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Hostel - The Director's Cut [Blu-ray]

3.2 out of 5 stars 673 customer reviews

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Editorial Reviews

Product Description

Presented by Quentin Tarantino (Kill Bill, Vol. 1 & 2) and directed by Eli Roth (Cabin Fever), Hostel is a shocking and relentless film in the tradition of Saw about two American backpackers (Jay Hernandez, Friday Night Lights and Derek Richardson, Dumb and Dumberer) in Europe who find themselves lured in as victims of a murder-for-profit business. Paxton and Josh, two college friends, are lured by a fellow traveler to what's described as a nirvana for American backpackers -- a particular hostel in an out-of-the-way Slovakian town stocked with Eastern European women as desperate as they are gorgeous. The two friends arrive and soon easily pair off with exotic beauties Natalya and Svetlana. In fact, too easily... Initially distracted by the good time they're having, the two Americans quickly find themselves trapped in an increasingly sinister situation that they will discover is as wide and as deep as the darkest, sickest recess of human nature itself -- if they survive.

Amazon.com

Well-made for the genre--the excessive-skin-displayed-before-gruesome-bloody-torture-begins genre--Hostel follows two randy Americans (Jay Hernandez, Friday Night Lights, and Derek Richardson, Dumb and Dumberer: When Harry Met Lloyd) and an even randier Icelander (Eythor Gudjonsson) as they trek to Slovakia, where they're told beautiful girls will have sex with anyone with an American accent. Unfortunately, the girls will also sell young Americans to a company that offers victims to anyone who will pay to torture and murder. To his credit, writer/director Eli Roth (Cabin Fever) takes his time setting things up, laying a realistic foundation that makes the inevitable spilling of much blood all the more gruesome. The sardonic joke, of course, is that Americans are worth the most in this brothel of blood because everyone else in the world wants to take revenge upon them. This dark humor and political subtext help set Hostel above its more brainless sadistic compatriots, like House of Wax or The Devil's Rejects. In general, though, there's something lacking; horror used to suggest some threat to the spirit--today's horror can conceive of nothing more troubling than torturing the flesh. For aficionados, Hostel features a nice cameo by Takashi Miike, director of bloody Japanese flicks like Audition and Ichi the Killer. --Bret Fetzer

Special Features

None.

Product Details

  • Actors: Jay Hernandez, Derek Richardson, Eythor Gudjonsson, Barbara Nedeljakova, Rick Hoffman
  • Directors: Eli Roth
  • Format: Multiple Formats, Blu-ray, Anamorphic, Color, Dolby, Subtitled, Widescreen
  • Language: English
  • Subtitles: French, Portuguese, Mandarin Chinese, English, Spanish
  • Dubbed: French, Portuguese
  • Subtitles for the Hearing Impaired: English
  • Region: All Regions
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • Rated:
    Unrated
    Not Rated
  • Studio: Sony Pictures Home Entertainment
  • DVD Release Date: October 23, 2007
  • Run Time: 94 minutes
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (673 customer reviews)
  • ASIN: B000VD9MG4
  • Amazon Best Sellers Rank: #18,652 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Hostel - The Director's Cut [Blu-ray]" on IMDb

Customer Reviews

Top Customer Reviews

By trashcanman VINE VOICE on October 28, 2007
Format: DVD Verified Purchase
The first time you watch "Hostel" you leave remembering two things: an insane amount of sex and nudity, and some truly brutal torture sequences. The media ignoranty dubbed it a new genre, "torture porn". This film is actually rather tame when compared to some of Italy's 70's horror, grindhouse flicks like "Cannibal Holocaust", and some of Asia's current horror masters. Nontheless, horror fans drooled, sqeamish movie-goers and media watchdogs were offended, then everybody moved on. The truth is this: "Hostel" is the "Texas Chainsaw Massacre" of our generation. After taking this so-called "director's cut" re-release as an opportunity to revisit a recent horror film I remembered fondly -if mostly for the two reasons stated above- I came to realize why so many people (not the least of which is Quentin Tarantino) believe in Eli Roth as a horror savior.

"Hostel" is a film layered with subtle humor that builds suspense beautifully and gives the audience exactly what they want to see while making them feel as though they've seen worse things than they actually have; all TCM hallmarks. The characters, obnoxiously American protagonists and European antagonists alike, are all both likeable, depraved, and almost feel like people you may know or have met somewhere before. You laugh with them, you scream with them, and you wonder what your own friends and family are truly capable of. Also reminiscent of TCM is the slaughterhouse feel one gets from the entire process of this torture industry where angry Europeans can take out their frustration with Americans and other tourists for a fee, thus comparing the suffering of the victims to that of animals harvested for slaughter. Be it simply for irony's sake, vegetarian propaganda, or both; it is nicely done.
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Format: DVD
I may be one of the few people who actually enjoyed Eli Roth's first film, Cabin Fever, despite the many inherent flaws to the story, direction and all-over-the-place feel. I never bought into the tagline for that film as once of the most horrific films this generation. I've been watching horror films for as long as I can remember and Cabin Fever doesn't even scratch the surface of what constitutes a great horror film. But it did show me that Eli Roth was serious about genre and acknowledges and honors his roots and influences.

Hostel is Roth's sophomore effort, and just like Rob Zombie with his second film (The Devil's Rejects) he shows improvement as a filmmaker and continues to show that he respects the genre he's chosen to be in. Hostel is an exercise in hate, pain and nihilism. There really are no sympathetic characters in the film. Roth instead shows just how debased, cruel and inhumane people can be towards each other. Whether its through verbal, physical and intellectual means. I must point out that this film is not the torture-porn that alot of media-types call it. The gore and torture really doesn't start until fully halfway into the film. Everything before the second half begins can be summed us as soft-core porn. There's alot of nudity and sex in this first half and sets-up the three characters played by Jay Hernandez, Derek Richardson and Eythor Gudjonsson.

These three college students are shown as boorish, misogynistic, insensitive louts who wish nothing more from their European vacation than sex, drugs, sex, drugs and more sex. It's this behavior that lures them to a town in Slovakia. An Eastern European, Soviet Bloc-era town where the women are stunning and horny to do whatever with foreign men.
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Format: DVD
I picked this movie up while on an extreme gore binge with a friend of mine. When we saw this, we figured "Awesome, that's supposed to be disgusting!" Although this is marketed as "The scariest movie of the decade", it is nothing of the sort. It is NEVER scary. Ever. Disgusting? Yeah, in a few parts I guess. But if the entire movie is riding on gore and violence, and there are only a few minutes of the saids content, then the movie has failed. Yeah, the achilles tendon scene was a definite flincher, but nothing else really got me. The eye was wicked fake looking. It was obviously a cheap prosthetic slapped over her eye.

Another serious issue was the VERY slow buildup. At least an hour was spent showing as many breasts as they could fit on the reel. It was meant to lull the viewer into a false sense of security, but it was so long that the viewer was CONSTANTLY dragged into thinking about what the trailer promised. A 30 minute buildup, reasonable. 60? That's just bad editing. Sorry.

Another thing that really got me is that sometimes the main character wouldn't take the action the viewer really wanted him to. It would have been great if he went on a murderous rampage, killing his captors. He did take out four or five guards, but that was not enough.

Overall, this movie was not even halfway as good as the trailer made it seem, and the fact that it was marketed as a horror movie is just pathetic.
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Format: Amazon Video
Paxton and Josh are college students backpacking through Europe looking for drugs, women, and good times. Oli, an goofy Icelandic drifter, joins their crew along the way. They pause in Amsterdam for prostitutes and pot, but are locked out of their hostel after curfew. Alexi gives them a place to stay and directs them to a hostel in Slovakia filled with desperate women. Slovakia seems a bit weird, but the promise of beautiful women turns out to be true. Everyone has fun until the next day Oli and few other hostel residents are unexpectedly gone. Paxton and Josh try to still have a good time because Oli was really a stranger. Then Josh disappears as well, leaving Paxton to run around frantically trying to find them. Then he ends up just like his friends: in the clutches of Elite Hunting, an organization where the rich kill people for ungodly sums of money.

Hostel has an interesting concept: a secret Elite Hunting organization has members who pay large sums of money to kill tourists in the manner of their choosing in Eastern Europe. I enjoy the second half of the film where Paxton has to find his way out of the murder facility. The mood is very tense and suspenseful, which is pretty rare in the torture porn genre. The torture scenes are well done where not everything is in your face. The blood and gore flow freely, but Eli Roth knows when to use extreme closeups and when to leave it to the imagination. Too many other films just show everything, but it frankly gets boring after a while. Hostel is also the first film to be dubbed torture porn and one of the first in the resurgence of ultra gory films in the 2000s. These are really the only positives about Hostel.
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