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How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer Paperback – September 20, 2011
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How to get along with people, how to deal with violence, how to adjust to losing someone you love—such questions arise in most people’s lives. They are all versions of a bigger question: How do you live? This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne, considered by many to be the first truly modern individual. He wrote free-roaming explorations of his thoughts and experience, unlike anything written before. More than four hundred years later, Montaigne’s honesty and charm still draw people to him. Readers come to him in search of companionship, wisdom, and entertainment —and in search of themselves. Just as they will to this spirited and singular biography.
- Print length416 pages
- LanguageEnglish
- PublisherOther Press
- Publication dateSeptember 20, 2011
- Dimensions5.5 x 1.13 x 8.19 inches
- ISBN-101590514831
- ISBN-13978-1590514832
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Editorial Reviews
Review
“Serious, engaging, and so infectiously in love with its subject that I found myself racing to finish so I could start rereading the Essays themselves…It is hard to imagine a better introduction—or reintroduction—to Montaigne than Bakewell’s book.” —Lorin Stein, Harper’s Magazine
“Ms. Bakewell’s new book, How to Live, is a biography, but in the form of a delightful conversation across the centuries.” —The New York Times
“So artful is Bakewell’s account of [Montaigne] that even skeptical readers may well come to share her admiration.” —The New York Times Book Review
“Extraordinary…a miracle of complex, revelatory organization, for as Bakewell moves along she provides a brilliant demonstration of the alchemy of historical viewpoint.” —Boston Globe
“Well, How to Live is a superb book, original, engaging, thorough, ambitious, and wise.” —Nick Hornby, in the November/December 2010 issue of The Believer
“In How to Live, an affectionate introduction to the author, Bakewell argues that, far from being a dusty old philosopher, Montaigne has never been more relevant—a 16th-century blogger, as she would have it—and so must be read, quite simply, ‘in order to live’…Bakewell is a wry and intelligent guide.” —The Daily Beast
“Witty, unorthodox…How to Live is a history of ideas told entirely on the ground, never divorced from the people thinking them. It hews close to Montaigne’s own preoccupations, especially his playful uncertainty – Bakewell is a stickler for what we can’t know. …How to Live is a delight…” —The Plain Dealer
“This book will have new readers excited to be acquainted to Montaigne’s life and ideas, and may even stir their curiosity to read more about the ancient Greek philosophers who influenced his writing. How to Live is a great companion to Montaigne’s essays, and even a great stand-alone.” —San Francisco Book Review
“A bright, genial, and generous introduction to the master’s methods.” —Kirkus Reviews
“[Bakewell reveals] one of literature's enduring figures as an idiosyncratic, humane, and surprisingly modern force.” —Publisher’s Weekly (starred)
“As described by Sarah Bakewell in her suavely enlightening How to Live, or A Life of Montaigne in One Question and Twenty Attempts at an Answer Montaigne is, with Walt Whitman, among the most congenial of literary giants, inclined to shrug over the inevitability of human failings and the last man to accuse anyone of self-absorption. His great subject, after all, was himself.” —Laura Miller, Salon.com
“Lively and fascinating . . . How To Live takes its place as the most enjoyable introduction to Montaigne in the English language.” —The Times Literary Supplement
“Splendidly conceived and exquisitely written . . . enormously absorbing.” —Sunday Times
“How to Live will delight and illuminate.” —The Independent
“It is ultimately [Montaigne’s] life-loving vivacity that Bakewell succeeds in communicating to her readers.” —The Observer
“This subtle and surprising book manages the trick of conversing in a frank and friendly manner with its centuries-old literary giant, as with a contemporary, while helpfully placing Montaigne in a historical context. The affection of the author for her subject is palpable and infectious.” —Phillip Lopate, author of The Art of the Personal Essay
“An intellectually lively treatment of a Renaissance giant and his world.” —Saturday Telegraph
“Like recent books on Proust, Joyce, and Austen, How to Live skillfully plucks a life-guide from the incessant flux of Montaigne’s prose . . . A superb, spirited introduction to the master.” —The Guardian
“[How to Live] is written in the form of a delightful conversation across the ages with one of the most appealing, likeable writers who ever lived.” —Independent Mail
"More than just a straightforward biography of Michel de Montaigne, Sarah Bakewell cleverly breaks away from chronology to explore the fundamental questions of living through the philosophy, beliefs, essays and experiences of the French master we often reference as the “father” of “essay.”—Cerise Press
"[A] must-read in its entirety." —Brainpickings
"Bakewell’s writing style is equal parts fluid and fascinating." —The Flâneur’s Turtle
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The connection is not a simple one: he did not sit up in bed and immediately start writing about the accident. He began the Essays a couple of years later, around 1572, and, even then, he wrote other chapters before coming to the one about losing consciousness. When he did turn to it, however, the experience made him try a new kind of writing, barely attempted by other writers: that of re-creating a sequence of sensations as they felt from the inside, following them from instant to instant.
Product details
- Publisher : Other Press; Reprint edition (September 20, 2011)
- Language : English
- Paperback : 416 pages
- ISBN-10 : 1590514831
- ISBN-13 : 978-1590514832
- Item Weight : 14.7 ounces
- Dimensions : 5.5 x 1.13 x 8.19 inches
- Best Sellers Rank: #9,381 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Sarah Bakewell was born in Bournemouth on the English south coast, but spent most of her childhood in Sydney, Australia, after several years travelling the hippie trail through Asia with her parents. Returning to Britain, she studied philosophy at the University of Essex and worked as a curator of early printed books at London’s Wellcome Library for ten years before devoting herself to full-time writing in 2002. She now lives mostly in London, and teaches Creative Writing at Kellogg College, Oxford.
Her four books are all biographical, and the most recent two, 'How to Live: a life of Montaigne' and 'At the Existentialist Cafe', also explore philosophical ideas. 'How to Live' won the Duff Cooper Prize and the U.S. National Book Critics' Circle Award for Biography, and 'At the Existentialist Cafe' was chosen in 2016 as one of the New York Times' Ten Best Books of the Year.
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Philosophical skepticism is not simply the denial of an orthodox or majority view, this is the common, everyday use of the idea, simply the expression of disagreement. The philosophical skepticism of Montaigne is about doubt, not mere disagreement. Philosophical skepticism is a general view, not disagreement with specifics or over particulars.
Sarah Bakewell shows how Montaigne chose philosophical skepticism, doubt, as the best way to remain un-dogmatic which is the path to tranquility. Skepticism means freedom of thought for Montaigne where nothing in the world is more this than or that in the tradition Pyrrho. This leads first to indifference, then to the suspension of judgment, hence to tolerance and finally to peace of mind as Sarah Bakewell shows was most often the case with Montaigne. We must recall that in the original Greek, skepticism meant investigation which could lead to modesty about the knowledge and relativism about values. Socrates provided the ancient model for modesty about knowledge when he said, “what I do not know, I do not think I know”. The original model for relativism was in the ancient Greeks finding that what looked like universal values and principles were just local conventions, customs and practices specific to time and place.
In Montaigne’s time, skeptical arguments were used to rationalize religions belief, not cast doubt upon it. The target of the doubt was the emerging and yet untested secular, rational and scientific knowledge. Doubt was cast on the human ability to truly understand the nature of existence independent of revelation and belief in God and was thus endorsed by religious authorities of the time. That is, skepticism undermines faith in the powers of human reason. It was also a powerful weapon in the hands of the Catholic Church against the Protestant and Lutheran 'upstarts' of the sixteenth-century. Sarah Bakewell traces how Montaigne falls out of favor in the succeeding century when secular, rational and scientific knowledge becomes much more secure and Montaigne's type skepticism boomeranged upon revelation and religious belief. The skepticism once was used to rationalize religious belief rather now becomes the powerful tool for casting doubt about religious belief. This is what I mean by the skeptical boomerang. The seventeenth-century was an era in which certainty was sought as shown in the philosophical inquires of Descartes and Pascal who despised Montaigne as did the Catholic Church of the seventeenth-century. Descartes is famous for his skeptical doubt but for Descartes skepticism is not the way to tranquility and peace of mind, it is something to be overcome. That is Descartes' skeptical arguments did not make him a skeptic. Skepticism is not a value, it is only instrumental heuristic tool. Thus, Descartes was a methodological skeptic, not a problematic skeptic as was Montaigne. Descartes used skepticism, not without controversy, to build a rational foundation for religious faith, not call it into doubt. In a sense, Descartes was an anti-skeptic. Faith and skepticism are thus forever intertwined. With the 'Cogito' argument the conception as human beings as 'res cogitans', Descartes provided the exaggerated rationalistic formula to prevent his world from falling apart but in so doing created a island of subjective mentality that ignored the social context of human existence. In his quest for certainty, Descartes forgot what Montaigne knew, that philosophical thinking is the tool by which we address the uncertaintyies and deep existential questions presented by existence itself, not to banish them from existence.
Montaigne's understanding of skepticism is that for every proposition, there is a counter proposition. He lived through very brutal religious wars in France where he saw people killing each other over the things that they believed, which were the result of dogmatism. As Montaigne put it, dogmatism does not allow us not to know what we do not know. That is, dogmatism forces people to take sides and is very polarizing. Skepticism was the tool Montaigne used to defuse this noxious mix of belief, polarization and dogmatism.
Consider this move made by Augustine. I feel that it is cold, the skeptic can rejoin me and tell me that I only feel that it is cold but how do I know that it really is cold? This being the case, I can still know that I feel it is cold. I can know my own feeling. That is, skepticism cannot dissolve my first person subjective experience of existence without dissolving existence itself. Montaigne understood that to be skeptical one must presuppose existence, not skeptically dismiss it.
One factor that shaped his life was that his body produced kidney stones, which at the time were not only grotesquely painful but also potentially fatal (if you have never seen a kidney stone, there is a photograph in the book of what these agents of torture look like, little spheres with sharp spikes which are emitted, if you are lucky, through the penis). Knowing that he might die at any moment in agony, as ultimately he did, shaped his philosophy.
His philosophy was to be moderate, to be ordinary and to appreciate the smaller things of life. He was not consistent, not methodical, not heroic, not pretentious, not prudish and not serious about life. Nor were his essays any of these things. He is supposed to have been influenced by certain Greek and Roman philosophers, but he reminds me a bit of Leopold Bloom in James Joyce's Ulysses. During a period when Catholics and Protestants were murdering each other like Sunnis and Shias today, he tried to persuade people not to take religion so seriously, and to grant other people their humanity. His greatest gift was the gift of empathy.
This book is about his life, his works and the period in which he lived. There is a description of what it was like to travel from Bordeaux to Rome. At the gates of Rome Montaigne's baggage was searched for subversive materials. The author compares this to what it was like to travel to Moscow before the end of communism. There is a description of the horrible religious wars that took place during Montaigne's lifetime. There is also a description of the death of Henry III. Henry was stabbed to death by a vengeful Catholic priest while he (Henry) sat on the toilet. The question arises, how did the priest get in the bathroom? Apparently, it was the custom for royalty to receive visitors while sitting on the toilet. The ways of the exalted are mysterious to ordinary people like you and me.
The book also traces how Montaigne's essays were well received during his lifetime, and how future generations shaped him in accordance with their own spirits. The Catholic Church proscribed his works, then relented. He was made into a precursor of the Enlightenment by people of the Enlightenment and the precursor of Romanticism by romantics, and so on.
This book, like the essays of Montaigne themselves, is anything but linear. Like the essays, it takes playful twists and turns, doubling back, folding in on itself, telling parts of the same story sometimes in three different places. Sometimes it tells a story for no other reason than that it is a good story. For instance, the author says that since Montaigne is not alone at the pinnacle of French literature as Shakespeare is with English literature, Montaigne has never attracted people who deny that Shakespeare wrote Shakespeare's plays. But then, immediately contradicting herself, just like Montaigne would have done, the author proceeds to tell the story of one 19th century crank who believed that not only did Francis Bacon write the plays of Shakespeare but also the essays of Montaigne, Robert Burton's Anatomy of Melancholy and all of Christopher Marlowe's plays. Such asides have very little to do with the theme of the book, but that is typically how Montaigne himself would have written.
The author says that many people love Montaigne because he reminds them of themselves. So too with this book. It is a book which I would have wanted to have written myself, if I had had the skill. It also made me go out and buy French and English texts of Montaigne, and a CD of someone reading some of his essays.
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I hope you find my review helpful.
Reviewed in the United Kingdom 🇬🇧 on March 29, 2019
I hope you find my review helpful.
But there would be something almost perverse about offering the same treatment to the great French essayist Montaigne, given how his own writing looped and spiraled around, dodging the point when you most expected him to face it head-on, exploring tangents that shed new light on the main issue... and so Sarah Bakewell's 'Life', which takes the form of an ultra-literary self-help manual, is the perfect kind of biography for one of history's greatest, most unusual, deep thinkers.
As other reviewers have pointed out, Bakewell's approach is almost as unconventional as Montaigne's, but there is method and chronology in the way she has presented her findings and what comes across very clearly is her admiration for his work with an enthusiasm that is contagious.
I would recommend this book to anyone who has read any part of the Essays, and to anyone thinking of doing so as this would make a useful handbook and guide.
One minor criticism: I would have preferred captions for each picture rather than a list of illustrations at the end of the book which I had to keep flicking forward to in order to find out what I was looking at! Otherwise a witty, well-written and beautifully presented book, and one I was sorry to finish. I am sure I shall be re-reading it in the not-too-distant future.
Louise Gillett
Author of Surviving Schizophrenia, a memoir









