- Series: Contemporary Approaches to Film and Media Series
- Paperback: 240 pages
- Publisher: Wayne State University Press; 2 New edition (March 14, 2006)
- Language: English
- ISBN-10: 0814332765
- ISBN-13: 978-0814332764
- Product Dimensions: 5.2 x 0.6 x 7.5 inches
- Shipping Weight: 9.6 ounces (View shipping rates and policies)
- Average Customer Review: Be the first to review this item
- Amazon Best Sellers Rank: #1,637,509 in Books (See Top 100 in Books)
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Howard Hawks (Contemporary Approaches to Film and Media Series) 2 New Edition
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A significant and contemporary study of director Howard Hawks by influential film critic Robin Wood, reprinted with a new introduction.
From the Publisher
Prolific director Howard Hawks made films in nearly every genre, from gangster movies like Scarface to comedies like Bringing Up Baby and Monkey Business and westerns like Rio Bravo. In this new edition of a classic text, author Robin Wood explores the ways in which Hawks pushed the boundaries of each genre and transformed the traditional forms in new, interesting, and creative ways. This reprint also contains an exciting new introduction by Wood, which shows how his thinking about Hawks has deepened over time without fundamentally changing. Since its original publication in 1972, Woods Howard Hawks has set the terms for virtually all subsequent discussions of the director. The provocative chapters demonstrate the ways in which Hawkss films were affected by the directors personality and way of looking at and feeling things, and by his celebration of instinct, self-respect, group responsibility, and male camaraderie. Woods connections between the professionalism of Hawkss action films and comedies, with their "lure of irresponsibility," has become a standard way of conceptualizing Hawkss films and the model to which all later critical work has had to respond. This book remains as contemporary as when it was first released, although it is grounded in the auteur period of its publication. Robin Wood has stubbornly resisted the trends of academic film studies and in so doing has remained one of its most influential voices. Certain to be of interest to film scholars and students, this book will also be particularly useful as a text for university courses on Hawks, popular cinema, and authorship in film.
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