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House on Telegraph Hill

4.3 out of 5 stars 68 customer reviews

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$8.58 & FREE Shipping on orders over $49. Details Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item. Ships from and sold by Amazon.com. Gift-wrap available.

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Editorial Reviews

A Polish survivor of a Nazi death camp assumes another woman's identity and son in San Francisco.

Special Features

  • Audio Commentary with Film Noir Historian Eddie Muller
  • Poster Gallery
  • Production Stills Gallery
  • Unit Photography Gallery
  • Special Shoot Gallery
  • Theatrical Trailer
  • Fox Noir Trailers: Fallen Angel, No Way Out

Product Details

  • Actors: Richard Basehart, Valentina Cortese, William Lundigan, Fay Baker, Gordon Gebert
  • Directors: Robert Wise
  • Writers: Robert Wise, Robert Bassler, Dana Lyon, Elick Moll, Frank Partos
  • Producers: Robert Bassler
  • Format: Multiple Formats, Closed-captioned, Black & White, Dubbed, Full Screen, NTSC
  • Language: English (Dolby Digital 1.0), English (Dolby Digital 2.0 Stereo), Spanish (Dolby Digital 1.0)
  • Subtitles: English, Spanish
  • Dubbed: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated:
    NR
    Not Rated
  • Studio: 20th Century Fox
  • DVD Release Date: March 7, 2006
  • Run Time: 93 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (68 customer reviews)
  • ASIN: B000CNE08I
  • Amazon Best Sellers Rank: #54,847 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "House on Telegraph Hill" on IMDb

Customer Reviews

Top Customer Reviews

By C. O. DeRiemer TOP 1000 REVIEWER on March 28, 2006
Format: DVD Verified Purchase
The House on Telegraph Hill may not be an A thriller, but it's a B-plus thriller trying hard. It has an intriguing premise, characters who may not be who they seem, a great locale in San Francisco and a big, gloomy mansion.

Victoria Kowelska (Valentina Cortese; spelled Cortesa in the credits) is a Polish survivor of the Belsen concentration camp. Her husband was killed by the Germans and her home in Poland has been destroyed. Just before the camp is liberated her closest friend dies. This was a woman who had a wealthy aunt in America. Victoria's friend managed to smuggled her baby boy out of Poland and to the aunt just as the Germans invaded. Given a chance at a new life in America, Victoria grabs for it. She uses her friend's papers to assume her friend's identity. After spending time in a relocation camp, she learns the aunt has died. She makes her way to America and in New York meets the boy's guardian, Alan Spender (Richard Basehart). The boy will inherit the aunt's riches when he comes of age. Spender, who has adopted the boy, is initially suspicious of Victoria, but then he seems captivated by her. Victoria believes that she can love the boy as her own and find security with Spender. In a whirlwind decision they marry, return to San Francisco...and then suspicious things begin to happen.

If Victoria is not who she pretends to be, it may be than Alan Spender isn't either. Hovering in the background and living in the mansion on Telegraph Hill with them is Margaret (Fay Baker), the boy's nanny. Margaret is a tightly wound woman, controlling, and is not pleased with the marriage. Into this mix drifts Marc Bennett (William Lundigan). Before long, he and Victoria begin finding their way toward a relationship of their own.

The movie has several things going for it.
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Format: DVD
Intent on making a star with this vehicle out of the unusual Italian actress Valentina Cortese, Fox opened up its coffers for THE HOUSE ON TELEGRAPH HILL and also used some of their finest technical talent: the gowns, the sets, and the cinematography are absolutely first-tier, and the director, Robert Wise, does his usual intelligent tricky work with editing to make this woman - in - jeopardy film extraordinarily compelling. The script seems to be a mélange of several 40s melodramas, including REBECCA, GASLIGHT, DRAGONWYCK and (most of all) SUSPICION, but the film's excellent use of its San Francisco locale helps tremendously, as does Cortese's extraordinary performance as the guilt-ridden concentration-camp survivor who steals another woman's identity.
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Format: DVD Verified Purchase
This film is a real buried treasure. I found it to be reminiscent of Hitchcock at his best. Director Robert Wise perfectly captures the ominous sense of dread by letting this tale unfold subtlely to a satisfactory climax. The film is anchored by a powerhouse performance by Valentina Cortesa. You appreciate the depth of Cortesa's work here because she plays a flawed character, a Polish refugee who assumes the identity of a wealthy heiress who died in the concentration camps. The fact that we root for Cortesa's character against the potentially malevolent forces working against her is a testament to her skill as an actress. Also contributing excellent work here is an understated Richard Basehart.
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Format: DVD
"House on Telegraph Hill" is a gothic suspense loosely based on Dana Lyon's novel "The Frightened Child". Sometimes categorized as film noir, this film is only vaguely so. It's very much in the mold of "Gaslight" or Hitchcock's "Rebecca" and "Suspicion" in placing a possibly paranoid woman in an imposing house with an inscrutable husband and a series of suspicious accidents. Is she the victim of foul play or simply neurotic? The film was conceived as a vehicle for Italian actress Valentina Cortesa, who struggled with her English but gives as strong a performance as the script allows. The art direction by John De Cuir and Lyle Wheeler was nominated for an Academy Award. The façade of the "house on telegraph hill" that appears to overlook the San Francisco Bay was assembled over top of real buildings on that very site. The interior of the house is a set, but the antique Victorian furnishings are real.

In 1939, Victoria Kowelska (Valentina Cortesa) lost her home and husband to the German advance. In a concentration camp, she befriended a fellow Polish woman named Karin de Nakova whose infant son was sent to live with a rich aunt in the United States before the war. In spite of Victoria's efforts to keep her friend healthy, Karin died before the camp was liberated. Victoria assumed Karin's identity and tried to contact her aunt in the US, only to learn that Aunt Sophie had died. Four years later, Karin arrives in the US and finds that Aunt Sophie's American nephew Alan Spender (Richard Basehart) adopted young Christopher (Gordon Gebert) and lives in the aunt's grand mansion on San Francisco's Telegraph Hill. Alan romances Karin and proposes marriage, which she happily accepts.
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Format: DVD
Using contrasted black and white cinematography director Robert Wise created the proper mood for a film noir theme in "The House on Telegraph Hill". Noir femme fatale Victoria Kowelska played by Valentina Cortesa was an unfortunate Warsaw born native who endured the horrors of WWII and incarceration in the Belsen concentration camp. Upon her liberation she assumed the identity of her closest friend who had passed away in the camp, Karin, who had sent her young son Chris to relatives in San Francisco prior to the war.

After a hard life in refugee camps she made her way to America where she learned that Karin's and now her great aunt was the matron of a huge family fortune. The son Chris was the sole heir seeing that the old woman had recently died. Ambitious and unctuous relative Alan Spender played by Richard Basehart was appointed the young boy's guardian. In a whirlwind romance Basehart and Cortesa are soon married and move into the palatial Victorian mansion atop Telegraph Hill. Cortesa and the the boy Chris played by Gordon Gebert hit it off but all is not well.

She befriends Basehart's longtime acquaintance Marc Bennett played by William Lundigan who is his lawyer and actually met Cortesa as a major involved with repatriating European refugees. She needs a friend because she almost immediately butts heads with the sinister and sketchy Margaret, the young boy's governess, played by Fay Baker. Cortesa also is becoming paranoid that Basehart is trying to kill her when the brakes in her car fail.

It all turns out well in the end as a righteous twist in the plot rights all that was wrong.
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