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A House Near Luccoli Kindle Edition
|Length: 204 pages||Word Wise: Enabled||Enhanced Typesetting: Enabled|
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Top customer reviews
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In keeping with its period, A House Near Luccoli reads more like a symphony than a rock song. It is separated into parts that are like movements of the larger work. The language is not simple, making it the type of book I like to read slowly. There is so much in every phrase and I found I was often flipping back to let the meaning of Denton's words sink in.
Donatella loves to paint. Her sense of style and perfect hand make her the ideal copyist for Stradella's work. This is pointed out by Nonna, Donatella's grandmother, in an interesting scene where Nonna appears to be offering her granddaughter to Stradella for multiple purposes. "'Come here,' Nonna pleaded as Donatella could never refuse. 'Look, signore, at the beauty in her.'"
In addition to his composing Stradella's duties include performing. He calls on Donatella to sing while he plays and he tutors her for that task in one of the most sensual sections of the novel. "'Keep your arms up.' His hands pushed against her diaphragm. 'Make it a sliding note, higher, higher,' he dropped them from the inflation of her breasts, 'with body and voice until you can't feel any difference,' to her waist. 'Reach from your toes!'"
A House Near Luccoli mixes fictional with historical characters. It was fun to use Wikipedia to learn more about Stradella as I read the novel and Youtube to hear performances of his music. I recommend this book for readers who enjoy historical fiction with beautiful language.
Steve Lindahl - author of Motherless Soul
Author DM Denton writes with verve and great style. In Alessandro and Donatella she has recreated the romance between them with vivid believability. The 17th century is a period of extremes - lavish wealth and devastating poverty, lofty heights and dire circumstances. As the story unfolds and more of each character is revealed, I got a strong sense of the times, its foods, clothing, music, and art. Alessandro is a lovable rogue, a bad boy who never seems to learn from his mistakes. Ultimately, it all catches up to him in a tragic ending.
I always enjoy novels of unique historical settings with lesser known heros and heroines of the times. This is one such novel. Very well put together and researched. Highly recommended.
Denton demonstrates the depth of her research and her immersion in the period by depicting in detail a 17th-century household’s furnishings and daily rituals. The thoroughness of the description is especially appropriate since the no-longer-young Donatella is a virtual prisoner inside her own house. We can visualize the furniture, the food consumed, and the scrubbing, dusting, and scouring that go on in the dark, slightly musty and scruffy rooms off the staircase and hallways. We see the practical kitchen, and even a small walled garden, scented by citrus trees.
Denton’s subtle rendering of the “pecking order” in a class-conscious society is quite stunning, from the lowest of the servants, to fish sellers, to Donatella herself, to Stradella and the musicians he directs, and upward to the top-tier nobility. Of course, dominating each social class from low to high is the inevitably superior male. The members of these separate classes often rub shoulders, although they usually remain mindful of their pre-ordained positions in life.
Now we come to the crux of why Donatella’s character is so interesting, and from the outset, we are spared the typical feminist-heroine of historical fiction, annoyingly spunky and incongruously stuck in a period costume. True to her century, Donatella is not in an upwardly mobile social position, to say the least. She is not particularly beautiful, or, at her age, marriageable. She is not wealthy or a noblewoman. Rather, she is in stasis, genteelly trapped, living under the thumb of an authoritarian aunt while caring for her aged grandmother, her cats, and a scrappy household. When Stradella appears on the scene, she begins to use talents she hardly knew she had, and without guile or flirtatiousness, she fascinates the libertine composer through her goodness and honesty. In spite of his bad-boy reputation, Stradella treats this modest woman, a hidden romantic, with unusual deference.
The long sentences made up of multiple clauses separated by many commas bothered me at first, and occasionally I had to reread them to grasp the content. But after a while, I fell under the spell of Denton’s unique style. The overall effect is gauzy, like peering into another era obscured by the haze of centuries. But upon closer examination, I sensed steely precision. These sentences and paragraphs are a paean to Italian baroque architecture—outwardly flamboyant, but powerfully robust, the clauses curling back upon themselves. Her collage-like cover illustrations also embody the delicacy and strength of the novel.
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romantic and lovely experience.Read more