”
Landsman points to the head wound, then lifts a shoulder blade to reveal a ragged hole in the upper back of the dead man’s leather jacket.
“Once in the head, once in the back.” Landsman pauses, and Pellegrini watches him go deadpan once again. “It could be more.”
The uniform puts pen to paper.
“There is a possibility,“ says Landsman, doing his best to look professorial, “a good possibility, he was shot twice through the same bullethole.”
“No shit,“ says the uniform, believing.
A mental case. They give him a gun, a badge and sergeant’s stripes, and deal him out into the streets of Baltimore, a city with more than its share of violence, filth and despair. Then they surround him with a chorus of blue-jacketed straight men and let him play the role of the lone, wayward joker that somehow slipped into the deck. Jay Landsman, of the sidelong smile and pockmarked face, who tells the mothers of wanted men that all the commotion is nothing to be upset about, just a routine murder warrant. Landsman, who leaves empty liquor bottles in the other sergeants’ desks and never fails to turn out the men’s room light when a ranking officer is indisposed. Landsman, who rides a headquarters elevator with the police commissioner and leaves complaining that some sonofabitch stole his wallet. Jay Landsman, who as a Southwestern patrolman parked his radio car at Edmondson and Hilton, then used a Quaker Oatmeal box covered in aluminum foil as a radar gun.
“I’m just giving you a warning this time,“ he would tell grateful motorists. “Remember, only you can prevent forest fires.”
And now, but for the fact that Landsman can no longer keep a straight face, there might well be an incident report tracked to Central Records in the departmental mail, complaint number 88-7A37548, indicating that said victim appeared to be shot once in the head and twice in the back through the same bullethole.
“No, hey, I’m joking,“ he says finally. “We won’t know anything for sure until the autopsy tomorrow.”
He looks at Pellegrini.
“Hey, Phyllis, I’m gonna let the ME roll him.”
Pellegrini manages a half-smile. He’s been Phyllis to his squad sergeant ever since that long afternoon at Rikers Island in New York, when a jail matron refused to honor a writ and release a female prisoner into the custody of two male detectives from Baltimore; the regulations required a policewoman for the escort. After a sufficient amount of debate, Landsman grabbed Tom Pellegrini, a thick-framed Italian born to Allegheny coal miner stock, and pushed him forward.
“Meet Phyllis Pellegrini,“ Landsman said, signing for the prisoner. “She’s my partner.”
“How do you do?” Pellegrini said with no hesitation.
“You’re not a woman,“ said the matron.
“But I used to be.”
With the blue strobe glancing off his pale face, Tom Pellegrini moves a step closer to take stock of what half an hour earlier had been a twenty-six-year-old street dealer. The dead man is sprawled on his back, legs in the gutter, arms partly extended, head facing north near the side door of a corner rowhouse. Dark brown eyes are fixed under half-lids in that expression of vague recognition so common to the newly and suddenly departed. It is not a look of horror, consternation, or even distress. More often than not, the last visage of a murdered man resembles that of a flustered schoolchild to whom the logic of a simple equation has just been revealed.
“If you’re okay here,“ says Pellegrini, “I’m gonna go across the street.”
“What’s up?”
“Well...”
Landsman moves closer and Pellegrini lowers his voice, as if the spoken suggestion that there may be a witness to this murder would be an embarrassing display of optimism.
“There’s a woman who went into a house across the street. Someone told one of the first officers she was outside when the shooting started.”
“She saw it?”
“Well, supposedly she told people it was three black males in dark clothes. They ran north after the shots.”
It isn’t much, and Pelle
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Product details
- Publisher : Picador; First edition (August 22, 2006)
- Language : English
- Paperback : 672 pages
- ISBN-10 : 0805080759
- ISBN-13 : 978-0805080759
- Item Weight : 1.15 pounds
- Dimensions : 5.58 x 1.17 x 8.32 inches
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Best Sellers Rank:
#23,246 in Books (See Top 100 in Books)
- #26 in Law Enforcement Politics
- #27 in Law Enforcement (Books)
- #28 in Sociology of Urban Areas
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Simon was attuned to life on the gritty, city streets of Baltimore with an ear for the argot unlike any other producer of a TV crime show or crime writer. It showed in the TV series "Homicide: Life on the Streets," "The Corner," and lastly his masterpiece, "The Wire," and it shows in this pull-no-punches book. The senseless killings, the frustration of the detectives when confronted with a stone-cold "who-dun-it" they knew would never get solved, the anger when obviously guilty people they had arrested went free after trial ... it's all here, and more. As I read this book, I could see the models for the characters who appeared in the TV shows (I didn't even need to see the photos of the actors playing these models to figure out who they were) being developed. It isn't easy to make non-fiction a gripping read, but David Simon makes it look easy.
After I started, I could barely put this book down. I have no idea how Simon managed to get as much access to the police department as he did, but it was an extraordinarily revealing look at how homicide detectives operate. Not just the investigation of cases, either (although that is fascinating in and of itself). The politics of a big-city cop shop - the chain of command, the objectives, the cases which are deemed important versus those that are not.
It's not going to be for anyone. There's graphic stuff here. The book takes you to some very grim places. After all, it's a book about murder police. But if police interest you, if homicide interests you, or if you just want to see what life would be like as a detective, read this. You won't regret it.
(And I defy you to read this and then not start watching The Wire, one of Simon's television series having to do with crime in Baltimore.)
Top reviews from other countries
Simon's experience is so finely described and characters portrayed so vividly from the smallest touches that I really believed I was in Baltimore. It is not a book just highlighting the most fascinating cases etc it is far more than that.
It is a deep portrayal of everyday life in one of the most challenging environments. Yes, on the beat, at the crimes scenes, hunting for suspects- all the exciting stuff, but also the procedures (and subsequent frustrations), personal lives and goals of each individual in an unbiased yet very thoughtful tone. I could smell the smoke, feel the emotions of the different detectives and felt so part of the team I never wanted it to end.
Superb book, one of my favourites, I was gutted when it ended.
One or two cases stand out as central positions for the whole year. They are fascinating. The portraits of individual detectives are also strongly delineated.
This second time around, I found it longer and occasionally less of a page turner, but if it's your first time, I think you will enjoy the procedure, the integrity of Simon and for a short time, walk the streets of Baltimore.
Day after day after day, Simon followed, lurked in the shadows, listened, observed, filled multiple notebooks. Marshalling those notes into a coherent narrative has been a painstaking triumph. From it all emerges a gripping account of what that year was like on the inside: the successes and failures, the togetherness that over-rode the jealousies, the black humour that anaesthetised the horror, the moments of inspiration, the hours of dogged routine, the cost in human life on both sides of the street. Simon dodges no issues: gun law madness, drugs, corruption, racism are all reported as seen. So, too, the strengths and weaknesses of the detectives.
Unlike many readers, I have never seen an episode of The Wire, the vehicle which belatedly was spawned by the author's year on the streets with the men from Homicide. My own recollection of Baltimore is dominated by the warmth and hospitality I was shown by a man called Joe Hamper and others when I invited myself at the shortest of notice to a night with the Orioles at the old Memorial Stadium. Apart from a small, slightly scary mistaken route, I saw nothing of the dark side of the city. David Simon's book lays it bare. Read it and prepare to be profoundly moved.
In The Wire it took a series to do what other programmes would do in an episode. This is because The Wire was all about detailed character and plot development. Homicide is exactly the same.
Reading the book gives you a real sense of what police work is really about. Granted, it was written in the 1990s, but even though science is more involved in solving murders now it still takes a good detective to solve a crime. You really get to know the detectives through his writing. There is, like The Wire, a number of plots that interweave and a good helping of political manoeuvrings.
This is truly excellent read. If you liked The Wire, you'll love this.
