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How to Take Smart Notes: One Simple Technique to Boost Writing, Learning and Thinking - for Students, Academics and Nonfiction Book Writers
Audible Audiobook
– Unabridged
The key to good and efficient writing lies in the intelligent organization of ideas and notes. This book helps students, academics, and nonfiction writers to get more done, write intelligent texts, and learn for the long run. It teaches you how to take smart notes and ensure they bring you and your projects forward.
The Take Smart Notes principle is based on established psychological insight and draws from a tried-and-tested note-taking technique. This is the first comprehensive guide and description of this system in English, and not only does it explain how it works, but also why. It suits students and academics in the social sciences and humanities, nonfiction writers, and others who are in the business of reading, thinking, and writing.
Instead of wasting your time searching for notes, quotes, or references, you can focus on what really counts: thinking, understanding, and developing new ideas in writing. It does not matter if you prefer taking notes with pen and paper or on a computer, be it Windows, Mac, or Linux. And you can start right away.
- Listening Length5 hours and 53 minutes
- Audible release dateOctober 6, 2021
- LanguageEnglish
- ASINB09HSSFCPR
- VersionUnabridged
- Program TypeAudiobook
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Product details
| Listening Length | 5 hours and 53 minutes |
|---|---|
| Author | Sonke Ahrens |
| Narrator | Nigel Fyfe |
| Audible.com Release Date | October 06, 2021 |
| Publisher | Sönke Ahrens |
| Program Type | Audiobook |
| Version | Unabridged |
| Language | English |
| ASIN | B09HSSFCPR |
| Best Sellers Rank | #10,180 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #14 in Study Skills (Books) #22 in Time Management (Audible Books & Originals) #59 in Education (Audible Books & Originals) |
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Note categories named and unnamed
Ahrens discusses five categories of notes: three main descriptive categories of notes: fleeting notes, permanent notes and project notes; and two subcategories of permanent notes, literature notes and Zettels, although the term Zettel occurs nowhere in Ahrens (Ahrens, 41). These terms are defined in “Note categories in detail” below, after some remarks on the components of a Zettekasten and on workflow in the Zettelkasten Method according to Ahrens.
Zettelkasten components
A Zettelkasten consists of three components: a slip-box, which may be implemented in editing and note-linking software such as The Archive, Logseq, Obsidian, Roam Research, Zettel Notes, or Zettlr; a reference manager, such as Zotero or Mendeley; and, a pen and notebook or paper for so-called fleeting notes, to be defined (Ahrens, 29–30).
Ahrens includes a fourth component, an editor (Ahrens, 30). In software, the editor is usually combined with the slip-box function, so we refer to three components instead of four. When we refer to the slip-box, we mean the corresponding software component. Sometimes it is convenient to refer to the slip-box as the Zettelkasten, however it is (usually) clear from context whether one means the slip-box component or all of the components.
Workflow
The Zettelkasten Method is a description of the standardized note formats used and of the workflow of those notes and source references among the components of the Zettelkasten (Ahrens, 23, 41, 45). The workflow starts with hand-written notes and ends either with permanent notes in slip-box or the reference manager, or with project notes for writing projects based on the contents of the Zettelkasten (Ahrens, 23, 41–45).
Niklas Luhmann’s workflow
In Ahrens’ account of Niklas Luhmann’s Zettelkasten workflow, Luhmann first wrote brief literature notes and used these to write self-contained permanent notes called Zettels, which Luhmann wrote carefully, as if for publication (Ahrens, 17–18, 43).
Ahrens’ workflow
For Ahrens, the Zettelkasten workflow begins with fleeting notes, which could be revised as literature notes, which are further developed as Zettels; otherwise the fleeting notes are revised directly as Zettels (Ahrens, 23). In the rare circumstance that one’s thoughts are fully formed as if for print, the preliminary fleeting and literature note steps can be skipped, and one writes a Zettel (Ahrens, 23).
Ahrens misses an opportunity to revisit Luhmann’s workflow in terms of the descriptive categories Ahrens identifies, and to relate Luhmann’s workflow to the workflow he presents in section 2.1 (Ahrens, 23). Examples and diagrams of the workflow would have been helpful. This should have presented no problem, as Ahrens states that “[s]implicity is paramount” (Ahrens, 38–40).
Note categories in detail
Fleeting notes
Fleeting notes are hand-written notes to be discarded after being recast for inclusion in the Zettelkasten as permanent notes (see below). Ahrens assigns the fleeting note to its own category to emphasize its function and to emphasize the habits that he wants users of the Zettelkasten Method to adopt. “Fleeting notes are there for capturing ideas quickly while you are busy doing something else” (Ahrens, 43).
Ahrens advises reading with paper and pen in hand and advises against highlighting or marking up books and leaving slips of paper around (Ahrens, 29, 85, 87). Ahrens also expects fleeting notes to be written judiciously on the spot, rewritten as Zettels or Literature Notes, and discarded within a day or two (Ahrens, 43). This is crucial: if you don’t cultivate the habit of reading with pen and paper in hand, then for Ahrens, you are not following the Zettelkasten Method (Ahrens, 146).
Ahrens refers to the “fleeting literature note” for the handwritten precursor to the literature note (Ahrens, 44). There is no name in Ahrens for the fleeting note that is rewritten as a Zettel, just as there is no name in Ahrens for the Zettel.
The fleeting note is more significant than its name suggests, because of its normative function in Ahrens’s account of the Zettelkasten Method. For Ahrens, the Zettelkasten Method is a systematic approach to academic research and non-fiction writing in which the first step is to jot down fleeting notes while reading or attending lectures and seminars, or when busy doing something else (Ahrens, 23, 41, 43). Also, Ahrens advises writers to act “[…] as if nothing counts other than writing” (Ahrens, 38). Taken literally, this maxim commits the writer to an instrumental approach to life, forever cycling through a workflow that begins with the fleeting note.
Permanent notes
Permanent notes are self-contained notes that end up in the slip-box or in a reference manager. Quoting Ahrens:
"Permanent notes, which will never be thrown away and contain the necessary information in themselves in a permanently understandable way. They are always stored in the same way in the same place, either in the reference system or, written as if for print, in the slip-box."
(Ahrens, 41)
Ahrens recommends that permanent notes be written in “your own words.” (Ahrens, 23, 24, 37).
Literature notes: a subcategory of permanent notes
A literature note is a source reference in a reference manager, optionally with one or more attached notes.
The term ‘literature note’ derives from the note cards on which Niklas Luhmann, the prolific sociologist and originator of the Zettelkasten Method, recorded bibliographic references (Ahrens, 18). Occasionally Luhmann wrote a few brief remarks on the other side of these cards (Ahrens, 18, 43; Schmidt 2013, 170). Despite the ambiguous terminology, a literature note is a reference in a reference manager, such as Zotero. Ordinarily one doesn’t refer to bibliographic references as notes, although it is possible to attach notes to bibliographic entries in Zotero. In Ahrens, the reference manager is where those notes would go (Ahrens 43).
Zettels: a subcategory of permanent notes
What about the notes that go into the slip-box? Since Ahrens doesn’t give them a name, we’ll assign them a standard name that appears nowhere in the English translation of How to Take Smart Notes: the Zettel. Using only the descriptive categories Ahrens provides, the next definition will have to do, for now.
A Zettel is a permanent note that isn’t a literature note.
Ahrens refers to these notes as “the main notes in the slip-box” in exactly one place (Ahrens, 44). Since Ahrens doesn’t provide examples of Zettels or offer a standard template for notes, I offer a template for free at my github (Amazon does not allow URLs).
Malleability?
Zettels are permanent notes, but not conversely. Moreover, neither Zettels nor Literature Notes are immutable as their name might suggest. They can be revised—however, I advise caution when revising permanent notes. There are trade-offs to be aware of. Zettels are supposed to be self-contained: revision could result in loss of context (Ahrens 44). Since Zettels are linked to other Zettels, changing one Zettel could affect any other note connected to it, directly or indirectly. There is also the risk of obliterating history; of losing track of mistakes and dead ends to avoid; and of creating a misleading record of ever-upward progress (Ahrens, 125–127).
[…] our culture is focused on success and how we neglect the important lessons from failure (Burkeman 2013).
(Ahrens, 125)
It is very good to know what has already proven to not work if we try to come up with new ideas that do work.
(Ahrens, 127)
Project notes
Project Notes are mentioned by Ahrens in four places (Ahrens, 42, 45, 46, 71). These notes don’t have a standard format and reside outside the Zettelkasten for writing projects that make use of the Zettelkasten (Ahrens, 23).
Acknowledgements. I wish to thank @taurusnoises for professional editorial assistance and encouragement. @zk_1000 alerted me to the term “fleeting literature note” and pointed out that permanent notes subsume literature notes. @ctietze suggested additional citations.
References
Ahrens, Sönke. 2017. How to take smart notes: one simple technique to boost writing, learning and thinking: for students, academics and nonfiction book writers. North Charleston, SC: CreateSpace.
Burkeman, Oliver. 2012. The Antidote: Happiness for People Who Can’t Stand Positive Thinking. New York: Faber and Faber.
Schmidt, Johannes F.K. 2013. “Der Nachlass Niklas Luhmanns – eine erste Sichtung: Zettelkasten und Manuskripte.” Soziale Systeme 19 (1): 167–83.
It's a multi-dimensional book, touching on many useful topics, and there's a lot to be learned from each chapter, I'd think even for people who're already familiar with the methodology of Niklas Luhmann and Zettelkasten note taking, upon which the book is based. At the very least, it'll serve as a great refresher.
The only caveat with the book that I've found is that it lacks examples of actual notes, and a rather repetitive terminology around the different kind of notes can easily make it confusing to understand how the notes should look like. It's not difficult to find answers on the internet, and even Luhmann's own notes can be found online, but including some examples in the book would make it even more complete.
All in all, a great book and much recommended! While the title, description, and even a relatively short length make it sound like the book is exclusively focusing on the note-taking and Luhmann's system specifically, it goes way beyond those topics and teaches you to be an overall better thinker.
I would compare the buzz around Zettelkasten to the early days of GTD after David Allen published his book. Unlike GTD, I'm not sure Zettelkasten will become the next big thing. But who knows? I don't find this book as inspiring or as nuts and bolts practical as the GTD book. But this slip-box system is something worth exploring.
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Für die Anwendung habe ich mit der Notizapp Obsidian sehr gute Erfahrungen gemacht und kann diese nur wärmstens empfehlen.
Für Schule, Studium, Beruf, Hobbys und Tägliche Notizen ist das Konzept von verlinkten Notizen ein echter Gamechamger, weil sich langfristig eine Art autobiographisches Wiki entwickelt.
Yet I did learn an awful lot. This book is much, much more than a presentation of the Zettelkasten system. It's a comprehensive essay on the best way to study, to learn, to teach, to create, to write, to analyze, to come up with new ideas. It is based on a fascinating and methodological selection of research articles, scientific studies, books.
It describes a very clever, intelligent way of working that is at the same time challenging and a lot of fun. And the fun part outweighs the challenging part, which is why the method is so successful.
I am halfway through the book, not re-reading it (so I won't fall into the mere-exposure effect :p), but taking notes, reformulating the ideas, trying to expand their frame, to explain them to others, and I can already see how much the methods described are changing me and my workflow, for the better.
This book deserves to be a best-seller, as much as its references (Peak by Ericsson, Flow by Csikszentmihalyi, etc)!
P.S.: I very strongly recommand Emacs org-roam as the best implementation (completely free) of the Zettelkasten system ever made. The author does not mention it, because it was created after the book was published, but it is by far the best system ever made, with a strong and supporting community of volunteers building it and ready to help.
No livro encontramos detalhes de como esse método funciona, justificativas de por que é eficaz e uma boa dose de argumentação de por que devemos utiliza-lo. O autor faz muitas correlações do método com outros livros influentes do momento - talvez como prova de que ele mesmo usa esse método? E explica como aplicar esse método com ferramentas digitais - me pareceu demasiadamente trabalhoso fazer isso com cartões e caixas de papelão, como Luhman fazia.
Alguns trechos do livro são demasiadamente alongados, e me pareceu que ele poderia detalhar melhor exemplos de uso do método do que tentar convencer que ele é util. Mas no geral é um bom livro.
















