Hooked: Write Fiction That Grabs Readers at Page One & Never Lets Them Go Kindle Edition
| Les Edgerton (Author) Find all the books, read about the author, and more. See search results for this author |
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In Hooked, author Les Edgerton draws on his experience as a successful fiction writer and teacher to help you overcome the weak openings that lead to instant rejection by showing you how to successfully use the ten core components inherent to any great beginning. You'll find:
• Detailed instruction on how to develop your inciting incident
• Keys for creating a cohesive story-worthy problem
• Tips on how to avoid common opening gaffes like overusing backstory
• A rundown on basics such as opening scene length and transitions
• A comprehensive analysis of more than twenty great opening lines from novels and short stories
Plus, you'll discover exclusive insider advice from agents and acquiring editors on what they look for in a strong opening. With Hooked, you'll have all the information you need to craft a compelling beginning that lays the foundation for an irresistible story!
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About the Author
Product details
- ASIN : B0033ZAVV2
- Publisher : Writer's Digest Books (March 29, 2007)
- Publication date : March 29, 2007
- Language : English
- File size : 1984 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Print length : 258 pages
- Lending : Not Enabled
- Best Sellers Rank: #535,757 in Kindle Store (See Top 100 in Kindle Store)
- #113 in Composition (Kindle Store)
- #215 in Fiction Writing Reference (Kindle Store)
- #523 in Authorship
- Customer Reviews:
About the author

Les Edgerton has published 22 books, the latest being "Adrenaline Junkie" from Down&Out Press, "Bomb!" from Gutter Press and the black comedy crime novel, "The Genuine, Imitation, Plastic Kidnapping" from Down & Out Press. One of his most popular books is the writer's text, "Hooked: Write Fiction That Grabs Readers at Page One and Never Lets Them Go." His own favorite is his collection, titled, "Monday's Meal," which received a glowing review from the NY Times in which he was compared favorably to Raymond Carver.
He is represented by Svetlana Pironko, Director, Author Rights Agency, Ltd., Dublin/Paris.
He has a blog on writing at: http://lesedgertononwriting.blogspot.com/ he invites you to visit.
He lives with his wife Mary in Ft. Wayne, IN. He and Mary have a son, Mike, and Les has two daughters--Britney and Sienna--from a previous marriage. He teaches a private novel writing class online. In the past, he has taught creative writing for the UCLA Extension Writer's Program, Trine University, St. Francis University, a class via Skype for the New York Writer's Workshop, and was Writer-in-Residence for the University of Toledo for three years.
Edgerton is an ex-con, having served two years of a 2-5 sentence at Pendleton Reformatory in the sixties for second-degree burglary. The sentence was the result of a plea bargain where it was reduced to a single charge from 82 burglaries, two strong-arm robberies, an armed robbery, and a count of possession with intent to deal. Today, he's completely reformed and you can invite him into your home and when he leaves you won't have to count the silverware... Prior to this little "trouble" Les served 4 years in the U.S. Navy as a cryptographer who had "up close and personal" experience with the Cuban Crisis and the beginning of the Vietnam War.
After making parole from Pendleton, Edgerton obtained his B.A. from Indiana University (Honors of Distinction), where he was elected Student Body President, and then received his MFA in Writing (Fiction) from Vermont College. He teaches workshops nationwide on writing, specializing in classes and seminars on the writer's voice and story beginnings. He also coaches writers on their novels and the fee is $150 per hour.
His fiction has been nominated for or won: the Pushcart Prize, O. Henry Award, Edgar Allan Poe Award (short story category), Derringer Award, the Texas Institute of Letters Jesse Jones Book Award, the Violet Crown Book Award, The Spinetingler Magazine Award for Best Thriller and others. Screenplays of his have placed as a Semifinalist in the Nicholl's Foundation Competition and as Finalists in the Writer's Guild and Best of Austin competitions.
He was born in Odessa, TX on Feb. 13, 1943 and grew up in a variety of places, including Freeport, TX and South Bend, IN. He is the oldest of five and has one surviving sister and a brother. Although, they're really his "half" siblings as he discovered a couple of years ago the man his mother had always claimed was his birth father... wasn't. Growing up in Freeport, his family ate all their meals at his grandmother's bar and restaurant, and before the age of twelve, Les had worked every job in the bar, including serving alcohol and food (those were different times, before the government assumed the job of parenting and protecting us from ourselves). When he turned 12, his grandmother told him he was old enough to learn the taxi-cab business which she owned and he began his first day on the midnight shift. An hour after he began, one of the cab drivers shot and killed another driver who was tormenting him with a rattlesnake, and he made the call to the police. Later, he was called on to testify at the man's trial and the defendant was found innocent as he was acting in self-defense.
These days, he's working on several novels, several nonfiction projects and appearing at various workshops. He invites readers of his work to contact him. His contact info is on his blog at www.lesedgertononwriting.blogspot.com/.
Customer reviews
Reviewed in the United States on November 19, 2021
Top reviews from the United States
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Once the first draft is done, then the hook, just like everything else in the draft, can be sculpted into a work of art. Even after publication, I've changed the opening of that book several times because it never felt right. Sure, it was my first book, and naturally had more issues than any others. I've learned so much with each new work.
My advice to anyone who reads Hooked is to take it with a grain of salt. Yes, the hook is important, but it's also only one piece of a much larger picture. Take the tips from the book to craft a hook, but don't obsess. If the rest of your book isn't equally good, it won't matter that you hooked them in the beginning. Readers give up on books at all sorts of points. Beginning, middle, and end.
And I will admit that I would love to sit in one of his classes--to be one of his students. I can only imagine how fun, instructive, and priceless his lectures and coaching would be.
I highly recommend that any fiction writer read this book, especially if they are just starting out.
In all jest, but I have to admit to being intimidated, then depressed by this book, only to be brought to redemption at the very end. 'Hooked' is about how to set up the most crucial part of your book or story, the part that leans hardest on the guillotine edge of an agent's or editor's slush pile: The beginning.
With a bounty of examples, Edgerton guides you not-so-gently at times through what makes it today as a story. It covers beginnings as a complex interweaving of elements, introducing the reader to the inciting incident and story problem to setup and back-story. Edgerton also takes the reader briefly through the transition of modern literature, film- and TV's influence on readers' tastes, and the publishing industry trends that guide agent- and editor acquisitions. There is a good bit of advise from agents.
This book is for anyone who wants to improve their craft as a writer. But be forewarned. It's a crucible. It's not the kind of book that will gently encourage you to write crap.
Top reviews from other countries
The reason I don't give it 5* is that it's dogmatic at times. Instead of suggestions, it gives 'commandments'. I don't think anyone has the right to make rules (let alone commandments) about what other writers may or may not do. Fiction writing is a creative at, and rules restrict the creativity. Guidelines are useful, suggestions are great - but rules and commandments are not acceptable.
The book is useful if you're working on a novel, especially if you have already written the first draft and have a clear vision of the story you want to tell. The rules/suggestions in this book can help you to find the best starting point and show you how you can weave essential information into the action early on.
I wouldn't recommend it for short story writers, or for novelists who wonder how to start a new project.
The author Les Edgerton is an experienced and successful writer. ( See 'lesedgerton.com' .) He explains how an `inciting incident' turns the MC's world upside down, and shows how this and other surface problems link to a deeper `story-worthy problem'.
His style is encouraging but not patronising, and topics are well explained with reference to current books and films. He gives two levels of explanation: the topic and why it's important, then examples and tips on applying the topic to your own work.
In one chapter agents and editors describe mistakes writers make with story beginnings, and offer examples of strong beginnings, but the book is not just about beginnings, it also covers: set-up and back-story, introducing your character, how to use active description, trusting the reader's intelligence, openings to avoid, and offers tips on foreshadowing, transitions and jump-cuts.
He explains about `BookScan' ( a global system which tells booksellers and publishers the titles that readers are buying right now ) and how it influences the type of stories publishers will buy.
I would recommend this book to anyone who wants to improve her/his chances of getting a novel accepted. ( See also the excellent 'Lights! Camera! Fiction!' by Alfie Thompson )
Hooked does what the title says: it hooks you in, even though it's a non-fiction. That's a good sign. That shows Edgerton knows what he's talking about, because he can hook you into his own writing.
It's a no-nonsense guide, and offers a lot of important reminders, as well as practical concepts that you can use. The few steps he offers that you should check in your opening are a good way to test if your opening works. Even if you don't pull it off, you would have a stronger opening just by actually giving these concepts a thought, than if you just randomly started typing.









