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House of Earth: A Novel Hardcover – Deckle Edge, February 5, 2013
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Finished in 1947 and lost to readers until now, House of Earth is legendary folk singer and American icon Woody Guthrie’s only finished novel. A powerful portrait of Dust Bowl America, it’s the story of an ordinary couple’s dreams of a better life and their search for love and meaning in a corrupt world.
Tike and Ella May Hamlin are struggling to plant roots in the arid land of the Texas panhandle. The husband and wife live in a precarious wooden farm shack, but Tike yearns for a sturdy house that will protect them from the treacherous elements. Thanks to a five-cent government pamphlet, Tike has the know-how to build a simple adobe dwelling, a structure made from the land itself—fireproof, windproof, Dust Bowl-proof. A house of earth.
A story of rural realism and progressive activism, and in many ways a companion piece to Guthrie’s folk anthem “This Land Is Your Land,” House of Earth is a searing portrait of hardship and hope set against a ravaged landscape. Combining the moral urgency and narrative drive of John Steinbeck with the erotic frankness of D. H. Lawrence, here is a powerful tale of America from one of our greatest artists.
An essay by bestselling historian Douglas Brinkley and Johnny Depp introduce House of Earth, the inaugural title in Depp’s imprint at HarperCollins, Infinitum Nihil.
- Print length288 pages
- LanguageEnglish
- PublisherHarper
- Publication dateFebruary 5, 2013
- Dimensions6 x 0.97 x 9 inches
- ISBN-109780062248398
- ISBN-13978-0062248398
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Editorial Reviews
Review
“Powerful…Happily, many good things happened, and the book is finally with us.” — Larry McMurtry, New York Review of Books
“Its voice is powerful, and to read it is to find kinship with an era whose angers and credulities still seem timely…There is a surprising electricity in House of Earth.” — USA Today
“The style of House of Earth is strange and lyrical…House of Earth becomes an invaluable addition to the literature of the Dust Bowl and the Great Depression, one with an eerie relevance in today’s America.” — Dallas Morning News
“Guthrie demonstrates an easy facility with language and the words of the people of the Great Plains. The opening lines strike a note of simple poetry…House of Earth will certainly be essential reading for Woody Guthrie fans.” — Christian Science Monitor
“House of Earth is an artifact, of course, but so is any buried treasure…House of Earth is well constructed, like a good song or house should be, but it’s also a bit flawed and unruly, exactly the way American literature has always been.” — Minneapolis Star Tribune
“What a combo! Johnny Depp and Woody Guthrie…This belongs on a shelf alongside Steinbeck’s The Grapes of Wrath,…” — New York Post
“House of Earth is so alive it is hard to realize that its author has been gone for 45 years….Stark, original, brutal in spots, lyrical in others, often very funny.” — Times (London)
“A heartfelt story about grinding poverty …This novel, more than a curiosity, is both welcome and timely.” — Daily Telegraph (London)
“The book is an eccentric hymn to the everythingness of everything, a sort of hillbilly Finnegans Wake…it offers intimate, often startling access to the peculiar intellect and capacious soul of a 20th-century icon.” — Guardian
“With Guthrie’s ear for language and eye for human passions, House of Earth is an engaging and poetic story about struggle that still rings true today. Its revival is welcome.” — Independent on Sunday
“Guthrie’s straight forward depiction of his raw rural characters are reminiscent of not any of his fellow Americans so much as they are of Mikhail Sholokhov. The folksy, incantatory exuberance is all Guthrie…An entertainment -- and an achievement even more than a curiosity, yet another facet of Guthrie’s multiplex talents.” — Kirkus Reviews
“Almost more a prose poem than a novel, this is an impassioned tirade against agribusiness and capitalism. Like Guthrie’s songs, the novel presents concerns of the Everyman…readers who appreciate Jon Steinbeck and Erskine Caldwell, as well as fans of Guthrie’s music, will want to reach for this folksy novel.” — Library Journal
“With dialogue riche in ‘hillbilly’ vernacular and a story steeped in folk traditions, Guthrie’s drought-burdened, dust-blown landscape swirls with life…His heritage as folksinger, artist, and observer of West Texas strife lives on through these distinct pages infused with the author’s wit, personality, and dedication to Americana.” — Publishers Weekly
“Told in the unmistakable vernacular of Woody, at once earthy and erudite, House of Earth is less a novel than an extended prose poem interrupted by healthy smatterings of folksy dialogue.” — Shelf Awareness
From the Back Cover
Finished in 1947 and lost to readers until now, House of Earth is Woody Guthrie's only fully realized novel—a powerful portrait of Dust Bowl America, filled with the homespun lyricism and authenticity that have made his songs a part of our national consciousness. It is the story of an ordinary couple's dreams of a better life and their search for love and meaning in a corrupt world.
Tike and Ella May Hamlin struggle to plant roots in the arid land of the Texas Panhandle. The husband and wife live in a precarious wooden farm shack, but Tike yearns for a sturdy house that will protect them from the treacherous elements. Thanks to a five-cent government pamphlet, Tike has the know-how to build a simple adobe dwelling, a structure made from the land itself—fireproof, windproof, Dust Bowl–proof. A house of earth.
Though they are one with the farm and with each other, the land on which Tike and Ella May live and work is not theirs. Due to larger forces beyond their control—including ranching conglomerates and banks—their adobe house remains painfully out of reach.
A story of rural realism and progressive activism, and in many ways a companion piece to Guthrie's folk anthem "This Land Is Your Land," House of Earth is a searing portrait of hardship and hope set against a ravaged landscape. Combining the moral urgency and narrative drive of John Steinbeck with the erotic frankness of D. H. Lawrence, here is a powerful tale of America from one of our greatest artists.
About the Author
Woodrow Wilson "Woody" Guthrie (1912-1967) was an American folk balladeer whose best-known song is "This Land Is Your Land." His musical legacy includes more than three thousand songs, covering an exhaustive repertoire of historical, political, cultural, topical, spiritual, narrative, and children's themes.
Product details
- ASIN : 0062248391
- Publisher : Harper; Illustrated edition (February 5, 2013)
- Language : English
- Hardcover : 288 pages
- ISBN-10 : 9780062248398
- ISBN-13 : 978-0062248398
- Item Weight : 1.12 pounds
- Dimensions : 6 x 0.97 x 9 inches
- Best Sellers Rank: #1,655,632 in Books (See Top 100 in Books)
- #6,404 in Small Town & Rural Fiction (Books)
- #19,504 in Westerns (Books)
- #71,178 in Literary Fiction (Books)
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"What a year is, is just another round in our big old fight against the whole world." Tike to Ella May.
"Why has there got to be always something to knock you down?" Ella May Hamlin.
More than anything else, this book is about struggle. Guthrie has set the struggle in the hard scrabble, arid wastes of Texas. But ultimately the real struggle is between ordinary, hard working people (here represented by Tike and a pregnant Ella May Hamlin) who want to better their life, and the vagaries of big business (an unnamed U.S. Department of Agriculture Inspector), that keeps them in a kind of limbo, and a nurse, Blanche. But ultimately all four are cursed with hard luck sometimes found in life. But Guthrie's prose also paints a picture of a place, and an era few, if any of us can truly comprehend. His descriptions of the land and the life lived are truly authentic, and bring this story to life. But the Hamlin's struggles can still be found today-the physical place may now be different-but the struggle for hard won rights is still with us. But underneath it all is a slight feeling-is the struggle ultimately worth it?
Guthrie's prose is effective in bringing the characters alive, but also the land in this particular part of Texas. As in his lyrics, his way of using words and phrases forms not only a picture of the people involved, but the problems they encounter, and the toll that it takes on the Hamlins. People familiar with Guthrie's style, his way with words, will see that same honest, plain spoken yet incisive style here. Having his subjects trying to build a home made from the very land they occupy-earthen bricks-is sheer genius. The tumble down wooden shack the Hamlins live in, while they struggle to build a more permanent structure is a metaphor for the impermanence of their lives and the conditions they endure. Trying to build a stronger, more permanent house would not only be a real home, but would signify their triumph over "the system". But the Hamlins don't even own the land they want to build on, another problematic (and metaphoric) layer of confrontation and life draining effort they have to deal with.
Fans of Guthrie's music will get the same satisfaction reading this book. In some ways this is Guthrie's lyrics stretched and embellished into an even deeper picture of the plight of the seemingly faceless, downtrodden (at least on the surface) ordinary man against the vagaries and intractability of both the banks and the government, i.e., big business. Guthrie was a master at telling a story with a few well chosen words and phrases (learned in part because recording technology was fairly rudimentary in his day), and here he has a chance to delve even deeper into the problems he saw in America, into the the lives of ordinary men. Once again Guthrie has zeroed in on one couple's problems, that represent the problems of many other faceless ordinary people. And it takes place in an area that Guthrie new well through his travels-hence the dirty, cold, dry, hot references to the land that is the foundation (and fully part) of the story.
It's a shame it has taken so long for this book to come to light. Well known historian Douglas Brinkley (who's written about Ken Kesey and Kesey's "Furthur" adventures among others) and Johnny Depp, add their thoughts in a nicely written and informative (44 page) Introduction. There's a Selected Bibliography and Discography included, along with a Biographical Timeline. Even the roughish cover (with a great photo of Guthrie on the back cover) and the deckle edge paper are a nice fit. This is worth adding to your Guthrie library. It can easily sit alongside "Seeds Of Man", the 400 page partially true/partially made up prose work recounting a sliver and gold mining trip Guthrie, his father and friends took through Pampa, Texas and other environs. And of course "Pastures of Plenty", Guthrie's unpublished writings in chronological order (a personal favorite), and "Art Works" Guthrie's 344 page collection of drawings from his journals and sketchbooks, including a Forward written by Billy Bragg, and an Introduction by Nora Guthrie. With the recently published book of musicologist Alan Lomax' photographs, "The Southern Journey of Alan Lomax, Words, Photographs, and Music", this has been a great couple of weeks for fans of things "Americana".
Imagine the same words, not just published in this decade but written in it, by a living author. Take the same setting, characters, plot, book cover and the dustbowl colloquialisms. Remove the names Woody Guthrie and Johnny Depp: it is unlikely that you would have read even this far. But Guthrie wrote presciently, breathtakingly of a topic that would not rest and will never rest: the science of homebuilding. Only recently have we affixed the term "sustainable construction," but the problem has been around as long as domiciles have. Without the names Guthrie and Depp, House of Earth would be confined to the vast archives of genre fiction. But indeed those names are affixed. And should we read it? Absolutely.
House of Earth is slow with heat, sluggish with drought. We can count the number of scenes on one hand. In the first half of the book wheat sharecroppers Tike and Ella May Hamlin work, make love, and watch cars on the nearby Highway 66. She compares the vehicles--miniscule with distance--to termites. Their wood-framed house sags with rot: "You little ole rotten piss soaked bastard," Tike curses. (The reader soon recognizes any discussion of rebuilding as pillow talk. Ella May and Tike speak of a hypothetical adobe farmhouse the same way modern couples speak of early retirement in Tuscany. Not going to happen.) The book's second half is set a year later. The rotting wood house sags ever further. Ella May is pregnant, and an old injury to her breast courses with pain. There is a worrisome spot where for months she believed herself only to be bruised. Her midwife is running late, and there is a blizzard on the way.
As mentioned above, Guthrie handles the dialects unapologetically. Ella May says of a leg massage, "Gosh dern whiz a might gee ohh. Tike, you've not got the least idea how good the feel of your hands is." Elsewhere Tike, failing to define superstition, says "It's th' words of th' dead civilizations an' th' civilizations that ain't even been born yet." The sex scence, for those who count the first grope to the last gasp, is over 40 pages long. It is startlingly personal, too, what with Tike's baby talk and Ella May's play-by-play commentary. Guthrie's intention here is clear. The return to dried earth homes--which are "fireproof, windproof, dirtproof, bugproof, thiefproof" and rotproof--is a return to paradise, and to the incorruption of childhood. But there are no easy answers or clear allies. Farm owners build houses meant to weaken and fall, government officials suggest farmers grow smaller crops, and the bankers foreclose on exactly those plots of land they find most alluring. Private ownership means pride in efforts, but also exploitation and greed. Dirt brings produce, but chokes cattle during dust storms. Wind carries seed, but kills, destroys, erodes. (Neither is the metaphor of bodily fluid as seed lost on the author or his boorish main character.)
There are moments when Guthrie's prose means sheer beauty: "spirits of the dead carrying their own dirt, howling, begging, crying somewhere on the upper plains to be born again." Watching the Hamlins struggle against nature--human or otherwise--is nearly as agonizing as watching Ella May struggle with her health. When these three factors come together, the book is simply unstoppable: "there are a few people that work to hurt, to hold down, to deny, to take from, to cheat the rest of us. And these few are the thieves of the body, the germs of the disease of greed, they are few but they are loud and strong." Guthrie died after composing hundreds of songs but only one novel. And as one-offs go, House of Earth is unforgettable.
Top reviews from other countries
Enjoyed this book a great deal. - The sex scene must have been very raunchy for the 1940's!!!!
It is written in an almost childlike fashion and often does not make any sense.I read half before I died of boredom and it is now beside Bound for glory but this book is not covered in glory at all.







