I actually hate most music scores. I have on several occasions insulted the movie composer at the end of a film in the theatre, only to find a big name like Hans Zimmer appear on the screen (um, whoops?). But John Powell’s How to Train Your Dragon score captivated me when I first sat in the theatres, and as I bought the CD and listened to it dozens and dozens and times, my love for it has only grown. Powell integrates the orchestra’s power with folk instruments and melodies, memorable tunes, creative motivic variations, and the intelligent use of the leitmotif.
The leitmotif, for those who are unfamiliar with the term, was first widely used by Richard Wagner. It is a melody that is used within theatre (and now film) to signify a single specific person, concept, or idea within the story. The music represents an ideological theme from the story, in essence. And while I could talk extraordinarily about many other aspects of the HTTYD 2 score (such as its incredible use of complex midground, the energetic bass parts, and the great tambre combinations used), I want to focus especially on Powell’s use of the leitmotif – the different themes in the HTTYD 2 soundtrack – and why they make this score just as musically strong as the first.
I didn’t know what Powell was going to do for the score of the sequel, but what I wanted was that he not just rehash the same music or cut and paste the first movie music into the second. I wanted something new and fresh, and we got that. I’m going to admit when I first heard the HTTYD 2 score, I didn’t feel that impressed because the music seemed much more generic and less melodically memorable. However, having now listened to the CD over nine times in the course of twenty-four hours, I can say that it has grown on me and I absolutely am amazed with what Powell has given us.
The music fits with the mood perfectly, and the different themes are all brought up at the perfect points. He uses the different new melodies written for HTTYD 2 very well. I’ll just briefly talk about each and what each melody (I feel) represents.
And for those who haven’t yet seen the movie, I’m going to try to euphemize my way around major spoilers. But I am going to be talking about the plot of the movie and how the music relates to it, so read with your own discretion, I suppose. You could probably extrapolate some things I am talking around if you think about it.
New World Theme (Hiccup as a Boy)
This theme we first hear in track 2, “Together We Map the World,” appears often when Hiccup and Toothless are adventuring – and consequently, when the two of them are avoiding responsibility. We hear it again, interestingly, many times when Hiccup is with his mother, such as 0:46 of track 10 “Flying With Mother.” I think that represents the fact that Valka is telling Hiccup the things he wants to hear – that he is destined to be a dragon savior like her, to go around the world traveling and seeing the dragons – as versus taking on the responsibility his dad is trying to force upon him. And the last time we ever hear that theme is when Hiccup can no longer avoid responsibility, demonstrating his coming of age, in track 14 at 0:50 (no song title given because it’s “The Scene”). The fact the theme dies after that truly represents to me the idea there is no turning back and living the life of a boy.
Dragon Vigilante Theme
The dragon vigilante theme is very closely associated with Valka and is first heard at 1:04 in track 4 “Toothless Lost” when Hiccup encounters her flying Cloudjumper. We hear this song a lot and could arguably be the main theme of the entire movie, but I notice that it’s especially used when Valka is protecting dragons and living her role as the dragon vigilante. This theme obviously takes the forefront in “Flying With Mother” in a creative combination of choir, percussion, and bass guitar, but you hear it more subtly in other places such as in track 12 when she enters the battle. You also hear it at the start of track 14, which make sense, since while the story is obviously focused on Hiccup’s reaction, the scene has much to do with Valka and what it means to save dragons, as well.
Hiccup only has the theme directly associated with him at the very end of the story when, during the climax, he is coaxing Toothless (track 16 “Toothless Found”). And I see that as him embodying the role of a dragon vigilante, as he is indeed saving a dragon (really, many dragons) right now with his actions. This again shows a bit of coming of age, though I would love to discuss with people more about the future of his life in this sort of role.
For the Dancing and the Dreaming
The first time this theme is heard is the instrumental introduction before our characters begin singing on track 11. This song represents the relationship between Stoick and Valka. You hear it multiple times, such as during the fighting scenes and, appropriately and beautifully, as the main melody of track 15 (not giving title). The choice to reprise that melody at this point in the movie is an incredibly powerful move, and makes me wish other composers could be so intentional about what music they use in scenes like this.
Alpha Dragon Theme
The alpha dragon theme is of course heard when we meet the Bewilderbeast in Valka’s sanctuary. It’s also prominently used during the dragonfight in track 12 “Battle of the Bewilderbeast.” But it also appears – incredibly significantly – in track 18 at 2:56 “Two New Alphas,” rather appropriately applied to the alpha dragon as he stands at the end of the film. For those of you who have seen the film, you should appreciate the use of this theme at the end hugely.
Drago and his Dragon’s Theme
Pretty straightforwardly used, I think. Drago comes in, that music is used, such as, for instance, at 4:23 of track 12 “Battle of the Bewilderbeast.”
Toothless in Trouble Theme
I actually wanted to talk about this just in the old movie before I got to watch HTTYD 2, and then I realized to my pleasure that it was included once more in the new movie, and in just as appropriate of a place. This is probably the most incredible use of music I’ve seen in Powell’s HTTYD music. We hear this theme only very rarely, and always in moments when one of the main characters is “down,” usually Toothless. And here are the five times I have heard it significantly (note it’s hard to talk about instance #5 without hinting very heavily at spoilers):
1. Track 3 HTTYD score “The Downed Dragon” at 3:13. Toothless is down and his life is at the mercy of Hiccup. This is the scene where we are foreshadowed visually and through the music that Toothless and Hiccup will trade places as the “man down” by the end of the film.
2. Track 18 HTTYD score “The Kill Ring” at 3:59. This is when Toothless is captured by the Vikings and chained – again, the dragon is taken down tragically, and is at the mercy of his captors.
3. Track 20 HTTYD score “Battling the Green Death” at 3:57. Toothless falls underwater and is about to drown when Stoick saves him – he is at the mercy of Hiccup’s father, rather than Hiccup (as was with instance #1), and we again see a member of the Haddock family save the dragon.
4. Track 3 HTTYD 2 score “Drago’s Coming” at 2:06. This is when Stormfly gets caught in a trap and falls down toward Eret and his dragon hunters. Again, a dragon felled and at the mercy of Vikings.
5. Track 13 HTTYD 2 score “Hiccup Confronts Drago.” This is used in the final point of rising action before the unspeakable event occurs. This is an incredibly poignant place for the theme to be used as the final action culminates to Hiccup’s worst nightmare. I would like to talk about how this is so appropriate on so many ways, but you’ll have to extrapolate those ideas for yourself for now. I don’t want to get too spoilerific even if this very heavily implies events.
The Trumpet (Hiccup as a Man)
The solo trumpet is used to symbolize Hiccup’s coming of age and is heard significantly twice in the movie. The first time is in track 15 at 3:15 during an important quote I shall for now not mention, and the second in track 18 when Gothi marks Hiccup on the forehead.
The Bagpipes in HTTYD 2 Track 15
I cannot talk about the use of the instrument without giving spoilers. But if you are curious as to what I am thinking about and you’ve seen the movie, message me.
Use of Other Old Themes
The older themes do appear semi-frequently within the new movie score, though not as often as I would have expected. Personally, I think this was a wise choice on John Powell’s part. We hear enough of the themes to know it is a How to Train Your Dragon adventure, but since this is such a different chapter in Hiccup’s life and there are other important themes and ideas going about his life, it only makes sense that the music is going to reflect those different themes, too.
The most obvious reuse of the old themes is in a beautiful suite of all the main old themes in the first track. I found this a very refreshing revision of the music – it sounded very new, exciting, and energetic, while at the same time giving the listeners that sense of adventure and draconic drama that made them fall in love with the first film. It is incredibly similar to “This is Berk” and I encourage you to listen to them back-to-back. I appreciate so much that we have the same themes, but presented in a wholly new way, rather than cutting and pasting the exact same sounds from the first movie. I especially adore the Uilleann pipes in track 1 “Dragon Racing” at 1:42.
One of the most famous themes from the first score, “Astrid Goes for a Spin,” doesn’t occur quite as often as you might expect. But that music is used oftentimes as an exclamation to audiences, “Look! We’re flying dragons!” And we make that same exclamation at the start of the new movie in “Dragon Racing.” Buuuuut… we know that the Vikings of Berk are riding dragons now, and it doesn’t warrant the same sort of excitement because it’s an everyday event by now. However, that sense of adventure returns in other places, such as track 5 “Should I Know You?” when Valka is confronted suddenly with a son who * gasp * rides dragons, when they’re trying to ride baby dragons and that’s a novelty, or during the short adventure Hiccup and Astrid have when meeting Eret son of Eret in track 3 “Drago’s Coming” at 3:13. This is my absolute favorite instance of reusing the old music because it’s incredibly original (never heard the variation before in the first film) but still very recognizable and exciting. Lastly, during the final battles when there are epic dragon flying stunts, we rehear those themes from the first movie.
Similar events often warrant similar music. For instance, when the youths swoop in on their dragons for the boss battle at 1:13 of HTTYD track 20 “Battling the Green Death”, the same music is played as with them swooping in on their dragons for the big battle on track 12 “Battle of the Bewilderbeast” at 1:29. I could talk forever about the similarities between these two scores in the use of all the themes, such as the main danger-fight theme that follows, and how “Battle of the Bewilderbeast” flawlessly, effortlessly switches between new and old themes as the situation warrants and the action bounces back and forth between characters and many complex ideas.
Conclusively, while in the theatre I didn’t feel too impressed with Powell’s second score because the music didn’t stick out as much for a first impression, with several listens I have fallen completely in love with this score. I marginally love the first score better because it has that upbeat happy, dramatic adventure feel, but the HTTYD 2 score is enormously powerful, musically complex, and very intelligently composed. If you don’t have a copy of the soundtrack yet available to your ears, I recommend full-heartedly that you fix that. John Powell’s music is genius - not just for HTTYD 1 - but also HTTYD 2.
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Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.92 x 4.92 x 0.35 inches; 1.69 Ounces
- Manufacturer : Relativity Music Group
- Date First Available : May 1, 2014
- Label : Relativity Music Group
- ASIN : B00JLKHTCW
- Number of discs : 1
- Best Sellers Rank: #209,280 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #13,150 in Soundtracks (CDs & Vinyl)
- #129,434 in Pop (CDs & Vinyl)
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5.0 out of 5 stars
Devastatingly Beautiful.
Reviewed in the United States on June 18, 2014
The soundtrack for the first How To Train Your Dragon was perfection. And I didn't think anything could top it, especially the sequel. In a way, i thought that the sequel would be an ok movie. But low and behold, we get the best animated movie since Pixar's BRAVE (Yes, way better than Frozen, which I loved). If you have not seen the movie yet, drop what you're doing and go see it right now! It's that good!Now, it goes without saying that this a series of dark movies. These movies feel like they're geared more towards the adults than kids. And I love that about it. And the score in this soundtrack highlighting these parts are devastatingly beautiful. There is so much emotion packed in these music tracks, it's unbelievable! It's really hard nowadays to find soundtracks that give emotional support to the movie. Usually the soundtrack is buried deep within the scenery. But this one stands out, as it aids us in understanding what we're feeling.Now this movie doesn't feature many of the "score" moments like the first movie. These are moments where the score shines and there is no dialogue (Test Drive, Forbidden Friendship, Romantic Flight...). Which is why it's even more amazing that I can remember it. I think the only scene that actually qualifies within that category would be "Flying with Mother". It's all just swell!The songs aren't exactly a stand out to me. I still think that Jonsi can't sing. I can't understand a single lyric and I hate that this new song used the theme from the first movie, it's as if they couldn't write a brand new song. What's worse is that they used the song TWICE in the movie. So unnecessary. I would have loved a score in the beginning when we see Hiccup and Toothless for the first time. "For the Dancing and Dreaming" works well in the movie, and it isn't a bad song, I just can't find myself listening to it outside the movie.I should also mention that this movie is filled with choirs. Almost every track has a choir, compared to the first movie which only had like one or two. I personally don't mind it as much as I did the first time I listened to it, I've actually grown to love it. But I know a lot of people who don't like it when soundtracks are filled choirs, so I was just giving you a heads up. However, you should listen to the soundtrack nonetheless because it still remains to be a strong one.My favorite pieces are:02 - Together We Map The World03 - Hiccup The Chief/Drago's coming04 - Toothless Lost05 - Should I know you10 - Flying with Mother11 - Stoick Saves Hiccup12 - Stoick's ShipThese tracks are well composed, well produced, and add a lot to the movie. I can see it being nominated for an Oscar, and I really hope that it wins, because it deserves it.The Packaging of the soundtrack is, as everyone has mentioned, disappointing. It's not in a jewel case, but a flimsy piece of cardboard. The booklet is just filled with images, no lyrics or anything. I think it's like 5 pages that each hold 4 images from the movie. You do get a letter from the director Dean DeBlois. I would have liked to have seen better packaging but the soundtrack still soars high!I'll try to add images so that you can see the packaging better.Definitely Recommended to fans of the movie and anyone who likes to listen to scores.
Reviewed in the United States on June 18, 2014
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Reviewed in the United States 🇺🇸 on June 19, 2014
Reviewed in the United States 🇺🇸 on August 18, 2014
Obviously enough, the sequel can never beat the first however the second soundtrack undoubtedly revamped all the tunes from the first movie making them bigger and better! We get to hear all the tunes we heard and adored in the first movie and some new tunes for new characters and settings. "Forbidden Friendship" will never be topped by anything in this soundtrack, and nothing came close to that beauty, but some new songs are really fun to blast just to annoy the life out of whoever is in the house or car with you! Here's what I thought of my favorite songs.
"Dragon Racing" follows the tune of "See You Tomorrow" with touches of "This is Berk" and our Protagonists melody line in "Forbidden Friendship" which let you know the main characters were lightly mentioned. "Dragon Racing" is energetic, loud, and more exciting than "See You Tomorrow" (which was my second favorite from the first album) and its fun to listen to while biking on hills or riding roller coasters! (in my experience)
"Together We Map the World" is a quite and gentle, though mischievous sounding calm tune with the most hints of "Forbidden Friendship" in the whole movie. it is used in the scene we get to see the most of Hiccup and Toothless' bond. It's short, has it's fun moments, and is nice to sleep to.
"Should I Know You" was like that surprise moment when you think what's going on is fairly dull in calm then a glimmer of hope from a shock or a slap in the face that actually feel's good. Then what did we get? Fast, sudden, expectant music like you know something big is happening, you're going somewhere but you don't know where. Everything around you is unfamiliar then suddenly, your mom who has been "dead" for 20 is there and the fast tune to "This is Berk" and "Dragon Racing" screams at you to just gasp and awe whilst screaming at you for the last few seconds of the song, and then it's over just as suddenly!
"Flying with Mother" this song came the closest to match my love for "Forbidden Friendship" it's a new tune, and most resembles the flying sequence of "Test Drive". the bells and harps as well as the tambourine heard throughout the softer songs are a new fun melody we'll definitely have up there with "Test Drive" and "Forbidden Friendship" you can just imagine flying, just jumping off something high and soaring until suddenly at the end you realize you can't fly and Toothless has to come and save you, in the nick of time!
"For the Dancing and the Dreaming" was a big surprise to me and I honestly wished it got more popular on YouTube with more covers but then nobody's voice is as full and deep as Gerard Butler. I did not expect in the slightest for the HTTYD franchise to have an actual singing sequence and it did not disappoint. Unlike some I love Gobber's adorable interruptions and I could picture much of the scene before I even saw it in the theater. I learned to play it right after I saw the movie and I've memorized every word! I do have to wonder why didn't Cate Blachett sing it? Can she not sing or something? Her voice is beautiful either way.
"Hiccup Confronts Drago" this is essentially like "Counter attack" as "Battle of the Bewilderbeast" is like, "Battling the Green Death". the Tune has undertones of "For the Dancing and the Dreaming" and is solemn like the turning point of the battle. Hiccup knows the risk, and he still doesn't listen to his father. Beyond everything I get shivers every time I hear Drago's menacing bagpipe theme, it's the perfect villain theme and it fills me with fear of my poor dragon being taken away every time I hear it. That theme is the reason I love the song so much!
"Stoick's Ship" Possibly the most beautiful, intense, and yet saddening musical sequences of the HTTYD franchise is "Stoick's Ship". It is somewhat a reprise to "For the Dancing and the Dreaming" and fills my eyes with tears whenever I listen to it. I've fallen asleep to it and it never wakes me. I die every time the song builds and I imagine Hiccup loosing that arrow, it's just so sad and perfect with the bagpipe solo of "For the Dancing and the Dreaming" I want to just give Hiccup a big hug and tell him it'll be alright! By the end you start to hear the hope come back to the song as Hiccup gives his own dedication, and the Flute comes in with Valka's comforting words to Hiccup which we all know. "You have the heart of a chief, and the soul of a dragon." The song goes out, building again as Hiccup forms a plan and we get a brief "Forbidden Friendship"/"Test Drive" melody.
"Toothless Found" Not gonna say much, it's a great song to write fanfiction (or any creative writing) to, with humming violins that make you feel like you're hovering. It's good and sad, but also has the edge-of-your-seat hope with undertones of "Flying with Mother" as Toothless comes back to Hiccup.
"Where No One Goes" I have to hand it to Jonsi! he's got some real beautiful talent! I've been a fan of Jonsi since the first HTTYD, my favorite songs being "Go Do", "Lilikoi Boy" and this song. Unlike "Sticks and Stone" from the last movie, this song has a very "Test Drive" feel to it only better! It has words! Jonsi's voice is a little difficult to understand but that's solved with looking up the lyric video but I enjoyed it either way!
"Into A Fantasy" litterally the video I watched before I discovered "Crystalize" by Lindsey Stirling as "Europe's Skies" by Alexander Rybak, and that was years ago, so needless to say I was elated to find out Alexander Rybak no only did a single for HTTYD 2 but is the Norwegian voice actor for Hiccup, only to be disappointed to learn the single only comes with the album for Europe. I've loved Alexander Rybak's voice and fiddle music for years and it made me very happy to learn about "Into a Fantasy"... now if only I could learn to play that awesome Violin solo!
Regardless of whether the reader thinks HTTYD2's OST is better or worse than the first movie, if you loved HTTYD1's OST this soundtrack has additions to your favorite songs, and new songs that are totally worth your money!
Thank You
"Dragon Racing" follows the tune of "See You Tomorrow" with touches of "This is Berk" and our Protagonists melody line in "Forbidden Friendship" which let you know the main characters were lightly mentioned. "Dragon Racing" is energetic, loud, and more exciting than "See You Tomorrow" (which was my second favorite from the first album) and its fun to listen to while biking on hills or riding roller coasters! (in my experience)
"Together We Map the World" is a quite and gentle, though mischievous sounding calm tune with the most hints of "Forbidden Friendship" in the whole movie. it is used in the scene we get to see the most of Hiccup and Toothless' bond. It's short, has it's fun moments, and is nice to sleep to.
"Should I Know You" was like that surprise moment when you think what's going on is fairly dull in calm then a glimmer of hope from a shock or a slap in the face that actually feel's good. Then what did we get? Fast, sudden, expectant music like you know something big is happening, you're going somewhere but you don't know where. Everything around you is unfamiliar then suddenly, your mom who has been "dead" for 20 is there and the fast tune to "This is Berk" and "Dragon Racing" screams at you to just gasp and awe whilst screaming at you for the last few seconds of the song, and then it's over just as suddenly!
"Flying with Mother" this song came the closest to match my love for "Forbidden Friendship" it's a new tune, and most resembles the flying sequence of "Test Drive". the bells and harps as well as the tambourine heard throughout the softer songs are a new fun melody we'll definitely have up there with "Test Drive" and "Forbidden Friendship" you can just imagine flying, just jumping off something high and soaring until suddenly at the end you realize you can't fly and Toothless has to come and save you, in the nick of time!
"For the Dancing and the Dreaming" was a big surprise to me and I honestly wished it got more popular on YouTube with more covers but then nobody's voice is as full and deep as Gerard Butler. I did not expect in the slightest for the HTTYD franchise to have an actual singing sequence and it did not disappoint. Unlike some I love Gobber's adorable interruptions and I could picture much of the scene before I even saw it in the theater. I learned to play it right after I saw the movie and I've memorized every word! I do have to wonder why didn't Cate Blachett sing it? Can she not sing or something? Her voice is beautiful either way.
"Hiccup Confronts Drago" this is essentially like "Counter attack" as "Battle of the Bewilderbeast" is like, "Battling the Green Death". the Tune has undertones of "For the Dancing and the Dreaming" and is solemn like the turning point of the battle. Hiccup knows the risk, and he still doesn't listen to his father. Beyond everything I get shivers every time I hear Drago's menacing bagpipe theme, it's the perfect villain theme and it fills me with fear of my poor dragon being taken away every time I hear it. That theme is the reason I love the song so much!
"Stoick's Ship" Possibly the most beautiful, intense, and yet saddening musical sequences of the HTTYD franchise is "Stoick's Ship". It is somewhat a reprise to "For the Dancing and the Dreaming" and fills my eyes with tears whenever I listen to it. I've fallen asleep to it and it never wakes me. I die every time the song builds and I imagine Hiccup loosing that arrow, it's just so sad and perfect with the bagpipe solo of "For the Dancing and the Dreaming" I want to just give Hiccup a big hug and tell him it'll be alright! By the end you start to hear the hope come back to the song as Hiccup gives his own dedication, and the Flute comes in with Valka's comforting words to Hiccup which we all know. "You have the heart of a chief, and the soul of a dragon." The song goes out, building again as Hiccup forms a plan and we get a brief "Forbidden Friendship"/"Test Drive" melody.
"Toothless Found" Not gonna say much, it's a great song to write fanfiction (or any creative writing) to, with humming violins that make you feel like you're hovering. It's good and sad, but also has the edge-of-your-seat hope with undertones of "Flying with Mother" as Toothless comes back to Hiccup.
"Where No One Goes" I have to hand it to Jonsi! he's got some real beautiful talent! I've been a fan of Jonsi since the first HTTYD, my favorite songs being "Go Do", "Lilikoi Boy" and this song. Unlike "Sticks and Stone" from the last movie, this song has a very "Test Drive" feel to it only better! It has words! Jonsi's voice is a little difficult to understand but that's solved with looking up the lyric video but I enjoyed it either way!
"Into A Fantasy" litterally the video I watched before I discovered "Crystalize" by Lindsey Stirling as "Europe's Skies" by Alexander Rybak, and that was years ago, so needless to say I was elated to find out Alexander Rybak no only did a single for HTTYD 2 but is the Norwegian voice actor for Hiccup, only to be disappointed to learn the single only comes with the album for Europe. I've loved Alexander Rybak's voice and fiddle music for years and it made me very happy to learn about "Into a Fantasy"... now if only I could learn to play that awesome Violin solo!
Regardless of whether the reader thinks HTTYD2's OST is better or worse than the first movie, if you loved HTTYD1's OST this soundtrack has additions to your favorite songs, and new songs that are totally worth your money!
Thank You
Reviewed in the United States 🇺🇸 on January 27, 2023
If you loved the movie then you’ll love the sound track
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Mr M
5.0 out of 5 stars
A perfect sequel score!
Reviewed in the United Kingdom 🇬🇧 on October 19, 2014
One of the finest film scores written in the past decade. A simply incredible follow up to the wonderful score for the first movie, this sequel score carries on with the same themes but adds plenty of new themes which Mr Powell perfectly weaves into a complex thematic tapestry. Fans of the first score will absolutely love the opening cue 'Dragon Racing' which features many of the great tunes from the first film, presented in a truly bombastic, swashbuckling way, producing 4 and a half minutes of the most satisfying action music. This score is perhaps a little more 'grown up' compared to the first, offering many emotional and dramatic moments but still with generous doses of fun, action packed music.
The orchestra sounds incredible, with 100's of performers producing a massive sound. This is what film music is all about, and this score firmly cements Powell as my favourite film composer. Anyone who's even remotely into film music should buy this score (and the first score too!)
The orchestra sounds incredible, with 100's of performers producing a massive sound. This is what film music is all about, and this score firmly cements Powell as my favourite film composer. Anyone who's even remotely into film music should buy this score (and the first score too!)
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KATHRYN FRASER
5.0 out of 5 stars
recommended by a teen
Reviewed in the United Kingdom 🇬🇧 on October 26, 2014
Bought this s a xmas pressie that my 13 yr old niece requested,I realise it must be something very special as a) she's veryparticular and b) perhaps more importantly she's a teenager and so a soundtrack to grab a teens attention must be worth having.
Michael Hickey
5.0 out of 5 stars
who was delighted to get it
Reviewed in the United Kingdom 🇬🇧 on June 21, 2015
Bought this cd as a present for a family member, who was delighted to get it, and has many happy hours of listening to it. Would have liked to get "how to train your dragon 1" but it was not available at the time.
Great music.
Great music.
Vince
5.0 out of 5 stars
Contains real tracks, not just bits and pieces.
Reviewed in the United Kingdom 🇬🇧 on August 27, 2014
A good sound track with thought put into it, not just a collection of musical snippets like some others. As a result, Powell's skills as a composer have been allowed to show through and the disc stands up to repeated listening.
Victoria
5.0 out of 5 stars
... don't stop hearing it lol but actually it's quite nice
Reviewed in the United Kingdom 🇬🇧 on October 2, 2015
My daughter loves the films and so I got this for her and now I don't stop hearing it lol but actually it's quite nice
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