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Hour of the Gun
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Product Description
Guns don't stay in their holsters long when vigilantes Wyatt Earp and Doc Holliday meet outlaws in the Wild West. James Garner (Maverick) and OscarÂ(r) winner* Jason Robards (All the President's Men) saddle up as the legendary gunslingers in this riveting, fact-based story that is "the closest filmmakers have ever come to the truth of the OK Corral gunfight" (LA Herald-Examiner). With the dust barely settling at the OK Corral, the notorious Clanton brothers unleash their revenge. One by one, they gun down Wyatt Earp's brothersbut they won't have the last shot. Using his US Marshal's badge as his authority, and Doc Holliday (Robards) as his deputizedright-hand man, Earp begins a zealous pursuit of vengeance that the west will never forget.
Product details
- Aspect Ratio : 2.35:1, 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.5 x 5.5 x 0.5 inches; 3.2 Ounces
- Director : John Sturges
- Media Format : Closed-captioned, Color, DVD, Widescreen, Subtitled, Full Screen, NTSC
- Run time : 1 hour and 40 minutes
- Release date : May 17, 2005
- Actors : James Garner, Jason Robards, Robert Ryan, Albert Salmi, Charles Aidman
- Dubbed: : English
- Subtitles: : English, French, Spanish
- Language : Unqualified
- Studio : MGM (Video & DVD)
- ASIN : B0007O393O
- Writers : Edward Anhalt
- Number of discs : 1
- Best Sellers Rank: #81,999 in Movies & TV (See Top 100 in Movies & TV)
- #1,474 in Westerns (Movies & TV)
- #8,423 in Action & Adventure DVDs
- Customer Reviews:
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Top reviews from the United States
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The joy of watching any John Sturges western lies in the choreography. Sturges is one of the few directors who can make the simple act of men crossing a dusty frontier street look like very cool. Mind you, he knows how to block a scene so that everybody is shown moving around for a purpose. Sturges' movies are full of these cinematic maneuvers. Sturges stages all of the shoot-outs with his customary aplomb. "Gunfight at the O.K. Corral" differs drastically from "Hour of the Gun." "Gunfight" qualified as a more bombastic western than the subdued "Hour of the Gun." Sturges has eliminated any love interest for Earp in "Hour of the Gun" so this biographical western is all about business. The photography, the settings, and the atmospheric help make this western outstanding. Sturges generates suspense with Wyatt Earp's moral decline; his willingness to let his personal feelings overwhelm his judgment. Jerry Goldsmith's evocative music seems inseparable from the gritty action. Jason Robards is both brilliant but ironic as the morally unscrupulous gambler who provides commentary on his friend's moral lapses.
Unfortunately, the MGM-UA DVD lacks anything in the way of a commentary track, but the print of the film looks very good and the sound quality is excellent.
Although Wyatt and Alice may seem to occupy disparate niches in the archives of story telling, I propose that they are similar in that each tale acts as something of a template -an archetype- from which various interpretations of the core story can be rendered. It seems somehow ok that liberties have been taken with the exact way the events, either in reality or in the mind of the author, originally occurred in either story. The concepts of good, evil, morality, the impetus to do the right thing (The Wyatt Earp story), as well as the need to make sense of our dreams where the logic and proportion so often fall away (Alice)... are foundational to the human experience. To tell the story of Wyatt Earp or Alice in Wonderland with the characters and events reimagined by the current story teller allows us to examine these same core concepts through the fresh perspective of an individual's own interpretation.
In this terse, eerie rendition of the Wyatt Earp myth it seems that director John Sturges is asking us to compare the morality of the two key players; Wyatt Earp and Ike Clanton. Such a comparison is of course done with regularity, but in this case we have the events as they are laid out by Sturges to judge. For example, in this telling of the story Earp kills Clanton. We know it did not actually go down this way, but let's take this version at face value and see where it leads us.
We are being asked whether Wyatt and Ike are in essence the same man (the fact that Sturgis dresses Wyatt in all black lends credence to this assertion). This question is actually fundamental to the Earp myth. In this particular telling, Ike Clanton is described not as a mindless killer but rather a man with a goal --rule the world he is creating on his own terms, free of the interference of the Easterners. Clanton would prefer to work within the law ("if this were back east I could make law the way they do"), but in the end Clanton is willing to use death and violence to reach his goal.
Is it the same with Wyatt Earp? Wyatt generally works within the law. He's even willing to 'make law', such as prohibiting the carrying of firearms within city limits. But once the blood of his kin is in play Wyatt's need for revenge becomes more important than the moral code he has been living by. Still, he attempts to work within the framework of the law. He stretches his morality to the very brink though when he goads his adversaries into drawing down on him. Yet even near the end of the tale when he and Doc track down Ike Clanton in Mexico, Wyatt at first tries to work with the local authorities to apprehend Clanton. Only when the witnesses are killed and there's no chance of a trial to bring justice does Earp -for the first time really- step completely outside the law.
So, is Mr. Sturges telling us that when push came to shove, Wyatt and Ike were exactly alike? And perhaps by inference, that all humans, under the right circumstances, will sacrifice their core beliefs... a juxtaposition of the old adage "Every man has his price"? No. I don't think so. Hour of the Gun leaves intact a key difference between Clanton's actions and the actions of Earp. Ike was willing to sacrifice the lives of innocent people to reach his goal. He appears to care nothing of either the loss of his own brother or the deaths he sponsored of the innocents who would testify against him. Sturges's Wyatt does not go that far. Even when Earp tricks his adversaries into gun-play over arrest, the argument can be made he did so because they were guilty of a crime and there was no hope of a fair trial. To support that idea we have Doc Holliday's line; "You couldn't get a conviction in a Federal court or a local one...". And Wyatt never killed an innocent man to get to the men guilty of assaulting his brothers. For Wyatt Earp, blood was thicker than law, but even then he did not place himself above the law out of pure self-interest. Vengeance carried out in the name of another rises a few clicks above that.
Therein lies the difference; root motivation, and I would insert that when asked how this tale of the Old West applies in modern life, the reply may be that sometimes men, standing in judgment of one another, don't always take this further step of looking beyond a person's actions and view their core motives. At the end of the day every film that tells the Wyatt Earp saga, from Frontier Marshall in 1934 to Wyatt Earp's Revenge in 2012, begs the question; What would be the right thing to do in such circumstances? What would YOU do?
Top reviews from other countries
The tension is built from the beginning and keeps up all the way through. Clever to start from the shootout and go from there.
I bought this because 1. Costner's film got me hooked on Wyatt Earp and his story (he is a very complicated character who treads on both sides of the law)
2. John Sturgess name on a film means its gonna be very watchable and well made.
The bonus for me was James Garner as Earp. Very convincing performance.
I will watch this many times over because its that good.
Previous reviewers have dealt with all aspects of this film and suffice to say i have to agree that "Hour of the Gun" is at the end of the day a better made film than "The Gunfight at the OK Corral" as it goes into more depth of character. The only part i did not like was after the initial showdown at the OK Corral, this film falls flat for the next 10 minutes as if to say what direction will i now take? After that was decided, it is absorbing right to the end but as one reviewer stated, Ike Clanton did not die in Mexico.Usually, i discard either the original or the remake from my collection, depending on which is better. In this case, however, i shall keep both as i like the romantiscism of the "Gunfight at the OK Corral".
One aspect of all westerns made in the 50 and 60's that i personally feel let this genre down, is that everyone is immaculately clean and well dressed, even after riding through dusty prairies etc.OK, modern technology has made it so much easier to create more realism but belief that this simple detail was a poor failing.Look at the remake of the "3.10 to Yuma", which made me throw away the original version with Glen Ford(i gave it to the library),it oozes with reality.
The cast of this version are excellent,the scenery marvellous and the musical score by Jerry Goldsmith most appropriate.It is a good film about a zealous pursuit of vengeance and as one reviewer remarked, it just happens to be a Western.








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