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Hondo City Law: Way of the (Cyber) Samurai! (Judge Dredd) Paperback – August 16, 2011
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WAY OF THE (CYBER) SAMURAI!
Hondo City is the Japanese equivalent of Mega-City One – a large, sprawling urban mass policed by a Justice Department. Culturally however, it is totally different. While on the forefront of modern technology, the Hondo-citizens remain tied to the roots and customs of feudal Japan. Though the Samurai-like Judge Inspectors are seen to be in charge, the Yakuza crime Syndicates still have a hold on power. Here is a slice of Hondo City law…
Featuring thrilling stories by John Wagner (A History of Violence, Judge Dredd) and Robbie Morrison (The Authority, Shakara), this collection also contains stunning artwork from Frank Quitely (All-Star Superman, We3) and Andy Clarke (Detective Comics, Batman and Robin).
- Print length160 pages
- LanguageEnglish
- Publisher2000 AD
- Publication dateAugust 16, 2011
- Dimensions7.38 x 0.5 x 10.19 inches
- ISBN-101907519912
- ISBN-13978-1907519918
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About the Author
Product details
- Publisher : 2000 AD; Illustrated edition (August 16, 2011)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 1907519912
- ISBN-13 : 978-1907519918
- Item Weight : 15.2 ounces
- Dimensions : 7.38 x 0.5 x 10.19 inches
- Best Sellers Rank: #2,545,771 in Books (See Top 100 in Books)
- #3,246 in Mystery, Thriller & Crime Manga
- #6,330 in Mystery Graphic Novels
- #9,604 in Science Fiction Manga (Books)
- Customer Reviews:
About the author

Robbie Morrison is the author of the Inspector Jimmy Dreghorn crime thrillers, set in 1930s Glasgow. Born in Helensburgh, brought up in Linwood and Houston, he lived for many years in Glasgow – at one point across the road from the very police station in which those characters are based. On both sides, his connection to shipbuilding in Glasgow and along the River Clyde stretches back over four generations and the textured history of the city and its people is a source of inspiration for the books.
One of the most respected writers in the UK comic-book industry, he sold his first script to Dundee publishers DC Thomson at the age of twenty-three. He has scripted iconic characters such as Batman, Doctor Who and Judge Dredd, as well as his own creation Nikolai Dante, serialized for over 15 years in cult science-fiction comic 2000AD and collected as graphic novels. He is also the writer of the graphic novels Drowntown and White Death.
Edge of the Grave, the first Jimmy Dreghorn novel, won the Bloody Scotland Debut Crime Novel of the Year, was shortlisted for the McIlvanney Prize, the Crime Writers’ Association Historical Dagger and the Historical Writers’ Association Debut Crown, and was Waterstones Book of the Month (Scotland) in September 2021. Cast a Cold Eye, the follow-up, was shortlisted for the McIlvanney Prize and was Waterstones Book of the Month in Scotland for April ‘24.
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In this story Dredd visits Hondo to foil a Mega City assassin who threatens to start a war. It's a decent story with good art but marred by the writer's decision to narrate the story in broken English. "Regret cannot continue program, so sorry" and other Charlie Chan-like captions come across as a poor attempt at humor.
But after that we get 2 stories with art by the great Frank Quietly. The stories are a bit thin but the art is fresh, clever and original. He blends sound effects into the art better than any artist I've seen. And his figures here are smoother and not as bloated as in his current art. I wouldn't buy the book just for them, they're barely a quarter of the book, but they are very good.
Then we get two stories focusing on Inaba and Shimura with some very good art by Andy Clarke.
Finally we get another Inaba and Shimura story with art by Neil Googe. His art is a bit more cartoony than Quietly or Clarke and the story is not as strong.
Overall this book has some really good stories and no real losers. But they don't really come together. The depictions of Hondo City, its technology and culture seem to change from story to story, even though most of them are by Robbie Morrison. Inaba's personality also shifts from story to story. And Morrison makes some lazy choices, when writing a female character he has her tied up in her underwear twice and take on camera showers.
Overall its a good fun book but not something you need to hunt down.
Japan's futuristic Hondo City - named for unfathomable reasons other than it "sounded Japanese" -- was created by John Wagner in the Judge Dredd story "Our Man in Hondo" (included in this collection), along with the samurai-judge Inspector Totaro Sadu. Sadu and Hondo never appeared again until up-and-coming writer Robbie Morrison was offered the chance to write some stories for 2000 AD. Morrison resurrected one of his favorite stories from the past and created the story arc of rogue-judge Shimura and his protégé Judge Inspector Aiko Inaba.
As Judge Dredd was based on Clint Eastwood, Morrison based his Japanese Judge Shimura on acting legend Mifune Toshiro (Seven Samurai, Yojimbo), and gave him a villain in the form of the cyber-cult Deus X who believe it is man's ultimate destiny to merge with machines. Shimura is a blend of old-fashioned and futuristic, carrying a hand-forged Wakizashi short sword and laser shuriken. Unlike Judge Dredd, Shimura believes more in justice than the Law, and is able to see where the two differ. He trains Judge Inspector Aiko Inaba, who is torn between her loyalty to Shimura and her responsibility as a Judge.
I was a huge Judge Dredd fan back when Eagle Comics was publishing the American editions, but it has been awhile since I dove into the Mega Cities. The world has evolved, and there is a lot more depth and characterization than I remembered. Judge Dredd's viewpoint was black-and-white; there is the Law, and lawbreakers must be punished. But this Judge Dredd is a more nuanced character, willing to work with someone like Shimura who operates outside the Law. As Dredd says, "Hondo City is not my city, and not my laws."
Morrison got everything spot-on with Hondo City Law. I lived in Japan for several years, have seen more than my fair share of Japanese action flicks, and I tend to be hyper-critical of Western writers imitating only the superficial aspects of Japan without the depth. Not here. Morrison's stories were brilliant, and my only disappointment is that this is not Hondo City Law: Volume 1. I very much want more stories.
The art is equally impressive. There are four artists here, all of them different, all of them good. Colin MacNeil illustrates the original Hondo City story in fully-painted loveliness. Two of the stories, "Shimura" and "Babes with Big Bazookas", have early Frank Quitely art that is just phenomenal. I found that I actually liked this Quitely art better than his current stuff which has become heavily stylized. Andy Clarke does "Executioner" and "Deus X". This was the first time I had seen Clarke's art, and I loved it. He has a realistic style similar to Travis Charest. The last story, "Hondo City Justice", was drawn by Neil Googe and was my least favorite. He used a "manga style" that was fitting to the subject matter but was out of step with the style of the other Hondo City tales.

