Hovhaness is one of those composers whom you are likely either to adore or despise. After a considerable apprenticeship, during which he wrote a fair amount of rather conventional contemporary music, Hovehaness received considerable criticism from composers like Copland. Taking this to heart, he destroyed almost all his unpublished works and set out in a wholly new direction, one which inclined him toward Eastern melodies and techniques, and which brought him back to his Armenian roots. So while several of his best known works, such as "Mysterious Mountain" and "St. Vartian" have opus numbers consistent with early works, they really represent mid-period Hovhaness.
Hovhaness produced a large body of works which, after about his 30th symphony, began to sound alike. Of course, he lived to a ripe old age, and toward the end, his inspiration began to flag. But his early "Eastern period" works have an undeniable freshness and power, managing to be simultaneously weird, exotic, and conventional.
Some of his best stuff is on this CD. The 4th Symphony is one of my favorites. Not only does it build on instrumental solos (the passage for contra bassoon is particularly effective) into a really impressive climax. It is almost an experimental work, showing how much can be done when an entire symphonic piece has virtually no fast passages. Another piece, "Return and Rebuild the Desolate Places" (a great name, that!) is also powerful and evocative. It is basically a series of catastrophic yelps, followed by an extended trumpet threnody. Hovhaness is famous as a proponent of harmonic consonance, but sometimes he only gets there after extended periods of dissonance and chaos. And his meters ( I recall one 11/2 passage) sometimes border on the alien. But they make sense when you hear them.
The works here are scored for wind band. Some of these pieces were also released in a version for full orchestra, but I like the wind arrangements better. The sort of orientalism (better, Middle-Easternism) which permeates Hovhaness' music somehow sounds better without the smooth gracefulness of strings. As the fan mags would say, "Highly recommended."
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