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2.0 out of 5 starsDetails, Plot, and Dialogue Hurt Crime Genre Thriller
ByA. Readeron December 1, 2016
“Hope’s Peak” sounded promising from the ad blurbs, but unfortunately, it did not live up to its billing. Here’s the good and the not-so-good, without spoilers:
THE WRITING – The author has chosen to write this book in present tense, third person. Writing in present tense can be tricky, but the author does an admirable job. However, while the book stays in the chosen style, it is a strange choice, and makes the characters feel cold and impersonal. Usually an author will tell the story in first person when using present tense, and it is confusing why the author made the choice he did.
THE DIALOGUE – There are many conversations that don’t seem real. In one chapter there is a shooting and a death, and the people involved begin bantering with each other within seconds after it was over. This would not happen immediately after a stressful situation has occurred. It appears this is the first crime novel by this author, and unfamiliarity with American police jargon and culture possibly caused a negative impact in this area. The one-dimensional characterizations also played a part in how everyone talked to each other. Reality is provided through vulgarities and f-bombs, which is rarely effective.
THE PLOT – The author would have us believe that there have been multiple murders over three decades by the same serial killer, yet every police captain has stymied the detectives working on the case because admitting the town had a serial killer would affect tourism. As the author states, “Every captain who comes in is sworn to secrecy.” In other words, families and the town’s population were oblivious to the deaths, which were covered up by the police…which means more people knew the truth but no one would talk about it for fear of repercussions. At some point, it becomes difficult to suspend disbelief, and as the entire story is based around this scenario, the story fails.
THE DETAILS – To write a realistic crime novel, thorough knowledge of police procedures must be reflected in the story. There were many procedural and informational errors in this story, the most glaring in the area of forensics. For instance, DNA results were reported back within one to two hours. Reality is that it would take (working 24 hours a day) two to three DAYS.
Having a psychic as a main character can introduce a powerful element to the plot. Using the psychic as a convenience to fill in all the blanks is a plot device that cheapens the story.
Other small items reared their heads throughout the story, such as the man in a locked retirement home somehow in possession of a betting slip…or the damaging information that sits waiting in a file room rather than someone simply removing and shredding it.
THE CHARACTERS – Many opportunities were missed to develop these characters further, resulting in a cast of bland people who proceeded predictably through the pages of this novel.
THE OTHER STUFF – As stated above, there are vulgarities throughout the book. There are also sexual scenes involving the killer. I don’t remove stars in these areas, just letting you know what’s in the book.
OVERALL -- The author certainly has talent, as demonstrated by his use of a difficult style (which may have been a poor choice for this book). Unfortunately, this tale is dragged down by what I have described above as well as some of the other plot devices I don’t mention for fear of giving away too much of the plot. Hopefully, his next offering in this series will smooth over the rough spots. Two stars.
~edited to fix a typo