Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.99 shipping
+ $3.99 shipping
How to Grow a Novel: The Most Common Mistakes Writers Make and How to Overcome Them Paperback – March 20, 2002
See the Best Books of 2017
Looking for something great to read? Browse our editors' picks for the best books of the year in fiction, nonfiction, mysteries, children's books, and much more.
Frequently bought together
Customers who bought this item also bought
Sol Stein likens the reader of fiction to a baseball fan. The "tension, suspense, anxiety, and pleasure" a spectator experiences are "all the things readers hope for when they turn to a novel." In How to Grow a Novel, Stein coaches fiction writers in providing exactly those things for readers. First off, says Stein, you must write what you read; don't try to pull off a romance novel if you are a student of serious literature, or a literary masterpiece if you thrive on thrillers. With that in mind, Stein gears his book toward both "those who are trying to write a good book and those who are trying to write a good read." Most of How to Grow a Novel delineates what Stein considers to be a writer's obligations to his readers. A writer, he says, should be "amusing, entertaining, interesting," should create characters with character, and should maintain interest primarily by "never tak[ing] the reader where the reader wants to go." Stein illustrates his points with examples from his own experiences as a novelist and as a fiction editor.
The final section of the book is devoted to the responsibilities of the publisher. Any but the most stalwart writer can't help but be disheartened by the book business. It has often been said that a publisher determines a book's fate--barring a miracle--long before it is even released, by the funds allocated to publicize it. Stein takes this one step further, positing that a book's positioning is determined "when the agent submits it for consideration.... There are reportedly nearly a thousand literary agents in North American alone, but fewer than a dozen have clout."
Still, take heart, and try to enjoy the process. "Writing is the second most exciting activity a higher power invented for human beings," says Stein. "And when you get to your eighties, it's the first most exciting activity." --Jane Steinberg --This text refers to an out of print or unavailable edition of this title.
From Library Journal
"Come sit. We need to talk." With this simple invitation, novelist, editor, and writing instructor Stein invites the reader to listen as he shares what he has learned from his extensive experience in the fields of writing and publishing. This book, his second (following Stein on Writing), stands apart from the wide field of instructional writing books by putting the writer's focus on the reader. Stein states bluntly right from the beginning that "liars say they write only for themselves" and that a "lack of courtesy" toward the reader is one of the chief faults of unsuccessful writing. While this is perhaps a controversial notion, prospective writers will nonetheless be well rewarded by reading this collection of tips, methods, and numerous anecdotes. In this delightful instruction session, Stein proves once again that he is still a vibrant and talented force in the writing and publishing professions. Highly recommended for libraries supporting fiction writers or fiction writing instruction.
-Angela M. Weiler, SUNY Libs., Morrisville
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
If you’re the author, publisher, or rights holder of this book, let ACX help you produce the audiobook.Learn more.
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
He begins with the purpose of the protagonist and conflict in a novel. He also defines the rhythm of dialogue and offers how to maintain point of view. He provided two examples of novels that he edited and offered what they did well and what they did poorly, which I found helpful. He also gave examples of good writing, I'm reading one of those novels now, and how to format a manuscript before sending it to an agent or editor, and this is just a sampling.
I gave him only four stars because he mentions his own publications often, and why not? Instead of telling the reader exactly what he means by a certain statement, he refers the reader to his other publication, Stein on Writing. He gives the reader plenty in How to Grow a Novel, but then he leaves some loose ends too. I would recommend this book to any aspiring novelist. It's not too technical (a.k.a boring) and is a good reference piece.