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House of Darkness: House of Light- The True Story, Vol. 1 Paperback – March 8, 2011

3.1 out of 5 stars 411 customer reviews

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Editorial Reviews

About the Author

Andrea Perron was born in Rhode Island in 1958. She is a graduate of Chatham College in Pittsburgh, Pa. having earned an inter-disciplinary degree in philosophy and English literature. This memoir waited thirty years to be told, allowing the time and distance necessary for her family to reveal these long held secrets. The author is currently preparing for release of the second volume in this remarkable trilogy. John Shaw created the cover portrait of their farmhouse as a parting gift. Two months after the Perron family abandoned this place in the country, John, all of nineteen years old, drove from Rhode Island to Georgia. He presented his friends with the watercolor; painted from memory, in memory of a special house which touched his life as well. It remains a treasured keepsake. They loved him then as they love him now
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Product Details

  • Paperback: 528 pages
  • Publisher: AuthorHouse; 1st edition (March 8, 2011)
  • Language: English
  • ISBN-10: 1456747592
  • ISBN-13: 978-1456747596
  • Product Dimensions: 6 x 1.3 x 9 inches
  • Shipping Weight: 1.9 pounds (View shipping rates and policies)
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (411 customer reviews)
  • Amazon Best Sellers Rank: #245,965 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Kindle Edition Verified Purchase
I bought this book after I heard the movie for it was coming out. And I finished it merely because I had paid so much (in Kindle terms) for it. Clearly, the author is a well educated, erudite (one of her favorite words) woman. And clearly the author can write. But, she can't write this story. There is no plot line, no chronology, not clear recounting of events. It's merely a warm up to the main act, which must be--if she writes at this pace, in the last 10 pages of book 3. This is not a ghost story book, this is a philosophical venture with a smattering of "ghostly" incidents strewn through it amongst quotes from authors and philosophers. I'm sorry, but I thought editors would keep such poor writing from being printed. Under no circumstances, believe the review that his is a "page turner". It is not. And if you wanted to write a book on philosophy, do it instead, but don't waste the readers time. And for goodness sake, stop using the word "ether".
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Format: Paperback
Count me as a first time reviewer, and this book was so poorly written, I simply had to put my two cents in. I have come to a totally new appreciation for editors and the rest of the staff at professional publishing houses. Andrea writes in one chapter about an incident in 1972. In the next chapter, it's now 1976. Suddenly you're reading about how they'd only been in the house "a couple of months." Huh? What? A story, any story, simply has to flow. This doesn't. It's choppy and takes you all over.

In one chapter she suddenly brings up "Holly." Unfortunately, she doesn't actually introduce the character until several chapters later - it's at that point we find out who this "Holly" person is. There are typos in here, and no, I'm not normally the typo police, but it seems unprofessional. Andrea also writes about the Warrens all the way through the first book, but you don't find out how it is they came to be there or what actually happened until book 2. Had she put things in chronological order, her readers might understand more of what she was trying to convey to us with what the Warrens brought to the story.

Okay, so Andrea gets a dog and names her Bathsheba, then they encounter "Bathsheba" at the house. I kept waiting for her to comment on such a coincidence, but she doesn't. It just seemed natural to me that she would - otherwise why even put it in? She also brings up an incident and writes about it more than once. We got it the first time, thanks! And enough with the "Boo!" It's way overdone.

How many of you want to throttle the mother yourself? After a couple of incidents in the 'burbs, she sees this place, takes every dime out of the bank account and they make the move work.
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Format: Paperback Verified Purchase
Update 7/23/2013

Andrea Perron has simultaneously proven both the failure of the American education system and the desperation of Hollywood in these modern times in which they'll slog for years through endless pages of drivel and sophomoric narrative padding in order to tease a semi-coherent and decently scary story out of what would otherwise be nothing more than a prime candidate for both the physical and digital recycle bins. If you can believe it, self-proclaimed "author," Andrea, actually holds an inter-disciplinary degree in philosophy and English literature from Chatham College in Pittsburgh, PA. Meaning that she actually went to school, spent the time, and paid a whole bunch of money to learn about English literature, and still produced these "novels." I don't know whether to laugh at or cry for her.

Now having seen the movie, I can safely say that everything I wrote in my review is absolutely, completely and 100% justified; besides the names, they didn't use a single line or event from the book in the movie, much to the moviegoers' delight, I'm sure. As the "Warrens," played by Patrick Wilson and Vera Farmiga (who are a bajillion times more sane, logical and sympathetic than the Warrens are in real life), explain in the movie, ghosts are not able to possess people. Only demons can do that. This means that the only ghost they kept from the book, Bathsheba, is now a demon and no longer a ghost. Surprise, surprise.

To the person who said that the movie was going to be different because it was from the "Warren Files," and more from their point of view, let me just say how funny it is that the Warrens just happened to skip over the part in the book (in Vol.
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Format: Kindle Edition Verified Purchase
With all due respect to Andrea Perron's friends who gave her books 5 stars, this author is clueless about the fundamentals of novel writing. While I have no doubt she writes respectable poetry and that skill can come in useful in novelizing stories, she's ignored all the rules. When I first started reading book one, I wondered if it had been written in the nineteenth century as writing then was as florid as this one, then I saw the word s--- and realized it was modern. I later wondered if it was self-published as no self-respecting publishing house would have allowed this to go to print and Lo. And behold! It was. (Just imitating Ms. Perron) First rule of writing prose: Show, don't tell. Descriptiveness is needed, of course, to set the scene, describe reactions etc, but philosophy should be conveyed through conversations or thoughts of the characters, not lectured endlessly over and over by an unintroduced narrator. Rule two: Devise a timeline for the story and keep to it. Even stories that use a lot of flashbacks keep the story on track. Then at the end you may draw conclusions such as the link between science and spiritualism and philosophize as Ms. Perron did. Not keeping on track confuses the reader. Who is that? Did I miss the introduction of that character? Rules three, four and five: edit, edit, edit. The best authors tell of having massive sections either cut or rearranged for better flow of the story. This book reads as though Ms. Perron reminisced into a tape recorder then transcribed it and sent it to her vanity publisher without reading it or checking for the frequent spelling errors and poor sentence structures, such as writing `sites' instead of `cites'. Also her own personal version of "Duh, yeah" was "Boo! Who!Read more ›
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