Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.99 shipping
+ $3.99 shipping
How to Be Alone: Essays Paperback – October 1, 2003
|New from||Used from|
This month's Book With Buzz: "The Silent Corner" by Dean Koontz
A dazzling new series, a pure adrenaline rush, debuts with Jane Hawk, a remarkable heroine certain to become an icon of suspense. See more
Frequently bought together
Customers who bought this item also bought
Jonathan Franzen is smart and brash, the kind of person you want as your social critic but not as a brother-in-law. Many of the 14 essays in How to Be Alone, by the author of the critically acclaimed novel The Corrections, first appeared in The New Yorker, Harper's, and elsewhere. A long, much-discussed rumination on the American novel, (newly) titled "Why Bother?," is included, as well as essays on privacy obsession, the U.S. post office, New York City, big tobacco, and new prisons. At his best, as in "My Father's Brain," a piece on his father's struggle with Alzheimer's, Franzen can make the ordinary world utterly riveting. But at times, it can be difficult to discern where Franzen stands on any particular subject, as he often takes both sides of an argument. Valid attempts to reflect ambiguity s! ometimes lead to obfuscation, especially in his essays on privacy and tobacco, although his belief that small-town America of years gone by offered the individual little privacy certainly rings true. Franzen can write with panache, as in this comment after he watched, without headphones, a TV show during a flight: "(It) became an exposé of the hydraulics of insincere smiles." A few of the shorter pieces appear to be filler. Franzen shines brightest when he gets edgy and a little angry, as in "The Reader in Exile": "Instead of Manassas battlefield, a historical theme park. Instead of organizing narratives, a map of the world as complex as the world itself. Instead of a soul, membership in a crowd. Instead of wisdom, data." --Mark Frutkin, Amazon.ca --This text refers to an alternate Paperback edition.
From Publishers Weekly
Bestselling and National Book Award- winning novelist Franzen (The Corrections) urges readers to say no to drugs, but not the pharmaceutical kind; his opiates are those "technology offers in the form of TV, pop culture, and endless gadgetry," soporifics that "are addictive and in the long run only make society's problems worse." Franzen's just as hard on intellectual conformity-on academe's canonization of third-rate but politically correct novels, for example. As a serious artist, he knows that the deck is stacked against him; after all, a great novel is a kind of antiproduct, one that is "inexpensive, infinitely reusable, and, worst of all, unimprovable." The problem, he says, is that instead of being allowed to enjoy our solitary uniqueness we are all being turned into one gigantic corporate-created entity, a point Franzen makes tellingly when he says that while a black lesbian New Yorker and a Southern Baptist Georgian might appear totally different, the truth is that both "watch Letterman every night, both are struggling to find health insurance... both play Lotto, both dream of fifteen minutes of fame, both are taking a serotonin reuptake inhibitor, and both have a guilty crush on Uma Thurman." These canny, well-researched essays (which have appeared in the New Yorker, Harper's and elsewhere) range over a variety of subjects, from the antiquated and bizarrely inefficient Chicago postal system to the bizarrely efficient new privatized federal prisons, but they are united by a single passionate insistence that, in a cookie-cutter world, people who want simply to be themselves should have the right to do so.
Copyright 2002 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.
Browse award-winning titles. See more
If you are a seller for this product, would you like to suggest updates through seller support?
Top Customer Reviews
The essay on the mail situation in Chicago, Lost in the Mail, is fabulous; although the situation he describes is appalling, it is also hilarious. I find it interesting that Franzen, who (by his own admission) seems to be both a curmudgeon and a depressive, can be very very funny. I laugh outloud listening to him sometimes.
Lost in the Mail is extremely well written. One way Franzen tells a good story is by building an incline. He starts slowly and then climbs with increasing intensity, which I love.
If you read Freedom and loved or didn't love it, you will really love How To Be Alone. It is the real deal: Jonathan Franzen thinking out loud. He has a fine mind and his analyses are delicious. I highly recommend this book. And now I am on to order the next one by him. I can't get enough!